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Review: The elusive De Frank Kakra remains a mystery, his real name unknown, and his current whereabouts unclear. But the music tells its own story: rooted in Ewe heritage, Kakra cut his teeth as a percussionist and backing vocalist in the fray of Ghana's 70s highlife scene, with stints with K. Frimpong's Cubano Fiestas and the Vis-A-Vis band. Eventually fronting his own groups, The Professionals and The Diggit Ways, he went on to record countless scintillating sides with labels across West Africa, and this new compilation brings together many of said wax etchings from Nigeria, Ghana and Ivory Coast, handled with care by Michael Graves at Osiris Studio. It's the debut release from a label founded in gratitude to Kakra's music and the healing it sparked. Liner notes and archival sleuthing aim to piece together his story, and the hope is that someone, somewhere, might know what became of him.

Review: French Mahres sublabel Chandelle welcome two crazed newcomers to their darksynth techno fore, Stigma and Accessible Limits, both of whom are new to the game and yet make a precisely torturous, grotesque techno smash here. Thumbscrews tighten and stretching racks widen, as exquisite vanitas cover art tots up the second release in a series, which sees a differently coloured inner label depict an obscene objet d'enfer. Stigma insists we 'Take This Gun' on the A-side, hatching a devilish plan to city-map and computerise the underworld, while Accessible Limits somehow manages to chill the everlasting flames found thereunder with 'Dave Smith Va Estar Aqui' and 'Sant Roc Es Analogic', two tube-tastic flareups with a moodier feel compared to the A.

Notes: ***B-STOCK: Slight surface marks ***


Part of Sonicware's brilliant Liven series of affordable, creative groove boxes, the Ambient O packs in layers of drone, textures and noise sources to create engrossing soundscapes. Creative, experimental fun.

*** Firmware version 1.5 update- March 2025 ***

Temperament Settings for Each Track

In addition to the standard 12-tone equal temperament, you can now set 7 different temperaments per pattern, including Pure intonation, Pythagorean tuning, and Solfeggio frequencies.

64 Sound Pattern Palettes

Featuring 32 newly added sounds & patterns, along with 16 Sound Healing Vibes sounds.

Relaxation Playback Mode

Arrange your favourite patterns, set repeats and fade-outs, then let it gently fill your space with ambient sound. (Seamless pattern changes improved: if sound settings remain the same, transitions will now be smooth without audio interruptions.)

Master Tune Now Adjustable in Hz?Master tuning, previously adjustable in cents, can now also be set in Hz increments (410 - 470 Hz).

Line In Selectable on NOISE Layer

The NOISE layer can now be selected to Line In, allowing the application of Filter, LFOs, and other track-level controls to the input signal.

New LFO Waveforms & Assignment

Added three slow LFO waveforms (L.SIN, L.TRI, L.S.RN). Additionally, oscillator level can now be assigned as an LFO destination.

Pitch Bend Range Setting

You can now configure the pitch bend range in the system settings.

Changes in Oscillator Usage

Due to specification changes, the NOISE layer now consumes only one oscillator, while the ATMO 2 structure now consumes three oscillators.

Bug Fixes & Improvements

Fixed MIDI CC issues and addressed other minor bugs.


Supplier's Notes:
Your Personal Soundscape:

Conversations between Oscillating Tones and Your Mind

Immersive Ambient Generator

4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.

Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis

Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.

Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.

4 knobs/8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space

The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.

Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section

Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

Specifications

[Synthesiser]

- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)

4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.

- Attack
- Release

- Low Pass Filter
- High Pass Filter
- Band Pass Filter

- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count

[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.

[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order

[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Review: Cam Sugar and Decca present Jeymes Samuel's Spaghetti Western Collection, a curated set of rare Italian Western soundtrack gems from 1963 to 1972. British artist and director Jeymes Samuel, confoundingly known as The Bullitts, handpicked the 20 tracks, made the cover art, and topped it all off with two self-produced new singles; though his career spans Jay-Z and Baz Luhrmann collabs through to songwriting for Doja Cat and Jay Electronica, this collection hints at a deeper intel, marking out a hidden job lot of Italian Western scores, with their standoffish, twangy surf-rock guitars, and abstract, picture-ready surf rock psalmoi. With an exclusive booklet with interviews and archival material, it's the first of its kind, and an essential for film buffs and soundtrack collectors.

