Review: Hot Piroski Records have been on something of a hiatus for the last year or so but now make a welcome return with a new EP series. This collaborative affair is the result of an epic journey in an old Mercedes from London to Gunjur and finds label head Robin 12Tree working with The Gambia and Bongo Koi as Gambian Disco Express. 'Enlightenment is Now' marks their first release on Hot Piroski Records and it comes with vocals from Gambian mystic Rev. Joseph N'Gole, recorded on the banks of the River Gambia. This one has already been hammered by Psychemagik, Pete Herbert, and Severino from Horse Meat Disco so it comes quality assured.
Review: After an absence of a few years, 40 Thieves return to Leng Records with one of their most special releases to date: a hook-up with long-time Patrick Adams collaborator Gary Davis and long serving soulstress Cinammon Jones. What's on offer is a re-make of one of Jones' songs, 'The Gift', whose sweet lyrics celebrate the arrival of a new day. 40 Thieves take, explored first in the A-side 'Disco Mix', sounds like it was designed to be danced to during a San Francisco sunrise - think dub disco delays, hypnotic grooves, bubbly electronics, languid guitar licks and gentle melodies. Over on the flip, they take the track further into 'woozy 6am open air dancing territory' on a superb, stretched out 'Disco Dub' mix, before peppering a killer drum track with spaced-out electronics on the 'Beats' version.
Review: 49ers were the fivesome of Gianfranco Bortolotti, Luca Cittadini, Diego Leoni and Pieradis Rossini and vocalist Ann-Marie Smith and 1989's 'Touch Me' came as their second ever single after 'Die Walkure', which did comparatively less well in the charts. Ingenious of the association now often made between Italo house/disco and lewd sexuality, this was an early experiment in the style and came without vocals from Smith. Instead, it sampled Aretha Franklin's 'Rock-A-Lott' and Alisha Warren's 'Touch Me', producing a nebulously sexual sound, in which the samples songstresses are made to sound much... tenderer. For the more squeamish among us, there is of course an instrumental B-side.
Review: There is very little info out there about the Milkcrate Mondays label but we do know that their only other release last year was well hyped and quickly sold out. This second one is likely to follow suit. It comes from Able and is a dusty house cut with an old school feel thanks to the gentle breaks that power it along as a signature smoky soul vocal from Amy Winehouse brings plenty of emotion to a-side cut 'Winehouse Magic'. On the flip is 'Drake Punk' which pairs Daft Punk filter house loops with auto-tuned vocals all sure to bring some fun to the 'floor.
Review: Three standout tracks from Dave Lee's 2023 album Metamorphosis - which he dropped under his AC Soul Symphony alias - now get pulled apart and reworked by the one and only Dub-disco king Ray Mang. First comes 'It's Got To Be Love' with its super funky and bubbly bass and lush string elegance, then he flips 'Tradewinds' into a deeper, still lush and lavish instrumental disco gem that is seductive and warm for the winter months. Last but not least, 'K-Jee' brings an infectious groove to the dance floor with a little more percussive energy and upbeat bounce - but again swooning strings are the icing on the cake. All three of these are classy and sophisticated reworks from the one and only Mang.
Beautiful You (Danny Krivit 7" edit Of Hex Hector's Lush remix) (5:20)
Beautiful You (4:34)
Review: The revered songstress that is AK is back on Most Excellent Unlimited for another hot and soulful single that comes on the heels of a special 7" release of her seminal 'Say That You Love Me.' This one, 'Beautiful You' is making its vinyl debut here and comes with strong messages of empowerment and affirmation. The lyrics and vocals are uplifting as is the music which comes in the form of a 7" edit by Body & Soul legend Danny Krivit' of GRAMMYr award-winner Hex Hector's Lush remix. It's a perfectly paired back sound with the original on the flip, and both tunes really make their mark. This is a great package that's exclusive to wax.
Review: Naarm-based producer Sam Alfred shows no signs of slowing down as we continue to be impressed by the material coming out of Australia right now. After releasing the energetic 'Suzuka' EP, completing a sold-out headline tour and playing a packed set at MODE Festival, he's now back with more full flavour beats. This one disk off with a real house anthem inspired by 90s club music with punchy piano, airy synths, and a driving cowbell rhythm. 'Care 4 U' has carefree garage house vibes a la salute, 'Keep It' brings some euro dance and trance energy and 'Distance' is a peak-time acid-laced pumper. Brilliant stuff.
