Review: Swedish talent Beatconductor is back with more of his masterful mash-ups, this time looking to pop icons like Taylor Swift and more commercial house artists like Peggy Gou for inspiration across the four cuts. 'Fallin' is a nice laidback and loved-up summer vibe about the feelings of falling in love, 'Sugar & Spajs' brings old school US soul sounds to another mid-tempo groove embellished with big horns and 'Tell Me U Luv Me' is a nicely heated and cosmic disco stepper with some big vocal stabs. 'Peggy Swift' closes with effortlessly breezy and catchy disco-pop.
Review: French disco singer Maeva Borzakian delivers a stupefying pair of electro-soul tracks to Six Nine, expanding on early feedings on 80s soul and Anglo-Saxon pop for a fresher modern twist. Raised in Paris among jazz musicians, Borzakian rejected the tutelage of her family in favour of self-taught disco productions and performances, which led to her building a career as a resident performer in her home city's many clubs and bars, studding the casts of over 20 different band projects so far. This limited UK press bottles the new and exclusive track 'Hey You' - a synth tomming wake-up slap that exhorts the bad actor in an earlier, controlling relationship - and a T Groove remix of 'You're My Ecstasy', an emotive loller with a finito feel and a drive towards empowerment.
Review: 'Back For More"' by Cool Million stands out as a true Neo-Boogie classic. Originally released in 2010, this infectious dancefloor anthem has become a coveted gem among DJs and collectors, with original pressings fetching remarkable prices due to its limited run of just 1,000 copies. Featuring the iconic vocals of Eugene Wilde, the title track is a soulful synth funk jam that continues to dominate playlists worldwide. The flipside offers another smooth midtempo delight featuring DeeDee alongside Wilde, further showcasing the duo's knack for crafting irresistible grooves. Now, in 2024, Cool Million is set to reintroduce their signature sound with new recordings, while simultaneously delighting fans with a limited re-release of the original pressing. This is an essential addition for any serious vinyl collector or DJ looking to elevate their sets.
Review: Reissued from the original Sedsoul 7" first laid down in 2010, and then a further digital 'House Session' edition in 2015, Cool Million and Eugene Wild are again 'Back For More'. Clearly, the Danish-German production duo, when in collaborative cahoots with r&b singer Wilde, are prone to redound to milking the dance for all it's worth; we gather that for as long as this tune is out, they'll always want their seconds and thirds, else they wouldn't eat, so to speak. So too does this third edition of the stellar, four-alt-mix 'Back For More' prove just as funky as it did at the moment of its original release fourteen years ago; Wilde rides the groove with serious flux, assuring the fulfilling of said prophesied return against spiccato strings and a curvaceous synth bass. There's even a karaoke version on there too, just in case you'd like to flaunt your underground soul intel at your next knees-up.
David Dingess - "Hyper Love" (Toni Rossano edit) (4:17)
Jaegerossa - "The Buzz" (6:07)
Cruisic - "Inspector Norse" (Slowly remix) (4:47)
FSQ - "This Is Carribean Disco" (A Tom Moulton mix) (6:28)
Review: Midnight Riot help the listener carve out their own personal Balearic headspaces with their new compilation Balearic Headspace, likening the "experience" of Balearic not just to a sound, but an affect, one that cannot be experienced without specific records or specific times and places. Do we believe it to be true? We may or may not, but that doesn't distract from the whopping curation job here, with most tunes on offer consisting of both total newness and reworks/revisions by the Midnight Riot crew; this 12" is a four-track selection of a wider 19-track digital comp. Our highlight has to be the ultra-smeary Tom Moulton mix of 'This Is Caribbean Disco' by Fsq, which floats atop a serious floe of stretched-out axe bubble and echoing crosstick, as its lyrics deal in word-painted themes of being held underwater. As mindfully, cognitively Balearic as it gets!