Review: Different Rooms finds Jeremiah Chiu and Marta Sofia Honer file their patchwork method of tape-splicing, improvisation and studio play down to a fine, sharpened nib. Written and assembled between late 2024 and early 2025 in their adjoining Los Angeles studios, the album weaves live performance with granular synthesis, viola stacks, and manipulated field recordings gathered from train platforms, city streets and domestic spaces. Unlike the drifting landscapes of Recordings From The Aland Islands, their newest LP as a pair keeps rooted in a replication of deep urban listening, attuned to passer-by street textures. Jeff Parker and Josh Johnson appear on archival improvisations folded seamlessly in; though despite outside collaborations the sequence loosely mirrors itself, with motifs returning in altered form, echoing the project's core idea: though we move through different life "rooms", they are in uncanny enfilade, each ghostlily similar to the last.

Review: French producer duo Dub Shepherds team up with Clermont-Ferrand vocalist Junior Roy for a nine-track set that follows the traditional showcase format: each vocal cut is paired with its dub. The A-side opens with 'Trodding On Jah Road' and 'Start a Revolution', both built on heavyweight rhythms and restrained instrumentation. Roy's delivery is clean and direct, rooted in 80s-style cadences without overplaying the retro angle. 'Fittest (Discomix)' stretches the format slightly, offering a longer vocal-to-dub transition. Side B begins with 'Problems' and its dub version, again prioritising balance over effects. 'Run' leans into a looser melodic structure, while the dub flips it into a more echo-driven space. The overall mix i handled by Jolly Joseph and Doctor Charty i keeps the low end upfront, but avoids excess. The dubs are labelled "Hardmix", though the approach stays disciplined: no over-saturated FX chains, just clean edits and steady pressure. A solid roots release from a studio clearly comfortable in its identity.

Review: Oblique Records offers a four-track vinyl-only selection of stripped, club-ready house cuts shaped by UKG inflections and percussive detail. Velvet Velour's 'Make It Hot' leads with a swung rhythm, vocal stabs, and a warm bassline that keeps the energy tight without crowding the mix. Eli Atala's 'Fat Albert' runs deeper, with clipped low-end and a sharper rhythmic frame. The Velvet Velour remix of the same track adds glide and bounce, pushing the groove forward while softening some of the original's edges. On the B-side, MTTY's 'Wally' closes the set with swung drums and sparse atmospherics - minimal in structure but tuned for pace. Each track is functional without sounding generic, keeping arrangement changes minimal and geared for blend. A direct, neatly cut pack of tools with just enough variation to stretch across a warm-up or mid-set.

Review: Medicine Music offer us a remedy, but not a cure, for a chronic ailment of ours: for some reason we simply cannot shake the compulsion to seek out disco edits in quadruply combined pill form. The second volume in Dr. Packer's own reworks series, this new'un follows the first edition released far back in 2017. 'Hint Of Love' and 'Watch Your Back' span nouveau riche falsettos and dirt-caked soul baritones respectively, proving the polyphonic potential of disco's voices despite the unknowability of the samples so sourced. 'Chesty Lady Of The West' is meanwhile the perkiest tune on the record, curling through a minimal, backwashy sound, where guitars soar gleefully in a surfy space above the 10th fret.

Review: WA electronica duo Odesza have been watching Severance... have you? 'Music To Refine To: A Remix Companion To Severance' manifests as a seven-track EP reimagining Theodore Shapiro's score for the hit Apple TV series, the series which takes the 21-Century fixation on the idea of work-life balance to lugubrious extremes. The three-time Grammy nominees bring their signature synth-dance to the sampled atmosses of Severance, transforming Shapiro's eerie, coporatocratic sound motifs into wicked electronica abtsractions. Just as we're not quite sure what we're doing when we sit down to work at our desks, this officially Apple sanctioned release by the pair mirrors the simulacrum-similarities between commissioned remix culture and the in-out social sanctions of the fictive Lumon Corporation.

Review: The fifth instalment of Sushitech's exclusive 10x10" series showcases archival and newly remastered tracks from the cult Housey Doingz, a London pair who did plenty to shape early UK tech house sounds. This one features their elusive remix of DJ Snug's 'The Predator' a track that has become incredibly rare and commands sky-high prices in the second-hand market. It's minimal tech but with maximal impact. On the reverse of this is a remastered dub version of 'Kitchen Spasm' which is another irresistible club cut and makes for the perfect acid double-header.

Review: Sushitech is spending part of its 20th birthday year by shining a light on the superb early work of Housey Doingz. The London duo dropped plenty of tech house heat in the late 90s though plenty of their archives remain unreleased. The sixth instalment of the ten-part series features a freshly remastered version of the iconic house classic 'Lounge' which was originally released on Eukahouse 25 years ago. On the flip, 'DMT', a previously unreleased track from a long-forgotten studio session at Strange Weather, makes its debut. It's another fine addition to their already solid legacy.

