Review: Sami Galbi is a Swiss-Moroccan musician who looks to his childhood for musical inspiration. The A-side of this new 7" is a thoughtful post-breakup classic with raw synths and bouncing rhythm that melds rai influences with contemporary sounds and despite tacking a serious subject with gravitas also has a humourous edge. On the flip is 'Rruina,' a powerful follow-up with deeper darker club sounds that take Swiss-Moroccan rai-chaabi fusions into new territory. Both tunes are captivating listens from this fine talent and are sure to make an indelible impression on all who hear them.
Review: So the legend goes: Tokyo dance music aficionados DJs Nori, Fukuba, Alex From Tokyo, and Kenji Hasegawa came together sometime in 2003, with but one ultimate goal: to bring together, in their own words, the best music, with the best sound system, the best hospitality, by the best management staff, in the best location. The result was Gallery Connection, a venue and soundsystem situated right next to Omotesando station, in the the heart of the city's upscale cultural rampart, Harajuku. Famously held on Sunday afternoons, this dream team's party is once again started with two reissued versions of their original CD fixture and DJ set go-to, 'Smile', flaunting its stylistic versatility: a signature Balearic-scenic Shibuya-kei track that resounds in memory as the time-honoured party's de facto theme tune.
Review: 'Departures' is one of the most renowned singles by the Japanese band Globe, originally released in 1996. The track achieved significant success and became the group's second number-one hit on Oricon's weekly chart and went on to sell a total of a rather astonishing, especially in comparison to these digital times, 2.2 million copies, making it one of Japan's best-selling singles. Now the tune gets reissued on 7" and is a raw, dense pop-rock tune that comes with a bonus cut on the flip.
Review: Celebrate a decade of holiday magic this festive season with Ariana Grande's beloved Christmas hit 'Santa Tell Me' which now makes its debut on 7" green vinyl. Originally released in 2014, this festive pop classic has become a firm and warm favourite for the way it blends Ariana's soulful vocals with a catchy, heartfelt melody. It is perfect for any holiday playlist or for some's stocking, especially given the seasonal colour of it. A great collector's item for Ariana enthusiasts and holiday music lovers alike.
Review: By K-pop standards, rapper-turned-popstar G Dragon (Real Name Kwon Ji Yong) is something of a veteran. He's been a star in his native South Korea since the tail end of the 2010s, enjoying success for a trio of albums released between 2009 and 2013. Ubermensch, officially his fourth full-length, sees him return to solo action following a period spent working as a songwriter and producer for other artists. It's a typically entertaining, fun and boisterous set that sees him sing (and more occasionally rap) atop tracks that variously mix and match elements of P-funk, EDM, disco, synth-funk and 21st century pop. K-pop fans take note!
Review: 90s pop favourite Gabrielle's Find Your Way was released in 1993 and was the debut studio album that established her as one of the UK's standout r&b and soul artists of the era. Now reissued, it features the hit single 'Dreams,' which topped the UK charts. The album blends smooth soul with pop and dance influences while Gabrielle's distinctively husky voice, emotive delivery, and relatable lyrics about love, heartbreak, and self-empowerment continue to resonate widely. Tracks like 'Going Nowhere' and 'I Wish' are further proof of her skills and help make her a major voice in British pop.
Review: The distinctive vocal sound of Shirley Giha aka. Ghia is both naive and infectious. Her only album Here I Am gets a reissue via Thank You, recalling the short-lived period in the spotlight enjoyed by the musician between 1987-88. Heavyweight city pop, new jack swing and slow-jam dreamers all combine in an almost oppressively 80s sound, while Ghia's vocals glide over each track elegantly and unprocessedly.
Review: French-Canadians Margaux Sauve and Louis-Etienne Santais are Ghostly Kisses the internationally acclaimed pop pairing that has got a hardcore following of fans all over the globe. They impressed with their debut album Heaven not that long ago and now return with Darkroom, which focuses on the feelings we all had during the pandemic of loneliness. Both artists set up in separate rooms during the writing process and sent snippets to each other to only finalise when they eventually met up which they think ensured they brought "more depth" to their process.
Review: Quebec City-based singer/songwriter Margaux Suave and collaborator/producer Louis-Etienne Santais earned plenty of praise for their first album as Ghostly Kisses, 2022's Heaven, Wait. It framed the project as a new iteration of dream-pop, with the pair drawing inspiration from melancholic synth-pop, downtempo, hazy indie-pop and lo-fi soul. Sophomore set Darkroom continues in this vein while subtly expanding the pair's sonic horizons. Throughout, they shuffle attractively between string-laden trip-hop ('There Is No More Space'), dreamy two-step pop ('Golden Eyes'), slow-motion, Balearic-tinged synth-pop ('Lonesome Hero'), twinkling deep house-pop ('Calm Down') and orchestrated ambient pop ('Silver Screen').
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