Review: With Australia's dance music scene booming, it's no surprise that one of its hottest talents lands in the Running Back universe. Sam Alfred's debut on Misfit Melodies blends the old with the new and builds on his reputation as both a mesmerising DJ and an enchanting studio talent. This new outing highlights his versatility from speed house to retro rave. It showcases his ability to merge past influences with forward-thinking melodies on standout tracks like 'While My Heart' and 'Back To' echo UKG vibes, while 'Drift' and 'Fortune' exemplify his production prowess. The title track, inspired by a Dekmantel visit, nods to 90s proggy bounce.
Review: Whether or not Almacks is named after the word that was given to several social clubs in London between the 18th and 20th centuries or not we do not know, but people in those clubs might well have enjoyed getting down to the artist's beats. These new five cuts are all unnamed but all perfect blends of funk, soul, deep house and great samples. Those vocal chops lend lots of r&b loveliness and romance to the dusty, low-slung beats, hip-hop-inspired beats and middle grooves. There is also a bit of broken beat and Afro influencer later on. A heartwarming EP.
Review: Nail is one of UK house music's most vital contributors. His raw sound pioneered a new style of tech house in the 90s and here he reappears under a different alias, AM Vibe. 'Vibe With Me' kicks off with nice loose drums and perc and jazzy keys adding the warmth and soul. 'I'm So High' brings some loopy and filtered fun and phased vocals for a sleazy feel, then 'Dried Fruit' gets more upbeat with lush synth swirls and effortlessly cool drums and rich r&b vocal samples. 'Powder' closes out with some thumping kicks and more tender vocal stabs. As always, this is brilliantly heartfelt and effective tackle from Nail.
Let Me Be Your Fantasy (Dimitri From Paris club mix) (6:14)
Let Me Be Your Fantasy (Dimitri From Paris dub) (7:16)
Let Me Be Your Fantasy (Masters At Work Clap Yo Hands dub) (7:25)
Let Me Be Your Fantasy (Moplen remix) (5:03)
Let Me Be Your Fantasy (Mousse T Fantastic Shizzle mix) (6:00)
Let Me Be Your Fantasy (Blackchild remix) (6:00)
Let Me Be Your Fantasy (Two Soul Fusion remix) (12:05)
Review: Anane's soulful vocal delivery takes centre stage on her reimagining of this evergreen disco cut - originally crafted by Love Symphony Orchestra in 1978 - rebooted here through a series of new mixes from some massive house names. Dimitri From Paris delivers two irresistible cuts, his club mix a vibrant and energetic journey through classic house sounds, while his dub strips things back to a hypnotic groove. Masters At Work's 'Clap Yo Hands Dub' injects a dose of infectious energy, while Moplen's remix takes a more atmospheric approach, its swirling synths and hypnotic rhythms creating a mesmerising soundscape. Mousse T's 'Fantastic Shizzle Mix' adds a touch of soulful bounce, while Blackchild's remix delves into deeper, more tribal-infused territories. Two Soul Fusion's remix closes out the collection with a smooth and uplifting vibe, its soulful melodies and infectious groove leaving a lasting impression. A true classic reimagined through the lens of a host of diverse, talented producers.
Tell Me That I'm Dreaming (Louie Vega mix main) (5:45)
Tell Me That I'm Dreaming (Louie Vega mix instrumental) (5:44)
Tell Me That I'm Dreaming (Dave Lee Disco Not Disco club No Drop) (8:13)
Review: The Cape Verdean model, singer, DJ, artist and philanthropist Anane is up next on esteemed New York City label Nervous with 'Tell Me That I'm Dreaming' which is remixed by her husband (and partner in Elements Of Life) Lil Louie Vega. He injects the track with some late night boogie-down action which accompanies her fabulous vocals just perfectly. The same quality you've come to expect from one half of Masters At Work. Over on the flip, veteran British producer Dave Lee's Disco Not Disco club No Drop is ultra smooth and as low-slung as you like it. The man has the midas touch, what more can we say.
