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Back catalogue: Bass
Juno's full catalogue of Bass
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Review: The Mancunian tones of Swamp81's resident MC Chunky are well known to those who tune in to the label's Rinse FM show on a regular basis. However, this debut EP, forwent any kind of vocal showcase for the kind of hefty, refined fusion of garage and techno we've come to expect from Loefah's empire. Arriving as a 12" doublepack featuring four tracks, The Chunky EP shows Chunky to have the production chops to match his skills on the microphone, showcasing a wide range of influences channeled through a uniquely dark mood; "Decca" is a straight up piece of rolling deep house with a shadowy basement vibe, while "Experiment 727? recalls the syncopated techno of Bambounou or Boddika's leaden beats, while on the second 12?, "Thang" is a masterclass in stripped back garage mechanics, and "Rugged" provides a lo-fi beat that ploughs the darkest recesses of instrumental grime for inspiration.
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Review: NX12X is the first in a new series of experimental records from this label and the artists given the keys for the inaugural release are Goldsmiths student and modular synth maestro Sam Hostettler and electronic innovator La Leif who tackle a pair of tracks each. Hostettler's sounds are the moody, heavy ambient atmospheres of 'Pointalims' and the more light and airy li-fi soundscapes of 'Opalescence.' La Leif offers broken beats with a skeletal feel and a burial-style synth aesthetic on 'Kyoto' and then crunchy breaks and fizzing, distorted synth malfunctions of 'Kimochi.'
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Review: Here's some fresh techno from Intercepts, a new project dropping three slabs of hi-def, immersive club material from three different un-named artists for adventurous souls. 'Track 1' moves at a slower tempo and deals in fractured rhythms, all the better to carry the huge swathes of atmospheric sound design. 'Track 2' rolls with a deceptive discoid funk which contrasts neatly with the looped up Berlin techno-friendly elements. 'Track 3' takes things even further out into experimental - but still rhythmical - territory, marking Intercepts out as a label with a strong sense of adventure and their own distinctive way of merging influences into something which may well tickle your ear drums.
… Read morePlayed by: Jeigo
in stock $8.32
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Review: Wonky, disjointed, trippy and a hell of a lot of fun... These are just some of the ways to describe Jabes' new 12" on Timedance. Continuing his twisted, brilliantly unclassifiable signature, 'Ripples' is a data-glitching, stompy whirlwind of feels that builds and builds and builds, teasing with every twist and turn. 'Body Said No' takes this tense sense of surrealism even further as the drums scatter into breaks and that constant sense of winding up is brought even further to the fore. Scatty in the best possible way.
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Review: Keppel was last on this label with a contribution to a various artist collection but now steps up with a full solo EP of his own. His unique take on techno is exhibited from the off on 'Stanley Knife' with its scurrying synths, drunken synth loops and drums that go nowhere fast but still draw you in. '194' is awash with kinetic synth sequences and distant dub chords that bring colour and 'Life Takes Rise' rides on another inventive and alluring rhythm pattern while the warming synth work gets you lost in thought. Closer 'Diesel', meanwhile, is tough, frosty, and more techno-leaning.
… Read morePlayed by: M50
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Nothing Is EP (140 gram vinyl 12" + insert & sticker)
Cat: WSR KCD1. Rel: 07 Feb 22
Review: Well Street continue to offer up some of the most inventive gear on techno's multi-faceted outer limits, this time welcoming South London's Kincaid to the table. There's certainly a vaguely defined style around the label now, and Kincaid fits right in with a dexterous line in rhythmic programming and hi-def sound design, but like all the other artists he's got plenty of individual personality as well. 'OOO' quivers and surges with a braindance demeanour, while 'Nothing Is' deals in a swampy, dislocated kind of soundsystem music. This is dense, brilliantly rendered club music for those who require the freshest of the fresh ideas.
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Review: Two proper peaches from the melodic end of the house/techno spectrum from Samantha Poulter aka Logic1000. 'Perfume' sees the Sydney-born, Berlin-based DJ and producer adding several layers of bittersweet vocals to a chunky and lightly-embellished-breaks house groove. Flip track 'Blossom' comes up equally smelling of roses with a more progressive-slanted instrumental vibe that's equally playable. The sweet smell - and sound - of success.
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Review: Lurka ended the year on a high with a kick-ass new EP on his own new label Make Your Own Meaning. He is now set to start 2023 in an equally strong fashion with four more futuristic bass fusions. 'Wire' is a minimal stepper with bursts of bass and flitting percussive lines. 'Molten Drum' is another twitchy mix of malfunctioning computer sounds, refracted vocals and fizzing synths that keep you on edge then 'Machine' picks ups the pace with jumpy rhythms and militant snare work. 'Zone (Packet)' rounds out with a double-speed workout and juke patterns that head out on a cosmic journey.
… Read morePlayed by: Juno Recommends Bass
in stock $8.32
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Review: Make Your Own Meaning continues to convey its unique techno message with a new statement of intent from label head Lurka. The artist has been busy of late and continues to be on a roll with another fascinating four tracker that genuinely serves up some original sounds and rhythms. 'Trip' gets things underway with organic percussive patterns stacked up over drilling bass to make for a prickly groove. 'Airlock' is similar but darker and heavier and 'Sick Flips' keeps the nimble feel going with dancing perc, rigid synths and scratchy sound effects all coalescing over broken drum patterns. Last of all is another dense, busy and multi-layered melange of tiny percussive sounds, synths and clipped rhythms that will make any floor move.
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Review: Lurka is back on his own label Damage which is a place for harder-edged sounds and here includes remixes from Ossia. The one original, 'Red', is a thrilling rhythmic workout with a skeletal kick drum pattern that is broken and loopy, and deft percussion layered in over the top next to wet synths and undulating bass. Ossia's first rework spins it out into a more distorted and manic cut fizzing with static electricity while the second is slightly more paired back but no less menacing. This one has been mastered at Scape in Berlin and is mad limited to just 100 copies so do not wait around.
… Read morePlayed by: Juno Recommends Bass
in stock $8.45
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in stock $9.39
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Review: Toupaz is a new name on our radar but he'll stay firmly on it after this release on forward-thinking London label, Well Street. The EP kick-starts with a fusion of techno, bass and club rhythms spliced with brilliantly bubbly toms & synths that fall down the face of broken beats. The flip side explores a new take on UK funky with whirring machines and fractured vocals, whilst the closer 'Maudlin Lakitu' features the most experimental and skeletal rhythms of the project.
… Read morePlayed by: Juno Recommends Techno, Tom Drew
in stock $8.05
アルバム
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Review: While punk imprint-turned-electro and bass outfit Bunker Records specialises in 'dark electronic music for mutants' (as they put it), the Den Haag-based imprint is not averse to offering up oddball excursions and releases that are formidably hard to pigeonhole. We perhaps shouldn't be too surprised, then, to find them offering up a first label outing from Lunatika, a trap and drill rapper from the Hague whose Split Second Origins Part 1 LP is restlessly brilliant and impossible to describe. His raps - sometimes doused in auto-tune - are a constant, as is a lo-fi sound that pushes booming basslines and lo-fi beats to the fore. Bolted onto this framework are nods to mutant hip-hop, chopped and screwed R&B, dub, UK bass and his beloved drill and trap.
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