Review: US house and techno maverick Amir Alexander has long been operating in his own unique lane. His take on those genres is based in superlative drum programming and raw emotion and this new outing on French label Phonogramme comes n coloured vinyl so looks as good as it sounds. 'Feel Me' kicks off with signature drums setting a mid-tempo groove while a classic vocal belts out to bring emotional release. 'Clear My Friend' is low slung dub house with an eerie vibe, and there is also a dub version of 'Feel Me'. 'Sunk Coast Fallacy' might be the highlight - a sparse, moody deep house cut with dusty drums and intriguing melodies that rolls for days.
AfroQbano - "El Bucanero" (feat Kevin Ford - Dez Andres remix) (4:40)
Review: Chicago label Future Rootz is a collective of mix media DJs who all play and rework global roots, tropical bass, world electronic and Latin house. Who better to do that than Detroit's Dez Andres, a deep-diving DJ, house head and producer with Cuban roots. He goes first here with 'El Trombone', which has a signature low-end thump with sunny Latin vocals, joyous horns and florid melodies. He then slows things down with one of his trademark remixes of AfroQbano's 'El Bucanero', which has noodling bass and poolside charm.
Review: Chicago house newcomer Arsene's 'Jack Shit' is guaranteed to detonate on impact, because its 7" release back in February has already done plenty of damage and got shouts from Luke Solomon, Moodymann and Danny Krivit among more. Now the Chicago upstart finally unleashes the full EP with three other, equally fresh cuts of raw, tracky Windy City house. Crunchy drum machines, hypnotic basslines and that unmistakable Chi-town swing are all present and correct here, with dark undertones but persuasive atmospheres all packed with Arsene's own urgent spark. No weak imitations here - this is a familiar analogue grit with future intent.
Review: Toolroom has gone from underground house label to one of the UK's most successful and large scale dance brands. They keep on serving up the sort of hits that become big festival anthems and this is another one, with new school Chicago artist Gene Farris paired off with ATFC for big, rollicking piano house sounds on 'Spirit of House.' 'R U' then gets more tech edged and sweaty on a big synth loop and walls of drums, while 'Tech House Kinda Thing' is a supersized tune designed to do plenty of damage. There is real funk and soul in the cut up and filtered vocal loops of closer 'Not Enough.'
Review: Audio Soul Project returns with fresh vinyl here in the form of their Simurgh EP, which is named after a mythical Persian bird. Across the tunes you'll find a fusion of dub, d&B, house and even r&b to make for an alluring sonic trip. Opener 'Deliver Me' brings the warmth and soul with balmy chords over raw, woody drums with a big diva vocal up top. Things are paired back for 'Azizam Dub' which has a subsonic bass line bump and synth stabs bringing the energy. 'Internal Vybrations' is d&b powered by monstrous bass with hi-hats, shakers and maracas detailing the rhythm, and last of all 'Celebration Dub' brings a funky and summery house vibe perfect for outdoor dancing. This is as varied an EP as you'll hear this season.
Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.
Review: Beyonce's last album was widely heralded as a triumph by all. It found her diving into house music and working with scene stalwarts like Luke Solomon and Honey Dijon. It won a Grammy for its efforts. Now, even though plenty of the originals were ready to work a club dancefloor, we get treated to some remixes. They all focus on the standout single 'Break My Soul' and we get funky and soulful stuff from Terry Hunter, broken beat from Will I Am, house thumps from Honey Dijon, and filter-heavy stuff from The Queens. Add in the Nita Aviance club mix and the original version and you have a useful package indeed.
Artificial World (feat Jamiel Patton - 2023) (6:30)
Song & Dance (feat Jamiel Patton - Planet mix) (6:47)
Review: House doesn't get much more Chicago than when made by Boo Williams. The big man has been turning out the jams for decades, always with an irresistible sense of low-end bite and top-end fun. This outing on the French label Phonogramme comes on clear wax and is another crucial 12". 'Melodic Groove' is just that, with rolling drums and soft melodies perfectly intertwining while 'Nite Vision' is a more broken beat and percussive affair with swirling pads up top. 'Artificial World 2023' (feat Jamiel Patton) gets your head amongst the stars with its bright, lush keys and skipping soulful drums and last of all is another heady and cosmic house roller in 'Song & Dance' (feat Jamiel Patton - Planet mix).