Notes: Bringing the sound of the legendary Roland Jupiter-8 crashing into Eurorack, the ISE-NIN is Black Corporation's 100% analogue monophonic synth voice, derived from the mega eight-voice ISE-NIN desktop synth.

Supplier's Notes:
(ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation. Ideal for combination with an x0x techno rig, the full depth of rich sonic potential and programmability of ISE-NIN can now be patched into new modular concoctions. A full complement of iconic analog oscillators, filters, envelopes, and modulation make this at once a full-featured semi-modular synth on its own, and a powerful addition to any rig with the addition of ISE-NIN BREAKOUT.

Two Oscillators with Deep Modulation

This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.

Unmistakable Filter, Dual Envelopes, Musical Control

The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.

Unprecedented Patchability

Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.

Power consumption: 110mA at +12V and 30mA at -12V

Depth: 38mm

36 HP

Notes: Breakout for the ISE-NIN Voice

Extensive outputs, open-ended Functionality

The output section of the ISE-NIN BREAKOUT is a perfect match for the voice. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There's also a dedicated headphone output so you can enjoy ISE-NIN without waking the neighbours. You'd be hard pressed to find as much tonal range, as many distinctive vintage Japanese tones, or as much expandability with as much horsepower as ISE-NIN VOICE and its BREAKOUT.

Review: Formed in 1992 in Cheltenham by vocalist Mark Diston and DJ Curtis Lewis, Bass Cadets were always ahead of their time. Their sound was a collage of electronic, breakbeat and experimental sounds with a fierce DIY attitude, and this long-lost 4-track EP captures that raw, genre-defying spirit in full force. Now, finally pressed to vinyl for the first time via Relic, it takes in the sleek urgency of 'Feeline', ambient pads of 'Dealay' and kinetic trance techno tribalism of 'Nuclear Starfish'. With tracks that still sound fresh nearly three decades later, this is a perfect time capsule of early 90s innovation

Review: Crafted over five years and during several of life's larger milestones and the woes of the pandemic, Infinity Mirrors is a deeply reflective jazz album exploring self-discovery through love, anxiety, hope and acceptance. It is the world of South London-born and raised multi-faceted producer, composer and DJ Hector Plimmer, who broke out a decade ago and here blends past and present experiences into a richly intimate world. The record is packed with collaborations with artists like Laura Misch, Andrew Ashong and Tawiah who help weave soulful melodies, ambient textures and jazz sensibilities. It's a profound and essential new take on jazz with a distinctive London edge.

Review: Samosa Records quickly follows up the first volume of its Earth, Wind & Funk series with another dynamic double-vinyl compilation that continues its established tradition of blending Afro, Latin and funk influences into infectious disco-house grooves. The EP picks a seriously punch with tracks like Leslie Lello's 'R U Doing' (De Gama Re-Groove), a bass-driven house anthem with soaring synths, Frank Virgilio's 'Juice,' a fusion of acid basslines, organ stabs and tribal vocals, and Javi Frias's 'The Big Dance,' which is an electrifying track with bongos, laser beams and a disco bassline that delivers exactly what its title promises.

Review: The 'SAR' EP celebrates the early brilliance of the American Womack family, originally performing as the Womack Brothers before evolving into The Valentinos. This well curated collection showcases four lesser known gems that trace a certain aspect of soul's evolution from the gospel depth of 'Couldn't Hear Nobody Pray' to the raw r&b of 'Don't Go Away' and 'Rock In The Cradle Of Love,' while the stunning group soul of 'Put Me Down Easy' is another doozy. Most tracks make their vinyl debut here, with 'Couldn't Hear Nobody Pray' previously only appearing on a rare SAR pressing. It forms a vital tribute to soul's origins.

Review: Lars Fischer aka Klangkollektor, returns with a serene and introspective EP that deepens his exploration of dub-infused ambient music. Drawing from his usual analogue instruments and effects, Fischer crafts a soothing soundscape where live basslines provide a warm, womb-like vibe and gentle synths and piano improvisations evoke images of birdsong and mountain streams. Tracks like 'Ferry from Torkwrith' and 'Isle of Stonsey' offer meditative journeys that fuse elements of dub techno with melodic richness. Fischer's ability to create music that serves as a refuge from the chaotic world is what sets him apart and invites you to take a moment of peace and introspection in his company.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Co-developed with Laidback Luke and designed for seamless integration with Algoriddim's djay Pro software, the Mixtour Pro is a compact four-deck controller with built-in audio interface. Great value and super portable.

