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Review: Detroit's Theo Parrish continues to serve up expressive and utterly unique new music, but his vast back catalogue will always remain of almost just as much interest to house heads. As such his Sound Signature label has repressed some quality gems from his discography. 'Roots Revisited' first came back towards the tail end of 1998 and finds the sonic shaman in heavy percussive mode while off-grid rhythms and his unique take on soul shining through. 'Dan Ryan' is deeply meditative, while the 'Walking Thru The Sky' (feat Ron Smith - Liberation mix) is a dusty and scuffed-up deep house exploration with Theo's trademark keys.
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Review: classic 2010 Theo Parrish album Sketches back in stock on CD.
… Read morePlayed by: Cez (Pop Your Funk), Negghead, Mukatsuku Records Chart, Be-1ne, Spacewalker (Balance), Andy Ticker, Marcello Napoletano, Ksoul, Rob Coley (Soul-Identity Music), ISOUL8 (Volcov), Marcel Vogel, Femanyst, Vakula, Benoit & Sergio, MuteOscillator, Native Sound (Cortelyou Road), Ticker, BOGLEWALTZ
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Review: Alleviated's trawl through the (admittedly limited) back catalogue of Larry Heard's long-forgotten Loosefingers alter ego continues. The three tracks here were originally released back in 2004 on the When Summer Comes EP, and see Heard at his deepest and most sensual. The ten-minute title track is particularly gorgeous, sounding like a blueprint for all those hazy "beach house" releases that followed in subsequent years. Pleasingly, there's some more aggressive, in-your-face material on the flip, with the rubbery "Transmission X" and bold "Acid Bounce" recalling Heard's more robust, acid house-inclined work (Gherkin Jerks, "Washing Machine" etc). In fact, it's these two cuts that make the EP nigh on essential.
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Review: Theo Parrish is one of those characters who manages to unite lovers of both house and techno, indeed producing offerings that seem to make the distinction utterly redundant. How does he doe it? Well, if this pair of new tracks are anything to go on, it's the simple trick of making tracks that combine the soufulness and rootsy earthiness of house with a trippy sense of the futuristic and psychedelic that elevates them out of the ordinary.
Take, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
… Read moreTake, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.
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Review: Few sounds transport you to another time and place as quickly as a well-made Italo or Balearic house record. The synths just bring that Mediterranean sunshine into your life as soon as they stretch out over silky 90s house beats. And that's what happens here across four cuts of dream-laced four-four magic from Rivera Traxx on the Groovin label. 'Parfume 1' is super smooth and humid, 'Parfume 2' brings a little more late-night funk to the drum patterns and 'Hey Hey' is a tougher cut for the dance floor. 'Love' is a blissful balmy number packed with romantic feels.
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Alok & Never Dull & Kenny Dope - "Deep Down" (feat Ella Eyre & Crystal Waters - Never Dull's In My Mind extended remix) (6:15)
Review: This new 12" from High Fashion sure has the potential to become a popular hit on the more commercially minded dance floors out there. It's a mega-mash-up with ALOK, Never Dull, Kenny Dope featuring Ella Eyre and cult 90s vocalists Crystal Waters all featuring. The result is a nice deep house cut with classic neon chords and hooky vocal samples recognisable to all. There is an extended mix for more drawn our pleasures on the floor and the original version. They both make for fine intersections between house, pop and soul.
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Review: While it's difficult to second-guess what Placid will select for each volume of his We're Going Deep label's compilation-style EPs, you can guarantee that it will be timeless-sounding, exquisitely produced, and most likely have some link to deep house, electro, acid or sci-fi techno. All of those boxes are ticked and then some on volume eight, which skips between melodious, acid-flecked dancefloor wooziness (Affie and Leila Yusuf's 'Dublvr'), warming sunrise-ready electro bliss (Zobol's 'Sense The Consensus'), ultra-deep, eyes-closed acid electro (Acidulant's 'The View of Her Shade') and IDM-tinged, intergalactic and dramatically pitched-down proto-jungle (Type-303's exceptional 'Knowhere'). Like its predecessors, this EP is nothing less than essential.
