Back catalogue: House

Review: A quirky new ambient electro follow-up to the 'Quadrifonia' V/A from Positive Not Happy, with wicked contributions from The Lumens, AT, Floog and Paradise City Breakers. From the jump, we're hit with bursty bright arps and hard-hitting kicks on 'Transformazione'; gurgling, bitcrushed, yoying groundswells on 'Ga Ga'; lo-fi ruminative movements verging on speed garage with 'Deviate'; and creative, dynamic future swellups on 'The Butterfly Man'. Mostly breezy, hardly cheesy.

Review: 'Perfect' by Mason is one of those tunes whose melody everybody knows, but few, save for the timeliest of Eurodance heads, can recall the name of off the top. Later rehashed alongside American rapper Princess Superstar, the track invaded the Western collective cochlear cortex circa 2005, whence its plucky drive-lead roused dancefloors and iPod shuffles the world over; an eerily engineered earworm arising seemingly out of nowhere. This reissue from Armada hears a comprehensive set of interpretations from various EDM giants in the years after its release, perhaps motivated by the track's use in the 2023 film Saltburn. Aside from a David Guetta re-up, the 1991 pop-d&b is a sleeker slew of ultrafast beats, as though the original's distinctive pluck line had been pre-primed for shelling at faster velocities.

Review: Attention banger alert! Parissior is a Spanish DJ producer who has been producing countless tracks for many years now. His style could be described as a mix of dark disco, indie dance, Italo, and trance, but personally we think it goes much further. He has a total mastery of the art of production (something we have rarely seen); it seems more like sound design it sounds so huge. He's managed the perfect EP - one that all the Italian indie dance producers, one that even the biggest names in the genre have thus far failed to create. There's nothing cheesy about it; we've been listening to his music non-stop since we received it, with no weariness in sight. This guy is monstrous. The 12" begins with the brilliant 'Antennae', which is the perfect mix of Italo new wave & trance, followed by 'Canes Venatici', which could've been created by Daft Punk if they'd chosen to be less commercial. and put their balls on the table instead of hiding behind masks. 'Ceres' and 'Alpha Apodis' follow the same line. This maxi is gigantic - a f%c$ing masterpiece.