Out Of Luck (feat Adriano Prestel - DJ Friction remix) (5:36)
The Other Side (feat Adriano Prestel - Marian Tone '85 rework) (4:35)
Interlude I (0:44)
The Other Side (instrumental) (4:21)
Out Of Luck (DJ Friction remix - instrumental) (5:41)
Out Of Luck (Soundrays mix - instrumental) (4:36)
Interlude II (0:21)
Review: The Outer Edge rounds off their series reworking tracks from the archive of lesser-known German 80s outfit Ghia. This time round, they're offering re-imaginations of an instrumental synth-funk track first featured on last year's Don't Look LP, 'Message From The Other Side'. This time round, the band has recruited vocalist Adrian Prestel and re-imagined it as colourful and authentic synth-number simply titled 'The Other Side'. As well as a solid instrumental take, we're also treated to a superb Marian Tone take which blends bits of the 1985 demo with elements of the 2023 re-recording. Elsewhere, there are also three takes on previous single 'Out of Luck': squelchy and crunchy neo-boogie vocal and instrumental versions courtesy of DJ Friction (the disco one, not the d&b producer of the same name) and a more low-slung, dub disco style instrumental revision by Soundrays.
Review: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch. And so, the Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. 'Out Of Luck' draws its roots from the aforementioned lost track, originally composed by the group in 1985. This time, however, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.
Review: GI-YO steps in with a debut single on Sedsoulciety Recordings that fuses classic r'&b with a new-boogie vibe and modern pop flair. Packed with tight, punchy rhythms, a catchy bassline and vibrant keyboard riffs, this track exudes energy. GI-YO, a talented writer and producer, brings it all together by playing each instrument himself, with production support from Rob Hardt for that final polish. Released as an exclusive vinyl 45, this track is part of Sedsoulciety's gold line, showcasing a fresh, contemporary sound with undeniable groove and personality.
Review: Good luck... except, we're much likelier to be the ones who'll need the good grace of fortune, as opposed to the Melbourne mates' duo GL (which, we think, stands for Good Luck - we could be wrong). First released on the EP cassette 'Love Hexagon' - described as a homemade homage to chart-unfriendly funk and 80s romance dance - this contemporary showstopper of a tune now comes to limited edition 7" vinyl and recalls the pair's slick penchant for sporty major-minor chords and convalescent handclaps, conspiring to achieve a modern take on boogie and synth funk. With buskin socks and track headbands worn aflock, the pair pose in the middle of the basketball court, as 'Take Me Back' and 'When You See' set the soul alight by way of a nostalgic adolescent flambe.
Review: Contemporary classical seems to be having a bit of a moment in the sun right now a it breaks out of its traditional confines and makes a mark on the wider world. Bartellow, who is one third of the Tambien project and also goes by the name Beni Brachtel in the classical scene, is back on ESP Institute with a second full length. Noosphere brings together parts of some of his theatrical scores for WUT, Odipus and Antigone and Der Zauberberg amongst others. It takes in cues from Baroque and Impressionism with plenty of sweeping drama and moments of intense emotionality across four sides of sound.
Review: Ritual Release, the California-based imprint established by Woolfy vs Projections, have long kept tight-lipped about the identities of synth boogie revivalists Guruku. We have no idea (we suspect it's them, but could be wrong), but we do know that the act's latest EP is superb. There are two original tracks on offer, both featuring vocalist Rojai: the Dam Funk-meets-Dayton brilliance of 'Mesmerized' and the dreamier, sunnier, 80s synth-soul-inspired excellence of 'What It Takes'. Both come accompanied by tasty remixes. Giovanni Damico re-imagines 'Mesmerized' as a thickset electrofunk-goes-jazz-funk workout, while Daniel T stretches out and lightly dubs out the same song in a nu-disco style. Rayko and Woolfy vs Projections join forces on a dubby and club-friendly nu-disco revision of 'What It Takes', before we treated to a dancefloor dubs style 'Bonus Beats' mix.
Let's Try Being In Love (12 Inch extended mix) (10:12)
Let's Try Being In Love (Louis La Roche mix) (4:54)
Review: Savage Garden's Darren Hayes returned from the wilderness in 2022 after a hiatus of almost ten years. During that time, he tried his hand at stand up comedy, kept a social media presence in the form of shared videos featuring him bursting into song, and evidently spent a fair amount of time recharging. After all, you don't make albums with the energy of Homosexual, the comeback piece, if you're running on empty.
