Review: Fourth part of the compilation celebrating the tenth anniversary of the Milanese record shop. This collection is entirely composed of previously unreleased music, exclusively produced for the occasion by many artists of great relevance in the worldwide music scene, who supported the store over the last ten years.
This EP features Ellen Allien, Kreggo, Timeslip89, Itinerant Dubs and Heith.
Happy707 - "Where Does That Noise Come From" (4:28)
Review: Menacing EBM and dark synth billows from a Netherlands hinterland; our heralds speak of an esoteric encampment by the name of Espectro Oculto, said to be the remote incantators of an unstoppable curse in sound. Six shadowy emissaries have been sent to spread the pestilence; Trenton Chase, Martial Canterel, DJ Nephil, Exhausted Modern, Fragedis and Happy707. Clearly, the faction have recruited only the best, trusted and yet most nefarious of spies from as far-flung regions as Czechia and Argentina in the administering of such a sordid sonic plague. We're left most quivery at the centrifugal doom drones of Exhausted Modern's 'Fear Of Focus', across whose breakdown banshees are heard wailing and snarling, and Fragedis' 'Landing In Reality', a lo-fi techno freakout and sonochemical anomaly, channeling militant two-way radio samples and hellish FM synthesis.
Review: Corsican label Isula Science drop a fresh brooder of previously unknown electro knowns, this time from label founder Flash FM alongside HDV, Sweely and Man/ipulate. Spanning vertiginous dark acid, then moving on through to dreamatic neon breakbeat and expedient Italo - 'Vol de nuit' especially makes signature use of a classic slap bass synth - they've got us entirely covered here. Enticing bumps in the night from the exquisitors.
Review: Elusive techno silhouette Yaleesa Hall drops three new ones for their very own co-run Dutch label Will & Ink (alongside fellow artist Malin Genie). High-tempo techno and electro with the occasional sprinkling of EBM essence, this trio of tunes are as jackhammery as they are dreamy, with 'Newman' providing the gloomy foretaste; 'Shanks' the dreamy, electrified meat-on-the-bone; and 'Williams' the rapturous coda.
Review: Yaleesa Hall's track record over nearly 10 years is nigh-on flawless, evolving to form an integral part of the Dutch techno and electro stable Will & Ink with release upon release of inspired edginess from the dark and sticky shadows of machine music. That's as true as it ever was on this latest Will & Ink drop, which follows four variations on an excursion into pneumatic, taut electro loaded with weapons-grade bass throb and bolstered by iron cladding. There's detail and dynamic sound design fizzing in and out of every bar, and that's where the magic lies on this latest transmission from one of the best doing it right now.
Review: Hauff's highly anticipated debut on Tresor, and it's as strikingly original as you'd expect. The title track, 'Multiplying My Absurdities', opens with a slow build of magnetic synths and acid drops that seem to pulsate with playful skepticism. It's simple yet gripping, pulling you into a dark, hypnotic space where the unexpected becomes beautiful. 'Punks in the Gym' takes the energy up a notch, drawing inspiration from a notorious Australian climbing route. The track climbs relentlessly, each bar steeper than the last, with 303-driven tremors building into a volcanic eruption of sound. It's a relentless ride that doesn't let up, pushing you to the limits. Closing out the release, 'Humanoid Fruit' ventures even deeper into the unknown. Its prehistoric soundscape, full of sharp synth bursts, feels like a chaotic journey through ancient lands where acid rain falls from the sky. Dark, eerie and transporting, this track leaves a lasting impression.
Review: A five-track EP of pure dancefloor bangers from Hermeth, the enigmatic Valencian-raised, Swiss-based artist. It's a potent blend of breakbeat, techno, house and dubstep, showcasing Hermeth's signature sound - a dynamic fusion of styles that defies categorisation. Tracks like 'Bababoy' and 'Fvck War' are guaranteed to ignite dancefloors with their infectious energy and pulsating rhythms, while '10Min' and 'P*ta Que Pariu' delve into deeper, more hypnotic territories. The EP also features a remix from Ben Pest, adding another dimension to Hermeth's already captivating sound, and with its blend of saturated breaks and ghetto vibes, this release is a must-have for those who like their music raw, energetic and undeniably funky.
Review: Detroit-born but now based in Thailand, Scott Hess returns to show his enduring Motor City class with Redlight Bangkok Vol. 3, a third instalment of his vinyl-only series on Adeen. This one opens up with 'En Bloom' which is a Miami bass-inspired jam with crisp kicks and icy cold 808s. Rocco Universal's remix is more deep and house-leaning with some magnificent melodies then on the B-side, 'Whitelight' gets more twisted with elastic bass and snappy percussion. 'Untitles' is a cosmic journey with a funky guitar and dreamy chorus and last of all comes the smooth and serene, chord-laced soundscapes and fathom deep grooves of ''Untitles' which is a classy late-night sound.
