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Back catalogue: All genres
Juno's full catalogue of All genres
シングル
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in stock $21.16
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Huw Stephens Session 09/12/10 (10" + MP3 download code)
Cat: PRE 046. Rel: 11 Apr 25
Indie/Alternative
in stock $17.82
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in stock $13.09
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Don't Get Me Started (remixes) (12" in die-cut spot-varnished sleeve)
Cat: XL 1522T. Rel: 27 Mar 25
Indie/Alternative
Review: The Smile's latest remix compendium is a striking one, with two eminent producers reimagining tracks from the British rock band/Radiohead offshoot's latest and third album, CUTOUTS. This remix-set takes the core of the band's genre-blend sound, from art rock to experimental electronica, and contorts it into yet another division of volatile allotropes, this time welcoming light show IDM extravaganzist James Holden and East Kent musician Robert Stillman. Both versions are full displays of productive talent, humanisti, but still cognitively vector-mapped out in digi-space ahead of time, mirroring the abstracted, rather listless and amoral lyrics heard in the title track ("And your force means nothing...")
… Read more in stock $16.99
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in stock $26.17
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Cat: LPRT 016. Rel: 18 Mar 25
Folk/Americana
in stock $33.40
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The World's Fair EP (orange vinyl 12" in die-cut sleeve)
Cat: OBR 033. Rel: 07 Mar 25
Indie/Alternative
Review: Relatively recently reformed 'Camden lurch' icons Swervedriver release their first new music in more than five years. Two tracks were recorded with Ride's Mark Gardner, at his OX4 Sound studio in Oxfordshire. The other two were recorded - quite surprisingly - by Rick Beato, who we all know is usually interviewing great guitar players. Well, he clearly has ability himself and is a massive fan of the band so is well suited. The format of this release is what's quite surprising and refreshing. We often see bands releasing EPs when they first start out and Swervedriver haven't put out one since the early 90s when they were on Alan McGee's Creation Records and riding the shoegaze boom that had begun with the likes of My Bloody Valentine and Dinosaur Jr. It's a thoroughly welcome return to the shelves from one of Britain's most treasured bands.
… Read more in stock $19.77
アルバム
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Played by: Juno Recommends Downtempo
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in stock $29.79
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Blood On The Silver Screen (gatefold LP + insert + MP3 download code)
Cat: WIGLP 535. Rel: 06 Mar 25
Indie/Alternative
in stock $26.72
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in stock $11.98
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in stock $35.63
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in stock $23.67
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in stock $15.58
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Cat: OCOM 005. Rel: 23 Apr 25
Indie/Alternative
in stock $27.57
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Everybody Wants To Be On TV (15th Anniversary Edition) (limited zoetrope picture disc LP)
Cat: 198028 99691. Rel: 25 Apr 25
Indie/Alternative
Played by: Juno Recommends Rock/Indie
in stock $28.40
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! low stock $15.58
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in stock $15.32
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Just Keep Eating (remastered) (limited 180 gram white vinyl LP)
Cat: TG 383LPC1. Rel: 13 Mar 25
Post Rock/Experimental
in stock $29.51
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Scratch Acid Box Set (limited numbered 180 gram clear vinyl 3xLP + clear vinyl 7" + booklet in slip-case)
Cat: TG 385LP. Rel: 13 Mar 25
Post Rock/Experimental
Review: The complete studio recordings from Austin, Texas noise rockers Scratch Acid - all remastered from the original tapes. Formed in 1982, they received minimal attention outside their hometown scene and their time as a band was short-lived as they split in 1987. Nevertheless, the band members have punk rock CV's for the ages (frontman David Yow formed The Jesus Lizard with bassist David Sims) and they leave in their wake a treasure-trove of frenzied, darkly-atmospheric tunes. The recordings, which you leave you dumbfounded how they didn't become more popular, are the perfect companion to messy nights in. Instead of looking like a hipster-by-numbers and putting Nick Cave's The Birthday Party on - put a track from this collection on instead; say 'Owner's Lament'. It's way cooler.