Let's Try Being In Love was the first single taken from that, and in many ways the whole package is more about message than music - a guy publicly celebrating his sexuality and marriage after spending a very long time not feeling ready to do so, during a period in which he was a bonafide global pop star. Here said track appears in both 12" extended form and a Louis La Roche mix, both of which are made for chugging dancefloors, filtered tracking synths firing on all cylinders and an overall sense of self.
Review: Imaa is an experimental disco, funk and soul project which has graced the discography of the DD Lahouve Production label since at least 2014; in said timeframe, this mysterious moniker has topped up at least five releases in the French city pop vein. Although little information can be tracked down about the main artist or artists behind the project itself, we can verify that the new 12" record 'Funky Town' is indeed something special, an original, slick and catchy electric groove featuring the rampart new jack production of producer Claudio Esposito.
Review: Mishell Ivon and Vincent Kwok are back and combining their skills once more with this brilliant bouncy new funk outing on The Sleepers. The first tune on this pocket-rocket of a 7" is 'High', a funky weapon that is high on life and built around well-syncopated drums and a percussive bassline. The icing on the cake is Mishell's vocals which weave in out of the synth stabs and lush keys, all of which are well arranged. Flip it over and you'll get lost in the funk once more with 'In The Dust' with its masterfully rhythmic bassline and more of those buttery Mishell vocals.
Review: Back in 2004, when his muscular brand of peak-time house music was all the rage, Vito Lucente AKA Junior Jack secured a sizable club hit with 'Stupidisco', a squelchy and driving fusion of weighty tribal house beats, swirling electronics and giddy disco vocal samples. Here the track returns in remixed form for 2022. David Penn kicks things off with a thrillingly uplifting piano house update, before Deeperlove opt for energetic drums, sweaty fills, echoing vocal snippets and a suitably gargantuan bassline Over on the flip, Jolyon Petch joins the dots between rubbery nu-disco and turn of the '80s electro-disco, while the Electrik Disco mix is a funky, revivalist disco-boogie treat laden with rubbery bass guitar, sparkling synths and Chic-style guitar licks.
Review: The latest missive from modern funk maestros The Sleeperz Records is a red seven-inch double header that pairs Canadian neo-boogie queen Maya Killtron (a label regular) with two similarly minded producers. She joins forces with Andrew Napoleon on A-side 'Body Fly', a glossy slab of mid-80s synth-funk/synth-pop fusion rich in squelchy P-funk bass, bright lead lines and colourful chords. Estonia-based Latvian Artis Boris sits in the producer's chair on side two, underpinning a typically expressive and soulful Killtron vocal with sinewy strings, modern boogie grooves and nods aplenty to early 1980s disco. Naturally, the sound is nostalgic, but both cuts sound undeniably fresh.
Right By Your Side (JD B-Boy Fantasy remix) (4:22)
Review: Lexx's latest release, 'Right By Your Side,' is a disco-infused collaboration featuring the smooth vocals of Stones Throw recording artist Stimulator Jones. The track exudes Balearic and pop disco vibes, inviting listeners to groove along to its infectious beat. On the flip side, Jamma-Dee from Los Angeles offers up a remix that adds a slightly more uptempo flair while maintaining the essence of the original. Lexx's production skills shine through, creating a seamless blend of retro and contemporary sounds that will surely get dancefloors moving. With Stimulator Jones' catchy and Jamma-Dee's expert remix, 'Right By Your Side' is something to get your hands on.
Review: Miracle Thomas and Rob Hardt bring new life to 'Sugar Free,' the 1985 hit by Juicy, just in time for the arrival of spring. The funky bassline and smooth vocal runs make this cover instantly catchy and memorable. Miracle's sultry delivery, paired with Rob's groove-heavy production, creates an irresistible blend of old-school soul with a fresh twist. The song's infectious chant and hook elevate it to a dancefloor favourite, while the chemistry between Thomas and Hardt is undeniable. This track will no doubt soar on the charts, earning its place on playlists and keeping listeners hooked for months. It's the perfect mix of nostalgia and contemporary soul.