Review: Super Rhythm Trax is celebrating ten years in operation in 2024. The acid music focused label has been renowned for the excellent music they have put out. Hannah Holland's Satisfy EP is their latest and now their 41st release in total. Hannah has got really good at making people dance thanks to being Adonis's resident DJ and she shows on this record that she can also produce very well too. All four of these tracks exude strong Chicago 80s classic acid sounds. Dark, driving, percussion heavy acid stompers. The first track is uncompromised by overproduction while instead, favors a rawer machine sequence. Label head Jerome Hill's remix of 'She's Giving Cray' is a great alternate version, 'Satisfy' is an outstanding track that deserves top billing for this EP with a unique piano hook. Not to be outdone, 'Roller' does what the name suggests. An excellent B-side. An acid influenced house record that perfectly bridges an old skool vibe while bringing a new direction to the sound. We can see why this got the Super Rhythm Trax stamp of approval! Only 100 copies, so act quick.
Review: Kenny Hooper is a fresh talent from one of the true meccas of electro, Detroit. He's stated his place in the city's storied machine funk narrative with Detroit Orbiter Vol. 1, and you can absolutely hear the Cybotron and Model 500 influences coming through on strident opener 'Deeper'. This is electro drawing from the roots of the sound, working the artist's personality into the music for the perfect cybernetic hybrid with benefit of modern-day production and its undeniable impact. Fun, funky as hell and serious where it counts, this is the real deal - Hooper's destined for great things, no doubt.
Review: Belgium's history with electro is almost as rich as that of the Motor City, so this coming together of Detroit native Kenny Hooper and the Elypsia Records label is a fine one. It marks Hooper's debut release on the label and is one EP of three-part series that shows off his serious skills. Cybotron and Model 500 influences abound, of course, with fresh cyborg funk, slick contemporary production and a mix of grooves from driving and cosmic to more physical and banging. The tight drums and freaky vocals of 'Encrypted' are a particular highlight for us.
Review: Phillip Lauer has been impressive form in recent years, delivering typically driving, melodic and left-of-centre blends of cascading nu-disco, intergalactic techno and shimmering deep house for the likes of Beats in Space and Running Back. Here, he joins forces with little brother Jacob under the Hotel Lauer alias. Pleasingly, Brudis is a predictably strong EP, flitting between raw, acid-flecked 808 electro (the excellent "Smend"), Italo-influenced Detroit futurism (the deliciously sci-fi soaked dancefloor release of "QD", which comes replete with reliably cheap-sounding melodies), and thumping, late night hypnotism (the decidedly bassy, rolling groover that is "Calcit").
Review: Organic Analogue makes it to double figures with a sublime new split EP from HVL and Gacha Bakradze. The A-side is opened up with 'Infinitesimal', a stripped back and icy bit of minimal dub techno, then 'AgneffC01' gets more rhythmically physical with scattered beats and hits and 'Collective Genius' is tense, kinetic techno with a real sense of paranoia. 'Routes' is the first B-side joint with Gacha Bakradze bringing some direct but economical drum machine grooves under meticulous percussion and then 'Chain' layers smeared cosmic pads with twitchy details and 'Widow' ends with a heavy heart. No wonder, then, that a host of eminent DJs like Ben UFO are all over it.
Review: Killowat Hour is a collection of 90s-inspired gems that seamlessly blend new and old influences. On Side-1, LP Rhythm's 'Want Your Love' kicks things off with a nostalgic nod to prog and euro house, delivering a distinctly 90s vibe. Aida's title track, 'Killowat Hour,' ventures into futuristic techno territory, incorporating elements of new beat for a modern twist. Mance's 'Cross Reference' follows with bouncy techno rhythms, smooth melodies, and trance influences that keep the energy flowing. Other highlights include Hottpretty's 'Make Me Yours,' which takes listeners on a trancey, heady journey through early 90s techno, offering a vibrant and energetic experience. Mad Again's 'The Night' closes the collection with deep euro house vibes, adding a layer of sophistication to the nostalgic set. This compilation is idea for those who like deep house and those who appreciate the balance of classic and contemporary sounds.
Review: London underground night train riders Deadbeat Records prioritise techno-breaks handmade for late night and early morning dancefloors, times when both the best and worst comes emerges from each of us. Their inaugural Deadbeat Breaks compilation hears six out of ten full digital curations brought to a shadowy, space-invaded black vinyl truncation, with modern talking synth vomits from Olly Rant, booty bass hups from Hunter Starkings, hackney parroting hurtles from Rnbws, and a closing breakstep broil from Hooverian Blur.
Hazmat Live - "The Marriage Of Korg & Moog" (4:50)
Review: Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.
Review: Here's a welcome link-up between stalwarts of the electro scene, as Lunar Disko welcomes Spanish artist Annie Hall for what is sadly the Irish label's final release. It's a strong note to go out on, continuing to platform the freshest ideas within the much-mined electro magnetic field. Hall's sonic vocabulary continues to set her apart from the rest of the pack as she elicits particularly nuanced patterns and interplay between the component parts of her tracks. Hats off to Lunar Disko for always pushing quality and to Hall who continues to dazzle with every release she puts out.