Review: Chicago house artists don't come much bigger or more accomplished than Boo Williams. The man has a famous signature sound that is full of party but never short on class. His chunky drums are always the foundational element and they come embellished with superb synth work. This new EP on Pariter finds him lean into tech with the loopy acid squelches of '303 Effect' keeping you in suspense, 'Acid Smoke' layering soft 303 lines into a punchy deep house cut and then comes the EP highlight, 'Extension Time'. It's a zoned-out roller with tender piano chords turning you inwards for deep reflection as the rubbery drums keep things moving.
Review: Boo Williams is in good company appearing here on Sushitech's sub label Pariter where he joins the illustrious likes of Delano Smith and Norm Talley in its ranks. You wait for a Boo Williams record and then, of course, two come along, 'Day Rise' being accompanied by the simultaneously released 'Night Fall', each with their own corresponding vibe. 'Day Rise' is definitely more upbeat of the two but it's a subtle distinction - it's certainly not full of 4AM bangers designed to keep you awake until the busses start running again. 'Talley Up' is a very straight forward affair, circling around a two note synth riff and gradually building percussion. 'The Take Over' is similarly spritely, another builder with crashing cymbals, jazzy chords and drum machine tumbles steadily building an insurmountable wall of funkiness. Breezy, bumping closer 'Teleport' completes the set, meaning three ultra-handy, raw but sophisticated tunes that house and techno DJs alike will find slipping into their sets with a natural ease.
Review: Despite a sizable, high-quality discography that stretches back to 1994, Boo Williams has never been as hyped or celebrated as many of his Chicago deep house peers. Perhaps it's time we gave him some love because the Natural Service EP - his first solo 12" on Chiwax since 2014 - is undeniably excellent. Check first opener 'Ambushed', where twinkling electronics and sumptuous pads ride jackin' drums and a brilliant bassline, before turning your attention to 'Echoes of the Dance', an acid-flecked journey through dreamy, loved-up deep house that's as picturesque as they come. Flipside 'Zone' is even more hypnotic and trance-inducing, sitting somewhere between classic deep house and the techier end of Omar-S's output.
Review: Limited edition reissue of the rare, sought after Boo Williams classic 'Fruits Of The Spirit' originally released in 1999, with four lush tracks completing the generous offering. The title track is blessed with a chugging rhythm, tinkling sonics and ascending, rushing synths, while elsewhere on the EP there's plenty of soothing, properly deep house all executed with a keen ear for melody and a knack for tempting feet floorwards. Don't miss this second chance to get your hands on a classic.
Review: A sizzling hotplate of previously unreleased, unauthorised edits from deep house hero Chez Damier, released in an unexpected act of dancefloor philanthropy. Regardless of the lack of information and apparent authorisation, 'Boot Germany' have collated four essential Damier cuts, from the cosy swang of 'Jabalou' to the stroboscopic drive of 'Take Me Away' via the timeless synth horn jack attack of 'Mix Masters' and the whimsically titled lounge trip 'Classic Piano'. Essential quick-draw record bag lingerers for discerning house heads.
Review: Those two little letters GU are always enough to get us excited. They are of course an alias of Glenn Underground, the masterful Chicago house producer, musician and DJ who still has a much lower profile than his talents deserve. Here he adds a Mix Mashup to Bobpstar's 'Mayday/Captured Restless Soul Mixes' and the result is a bubbly, mellifluous deep house cut with warm and liquid synths, chopped-up vocal fragments and a gooey sense of romance. It is another crucial offering from the Windy City mainstay, even if it is a one-sided 12".
Review: Stefan Braatz's latest EP, Outlaw, on Nu Groove, showcases his timeless sound and genre-defying approach. With a career spanning three decades, Braatz is celebrated for his diverse expertise, blending old-school reverence with contemporary techniques. The title track, featuring vocals from Chicago house pioneer Harry Dennis, kicks off the EP with Braatz's signature synth energy complemented by Dennis's effortless flow. The following solo tracks further exemplify Braatz's defiance of genre constraints: 'Conversation' engages in a euphoric dialogue between synth strings and piano loops, while 'Dingy Thoughts' and 'One More Dream' delve into darker club territories with intense, pulsating rhythms.
