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Back catalogue: Indie/Alternative
Juno's full catalogue of Indie/Alternative
シングル
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Review: Being a 'supergroup' - as Boygenius trio Julien Baker, Phoebe Bridgers and Lucy Dacus are commonly described - has its pitfalls, one of which is finding time to record and promote your music. It was for this reason that it took the threesome almost five years to record their debut album, The Record, which was released to critical acclaim (the NME called it an 'instant indie classic') earlier this year. The fact that 'The Rest', an EP of unheard songs (literally - no previews were available online prior to release), has followed so quickly suggests that it was recorded at the same time. Either way, it was produced by the band alongside a team of six producers) and delivers more memorable songs in their now familiar American indie-rock style. A treat for fans, all told.
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For Your Sins: Acoustic Sessions (CD single)
Cat: DEAMAT 2CD. Rel: 06 Mar 25
in stock $11.93
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Phoenix (Japanese Edition) (SHM-CD single with obi-strip)
Cat: UCCJ 2188. Rel: 24 Jan 23
in stock $20.25
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Review: Described by their label, Dais, as "a stirring new chapter" in their musical story, 'An object of Motion' has its roots in a coastal break main man Deb Demure made back in 2021. It was material recorded there, largely using a vintage, bowl-shaped 12-string guitar, that formed the basis of the four-track mini-album. These recordings were then expanded on with help from collaborators Rachel Goswell (Slowdive), Justin Meldal-Johnsen and Ben Greenberg. It's a decidedly psychedelic set all told, with Demure and company blurring the boundaries between neo-folk, psychedelia, the Cure, shoegaze and the sort of saucer-eyed, turn-of-the-90s bagginess associated with the Stone Roses. Most impressive of all, though, is 'Yield To Force', an undeniably cosmic, layered and effects-laden instrumental that ebbs and flows over 15 magical minutes.
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C' Mon Everybody
C' Mon Everybody (DJ UTO mix)
C' Mon Everybody (instrumental)
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Queen Of The Planet Wow! (limited CD single)
Cat: EARS 205CD. Rel: 22 Feb 24
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Sleepway Camp (Soundtrack) (limited CD single)
Cat: 791126 210878. Rel: 08 Dec 23
in stock $11.31
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Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.
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アルバム
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Review: The 1975's last two albums were, by their standards, quite experimental, with the band taking the opportunity that fame and success afforded has afforded them to try their hand at all manner of styles - many of them a bit more overtly dancefloor-centric than diehard fans were expected. There's no such widescreen vision on 'Being Funny in A Foreign Language'; instead, they've gone back to basics and turned in a set of strong, addictive, singalong songs that sounds like radio anthems in the making. For proof, check the glossy AOR synth-pop cheeriness of 'Happiness', the fragile, eyes-closed Americana of 'Part of the Band', the indie power-pop bounce of 'I'm In Love With You' and the sparse, slo-mo, lo-fi fuzz of 'All I Need To Hear'.
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Review: In 2020, Ryan Adams released Wednesdays, an album up there with Neil Young's greatest stuff. It's cinematic with the full throttle rock of his previous album, Prisoner, dimmed down. It was an Americana album with his rock DNA still on show. Another Wednesdays takes a step further into classical and baroque pop territory, allowing the beauty of his lyrics to shine on a different canvas. Hearing tracks such as 'I'm Sorry And I Love You' underpinned by lush strings and piano with little else emphasises the power and majesty of his lyrics. Adams has long proved himself as one of America's all-time great songwriters, but to hear him push himself with the arrangements in genres that he's less familiar with, but still achieve greatness, shows that he's on another level to most.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: After nearly two decades of anticipation, Ryan Adams has finally unveiled a long-awaited, cult-classic album on CD. Initially shelved due to his battles with addiction, the album captures the raw, unfiltered emotion that defined his tumultuous period. With tracks like 'Catherine', previously only performed live, and unreleased material now officially available, it's a revelatory listen for fans who have long speculated about its contents. The album's haunting, fragmented qualityireflecting Adams' state during its creationiadds a compelling layer of authenticity. While some of the raw vocal takes are intentionally rough, the end result is an evocative and beautiful snapshot of a chaotic creative period. This release not only satisfies years of fan demand but also reclaims a pivotal moment in Adams' career, offering a glimpse into his darkest and most vulnerable creative space.
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Review: 2024 ushers in a brand new Barry Adamson album, Cut To Black, marking an exciting new shift in direction for the utterly singular Nick Cave associate and experimental blues-pop musician. Cut To Black, led by the swaggeringly roomy 'Demon Lover' (perhaps nodding to the great corporate espionage film of the same name, in due keeping with Adamson's love for spy thriller soundtracks, and his incorporation of their sound into his music), the record embraces his trademark genre-hopping proclivity, spanning pop, soul, jazz, hip-hop and gospel. A totally unique LP for the present era, Adamson's latest oeuvre topup is a must-have for fans of all things Cinematic Soul, Nick Cave & The Bad Seeds, Post Punk, Massive Attack, Unloved and more.
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Moon Safari (25th Anniversary Edition) (limited 2xCD + Blu-ray)
Cat: 505419 7906770. Rel: 14 Mar 24
Review: When Air's Moon Safari first landed on terra firma in 1997, it was a revelation that flipped the French touch boom on its head. Swapping discoid thrust for sensual lounge, Nicolas Jean Godin and Jean-Benoit Dunckel kept a certain sophisticated nostalgia in their sound which tracked with their compatriots, but they absolutely weaved their own spell with it. The hits caught on for good reason, from the dirty grind of 'Sexy Boy' to the swooning romanticism of 'All I Need' featuring Beth Hirsch on vocals, but the moments in between merely added to the spectacle, lodging Air in the hearts and minds of a whole generation. This special anniversary edition adds a second disc of B-sides, remixes and session tracks, plus a Blu-ray disc featuring the iconic videos and a documentary from the Moon Safari era.
… Read morePlayed by: Juno Recommends Downtempo
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Cat: IARC 90CD. Rel: 06 Mar 25
Review: Alabaster DePlume's latest album is a meditation on self-worth and healing, drawing from his poetry book Looking for My Value: Prologue to a Blade, he crafts 11 tracks that feel deeply personal yet universal. His saxophone, sometimes fluid, sometimes jagged, acts as both voice and emphasis on the likes of opener 'Oh My Actual Days' swells with sax and Macie Stewart's ghostly strings, a slow march toward reckoning. 'Thank You My Pain' turns its mantra-like refrain into a rhythmic meditation on discomfort. 'Invincibility' lifts into choral release, a breath after holding under water. The instrumental 'Prayer for My Sovereign Dignity' is an anthem for self-possession, while 'Form a V' channels the discipline of jiu-jitsu, inviting confrontation. Unlike his past, more improvisation-led works, this is tightly composed, arranged and produced by DePlume himself - and the result is direct, unflinching and deeply felt.
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