Review: Some four months after he lost his battle with cancer, BBE is releasing Paul 'Trouble' Anderson's final production - a fittingly joyous, upbeat and life-affirming cover of gospel standard "Happy Day" featuring the impassioned vocals of soul singer John Redmond. On the A-side of this 12" edition you'll find the "Classic Main Mix", a bouncy and rubbery fusion of soaring gospel vocals, bumping house beats, mazy organ solos, rubbery disco bass and clipped guitar riffs. It's superb all told, and a fitting final hurrah from one of the UK's most significant DJs of the past 40 years. Over on the flip you'll find the slightly more stripped-back "Classic Dub", where impassioned vocal snippets ride Anderson's killer groove, bouncy pianos and spacey synths.
Master Fusion (All My Love) (Albert Menendez instrumental mix) (6:47)
Review: We love nothing more than house music direct from the Windy City and that's what Vick Lavender's Sophisticado Recordings has got for us here. Angel-A is actually a native of Detroit currently living in Chicago and influenced by everything from jazz to gospel. She brings that to the fore here on the 'Master Fusion' single which is as soulful, lush and heartwarming as house can be. Her voice takes on many different forms from wordless coos to expressive declarations of love via diva wails. Lavender himself serves up a mix, while Albert Menendez offers both a piano-laced vocal mix and a broken beat, jazz-licked and synth-heavy instrumental which does still have the standout original vocal.
Review: Apparel Wax on Apparel Music records has recently started a 7" series of which this is the third instalment of. These 45 DJ friendly records are sure to be hits with house music DJs and fans both. The music does the talking as the tracks are simply called 'Track 1' and 'Track 2'. The first blends jazz, funk into a house instrumental frenzy that has all the makings of a classic late night success. The second one is quite unusual and unique, adding a broken almost jungle beat that goes great with the piano. This gives us some real early 90s UK rave flashbacks! This versatile 7" should go over great with those who hear it!
Review: Stockholm based Ari Bald is up next for Better Listen after inaugurating Honey Butter Records last year with that great release. He keeps on with that deep disco spirit with these four funky and lo-slung jams. On the A side, we have two ergonomic edits in the form of "That Lonely Night" and "Enchantress" respectively which are looped to perfection with some somewhat familiar hooks that gradually build up to that drop! That's where the thumping kick comes charging in and it's sure geared for maximum dancefloor dynamics. On the flip, get ready for the funk explosion that is "Moonshiner" or what could be your First Choice (mind the pun!) in the form of the smooth and sexy late night groove of "Are You Mesmerized?"
Missing You (Eric Kupper Director’s cut Tribute To Fk remix) (6:57)
Missing You (Ridney rework) (6:03)
Review: First released a decade ago and revisited periodically ever since, Arftul and Ridney's collaboration with UK soul queen Terri Walker is a 21st century house classic. This 10th anniversary edition - released in limited numbers for Record Store Day 2023 - pairs fresh revisions with classic reworks. Michael Gray steps up with a funk-fuelled, disco-tinged revision, before the insanely talented Opolopo opts for a deeper, jazz-funk-flecked revision that's as classy as it is soulful. Elsewhere, Eric Kupper's 'Directors Cut Tribute To FK' version is a strings-and-piano-laden treat, while Ridney's own 'Rework' is a tasteful, piano-sporting deep house shuffler.
Review: Los Angeles-based ASHRR are back on 2020 Vision ahead of a new album and this time serve up their own superb version of The Romantics's 1983 hit 'Talking in Your Sleep.' In their hands, it becomes a club-ready sound with a vocal you may recognise as it featured in the Mad Max episode of Stranger Things. Add in some DFA-inspired punk funk vibes and with all the instruments reapplied while new layers of bass and synth are added and you have one fantastic new version. Balearic don Fernando steps up for two remixes, first stripping things back to a deep house sound and then bringing some dub disco vibes to the fore.
Review: Toolroom has gone from underground house label to one of the UK's most successful and large scale dance brands. They keep on serving up the sort of hits that become big festival anthems and this is another one, with new school Chicago artist Gene Farris paired off with ATFC for big, rollicking piano house sounds on 'Spirit of House.' 'R U' then gets more tech edged and sweaty on a big synth loop and walls of drums, while 'Tech House Kinda Thing' is a supersized tune designed to do plenty of damage. There is real funk and soul in the cut up and filtered vocal loops of closer 'Not Enough.'