Review: There's been much made in the media about "Christmas creep" - that phenomenon where festive products appear earlier each year. Here's another example, as Music On Vinyl gets ready to gorge itself on heavy carbs and sugary snacks via a surprisingly early reissue of Modern Talking's 1987 festive single 'It's Christmas'. A big hit in Europe at the time, it layers a typically emotive vocal (extolling the virtues of 'the season') - and a children's choir in the chorus - over a shuffling, lightly Latin drum machine rhythm, sleigh bells, chiming synthesiser lead lines and all the usual Christmas single trimmings. It is, like many of its Ilk (and egg nog) an acquired taste - albeit one you can stomach while you dance around a decorated tree in a decidedly iffy Chrimbo jumper.
Review: Modern Talking is the German pair consisting of Thomas Anders and Dieter Bohlen who were rather prolific back in the 80s and beyond. There has been a revived interest in their music of late and for that reason much of it is being reissued, including this new, limited edition and nice heavyweight 12" edition of 'Give Me Peace On Earth.' It's a three track disco odyssey that starts with the sentimental and syrupy sweet vocals of the title track, which is doused in loved up 80s chords. 'Stranded In The Middle Of Nowhere' is just as devastatingly heart broken with its slow, crashing drums and yearning vocals then bonus cut 'Sweet Little Sheila' picks up the pace for a lively dance floor disco workout.
Review: Hugely successful German disco duo Thomas Anders and Dieter Bohlen are Modern Talking, and they made lots of sentimental as well dance floor-ready disco sounds back in the 80s. Much of it is being reissued by the behemoth that is Music On Vinyl and next is a limited edition marble red and blue vinyl version of this three-track 12". There is a campness to this which fans of the likes of Erasure are sure to enjoy - 'Jet Airliner# (Fasten Seat Belt mix) has big 80s drum sounds and glistening synths while the vocals drown in reverb. The instrumental is a little more clean though the drums and arps still make for a big impact and the radio version is also included to close.
Review: Modern Talking was one of the most successful German disco-pop acts of all time. It's an alias for writers, composers, producers and vocalists Thomas Anders and Dieter Bohlen and they put out a busy run of music back in the 80s that is reconnecting today with modern audiences. As such much of it is being made available again thanks to the Music On Vinyl label, and on various different coloured slabs of wax, no less. 'Lonely Tears In Chinatown' has all the playful pomp and campness of a Eurovision song winner with its big synth stabs and cold drum machine grooves. 'Give Me Peace On Earth' is an over-the-top ballad that drowns you in more 80s nostalgia.
Review: 'Don't Worry' is a classic song by Modern Talking, the German duo of Dieter Bohlen and Thomas Anders which was released in 1987 as part of their fifth album, 'Romantic Warriors'. The song features the signature sound of the acclaimed duo, with catchy synth melodies, disco beats and harmonised vocals. The song is a classic example of the Euro disco genre that the West Berlin duo popularised in the 80s and has certainly stood the test of time.
Review: Mousse T.'s latest album, Melodie, is a testament to his enduring prowess in the realm of dance music. Following a string of successful remixes and collaborations, Mousse T. teams up with The Shapeshifters and Tensnake to deliver a sophisticated groover that exudes disco nostalgia. Featuring the enchanting vocals of Cleah, 'Melodie' captures the essence of classic disco while infusing it with modern flair. From start to finish, the album is a journey through infectious beats, funky basslines and irresistible melodies, showcasing Mousse T.'s impeccable production skills and his ability to create music that keeps the dance floor grooving. With its timeless sound and undeniable energy, 'Melodie' solidifies Mousse T.'s status as a master of the disco 3000 sound, ensuring that his music will continue to captivate audiences around the world.
Review: Mousse T.'s latest album, Melodie, reaffirmed his mastery of widely appealing dance music. The title track from it now gets served up on Sedsoulciety Recordings as a remixed version. The original is a sophisticated groover that blends disco nostalgia with modern charm. Rob Hardt vocal mix features Cleah's enchanting vocals which evoke classic disco vibes while the infectious beats, funky basslines, and irresistible melodies all add a tight, strident street soul feel. Flip it over and you'll find a great dub version and what's more this one comes on nice limited white vinyl to make it extra nice.