Review: Nu Groove will always be synonymies with a distinctive take on deep house - the label rose to prominance in the late 80s and early 90s in its native New Jersey and put out definitive releases from The Burell Brothers, mostly, but also a selection of other dons of the day. Some of them now come together for the first time on vinyl as Chicago legend Ron Carroll offers up a pair of tunes from his House Of Love EP. On the reverse, Trilogy Inc. come back strong with a couple of newbies in the bouncy house of 'Awakening', and 'Hi Cycle', which comes on more energetically with strong percussive patterns and classic drums. Serious heat, this.
Review: Leron Carson may not be the best-known Midwest producer, but he has history. Carson's first release came way back in 2001, with Theo Parrish putting out a track he'd recorded way back in 1987 and has appeared on Sound Signature intermittently over the years. This new 12" from Carson for Theo's label is HEAVY! "Lemonline" is a deliciously breezy concoction, with Carson's jazzy piano riffs working in perfect unison with bouncy, Latin-influenced drum rhythms. Flipside "Sofnthik", on the other hand, sounds like a previously unheard 1980s Chicago deep house concoction, with warm, loved-up chords swirling around a clattering drum machine groove. Whether it was recorded 30 years ago is unknown, but it certainly boasts a similar lo-fi, analogue feel.
Michele Chiavarini - "Let Me See You Clap Your Hands" (8:05)
Emmaculate - "Konga Madness" (5:24)
Terry Hunter, DJ Spen & Reelsoul - "Warning" (feat Rona Ray) (8:06)
Reelsoul, Tasha LaRae & DJ Spen - "Rock With You" (unreleased vocal mix) (6:17)
Review: Quantize's second offering is another irresistibly lovely house EP with funky and soulful vibes to spare. It's a varied bag of artists at the controls with Michele Chiavarini going first with the throwback vocals and piano-laced house grooves of 'Let Me See You Clap Your Hands'. Emmaculate's 'Konga Madness' has stomping Afro vibes and big horn energy making for a big carnival vibe and then things get impossibly smooth and seductive on the flip with Terry Hunter, DJ Spen & Reelsoul combining to great effect on 'Warning' (feat Rona Ray. Last of all is a sunny take on Michael Jackson's 'Rock With You' that has been all re-sung and reworked by Reelsoul, Tasha LaRae & DJ Spen.
Review: For the latest volume in their Foundations series on BBE, Kai Alce and DJ Spinna have decided to reissue one of the finest records from the earliest days of Chicago house, Chip-E's spellbinding 1985 anthem "Like This". This seven-inch edition features a fresh edit of Chip-E's original cub mix on the A-side. This version is essential largely because of the quality of K-Joy's impeccable vocal, though the re-mastered sound also makes Chip-E's crunchy Roland drum machine hits, bold synth-bass and spacey lead lines sound better than ever. Turn to the flip for the heavy and stripped-back "DDD Dub" version, which makes more use of the short "Like This" vocal, which was originally provided by the Godfather of House himself, Frankie Knuckles.
Tribute To Miles Davis (Pablo Minuto & Guillermo De Caminos remix) (7:07)
Electronic Funk (Jorge Savoretti remix) (6:50)
Review: For the quarter-century release from Savor Music 025, a stellar lineup of remixers rework Franco Cinelli's Tracks from the Vault Part 2. DJ Jes delivers a trippy house reinterpretation of 'Tribute to Miles Davis' and blends jazz elements with a loose, groove-heavy vibe while preserving the original's spirit. Pablo Minuto & Guillermo de Caminos take a minimalistic approach and turn the track into a hypnotic journey focusing on rhythm and atmosphere. Jorge Savoretti's remix of 'Electronic Funk' enhances the original's pulsing bassline and crisp percussion with added synth layers to create a deeper, more textured version that is great in its own right.
James Curd & Jonasclean - "Mullen It Over" (Fred P Reinterpretation) (8:43)
James Curd & Jonasclean - "Mullen It Over" (Marcel Vogal remix) (7:08)
James Curd - "Mullen It Over" (3:38)
James Curd - "Tried For Love" (feat Robert Owens) (3:39)
Review: The Pronto (house) label races onward and upwards with a sixth release that is here to get the floor bumping. It's a collaborative affair from James Curd & Jonasclean who race out of the blocks with the fat and heavy stomper 'Mullen It Over' which has snaking leads and rushy-feels. Would it surprise you to learn that the Fred P Reinterpretation is deep, heady and spiritual? Marcel Vogal remixes too, though with a more upbeat feel and lush summery chords. Curd also provides a solo prison of the same track that piles up the chords and a 'Tried For Love' (feat Robert Owens) is classic vocal Chicago house.
