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Back catalogue: Industrial/Noise
Juno's full catalogue of Industrial/Noise
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Cat: HAFTW 015CD. Rel: 03 Jun 14
Review: Experimental musician Leyland Kirby has been skirting round the edges of electronic music since the tail end of the '90s, delivering curious concept albums under a dizzying variety of pseudonyms (The Caretaker, The Stranger, Billy Ray Cyrix, Butcher Claws and Bored in Columbia, amongst many others). Here he dons his familiar V/VM alias for a discordant trip into drone territory supposedly inspired by fading memories of the last throes of early '90s outdoor raves. In truth, there's little in the music - a typically hissing, dystopian fusion of murky textures and becalmed electronic tones - to justify the concept, but it matters little. Kirby is a master at creating vaguely spooky, industrial-influenced soundscapes, and The Death of a Rave (A Partial Flashback) only enhances his reputation.
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Cat: FD 2CD147. Rel: 12 Oct 23
in stock $14.08
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Review: When it comes to creating musical soundtracks to contemporary urban decay, Gary Mundy has more experience than most. He's been releasing music as Kleistwahr since 1983 (though he did give the project a break between 1987 and 2009) and is a genuine master of creating heady, post-industrial soundscapes. 'Common Values', his 14th Kleistwahr album, is another masterclass in texture, mood and slowly shifting melody. There are moments of bittersweet, melancholic brilliance (see the immersive, reverb-laden ambience of 'Heaven Maybe Never') and pulsing, creeping minimalism (the brilliant, bleak and mournful 'Towards New Land'), but also fuzzy, guitar-laden soundscapes ('In a Blood Covered Land', 'All of Death To Lie' and the squally 'Common Values') and enveloping audio worlds subtly influenced by shoegaze ('Time To Realise').
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Review: Drew McDowall is as complex and enigmatic an artist as Coil, who he worked closely with for many years. He's followed his own path as well as being tangled up in the world of Jhonn Balance and Sleazy, and now this box set on Dais offers an authoritative overview of four relatively recent LPs and additional exclusive material stretching over six CDs. 2015's Collapse, 2017's Unnatural Channel, 2018's The Third Helix and 2020's Agalma are joined by a disc of rare, alternative and extended versions and a disc of live performances. From oddly angled ambience to lithe, snaking electronica, there's a lot of different sides to McDowall's curious musical mind, and this extensive collection is a perfect way to navigate just part of it.
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Electro Smegmacoustic Music/Smegma Plays Merzbow
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Chicago/Detroit 1982 (Deluxe Edition) (limited 2xCD)
Cat: CLOCD 5047. Rel: 08 Feb 24
Review: Ministry were a very different band in 1982, when Al Jourgensen started out as a synth pop provocateur straining at the leash to take things darker. He has repeatedly sworn off their debut album With Sympathy as a sanitised version of the sound he was pursuing, and this collection of live recordings from the year before it was released show a sharper edge to tracks like 'Revenge' and 'Effegy'. It's still absolutely synth-pop of the era, when the music was only one step removed from post-punk anyway, but most importantly the sound is clear and bright, showing the first iteration of the band at their best and playing close to home.
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Review: It's fascinating diving into the earliest realms of Ministry, before they were even signed to record their debut synth pop album With Sympathy. Al Jorgensen swore off that first release as a misstep before they become chief architects of industrial metal, and this compilation supports his case when you hear the sound of the band at their first gigs in 1981-1983. It's a lot more confrontational than the polished, arguably brilliant, sound they were encouraged to release as they emerged from the underground. From the electro-punk thrust of 'Falling' to the raw version of 'Cold Life', they feel entirely edgier as a proposition compared to most synth-pop bands of the era. With additional gems like rare mixes of 'Everyday (Is Halloween)', this is an essential compilation for anyone interested in the roots of Ministry.
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Cat: UD 285. Rel: 27 Apr 23
Review: The latest Nurse With Wound release takes a deep dive into Stephen Stapleton's arhives and returns with a radically expanded version of 1990 set The Ladies Home Tickler, a typically eccentric and out-there blast of sonic surrealism crafted from tape loops, spoken word samples, weird noises, fractured electronics, and shards of bass, synth and guitar. In this edition, the original album's two lengthy tracks ('Duelling Banjos' and 'Registered Nurse') come accompanied by six previously unreleased cuts recorded during the same sessions, but previously unreleased. While one of these is an alternative take on 'Registered Nurse', the rest are increasingly wild and pleasingly freeform soundscapes in Stepleton's distinctive style. An essential purchase for dedicated NWW fans.
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Cat: ICR 50. Rel: 20 Oct 23
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Legacy (hand-numbered CD limited to 150 copies)
Cat: SK 156. Rel: 17 Jan 23
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Plastic Carved Out In The Shape Of The Music (limited 2xCD)
Cat: F-ARKIV 9. Rel: 27 Jan 23
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Cat: ASH 148. Rel: 02 Nov 23
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