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Review: Bordello A Parigi looks to lowkey but high-class German artist Lauer for a fine four-track exploration of the similarities and differences between deep house and disco. The sentimental 'Harmony Unit' kicks off with lush chords that lead to starry eyes and raised hands then 'Betone' has chugging grooves and spangled chords under longing vocal coos. 'Frizzante' brings the dazzling disco brilliance with pinging analogue drums and bright arps and 'Playa' closes down with a playful and tooting vibe that recalls the classic 'Inspector Norse.' It is the final piece of a fantastic EP.
… Read morePlayed by: PBR STREETGANG
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Review: Endangered Musique kicks off with a high-quality reissue of an EP that deep house heads will either already know or soon grow to love. It was written by Jose Chinga in 1994 and is an alias of an artist better known as Brothers' Vibe aka Tony Rodriguez. The opening tune 'Love Is What You Need' is also the most well-known - it's US garage with low-slung drums and grainy pad work with a simple but effective vocal. 'I Got You' picks up the pace with shuffling drums and a grinding lead before the warm 90s house sounds come to the fore again on 'Let It Go' and 'Riding On A Cloud'. Lovely stuff.
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Review: Francis Harris and Anthony Collins (Frank & Tony) were renowned for their house music production work with seminal New York duo Bob Moses prior to finding their own fame. Now debuting an EP for Scissor And Thread, the dubwise deep housers opt for an organic and homely sound in their sonic homage to their early days. A masterclass in melodic, ethereal house, this EP is reminiscent of the reflective, warm and broken work of Charles Webster, but it comes with a modern flair that only Frank & Tony could deliver.
… Read morePlayed by: Juno Recommends Deep House
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Review: Brooklyn label Toucan Sounds deals in authentic US house music from some of the best in the game. A case in point is this new EP from Brandon Markell Holmes which features plenty of heavyweight names. First up is a rare and brilliant mix from Boompty king Derrick Carter who brings super skip and depth to his take on Rogue Vogue's 'Someone Else.' There is glorious percussion on Musclecars' 'Don't Go' that peppers a deep grove with dynamic movement as impossibly warm and jazz chords bring the soul. A collab with former Dope Jams man Anthony Nicholson on 'Found' is another soul-stirring gem and last of all Dee Digs and Joey Mercedes send further shivers down your spine with their closing cut.
… Read morePlayed by: Marcel Vogel
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Review: Boo Williams is considered a 'second generation' house musician from Chicago, one of few who followed in the footsteps of the likes of Larry Heard and Lil Louis - it's as though house music were some kind of Socratic tradition. Whatever the case, his distinctive visage forms the branding basis for his own label Boo Moonman, which has been going for ages. This limited, hand-stamped 12" is yet another addition to the pile, dealing once more in his distinctive, gluey style of analogue jam.
… Read morePlayed by: Ricardo Miranda
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Review: Eclectic technoizer Basic Bastard locks arms with Detroiter Orlando Voorn, their dual sonic output being the new 'Drama' EP. The three-tracker is nothing short of a sonic adventure, spanning acid, to dub, to uncategorisable entrainments. Bastard's original 'Drama' nails the art of the acid loop, a tricky tactic that is much less masterable than one might think. Voorn remixes the track my miring its elements in a cruddy ambience, while also greedily occupying the entire B-side with the urban-hellish jazz-noise-house cut 'Survival'.
… Read morePlayed by: DJ Mau Mau, Ney Faustini
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Instrumorgan #1 (Doc J club mix)
Instrumorgan #2 (Freddy's mix)
Instrumorgan #3 (Chicago mix)
Review: DJ Fede's second EP as Luv, Instrumorgan, has become something of a cult classic in recent times, with a new generation of DJs embracing the 1995 release's blend of New Jersey garage, NYC deep house and organ-rich Italo-house flavours. This reissue, then, is long overdue. There's much to enjoy throughout, from the deep and chunky groves, tight organ stabs and eyes-closed spoken word snippets of 'Instrumorgan 1 (Doc J Club Mix)', and the deeper, crunchier and more bass-heavy throb of 'Instrumorgan 2 (Fede's Mix)', to the jacking, drum machine-driven looseness of 'Instrumorgan 3 (Chicaho Mix)', where a lo-fi synth-sax motif adds an extra dose of late-night energy.