Review: Detroit legend Marcellus Pittman, a member of the iconic Three Chairs collective, teams up with renowned producer James Curd for the AtNosphere EP, marking his debut on Shall Not Fade. This 10" brings all the classic Detroit deep house elements togetherilush synths, smooth vocals, and rolling drum patternsicrafting a track that feels timeless. Curd, known for his work on the GTA soundtracks and various films, adds his production expertise to this collaboration, making the EP a must-have for fans of both Detroit house and masterful production. Two heavyweights on one record, delivering deep house at its finest.
Review: Following on from his recent collaborative outing with Jonasclean, James Curd now finds himself working with the deep house legend and Yoruba master Osunlade on a new track for Get Physical. 'Chocolate Puddin'' is a joyous and organic cut with life-affirming vocals that borrow heavily from gospel while Afro-house synths and drums unfold below. Three remixes take it into different territory with Kai Alce offering his signature smoothness, a Yoruba Soul mix going big on the lush chords and FNX Omar getting tribal. All in all, it adds up to a varied package and another great outing for Curd.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Review: Reviewing Roy Davis Jr.'s impressive and deep catalogue, picking and choosing a few to represent him on a 'Classics Remastered' EP must be an impossible choice. With over 35 years of brilliant, genre defining music, we can't imagine how difficult this task must have been. Who hasn't heard 'RU Ready' on the dancefloor before?! Also included is the long version of 'Save Your Life' which has been a late-night jam choice for countless DJs. We're really excited to see the 1996-edit of 'Heart Attack' made the final track list also - this tech house masterpiece has killed dancefloors the world over. Hopefully there'll be more classics of Roy Davis Jr coming after this one - for now, pick these remastered gems up now.
Review: Omar S treats us to a second release in the space of a week, with a much deserved reissue of some 1996 Roy Davis Jnr rawness across the A Side. The Stevie Wonder classic "All I Do" gets chopped up, laid over a killer Chi town beat filled with instantly gratifying raw drum edits and augmented by some evil bass thumps. Relentlessly brilliant and sounds just as fresh some 14 years on. Echoing a current trend this side plays outwards from the inside groove. On the flip Omar S teams up with DJ B Len D for the bongo heavy deep groove of "Da Teys" a track that's characterised by melodic keys which increase with curveball drama as the track progresses.
Review: American house don Roy Davis Jnr is inseparable from his cult classic 'Gabriel' with Peven Everett but also has many other delightful deep house cuts in his discography. His Black Excellence EP is one of them. It came digitally in 2022 on the P'oe Records label and now gets pressed up to wax for the imprint's first foray into this medium. It features the single 'Hidden Hebrew' which is a percussive deep house sound with soothing piano chords and plenty of drum fills and splashy cymbals. There are two different remixes of it as well as his own RDJ version of 'Summer La Costa' which is a more humid and horn-laced jam with a soulful topline. Last of all is a Mourad Remix packed with wet hand claps and chopped-up loops and violin.
Review: Roy Davis Jr, a staple of Chicago's house scene, partners with Jay Juniel for a reissue that encapsulates the raw energy of late '90s underground house. Originally released in 1997, this remastered edition brings new life to the gritty, soulful rhythms that first defined the era. Davis, known for his iconic track 'Gabriel', layers deep bass and atmospheric textures, while Juniel's experimental edge infuses the tracks with an unpredictable twist. Opening with 'Transition', a steady groove builds to 'Musical Sense', where spoken word and complex beats converge. On the flip, 'Funktion' and 'Digital Rhythm' hit with infectious basslines and high-octane energy. The remaster gives the original its due clarity while preserving the essence of Chicago house's emotional depth. This reissue isn't just a nod to the past, but also a reminder of why this sound still dominates dancefloors today.
Review: It would be fair to say that Roy Davis Jr and Peven Everett's "Gabriel" (originally written "Gabrielle" on early pressings) has become a timeless dance music classic - a track that both soulful house and UK garage DJs reach for in times of trouble. Should it not be in your collection already (and it should be), Large Music has decided to re-master and re-press the original 1996 12". It does, of course, contain the now ubiquitous "Live Garage" version - the groovy two-step, trumpet-laden mix that became popular with early UK garage DJs - plus a trio of lesser-known remixes. The Tambourine Dub, in particular, is something of a tough, warehouse-friendly deep house treat.
