Gipsy Kings - "You've Got A Friend In Me (Para El Buzz Espanol)" (2:14)
Randy Newman - "We Belong Together" (4:00)
Review: Who doesn't love Toy Story? It's an on going classic with a heart of gold, some of The best animation in the film world and most loveable characters to ever make the silver screen. Whether young or old, snuggling down to watch this sone is always a treat, and now you can bring some of that magic onto your decks with the red vinyl compilation album. It brings together some of the best tracks and favourite musical moments of the movie such as, of course the most notable song of them all, 'You've Got A Friend In Me (Para El Buzz Espanol)' as well as 'I Will Go Sailing No More' and 'We Belong Together.'
Review: Peter Gabriel's third self-titled album, often referred to as Melt, marks a significant artistic leap for the musician. Released in 1980, this groundbreaking record is notable for its innovative integration of electronic effects and the revolutionary gated drum sound developed with Phil Collins and engineer Hugh Padgham. The album's cover art, a melting portrait of Gabriel by Hipgnosis, adds to its striking visual identity. Co-produced by Gabriel and Steve Lillywhite, Melt showcases a unique blend of influences, notably African rhythms and experimental soundscapes. Opening with the eerie 'Intruder', the album establishes a dark and unsettling atmosphere that persists throughout. Tracks like 'No Self Control' and 'I Don't Remember' feature dynamic arrangements, with the latter providing one of the album's most memorable hooks. The politically charged 'Biko' serves as a poignant anthem for anti-apartheid activism, encapsulating Gabriel's deep engagement with global issues. Not only did the album achieve commercial success, topping charts in the UK, but it also solidified Gabriel's identity as a solo artist, paving the way for future explorations in music technology. This reissue on 180-gram vinyl brings the album's rich textures and intricate sound design back to life, allowing listeners to experience its emotional depth and musical innovation anew. Melt remains a powerful example to Gabriel's vision and a landmark in progressive music.
Review: Peter Gabriel's i/o is an album that took shape over a fairly long period of time and it involves a wide and long list of cast members. It is packed with plenty of moments of vocal beauty and gravity, with Gabriel's iconic song writing abilities front and centre as he tackles a rich array of tough provoking subjects that confront us all. Moods range from hopefully and optimistic, to more gloomy and despondent with top contributions from Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E.
Review: Peter Gabriel's return to the limelight is demarcated by i/o, the latest 12-track album on which he reasserts his voice and compositional skill, delivering a profound and life-affirming new message. Embracing a Wattsian speck-of-dust existential theme, lead cuts like the title track turn the thought of "I'm just a part of everything" into a motif, while also touching on themes of injustice, surveillance and the roots of terrorism. But While reflective, the mood is never despondent; i/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, 'Live and Let Live'. Note that this is the Bright Side Mix of the album: i/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark 'Spike' Stent, and the Dark-Side Mix, as reshaped by Tchad Blake; an embrace of today's ambivalent mood.
Review: Ever the musical maverick and sonic innovator, Peter Gabriel is serving up his bold and adventurous new album in several different formats with several different sub headings. This is the Dark Side Mix version on double heavyweight vinyl. It is packed with plenty of moments of vocal beauty and gravity, with Gabriel's iconic song writing abilities front and centre as he tackles a rich array of tough provoking subjects. Next to the man himself, plenty of guests on the full oringal version bring their own touch of class including Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu and cellist Linnea Olsson amongst many more.
Review: This is the ultimate version of Peter Gabriel;'s long awaited new album I/O. It comes across all formats - four vinyl, two CDs, a Blue Ray and even includes a booklet. The album finds him reasserts his voice and compositional skill, delivering a profound and life-affirming new message. Embracing a Wattsian speck-of-dust existential theme, lead cuts like the title track turn the thought of "I'm just a part of everything" into a motif, while also touching on themes of injustice, surveillance and the roots of terrorism. Elsewhere it is packed with plenty of moments of vocal beauty and gravity, with Gabriel's iconic song writing abilities front and centre as he tackles a rich array of tough provoking subjects. A welcome return.
Review: In many ways the critical reception to Dave Gahan's debut solo outing is still surprising. Mainly because a good number of critics seemed surprised at the depth and assurance of the record, which kind of seems to deny the fact this is the voice of Depeche Mode, arguably one of the finest bands to ever come out of the UK and certainly a group that understand what it means to layer musical textures and meld multiple themes.
'Stay' might be the best case in point. It's patient, it's elegant, there's a real air of sorrow but also you can't help feeling loved while listening to it. Balladry in the truest sense, the fact that track is sandwiched between the soft half-house music of 'I Need You' and the epic, theatrical anthem 'Black & Blue Again' is a case in point. A real journey.
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