… Read morePlayed by: Patrick Luca (Island Issues), Dj Fede
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Review: For the label's latest on-point reissue, Groovin' Records has delved into the slim catalogue of short-lived Italian production duo Soft House Company. Originally released in 1990 and a dancefloor smash all over Europe, 'What U Need' is typical of loved-up Italian house of the period - all life-affirming piano stabs, tactile synth-bass, occasional synth-strings, rolling drum machine beats and cut-up vocal snippets from First Choice's much-sampled disco classic 'Let No Man Put Asunder'. Over on the reverse you'll find original B-side 'A Little Piano', a deeper and even more loved-up workout that's effectively a deep house style dub of the A-side, shorn of the vocals, featuring chunkier beats, more prominent bass, and delay-laden piano motifs aplenty.
… Read morePlayed by: Paul Starey
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Review: The new Parrish single appears on vinyl in the form of two mixes differing in vibe but consistent in quality and suitability for DJ use. The original rides along on a shuffling, almost Afrobeat version of house, with Maurissa Rose's gorgeous vocal floating above the gloopy, hypnotic bassline which gets the full filter treatment. The instrumental dub places that b-line very much at the centre of the mix, starting from a single kickdrum before building up to a more techno-edged, vocal free climax. all throbbing bass, solid bears and minimal, glitchy keyboard interjections.
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Played by: DJ Mau Mau, Ney Faustini
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Review: Simoncino is a link to house music's past - he makes tunes that are coated in that same dustiness that we all love so much about the OGs. And he does it well, whether going deep, dreamy, tribal, vocal or piano. Here he links with another original great in the form of heroic vocalist Robert Owens. and they cook up a two-part track that is steeped in mystic magic and driven by perfect deep house drums. Simoncino also adds three further solo cuts that all sink you into a world of cuddly, thoughtful house perfection. A Riviera Ambient Mix adds a nice blissed-out vibe to finish.
… Read morePlayed by: Mental Vibe Construction, Nick Anthony Simoncino
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Review: The second Off Topic release is another various artist affair from this promising Lisbon-based label. Pir returns with two tracks on the A-side, our favourite being the quirky minimal tech funk of 'Amiddle', while over on the flip it's all about label head Antonio Nunes with the contemplative afterhours redux of 'Creme' and the emotive late night deepness of 'Tony Transmitters' in collaboration with Luhk & Pir. Tip!
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Review: If there is one thing we deal a lot in, it is stripped-back tech house. And this final drop of the year from Skip Audio on New Year's Eve is right up there with the sort of quality tackle we love. It fits a sweet spot between synthetic sound design, cerebral abstraction and machine soul. 'Mex' is a busy groover that roams around quite a bit under the similarly freeform synths. 'Freeform' comes on with a bit of extra punch and bite, the drums powering on the dusty hi-hats and bursts of radiant synth warmth. 'Trigger' comes as a glitchy and reverberating original and a gritty Silat Beksi remix.
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Review: Fourier Transform launches a new White Label series here with the aim of tapping into that magical sensation of heading into a record store and digging for treasure that only exists in the racks. The first in the series is a various artists affair with label co-owners inkipak and The Vast Profound, as well as ReKaB and Rai Scott. The tunes are not credited to the artists so you will have to work that out for yourselves. There is dreamy deep house lushness and more tase tech on the a-side, then squelchy electro-funk and escapist ambient house on the B-side with 'When Funkcutter Met Candiflp' a real highlight.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Review: Last time out, Stefan Ringer came well and truly correct for People of Earth, so the follow up EP was always going to be a tough challenge. French producer Hugo LX proves himself more than worthy of the job, however with this superb deep and spaced out four tracker. 'Freedom House Dance' is the opener, and rides on waves of cosmic synths and deft pads. 'Catching Thunder' is more business like thanks to the chattering claps and more direct and purposeful bassline. 'Track three layers in some doleful trumpets to a taught baseline to make for stylish jazz vibe and lastly, you're cast off into the universe on a wave of infinite pads and meandering leads.
