Review: Phantomimea arrives through Loma Vista Recordings and is a brilliant new five-track cover EP from Ghost. Each and every tune is epic in its own way with material by Television, Genesis, The Stranglers, Iron Maiden and Tina Turner all chewed up and sat out in their own inimitable way. Though some of these sources are rather unlikely given Ghost's style they are all reworked with great respect. Ghost is in a great run of form having just won Best Rock Album of the Year at the iHeart Radio Music Awards, which itself came off last year's international chart-topping success Impera.
Review: A fresh, rare EP by Swedish rock band Ghost; Phantomime is an impressive side-stint for the band, its gimmick being five covers of standards by other prominent groups throughout the rock continuum. Flaunting their impressive and eclectic tastes, the EP contains covers of Television's 'See No Evil', Genesis' 'Jesus He Knows Me', The Stranglers' 'Hanging Around', Maiden's 'Phantom Of The Opera' and, yes, Tina Turner's 'We Don't Need Another Hero'. A fan service for the band's devilishly cultish followers, we're sure this'll successfully function as both a history lesson and fan initiation ritual.
Review: Filmed during GHOST's sold-out performances at Los Angeles' Kia Forum, "Rite Here Rite Now" offers a vivid immersion into the theatrical rock spectacle that propelled Sweden's iconic band to global acclaim. Beyond a mere concert film, the movie intertwines live footage from the band's RE-IMPERATOUR U.S.A. 2023 finale with a narrative storyline drawn from their webisode series. This unique album captured on the night features live renditions of favourites spanning GHOST's discography, alongside the silver screen debut of familiar faces. As Papa Emeritus IV's future hangs in the balance, viewers are transported into the mesmerising realm of GHOST, captivated by both the bombastic spectacle and intimate moments captured on screen.
Review: Filmed over two nights at LA's Kia Forum, boasting Tobias Forge's charismatic stage presence and a setlist dominated by recent hits, this is a great example for how powerful the band is overall. Tracks like 'Kaisarion' and 'Watcher in the Sky' shine, especially with powerful choral backing and the haunting saxophone solo in 'Miasma.' The show balances theatrical spectacle and genuine warmth, with Forge's message of kindness resonating amid the glitz. While the setlist focuses on newer material, omitting earlier cult classics from Opus Eponymous and Infestissumam, Rite Here Rite Now still delivers a full-bodied, exhilarating experience. New track 'The Future Is a Foreign Land' closes the album on a high, blending retro vibes with catchy melodies and reinforcing Ghost's evolution toward melodic accessibility. A perfect blend of their recent material and their talent at performing them live with a great production.
Review: Filmed over two nights at LA's Kia Forum, boasting Tobias Forge's charismatic stage presence and a setlist dominated by recent hits, this is a great example for how powerful the band is overall. Tracks like 'Kaisarion' and 'Watcher in the Sky' shine, especially with powerful choral backing and the haunting saxophone solo in 'Miasma.' The show balances theatrical spectacle and genuine warmth, with Forge's message of kindness resonating amid the glitz. While the setlist focuses on newer material, omitting earlier cult classics from Opus Eponymous and Infestissumam, Rite Here Rite Now still delivers a full-bodied, exhilarating experience. New track 'The Future Is a Foreign Land' closes the album on a high, blending retro vibes with catchy melodies and reinforcing Ghost's evolution toward melodic accessibility. A perfect blend of their recent material and their talent at performing them live with a great production.
Review: Rite Here Rite Now, directed by GHOST's Tobias Forge and Alex Ross Perry, is an ambitious blend of live concert footage and narrative storytelling, picking up the threads of the band's Chapters series. This feature-length film captures GHOST's electrifying performances from their sold-out shows at Los Angeles's Kia Forum, coupled with a fictional narrative that delves deep into the band's mythos. The film promises a unique cinematic experience that melds the raw energy of live music with engaging plot elements, designed to both entertain and engage GHOST's fans into a deeper understanding of the band's artistic vision. This soundtrack to the film sets a new standard in the rock cinema genre, aiming to engage not just GHOST's dedicated followers but also lovers of innovative film-making and rock spectacle.
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