Review: Audio Soul Project returns with fresh vinyl here in the form of their Simurgh EP, which is named after a mythical Persian bird. Across the tunes you'll find a fusion of dub, d&B, house and even r&b to make for an alluring sonic trip. Opener 'Deliver Me' brings the warmth and soul with balmy chords over raw, woody drums with a big diva vocal up top. Things are paired back for 'Azizam Dub' which has a subsonic bass line bump and synth stabs bringing the energy. 'Internal Vybrations' is d&b powered by monstrous bass with hi-hats, shakers and maracas detailing the rhythm, and last of all 'Celebration Dub' brings a funky and summery house vibe perfect for outdoor dancing. This is as varied an EP as you'll hear this season.
Review: The Stamp label is up to its 18th outing here and once again it is an irresistible coming together of club-ready grooves with well-chosen and well-worked samples. First up the essence of one of George Benson's most iconic cuts gets reworked into a smooth house beat with the guitar kicks, vocal inflections, claps and melodies all getting you up on your toes on 'Night' (dub). 'New York To Rio' then brings some dusty deep house grooves and impassioned vocals for a more upbeat kinda party. Hand-stamped white label business this, so do not hang about.
Review: This compilation captures the essence of the Balearic sound, offering a sun-drenched journey through diverse electronic styles. 'Stay Cool (& Less Horny)' sets the tone with its laid-back groove and infectious melodies, while 'Ketkeys' adds a touch of psychedelic flair with its swirling synths and hypnotic rhythms. On the flipside, 'Chug Love' delivers a dose of feel-good energy, its pulsating bassline and uplifting chords guaranteed to get bodies moving. 'Tiny Nancer' closes out the compilation with a dreamy atmosphere, its ethereal textures and Balearic-infused melodies creating a sense of blissful escapism. This is a must-have for those seeking a sonic escape to sun-kissed shores and blissed-out vibes.
Review: Nu Groove's ongoing edits series turns its attention to one of the legendary NYC's most iconic early release, Bas Noir's 1988 garage-house classic 'My Love Is Magic' - a piano-powered vocal number fronted by two female singers from New Jersey and produced by the Burrell Brothers. Their original club mix is featured (A2), alongside a trio of fresh re-edits. Bushwacka kicks things off with a deeper, more sonically detailed and marginally punchier rework that makes much of the Burrell brothers' percussion and piano stabs, before Mark Broom takes over on side two. His 'dub retouch' fittingly sounds like a piano solo-sporting NYC house dub of the late 1980s - no bad thing in our book - while his more revolutionary 'A12 mix' re-casts the track as a harder, heavier peak-time loop jam.
Don't Make Me Fall In Love (Timmy Regisford vocal mix) (9:16)
Don't Make Me Fall In Love (Timmy Regisford instrumental mix) (5:46)
Don't Make Me Fall In Love (Timmy Regisford Gerd Janson Bass Beat edit) (4:16)
Review: Timmy Regisford's remix of Basic Black's 'Don't Make Me Fall In Love' squarely pegs the former's vision in dance music: a fusion of uptempo soul with clear lyrical locutions and sharp grooves. As vice president and A&R at Motown, Regisford played a crucial role in the success of Basic Black's 1990 debut album, a hallmark of the new jack swing era. In his rework, the iconic DJ and co-founder of Club Shelter reimagines the track through an unmistakable New York dance lens, preserving it in the oral traditions of soul and bassy, ballroom house. Formerly a rare white label, this remix was originally exclusive to New York's DJing elite, and never officially released as a single until now. Restored from a DAT tape in Tony Humphries' archive, this rewrap includes a never-before-heard instrumental version and a bass-and-beats-only edit, cryopreserving Regisford's jackin', frosty touch.
Ricochet (Dr Packer & Michael Gray dubstrumental) (5:00)
Review: During the early-to-mid 1980s, the BB&Q band dropped a slew of killer electrofunk jams, most of which combined infectious synth basslines, group vocals and colourful lead lines with beats variously inspired by boogie, 80s soul and freestyle. Alongside 'Dreamer', which was mixed by the legendary Shep Pettibone, 'Ricochet' was one of their biggest dancefloor hits. High Fashion has decided to give it a 21st century disco makeover, pairing one of their in-house remixers, Michael Gray, with Glitterbox favourite Dr Packer. Their 12"-leading full vocal naturally bumps up the beats to suit house dancefloors and adds a few authentic-sounding synth lines, but otherwise makes the most of the BB&Q band's original music and vocals. The flip-side 'Dubstramental' is very good, too, paying tribute to the various effects and production tricks used in 1980s dancefloor dubs while also utilising 21st century beats.
