Back catalogue: Funk

Review: Satellites' self-titled 2020 debut album won plenty of plaudits, with critics the world over hailing the Tel Aviv-based band's blend of vintage, Turkish style psychedelic folk-rock and dancefloor adjacent grooves indebted to funk, soul and disco. Aylar, the six-piece's belated sequel, continues in this vein, with the band arguably being bolder with their musical choices. For proof, check the cosmic strut of opener 'Tisaldi Mehmet Elmi', a psych-funk transformation of a traditional Turkish folk song, the low-slung grooves and sweet retro-organ melodies of 'Midnight Sweat', the gritty, thrusting and hallucinatory 'Yok Yok' and the future dancefloor anthem that is psychedelic Turkish disco gem 'Zuluf Dokolmus Yuze'.

Review: Sylvester's Live At The Opera House is a monumental release capturing a pivotal moment in his career, celebrated with unrivalled splendour. Recorded in 1979 at San Francisco's War Memorial Opera House, this first-ever complete release of the concert showcases Sylvester's commanding stage presence and profound musicality. Backed by a 26-piece orchestra, the performance unfolds over 13 unedited tracks, including the mid-show ceremony where he received the key to San Francisco, a poignant tribute during a tumultuous time for the city's LGBTQ+ community. From the electrifying opener to his iconic hits like 'You Make Me Feel (Mighty Real)' and 'Dance (Disco Heat),' Sylvester delivers a transcendent blend of disco, soul, and pop, amplified by the impassioned vocals of Martha Wash and Izora Rhodes Armstead, known as Two Tons o' Fun. The setlist spans from soulful ballads to exhilarating dance anthems, each moment infused with Sylvester's signature blend of glamour and vulnerability. Joshua Gamson's liner notes enrich the experience, offering historical context and personal insights into Sylvester's legacy. Whether revisiting classics or discovering unreleased gems, Live At The Opera House is glimpse into Sylvester's enduring artistry and cultural significance, marking a definitive chapter in the history of disco and LGBTQ+ music.