Back catalogue: House

Review: Giuseppe Scarano's musical journey began at a young age, DJing in some of Puglia's best clubs like Clorophilla, Guendalina, Discorama and Heartz Festival supporting top tier DJs before launching NICEPEOPLE in 2018. His latest is on Constant Sound sublabel Cardiology and features four deep and dusty cuts. From the low slung disco loops of 'In Your Own' and the particuarly thumpin' Same For You' on the A side. Over on the flip, there's the swing fuelled deep house of 'Freaky' and some late '90s filtered house in the form of 'Best Places', cleverly sampling a pop classic from the same period.

Review: DJ SizleCaude is the head of the Herbal Soundz label and this is his first EP. It's one steeped in classic house knowledge and Chicago-referencing sounds. That is particularly true on 'About Time' with its spoken word sermon over dusty old drum sounds and hefty deep house drums. 'Kindly Listen' cuts it up with razor-sharp hi-hats and swirling pads that sound like a church organ in meltdown. Last of all is 'Ntho Tse', a swirling cosmic cut that takes you on a voyage through lush synth work and heartwarming pads before settling on a nice jazzy vibe.

Review: Since debuting a decade ago, Sleep D has refused to settle on one specific style or sub-genre, though in recent years the duo seems to have settled on a sound that prioritises hallucinatory, TB-303-driven sounds, weighty techno grooves and nods towards mid-90s ambient techno. These elements are much in evidence on the Australian outfit's latest EP, though there are also audible nods to neo-trance and the formative years of the psy-trance movement. They first join forces with Ivy Barkakati and Furious Frank on the constantly rising, mind-altering neo-trance throb of 'Border Control (Ahora Si)', before reaching for seriously trippy electronic motifs, creepy chords, metallic-sounding electronic bass and sturdy house beats on 'Post Pump'. Closing cut 'Bass'd in Berlin', meanwhile, immerses us in ambient electronics and mutilated choral samples before introducing a seriously pulsating, trance-style groove.

Review: 500, 12" 180g, hand stamped, individually numbered records, single press only.

Review: Over the course of 2012, LA based producer Gabriel Reyes-Whittaker aka Gifted & Blessed aka GB has been stealthily responsible for some of our favourite releases at Juno, be it the self released and brilliantly presented EP The Provider or his return to All City with the vintage Detroit electro flex of Seven In Twenty Four or the all too on point Eglo emission The Abstract Eye. The Steoples project done in collaboration with fellow West Coast musician A Race Of Angels surfaced earlier this year and glowered with the kind of resonating warmth you would expect when Reyes-Whittaker's music is complemented by the angelic yet fragile vocal refrain of his studio partner. Despite originally being restricted to the digital domain, tracks such as "Nature Of The Soul" seem tailor-made for sliding across a slab of wax so it's great to see The Steoples EP finally get a 12" release. Such delays haven't dampened the impact either, which is a clear sign of timeless music. Along with the aforementioned "Nature Of The Soul" - a scratchy concoction of house-not house rhythms, sweet keys and swirling basslines tailor made for the vocal - the duo preside over plump and wonderfully melodic analogue beatdown excursions which bode well for future material The Steoples are apparently working on.

Review: 
For their second installment, the Chateau Chepere crew brings on board legendary producer Stephan Laubner under his STL moniker, with four time warping pieces of music. With his distinctive and intricate sonic palette, Laubner extracts from his hardware different musical colors and shapes to produce singular atmospheres. Opening up the EP is Fly Fly, an epic 11 min minimal house trip full of tension and excitement, followed by Eargrind, an eerie, laid back Detroit leaning ballad. On the flip is Light Up, a spaced out, playful and bittersweet number that will revitalize any hazy after-hours dancefloor. Closing up the EP is Unlike Dislike, a quirky, jacking and mischievous techno workout for the packed club. This diverse ep will pull the listeners and dancers into Laubner's multifaceted, low key but captivating universe.

Review: UK mainstay Subb-An makes a welcome return with this fresh new EP on Aesthetic. It finds him in great form with opener 'Seeing Colours' heading off down a nice liquid minimal route with crisp tech drums and twinkling synths up top to bring the magic. On the flip side is 'Plants', a rather serene and sublime cut with more rolling drums and plenty of deft synth designs that bring a certain celestial charm to the fizzing leads. Snad's remix then shuts things down with a more driving sense of tech house rhythm to complete a tasteful EP of heady sounds.