… Read more in stock $130.88
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Scratch Acid/Berserker (remastered) (limited gatefold 180 gram white vinyl LP)
Cat: TG 379LPC1. Rel: 13 Mar 25
Post Rock/Experimental
in stock $38.71
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in stock $20.61
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Review: Rebecca Lucy Taylor blows stormy second wind our way with A Complicated Woman, her first full-length release as Self Esteem since the critically lauded Prioritise Pleasure. The record finds Taylor, who cut her teeth with Sheffield indie hopefuls The Slow Club, expanding her signature lyrical honesty and emotional intelligence over an increasingly vivid, ambitious landscape, convoking a potent collective of mostly female voices: friends, bandmates, and collaborators Nadine Shah, Moonchild Sanelly, Sue Tompkins, drag queen Meatball and actor Julie Hesmondhalgh all feature. Recalibrating the well-worn trope of female hysteria in indie rock terms, lead single 'Focus Is Power' channels a mantra first scribbled on a sticker in her parents' shed during lockdown into a full-bodied affirmation of self-worth, echoed by a moving choir and a communal performance in its accompanying video.
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Review: The latest project of the singer Rebecca Lucy Taylor, who cur her teeth on the Sheffield musioc scene before heading south, sees her continuing to evolve her sharp, emotionally honest brand of pop. This album leans further into lush, layered production while keeping the confessional, anthemic spirit that made her previous work resonate so deeply. Tracks like 'Big Man' explode with bold rhythms and crisp, shimmering synths, pairing vulnerability with fierce, almost theatrical energy. Meanwhile, 'Love Second' rides a smoother, soulful groove, highlighting Taylor's ability to balance playfulness and pain within the same breath. Her vocal performances are even more dynamic here i full of defiant strength one moment and tender intimacy the next. 'Insert Girl' and 'Hard To Love' deliver some of the album's most affecting moments, weaving percussive pop beats with lyrical reflections on identity, expectation and resilience. There's an undeniable polish across A Complicated Woman, but it never feels cold; instead, the production wraps around Taylor's words like a protective armor. Brief but potent interludes and clever lyrical turns keep the album moving with a strong narrative flow. A Complicated Woman feels like both a natural continuation and a bold new chapter for Self Esteem i pop music that's brave, bruised and utterly alive.
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Review: Rebecca Taylor arrives at third album A Complicated Woman in a very different place to where she was before the release of her previous full-length, the Mercury Prize-nominated Prioritise Pleasure. Now a bona-fide pop star, the South Yorkshire chanteuse now has to deal with heightened expectations and her own experience of fame. By the sound of A Complicated Woman, she's handling both with aplomb. That's not to say that the lyrics avoid difficult subjects - her own worries remain front and centre - but the delightfully grandiose production, extensive use of choirs and orchestras, and Taylor's own penchant for penning stadium-sized sing-alongs deliver a maximal pop gem fitting her genuine star status. Rotherham's finest has never sounded so good (or, it should be added, explicit - there are some genuinely adult themes on display).
… Read more in stock $13.93
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in stock $32.02
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Medea (reissue) (purple vinyl LP limited to 300 copies)
Cat: CLOLP 872. Rel: 01 May 25
Indie/Alternative
in stock $29.24
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Sexwitch (10th Anniversary Edition) (Record Store Day RSD 2025) (limited gatefold LP + booklet)
Cat: 964141 171. Rel: 19 Apr 25
Psych/Garage Rock
in stock $44.00
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Review: SFJ, formerly Sunglasses For Jaws, introduces 'Drifting', a nine-tracker tracing one duo's evolution from humble beginnings in a friend's shed to a fully realised studio in East London. The London duo blend lounge, experimental and groovy 70s influences with a modern edge. The offbeat 'Computer Spiritus' brings a quaint curiosity about it, while 'Chasing' prefers a fader-happy vignette in funky, action-sequent frequencies. Only the latter half of the record provides any longer extension, 'Bad' being the baddest of them all.
… Read more in stock $28.68
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Review: A krautrock/punk funk/no wave/post disco hit-fest from the prolific American-born/London-based multi-instrumentalist and producer Shawn Lee. Lee, who was the drummer in the now disbanded Welsh band Carwyn Ellis & Rio 18, has made an album that's a left-field indulgence for sonic wanderers. There's a strong Neu! or Can feel to the opening and closing tracks - the bookends, if you will - so these songs are a homage to late 60s and 70s experimental music, but as invigorating as the golden generation's attempts. Elsewhere, 'Lost In London' has more of a new wave feeling; it's like a more hypnotic Gang of Four. And 'Lost In Tokyo' is a really smooth number, so the perfect soundtrack to when you feel like you can take on the world.
… Read more in stock $24.50
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in stock $25.61