Review: Chicago based producer Tai Davis first came to light earlier this year with the Made In Chicago 12" on Dizzy Tunes, and now he follows that up with an EP on the ever productive Vibraphone. As the title No Computers Necessary would suggest, this is classically-rooted house music with all the charm the hardware process provides. Davis' productions are bright, melodic creations with rock solid grooves and strong hooks for all kinds of good times, with B2 track "Floating" standing out with its strafing acid line punching out into a decidedly ethereal soundscape.
Review: Kerri Chandler has once again dipped into the vaults of his long-running Kaoz Theory label and picked out two previously digital-only gems deserving of a belated vinyl debut. On side A you'll find Demuir's soulful and uplifting 2020 jam 'Lusting U', a rolling chunk of semi-organic house warmth featuring superb lead vocals from British vocalist Bluey Robinson. Over on side B, it's all about DJ Sneak's 'Judy Russell', a killer cut first featured on his Movin' Parts EP three years ago. A bit deeper, woozier and more loose-limbed than some of his more muscular and forthright workouts, it sees the veteran producer wrap synthesized vocalisations and sunny chords around a chunky bassline and swinging house beats that sound like they could have come straight out of Kenny Dope's MPC.
You're Enough (feat Janet Coco - Anthony Nicholson remix) (8:33)
Free Your Mind (4:20)
Review: Lorenzo Dewberry manages to fuse the house music poles of Chicago and Detroit on this mind-expanding and cosmic new house EP for Excursions. He is a relative newcomer with credits on labels like Ten Lovers Music and is already in a class of his own, given how musically and lush these tunes are. 'You're Enough (feat Janet Coco)' is a down-by-the-sea-at-sunset gem with Balearic chords and far-sighted reverie, 'Open Skies' is just as much of a sonic daydream with a gentle groove and then an Anthony Nicholson remix layers in some nice nimble jazz keys and pixelated leads. 'Free Your Mind' is a downbeat, jazzy lullaby to close.
Review: The third installment from long serving house institution King Street Sounds offers up a stellar selection of deep house gems that shine on vinyl. Side-1 opens with Danell Dixon's 'Dance Dance' in DJ Pierre's Wild Pitch mix. Its sweeping melody and piano-driven elegance embody the quintessential house vibe, setting a high standard. Following this, Big Moses delivers 'Brighter Days' featuring Kenny Bobien. This extended mix pairs a Sylvester-inspired vocal with a mellow yet uplifting groove, carrying a timeless house message of joy and positivity. Flipping to side two, DJ Pierre's 'Dancin'' takes center stage with a filtered anthem that shows his signature Wild Pitch flair, igniting the dancefloor with energy and style. Blaze's 'Shine' closes things out in the Shelter vocal extended mix. Blending melodic piano, gospel influences and jazzy undertones, it's a laid-back yet upbeat track that exudes warmth and soul. A great taster of this label's undisputed ongoing mastery of the house genre.
Review: DJ Fede's 'Sant Josep De Sa Talaia' is a deep house tribute to the village and municipality of Sant Josep de sa Talaia in Ibiza. This new 12" includes an 'essential dub' mix by Alex Neri, a co-founder of the legendary Italian label Planet Funk; a remix by Rahaan, a Chicago-based disco and house DJ and one by genre institution Francesco Farfa. All are increasingly affective facets of the Balearic style, cycling through its every angle from sinister builds to light-hearted disco jaunts.
Review: Mark Grusane presence on Disctechno brings with it a compilation of five unique house tracks from Chicago and Detroit-based producers, as you will probably have guessed from the title. The A-side features DJ Slush's synth-driven 'Memory Blank' and Deon Jamar's bass-heavy 'AYYYO' which offer different but both killer sounds. The B-side opens with Jordan Zawideh's reverb-drenched 'Axolotls' followed by Grusane's intense, atonal 'The Recoil' and concludes with Thomas Xu's groovy 'School Street.' All of these are the sort of off-kilter sounds you would expect of these revered and enduring electric hotbeds. Raw, stripped-down and authentic, this is the contemporary Midwest underground.