Wanna Feel Like A Lover (feat Ed Mac - Poolside remix) (4:15)
Review: The latest 12-inch from Tino Piontek under his now familiar Purple Disco Machine outing features two fresh remixes of tracks from his popular 2021 album Exotica. First up, Alex Virgo reworks 'Playboox', delivering a mid-to-late-'80s Hi-NRG and Euro-dance inspired take full of starry synth breakdowns, hard-wired sequenced bass, spiralling melodies and bustling beats. It's good, but arguably even better is yacht disco-loving outfit Poolside's languid Balearic disco revision of Ed Mac collaboration 'Wanna Feel Like a Lover'. It's warm, dreamy and luscious, with strings and soulful vocal snippets combining wonderfully with the band's bass and guitars - basically the sort of jam you want to hear as the sun goes down on a steaming hot day.
In The Dark (Oliver Heldens extended remix) (5:47)
In The Dark (Aeroplane remix) (3:49)
Review: Purple Disco Machine continues to offer up fresh, club-ready remixes of recent singles. Here, Sophie & The Giants hook-up 'In The Dark' - a radio-friendly nu-disco sing-along in its original form - is given the re-rub treatment. Crazy P's Jim Baron delivers two A-side revisions under his Ron Basejam alias: a squelchy, bleeping, electro-not-electro full vocal take that will get plenty of plays for the rest of the year, and a deeper, hazier 'Dub Remix' for the heads. Over on the flip, Oliver Heldens joins the dots between Italo-disco, grandiose 21st century synth-pop and driving house on a certified hands-aloft take, while Belgium's Aeroplane drops a pleasingly bouncy, synth-rich nu-disco spin.
Review: Purple Disco Machine's 'Dopamine' came out last year in a blissful burst of singalong vocal house goodness, with Eyelar up front on the mix creating a fully fledged anthem which was a deserved hit for the German producer. Now comes a remix 12" which casts 'Dopamine' under the watchful eye of John Summit, a young producer with serious pop nous to his beats. It's a shoe-in for big rooms and big stages where you want to enrapture the masses, and if the A side isn't enough you've also got the Daft Punk-tinged disco delights of 'I Remember (Club Dub Mix)' on the flip. Purple Disco Machine's name is a byword for catchy club classics in the making, and so it goes on this new 12".
Review: When it comes to blurring the boundaries between Defected style accessible house and revivalist disco, Purple Disco Machine is arguably in a league of his own. The German producer has certainly ticked all the right boxes with his latest 12", which features two club-length extended versions of two excitable, festival-friendly workouts. A-side 'At The Disko' is a perfectly pitched chunk of bouncy nu-disco/house/p-funk fusion rich in vibrant synth sounds, spacey synth-strings, Nile Rodgers style guitar licks, energetic piano stabs and autotune-heavy vocals, while flipside 'Don't Stop' joins the dots between K.I.D's thrusting disco classic of the same name, the Munich Machine hedonism of Giorgio Moroder and breakdown-heavy classic house.
Review: German artist Purple Disco Machine is a studio wizard and something of a throwback - he manages to make tunes that are rich in musicality as well as having plenty of focus on the dancefloor. Each one brims with colourful hooks and catchy grooves and this new one 'Beat Of Your Heart' comes with delightfully soulful vocals from singer-songwriter ASDiS. It's got summer anthem written all over it such is the feel-good nature of the whole thing with both a club dub and instrumental also included for different settings. Bring on the sun!
Review: For those who like kaleidoscopic synth sounds, nu-disco and 80s electrofunk nostalgia, the announcement of a collaborative single from modern disco maestro Purple Disco Machine and Canadian boogie revivalists Chromeo will be big news. Happily, 'Heartbreaker' is tons of fun, providing a perfect fusion of Purple Disco Machine's throbbing, cheery and uplifting take on nu-disco and the authentic synths, talkbox flourishes and eyes-closed vocals that have always marked out Chromeo's work. The A-side extended mix is particularly potent, but we're also massive fans of the alternate instrumental take, in which the uniqueness of the fusiuon - Moroder-ish bass, elongated mid-80s soft rock synth solos and glossy FM synth stabs - comes to the fore. To quote Alan Partridge, it's a copper-bottomed hit!
