Back catalogue: International

Review: Brazilian guitarist Fabiano do Nascimento and American saxophonist Sam Gendel join forces for The Room: ten tracks of broken jazzdance instrumentals conjoined by an almost telepathic synergy between artists. Springboarding from an initial collaborative gig at a restaurant owned by Gendel's cousin, the duo was thus born as a before-you-know-it gestalt; and in so coming together as a studio project, the artists realised their mutually jazz-laden upbringings, discovering even that both saxophonists had first picked up the brass at exactly the same age; both shared a fascination with environmentalism and ecology; both were superfans of experimental musician Hermeto Pascoal; et cetera. A serendipitous match, then, the album is synchronous to match, balancing five tracks per side in a sublime homeo-ecstatic equilibrium. Recorded in two days in a basement studio in Pacific Palisades, each track its own dive into the rhythms and regions of a South America without borders.

Review: .While Brazilian guitarist Fabiano Do Nascimento and American saxophonist Sam Gendel first met and played together at the dawn of the last decade - at a Los Angeles cafe both used to frequent, fact fans - it was only last year that they decided to collaborate on a release. The Room, the resultant album, was reportedly recorded in two days in a studio in the Californian countryside. It's an undeniably magical and sun-soaked affair, with Gendel teasing fluttering, flute-esque improvisations from his soprano saxophone while Do Nascimento delivers impeccable, finger-picking meditations on his seven-string acoustic guitar. The latter is undoubtedly a virtuoso with his own distinct style - a Brazilian take on classical guitar, incorporating nods to lesser-known regional music - but instinctively knows when to step back and allow Gendel the limelight. Impressive stuff all told.