Review: Having built plenty of hype over previous outings, Hardacre finally drops this long-awaited debut on Alien Communications. It's a standout long player with acid, house, electro and techno all jumbled up into effective, 'floor-facing sounds that are high on power. There are lithe, metallic twitchers like the Kraftwerkian 'Transmission' as well as more future-facing and acid-laced bumpers such as 'Alien Intelligence' with plenty of cinematic and atmospheric bits like 'Radio Command' in between. A classy take on a classic sound.
D-Breeze - "Crazy For Love" (Autechre remix) (6:11)
MicroControlUnit - "Save The World" (MCU Apocalypse mix) (6:19)
Magda Rot - "Alter Simus" (5:23)
Signaltype - "In Abyss" (7:16)
Radioactive Man - "Night Bus To Nowhere" (5:59)
Illektrolab - "Overdrive" (5:29)
Ement - "Despite Of Time" (4:59)
Dynarec - "Sunken Park" (4:13)
Helena Hauff - "Turn Your Sights Inward" (6:40)
Review: In the post-minimal years, and after the deep house revival, dark techno and electro became the most fertile ground for new producers. Hamburg-born Helena Hauff was one of those who brought through such sounds and she has since become a global tastemaker who has perfected the art of dark and hard-hitting soundscapes. She shows that off once more here with her selections for the mighty Fabric presents series. It is raw, fierce and rough yet seamlessly moves through breakbeat, electro and the still magical charms of Autechre's remix of D-Breeze's 'Crazy For Love' from 1999 which closes the mix in style.
WhyYouFuggMyOpps (feat Link Sinatra, Ciarah) (2:26)
Glitch N Ass (feat Cheapskate Skutta, Dastardly Kids) (3:12)
Birthday Pearls (feat QuikKash) (2:17)
Pocket Pussy (feat Milfie) (1:51)
TakeOffOnnaPorsche (1:59)
TeeTees Dispo (feat Sprng4evr) (2:31)
No Games (feat Nlghind, Dastardly Kids) (2:54)
Review: Is there a more vital label in all of underground electronic music than FXHE? It never ceases to amaze us how Omar S manages to put out so much music of such high quality, mostly of his own making, but also from plenty of satellite producers he lures under his wing. This time we're treated to a rare full-length from someone other than the boss as the Motor City's Hi Tech duo step up with a raw ghettotech workout. These are sleazy tracks with raw production, bumping basslines, high-speed rhythms and plenty of rapped vocals packed with juke and footwork attitude.
Review: This is a new CD version including bonus tracks of Hi Tech's self-titled album which comes here on Diners Club International but first landed on Omar S's FXHE. It is a full ghetto tech workout with pumped-up booty-bouncing beats that traverse a wide range of tempos. The high energy highlights come thick and fast with the likes of 'Big Prism' riding on juke beats, 'Milf Milo' bringing some lithe synth chords and raw claps and 'I Swear It's A Bop' (feat KAYY & ALLGIRLSALLOWED) featuring broken drum patterns, glistening synth stabs and r&b vocals full of soul.
Glitch N Ass (feat Cheapskate Skutta, Dastardly Kids)
Birthday Pearls (feat QuikKash)
Pocket Pussy (feat Milfie)
TakeOffOnnaPorsche
TeeTees Dispo (feat Sprng4evr)
No Games (feat Nlghind, Dastardly Kids)
Track 13
Track 14
Track 15
Track 16
Track 17
Track 18
Review: After its initial release on vinyl on Omar S's FXHE last summer, Diners Club International have put together a new CD version of Hi Tech's Dttwat album featuring some new bonus cuts. It's a stylish blend of Motor City beats, ghetto energy and r&b vocals that all get cut up and chopped and spliced into short, quickfire but potent tunes that make a lasting impact. A wide range of guest vocals come from Cheapskate Skutta, Dastardly Kids, Nlghind and many more so these beats brim with colour and character. With the added bonus cuts this is a must-cop CD direct from the D.
Review: This archival release on Organic Analogue digs back into the prolific '90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Borft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta's aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta's multifarious life in music.
Review: Hypnotone's iconic self titled mini album reissued and released just in time for this Summer Solstice. Originally released by Creation Records in 1991 - long out of print and now reissued - this one comes now meticulously remastered and pressed onto pristine white vinyl, aesthetically bolstering its pure, ascendant sound to match. The Hypnotone moniker was formed out of the bemused miasma that came after the wake of the infamous Hacienda nightclub in Manchester; made up of another related but no less legendary Tony (Martin, not Wilson) and yet another Martin (Mittler) (don't get confused, now), their eponymous debut came after an inspirational spell of digital sampler experiments and intentional Balearic hitmaking.
Ascending Into The Clouds (feat Elisabeth Troy) (6:13)
LMZNIN (2:39)
Winter Crush (5:40)
In Order 2 (4:52)
Review: HudMo is on rampant form at the moment, firing off collaborations left, right and centre and, as usual, never missing. That said, this project feels like something very special indeed, as he doubles down on kinship with Canadian techno legend Tiga to make an album in thrall to the surge of feelings that hit us when we submit to the possibilities of the night. It's a romantic kind of techno that comes on like early B12 or Artificial Intelligence-era techno in places, but there's also some crafty hooks and flamboyance as you would rightly expect from such a heavyweight studio pairing.
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