Supplier's Notes:
The future of DJing

The Reloop Mixtour Pro exceeds expectations in the tiniest of spaces and provides a professional yet portable solution for the club and festival scene. The ultra-compact DJ controller was developed in close collaboration with legendary DJ & producer, Laidback Luke and is specifically designed to use seamlessly with Algoriddim's award-winning Djay Pro software.

Mixing with up to four decks

Despite its small size, the Mixtour Pro is capable of supporting four-deck mixing with its powerful and intuitive controls. Thanks to the illuminated transport section with dedicated coloured LEDs, users are always informed of whether decks 1 and 2 or decks 3 and 4 are currently active. The aluminium browse encoder and designated load buttons allow for efficient library navigation and instant loading of tracks.

Professional design and FX control

The Mixtour Pro's two channel strips with their trusted design are fitted with all the important controls for a modern DJ setup. Each channel features an electroplated bi-polar sound filter (LPF/HPF) with a dedicated LED indicator, in addition to gain and three-band EQ. The convenient FX paddles allow the user to trigger effects in bursts via FX Hold mode or to apply them indefinitely via FX On mode. A large, electroplated dry/wet knob controls the intensity of the effect, while the two dedicated parameter buttons offer complete control over the effect parameters. The lower performance area is fitted with 45mm Ultra Glide crossfader and line faders, for the smoothest operation in the mix.

Made for Djay & Neural Mix

The Reloop Mixtour Pro unlocks Algoriddim's Djay Pro software and incorporates their revolutionary Neural Mix™ technology into the workflow with dedicated controls. This allows DJs to isolate and manipulate individual drums, instruments, and vocals from any tracks in real time, expanding creative mixing capabilities to a whole new level. This feature is toggled easily and intuitively with the press of a button and controlled via the EQ controls of the two channel strips.

Crossfader Fusion™

The Mixtour Pro is also the first DJ controller to support Algoriddim Djay Pro's revolutionary Crossfader Fusion feature. DJs are now able to select from a range of creative transition styles that are automatically applied when mixing from one song to another, delivering a perfect mix every single time with the simple slide of the crossfader.

Flexible performance pad section

Eight performance pads with RGB lighting provide users with more creative options with a wide range of modes including Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip and Neural Mix™. Furthermore, all eight pads can be assigned to control one channel in single pad mode, or four pads can be assigned to a channel each via split pad mode.

Full control: the transport section

The Mixtour Pro's sophisticated transport section enables a smooth and efficient workflow. It features four rubberized buttons for each channel to control Play / Pause, Cue, and Sync respectively, while the signature "Laidback Loop" button independently offers instant looping (In/Out/Exit) with a single control. This transport section also offers secondary layer functions to control Auto Loop, Key Match, Pitch Bend, and Key Shift. The transport buttons also illuminate in 2 different colours representing decks 1 and 2 or decks 3 and 4, respectively, keeping the DJ clearly informed when performing.

USB-C design for multi-platform & device support

The Reloop Mixtour Pro provides impressive compatibility options when pairing it with a device and platform. A smartphone, tablet or computer can all be conveniently bus-powered thanks to the modern USB-C architecture. The unit also houses a second USB-C PD port, capable of up to 85W to efficiently daisy-chain a power supply, allowing the device and controller to be powered simultaneously. Algoriddim's Djay Pro is available for iOS, iPadOS, macOS, Windows, and Android for even more cross-platform versatility.

Stream it!

In addition to performing with locally stored music, the Reloop Mixtour Pro together with Algoriddim Djay offers access to millions of tracks on demand via major streaming servicesj such as Tidal, SoundCloud Go+, Beatport Streaming, and Beatsource Streaming. These different sources can all be mixed together and even combined in the same playlists within Djay Pro.

Powerful audio quality

As the name suggests, the Reloop Mixtour Pro also delivers in regards to professional audio. The integrated 4x Out USB interface with high-quality D/A converters from Cirrus Logic enables first-class 24-bit sound with low latency. Direct connection is provided via gold-plated RCA outputs and a 3.5mm headphone jack.

Internet connection and a Apple Music, Tidal Premium or HiFi or SoundCloud Go+ subscription required. Tidal Premium or HiFi and SoundCloud Go+ subscriptions include access to Beatport Streaming and Beatsource Streaming.

The app's functionality may vary depending on the platform used. Only Pro functions that can be operated with the controller are activated without a subscription.

Technical data

Inputs: USB (type C) DC IN port (max. PD 85 W)
Outputs: Master RCA (unbalanced), headphones 3.5 mm stereo jack, USB (type C) data port
Dimensions: 129(W) x 310(D) x 51(H) mm
Weight: 956 g
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl. USB-C to USB-C cable, RCA cable and instruction manual