Review: Techno doesn't often come on 7" but do not let that put you off this superb new drop from Bump'n'Grind. It features dub techno legend Deadbeat in fine form across two devastating cuts. A-side 'Ark Welders Dub' is a menacing and prowling track with a picked bassline and smeared chords to add real depth and weight. It's one to foster a heads down mood on the dancefloor, while emotional release comes in the form of the flip side. 'This Bitter Dub' is a more sparse sounds with hissing hi-hats skating over the drums while bittersweet synths and an aching blues vocal ring out up top.
Review: Neil Landstrumm is one of the UK's most underrated but high-achieving artists if you ask us. He's done it all over the years and has been pivotal to a number of different in-between sounds flourishing into scenes. Here he lands on a fellow UK institution in Swamp 81, once a home to cutting-edge bass and now offering an outlet for Landstrumm to explore the cosmos. He does so with his usual mix of quirky sound designs and heavy grooves on 'Minimoo' which is both serious body music but also playful and charming. 'Aintgotnojob' is a twisted juke-inspired B-side with reverberating low ends and tightly looped vocal phrasings that melt the mind.
Review: The all-star team of the instrumental world, Polyplus, release a cover of 'Hi-Tech Jazz', a classic electronic jazz track and representative work of the project Galaxy 2 Galaxy, first put forth by Mad Mike's Underground Resistance. As for the choice of cover, the Tokyo jazzdance quartet have chosen well; while they've only gone and done it - reinterpreted Mike's timeless club masterpiece with a full band sound - they refuse to sacrifice any danceability or DJ mixability, doing full justice to the term "hi-tech" despite the freehanded naturalism. Also coming backed by the original B-sider 'Wake Me Up', 'Hi-Tech Jazz' heralds Polyplus' upcoming tenth anniversary album, Cosmic, as well as a jet-setting tour spanning Tokyo, Nagoya, Osaka and Fukuoka.
Review: Scott Grooves is one of the quietly brilliant home artists. The US talent has done it all in his time and brings plenty of musicality to his work, which is mostly couched in-house but for this one-sided and limited edition 7" heads off into techno territory. 'Track 1' is a blistering cut with coarse hits and smeared pads all turbo-powered by some driving drums that are deep but direct. There is a great sense of machine soul to the synths that helps take it even further into the next dimension. Another vital release from this mainstay.
Review: Cultured Swiss techno label Acquit has put together this cheeky little 7" from Trecci with one great tune on each side. 'Invisible Self' is the opener and it is a delightfully curious, inviting blend of soft focus synth loops and smeared pads that sounds like waking up on a distant planet. On the flip, 'Sit And Wonder' starts with pensive piano chords which are eventually carried away on a supple deep house grove with loopy bongos and a feel-good sense of late-night cruising. Tasteful stuff for sure.
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