In The Past Only Geniuses Were Capable Of Staging The Perfect Crime (Also Known As A Revolution) Today Anybody Can Accomplish Their Aims With The Push Of The Button (part 1)
Decorously Decorously Decorously Decorously Decorously Decorously Decorously Decorously Decorously Decorously To Make Something Beautiful & Then To Smash It Decorously
Head On Collision If It Still Has Bones It Shall Move Forward (Which Is Different To Progress)
In The Past Only Geniuses Were Capable Of Staging The Perfect Crime (Also Known As A Revolution) Today Anybody Can Accomplish Their Aims With The Push Of The Button (part 2)
I Always Walk Around With A "Tranquil Void" In My Pocket One That I May Pull Out An Any Given Moment
Review: Given that "power trio" Keiji Haino, Jim O'Rourke and Oren Ambarchi have released numerous acclaimed albums on Black Truffle, it seems fitting that they've returned with a new set to mark the label's 50th release. The five tracks - all of which boast suitably epic titles - were actually recorded in 2015 as part of a now near legendary performance at Tokyo venue SuperDeluxe, though this is the first time the recordings have been released. Musically, what we get is a raw, distorted and intense blend of skittish, loose-limbed drums, fuzzy bass, screeching guitars, spooky Hammond organ lines, wild aural textures (a by-product of their extensive use of effects pedals) and bi-lingual vocals from Haino. It's a pretty sweaty and out-there affair, but the energy and intensity is infectious.
Review: HTRK's debut album in 2007 proved to be a seminal one for fans of experimental noise. It cooks up impressively abrasive and caustic textures, crashing waves of white noise and sonorous pulses that speak of a future dystopian world. Tense and absorbing throughout, the lo-fi design and elements of post punk, post industrial and post techno makes it a modern analogy of the likes of Throbbing Gristle. 12 years later, the record sounds just as good, and arguably even more prescient in these twitchy times of digital surveillance, social anxieties and worldwide political tensions. It might be bleak, then, but that doesn't mean there is real beauty in this album's disharmony.