Who Dares To Believe In Me? (Just Living High mix) (5:45)
Who Dares To Believe In Me? (Mind Readers mix) (7:11)
Review: Way back in 1993, when his career was still in its infancy, Chicago great Roy Davis Jr donned an alternative alias, The Believers, and delivered a 12" on Strictly Rhythm: 'Who Dares To Believe In Me?' It was something of a club smash, with Ministry of Sound issuing it in the UK a year later with a swathe of new mixes. This Groovin' Records reissue boasts a trio of mixes from the original U.S 12". On the A-side you'll find the original mix, a warm, spine-tingling slab of piano-rich New York style house topped off by snaking, delay-laden saxophone lines and an inspirational spoken word vocal courtesy of Davis. Over on the reverse, Davis' own 'Just Living High Mix' - a breezier, jazzier and more colourful affair - is followed by Mind Readers' tougher, chunkier and heavier revision, which is in effect a proper dancefloor dub.
Review: Ben Jamin's first EP on vinyl comes as a forest-green slab, and documents four of the producers most joyful disco edit cuts. On the slower side, these four cut-ups repeal the tempo as the EP progresses, with track three, 'Conclusion', operating in that liminal sweet spot between disco and hip-hop. By the end, we're in full-blown yacht disco territory, as a remix known only as 'Moment Is Real' urges us to feel the sincerity of the loving situation we find ourselves in.
Review: B2 Recordings keeps it classy with another new deep house offering from label head Bengoa. It comes hot on the heels of his last outing here in December but this time all three tracks are straight-up solo cuts with no featured guests. 'Hustler's Convention' is an emotionally intense humid, steamy cut even though the grooves are warm and hypnotic. 'Apollo' has more raw percussion and scratchy drum textures overlaid with trippy vocals and last of all is 'Fanatic,' which pairs leggy bass and drums with more swirling vocal samples and interesting broken beat patterns. Another fine outing from Bengoa then.
Review: B2 Recordings rolls out more of its quality-assured deep house here with Label head Bengoa stepping up next for a new three-tracker that comes with featured guests Kristina Berger and Brothers' Vibe. 'Idyot' kicks off with deep and pulsing synths and clacking hits that bring an early Chicago vibe next to the libidinous and erotic vocals which really tease. 'Meet Me Halfway' sinks into a super silky groove that is deep as you like and driven by stylish drum hits under a muttered vocal. 'Come On Now' then sinks into a more acid-laced atmosphere with sustained chords keeping you on edge next to loose and jumbled percussion. It's a stylistically diverse EP, this one.
Review: B2 Recordings is a label run by Greek talent Bengoa as a platform to offer up his own diverse sounds. Here he serves up a new single featuring Pan that is sublime, seductive and deep. The vocals you will recognise from a classic pop hit but here they get all resung in an even more libidinous fashion. The drums roll, and the percussion is loose, and bright but soft chord stabs heighten the mood. Flip it over for an instrumental version of 'Thelxis' that is all about the late-night grooves. Two stylish sounds for romantic moments.
Review: Sundries' Disco Goodies series, which rounds up the best of the label's digital releases and presents them on multi-artist EPs, reaches its fourth instalment. It hits home hard from the start, where Berobreo's 'Soul Driven Dynamics' provides an attractive mix of 1970s orchestral soul samples and rubbery deep house beats. Experienced re-editor Oldchap brings the goods with a lightly tooled-up and beefed-up rework of an orchestra-sporting disco gem ('Coloridos'), before X Gets The Crest delivers a percussive, hot-stepping and filter-smothered re-wire of a much-loved Cymande classic ('Still Come Home'). Over on side B, Alexny's heavy disco-funk re-edit ('People Says') is joined by a hazy and horn-heavy revision courtesy of Sould Out ('City Gal') and the pitched-up disco loop-funk of 'Since You Came' by Workerz.
Review: The Moiss Music label seems to like to drop their EPs two at a time. They did it in February and they're doing it again in May. This eighth outing collects four more lively disco cuts, each with their own subtle influences. Berobreo's 'White Rabbit' for instance has funky undertones with loopy guitar riffs and nice breaks. The Magic Track's 'Jamming With Mom' meanwhile is more sensuous and deep, with late-night synth work and seductive vocals. Oldchap's 'I Want To Show You' has an expressive soul vocal with more low-slung grooves and Alexny's 'Not Bad' then gets quick, clipped and loopy for its lip-pouting disco thrills.