Something On My Mind (extended instrumental) (6:54)
Something On My Mind (Solomun remix) (7:36)
Something On My Mind (Solomun remix instrumental) (4:50)
Review: Purple Disco Machine makes the sort of warm, colourful and feel-good sounds that have united festival crowds all over the world since he first broke through. For his latest tune he has worked with UK chart-topper Duke Dumont on a single, 'Something On My Mind' which melts nostalgic disco goodness with fresh and contemporary production. It is jin indie-tinged cut with vintage synths and groove-driven basslines with vocals from rising band Nothing But Thieves, whom Purple Disco Machine remixed not so long ago. This is another crossover hit in the making for disco-revivalists Purple Disco Machine and it comes on a 12" that is limited to 300 copies.
Review: German nu-disco don Purple Disco Machine has been phenomenally successful in recent years, and there's every chance that this single - a collaboration with little-known British indie band Sophie & The Giants - will raise his profile even more. "Hypnotized" certainly sounds like it has serious crossover potential. In its original "Extended Mix Form", the track is an attractive chunk of radio-friendly mid-tempo nu-disco/80s AM radio synth-pop fusion that comes complete with a catchy, sing-along chorus. Roosevelt smartly gives the track a little more organic disco warmth whilst retaining the prettiness of Purple Disco Machine's original synths, while Loods aims for hands-in-the-air peak-time bliss on a cheery retro-futurist big room house take.
Review: Kon, known as the King of Nothing, unveils two mesmerizing mashup creations. 'Soul Bright' ingeniously blends Madonna's radiant vocals from 'Lucky Star' with the soulful instrumentation of Saucy Lady's 'Soul Amplified' from her 2021 Delirious EP. The result is a euphoric fusion of pop and funk that shines brightly. In 'Watchin'', Rockwell meets Saucy Lady in a captivating mashup that combines Rockwell's vocals with the intoxicating harmonies reminiscent of Mtume, originally crafted by producer Yuki 'U-KEY' Kanesaka on Saucy Lady's track 'The Garden'. The reworked track promises to ignite dancefloors with its irresistible groove and undeniable charm. Both mashups showcase Kon's exceptional talent for creating dynamic and infectious multitrack edits.
Review: Somewhere between a sauerkraut connoisseur, an ancient Athenian philosopher, and a crate-digging obsessive (we'll assume this is the threefold meaning of the nominal pun until we're course-corrected) Saukrates returns with a new single 'Driftin'' via Love Touch Records. This new limited 7" is indeed as, perhaps even more so, delicious as a jar of pickled cabbage considered in Socratic dialogue. The Juno-nominated Canadian icon is here heard teaming up with producer Gil Masuda, who provides a neo-eighties synthfunk bomb over which Sauks flaunts his singing chops (this is a surprise delicacy, as Masuda is not often heard since his 2006 Big Black Lincoln project). Bursting pianos glide over huge gated digi-snares on this gem, the featureless version of which also appears on the B-side.
Review: Sexxy Dexx's 'Revelry' transports listeners back to the heyday of 80s funk and soul with its infectious energy and undeniable groove. Drawing inspiration from the likes of Prince, the track exudes a playful sensuality that is perfect for the dance floor. With its catchy hooks and pulsating rhythms, 'Revelry' captivates from the first note to the last, ensuring that feet will be tapping and hips will be swaying all night long. On the flip side, Delores Galore's 'What's It Bout To Be' brings a modern twist to the electro-funk genre, blending infectious beats with soulful melodies and seductive vocals. The result is a dance track that is as irresistible as it is memorable. Together, these two singles offer a tantalizing glimpse into the vibrant world of funk-infused pop, proving that the spirit of the 80s is alive and thriving in today's music scene.
Review: Insatiable funk lovers rejoice! One of the most sought after top vocalist/songwriter Lee Wilson who's known to dominate house music dance charts week after week delivers this time a boogie banger 'Do Better'. The feel-good Original Mix on the A-side boasts a thick boogie synth bassline and uplieing chords that carry Lee's captivating vocals inspiring us with a strong message of positive self-image and self-improvement. The B-side features the monolog remix by multi-instrumentalist Yuki Kanesaka playing all vintage analogue instruments himself bringing that heavy funk to all diggers of sick grooves. Both tracks are upbeat, uptempo and ready to heat the floor.
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