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Review: Something slightly different here from one of Detroit's most storied producers who - somewhat surprisingly - has gone against type and decided to include a full vocal on "Poor Fake (Remix)", the mesmerising and melancholic A-side of his latest release. The vocal in question comes from an uncredited Kate Bush sound-alike, whose distinctive drawl works in perfect unison with Smith's moody Detroit bassline, snappy machine beats and celestial chords. Over on the flip the former Motor City street racer makes merry with some classy disco samples on feel-good workout "Bullshit Baby", before brilliantly playing around with the same Diana Ross sample he used on 2004's "Day", on the throbbing, peak-time ready loop jam that is "75&Day".
… Read morePlayed by: Corbi, NICOLA CONTE
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Review: After a break of almost two years, Trindadian Deep has decided to re-activate the Native Rebel Music label he founded in 2018. Like its predecessor, "Soca Electric" boasts three tracks of intricately detailed, emotion-rich deep house full of nods towards Caribbean and African musical culture. We highly recommend the luscious and beach-warm title track, where steel pan melodies, fluid synthesizer solos and life-affirming chords stretch out above a percussion-laden, Ron Trent style deep house groove. That said, we've also got a lot of love for the similarly sun-kissed, synth bass-sporting "The Edge" and the more heavily electronic deep house lusciousness of "Future Travels". In fact, all three tracks are glorious.
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Review: Alex "Omar" Smith has covered all bases this year, offering up singles that flit between more experimental, off kilter fare, head-nodding beats informed by hip-hop culture and the unique blend of Detroit deep house and techno that has long been his stock-in-trade. His final single of 2019 sees him gleefully charge further towards disco pastures with "Another Man", a bouncy, club-ready house workout that peppers a good-time disco groove (think rubbery slap bass and crunchy drums) with spacey synth sounds, twinkling melodies and male spoken word samples ("I can quite understand... she left me for another man"). He's back on deep house mode on flipside "Suv's AKA Fatass Mobile's", where a drowsy riff and sustained synth strings bob along atop a sea of sweaty machine drums.
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Review: On vinyl here for the first time are four tracks by acclaimed soul songstress Jill Scott, remixed by house music veteran Terry Hunter. Originally released on his 4 T's Box Productions back in 2016, they were only available on digital for some time. Story has it that Scott's manager wanted to get proper remixes done from her 2015 opus "Woman" and they agreed that Hunter would be the best person to do it. Beginning with the super sexy funky house rework of "Can't Wait" before going deep and spiritual on the Afro-house vibe remix of "Lighthouse", the smooth late night romance on the "Chicago Remix" of "Prepared" and closing with fellow Chicagoan legend Mike Dunn under their House N' HD alias. Hunter is quoted as saying "it was a great remix package. It's an official one and I'm proud of that" - and rightfully so!
… Read morePlayed by: Red Greg
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Review: Alleviated's Larry Heard reissue series has previously brought us the rough and tough acid of Gherkin Jerks and, more recently, the intergalactic downtempo grooves of his largely overlooked Alien LP. Here, they revisit one of Heard's later aliases, Loosefingers, dusting down and reissuing tracks from 2003's Glancing at the Moon EP. All three tracks are deep, warm and melodious in typical Heard fashion, with the title track delivering a sultry blend of wide-eyed chords, darting electronics, Latin-influenced percussion and tactile keys. "Deep Inside" delivers a hazy, sun-kissed take on soulful house - all jazz bass, sensual chords and gentle vocals. Best of all, though, is the tougher, synth-heavy "Lamentation", which rolls along at a near techno-tempo and is blessed with thrilling bleep melodies.
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