Review: 'My House' was a parting gift from Queen Bey herself following her record-setting 'Renaissance' album cycle, the first in a trilogy she continued with 2024s 'Cowboy Carter'. Landing multiple awards and ten top spots on various 'Best of 2022' lists, the track is a big, brassy, chant-led track featuring the same hallmarks that peppered her 'Homecoming' history-making Coachella performance. Serving as promotion and as the credits sequence, for her theatrical concert film 'Renaissance: A Film by Beyonce'. The track is anthemic and uplifting, a combination of braggadocious flexing and preaching the power of love and healing - it's an infectious hit. On the B-side of this release is an extended intro edit of Beyonce's legendary chart-topping hit 'Single Ladies', celebrating its 16th birthday this year.
Review: Beyonce's last album was widely heralded as a triumph by all. It found her diving into house music and working with scene stalwarts like Luke Solomon and Honey Dijon. It won a Grammy for its efforts. Now, even though plenty of the originals were ready to work a club dancefloor, we get treated to some remixes. They all focus on the standout single 'Break My Soul' and we get funky and soulful stuff from Terry Hunter, broken beat from Will I Am, house thumps from Honey Dijon, and filter-heavy stuff from The Queens. Add in the Nita Aviance club mix and the original version and you have a useful package indeed.
Dancing & Grooving (feat Alfreda Gerald - Dave Lee edit) (7:35)
Ain't Nothing Going On (feat Anduze - Micky More & Andy Tee remix) (6:09)
Friday Night (feat MO - Micky More & Andy Tee remix) (7:48)
Lately (feat Karmina Dai - Emmaculate remix) (5:46)
Review: Legendary Italian producer Gianni Bini makes his debut on Groove Culture with 'The House Of Glass' LP, a vibrant disco-house record that takes listeners back to the genre's roots. With over a thousand production credits under various aliases like Bini & Martini and Fathers Of Sound, Gianni has long been a defining force in disco-house. Now, he delivers a fresh project packed with live instrumentationidrums, bass, guitars, stringsiand infectious vocals that evoke the energy of classic discotheques. Side-1 opens with 'Dancing & Grooving' featuring Alfreda Gerald in a high-energy disco anthem. The Dave Lee edit shines with vibrant horns and an unstoppable groove. 'Ain't Nothing Going On', featuring Anduze and remixed by Micky More & Andy Tee, brings lush strings and an irresistible guitar riff, perfect for an all-night dance session. On Side-2, 'Friday Night', with MO's epic vocals and smooth delivery, is another Micky More & Andy Tee remix that exudes timeless disco elegance. 'Lately', featuring Karmina Dai and remixed by Emmaculate, wraps up the album with a soulful disco blend that feels tailor-made for late-night revelry. With The House Of Glass, Gianni Bini proves once again why he's a master of the genre, blending timeless grooves with modern flair.
Don't You Want My Love (vocal extended mix) (7:39)
Don't You Want My Love (dub mix) (7:31)
Don't You Want My Love (The Coney Island Rhythm Band remix) (6:45)
Don't You Want My Love (Jerk Boy remix) (7:18)
Review: Tinted Records offer up the latest new single by LA-based funky pop house producer Birdee. A resident of the likes of Groove Culture and Body Heat among many other hot label names, Birdee delivers big newness on this stratospheric uplifter, replete with surrounded fingerclick claps and a serious vocal line. Three new mixes also feature, with a new dub mix on the A2, as well as a nighttime caban-bound flip by The Coney Island Rhythm Band on the B-side, as well as a closing piano weapon version by Jerk Boy.
Review: Dutch DJ, digger and re-editor Pete Blaker returns to Hot Biscuit Recordings - possibly the most on-point re-edit imprint of the last few years - with a second batch of tried and tested revisions. Lead cut 'Harry's Little Vocoder' is, we think, a fine re-edit of a grandiose, horn-heavy, orchestrated European disco of the sort most associated with German artist Harry Thumann. On the B-side he returns to 'Neverending' - which in its original re-edited form appeared on his previous Hot Biscuit 12-inch - and delivers a fresh 'cosmic version' alongside Dionisis. Effectively a fresh cover, it's a deep, dreamy, drum machine-driven chunk of intergalactic cosmic disco that should suit nu-disco DJs and disco purists alike.
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