Review: He's the original (and maybe only self-proclaimed?) house gangster and he is back in 2025 and sounding as good as ever. Puerto Rico by way of Chicago's DJ Sneak makes beats as raw as the meat he likes to chuck on his BBQ grill and UK house legend Nail must be a fan cause it's his label he lands on now. This is a solid four-tracker that ticks all the boxes with its killer grooves and smart loops. 'All I Need In Life' is a playful opener, 'Das Gud!' gets more intense and trippy with its bleepy melodic refrains and 'Help Me Somebody' then sinks back into loose and dusty, disco-tinged drums with classic cowbell hits. 'What You Expecting From Me' is a sweaty and gritty warehouse banger to close with aplomb.
Review: Puerto Rico-born, Chicago-raised DJ Sneak returns with four cuts that do exactly what they need to. There's nothing flashy about 'The Test Of Time' - just a looping groove, clipped vocal and low-end built for long blends. 'Spinnin Around' digs deeper into his filtered disco heritage, slathering soulful stabs over crunchy drums with that unmistakable Henry Street swing. On the flip, 'Return Of The 1200' tips its hat to the decks of choice with a chugging, percussive build and low-slung funk, while 'Dirili Da Da Disco' plays things looser - an elastic roller full of rhythmic oddities. This isn't reinvention. It's Sneak doing Sneak. Real house music, no gimmicks, from a man who's been too consistent to care about trends.
Review: DJ Sneak is of course the self-proclaimed house gangster and proud lover of his own BBQ skills. He is also a man who knows how to make a damn good house groove with fizzy loops and weighty drums that never fail to lock us in. And that's just what we get here with a new EP via Digital Tape Recordings that kick off with the train-track grooves of 'No More Waiting.' There is more bump and grind to 'Help Is On The Way' with its chopped-up vocal loops, and '1234' then has a little garage skip in its bones. 'Essex Strolling' shuts down with a deeper vibe.
Review: Original Chi-Town bad man DJ Sneak shows up with his latest selection of loop-driven house jams, serving up five floor-focused cuts on the 'Disko Dialogue' EP. A key figure in the second wave of Chicago house, his prolific career has seen him explore acid house, disco cut-ups, and hypnotic, tracky realms. Much, if not all, of that is on display here. The title track features looped strings and echoing vocals over a pounding kick and skippy snares, while 'Kick Da Flow' follows a similar trajectory, albeit with a slightly more restrained mood. 'Bottom Acid' ups the energy with pulsing 303 gliding over piercing drums, while 'Acid Wunders' dives into trippier territory, with its nocturnal groove endlessly undulating. The rolling rhythms of 'Elements' cap a fine EP, with DJ Sneak proving he's lost none of his big-room bravado or production swagger.
Review: Chicago house legend and self-professed gangster DJ Sneak must have been busy recently because he has a couple of great EPs arriving this summer. This one takes him to the long-running East Yorkshire label Hudd Traxx and given the title, For The Soul Vol 1, could be the start of a series. That would not be a bad thing cause these are more than useful jams starting with 'We All Need Love' which pairs his raw, loopy, groovy style with disco-infused samples. 'For The Soul' is another silky and hypnotic house sound with hooky tones and lovely snares, while on the flip 'From Da House' gets more joyous with its streaming chords and last but not least, 'En Route' brings a more raucous percussive edge for peak time deployment.
Review: Experience the innovative sounds of DJ Sneak with this 12" vinyl release, an EP delivering four standout tracks that redefine the garage and house genres. From the commanding groove of 'Years In The Game' to the dynamic beats of 'Bad Muthafucka', each track exemplifies DJ Sneak's legendary prowess. Only Cuts expertly curates these bangers, ensuring superior quality and a transformative listening experience. Dive into this sophisticated collection and discover the future of house music.
Review: Fun fact: over the course of his near three-decade career, DJ Sneak has only previously released one 10-inch single ('3D Print' on Pressure Traxx back in 2018). Now he has a second to add to the discography thanks to this killer two-tracker on German label Salon. Check first A-side 'Pass It Around', a heavy, breathless and restless loop jam marked out by loose-limbed drum fills, ragged acid squelches, weighty bass, disco guitar licks and cut-up vocal snippets. Over on side B, 'House Bullet' is a similarly tough but stripped-back affair in which acid house era vocal samples, TB-303 motifs and tight synth stabs ride an energetic, non-stop beat.
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