Review: French label D3 - which when pronounced in French sounds like their word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity. Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'
A Soft Mist Production - "Upside Down Rainbows" (5:01)
Dr Sud - "Zaffiro" (Jazz cut) (3:59)
DatSIM - "Influx" (4:40)
The Rabbit Hole - "Tail Groove" (4:27)
Review: No matter your particular preference in the deep house world, this various artists' outing from Q1E2 Recordings is sure to have something for you. Mike Riveria & Marco Ohboy, for example, tap into an early sound on 'Euphoria' with its big, brash piano stabs and whistles, while A Soft Mist Production keeps it all cuddly and deep with languid chords draped over gentle drums on 'Upside Down Rainbows.' DatSIM brings in some space-tech vibes for a deft rhythm and neon infused sound on 'Influx' and The Rabbit Hole's 'Tail Groove' has a mad double bass sound jumping about beneath frantic jungle breaks.
Fountain Of Life Joy Choir Under The Direction Of Kevin Yancy - "I'm So Happy" (Marc Davis & Sadar Bahar edit) (6:17)
Rev Charles H Nicks Presents The Baptist Assembly Of Free Spirit Mass Choir - "Optical Illusion" (Marc Davis & Sadar Bahar edit) (7:20)
Review: If you go to the sort of quality dances where you might hear old sound disco then there is a good chance you will have lost your shit to this one at some point the past. It is a disco gospel 12" curated and edited by Chicago pair Sadar Bahar and Marc Davis. First, they up the energy levels on the joyous Fountain Of Life Joy Choir Under The Direction Of Kevin Yancy tune 'I'm So Happy' which is high speed, high spirit and life-affirming goodness. Then they tweak Rev Charles H Nicks Presents The Baptist Assembly Of Free Spirit Mass Choir's 'Optical Illusion' with swirling big band energy and magnificent organ chords.
Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.
Mood II Swing - "Closer" (feat Carole Sylvan - King Street Moody club mix) (6:17)
Ananda Project - "Cascades Of Colour" (feat Gaelle - Wamdue Black extended mix) (6:46)
Review: Earlier this year, legendary NY house label King Street Sounds was acquired by Armada Music. The Dutch imprint plans to reissue many of the well-known - and lesser-celebrated - gems from the King Street vaults in the months and years ahead. To kick things off, they've delivered this vinyl sampler featuring some of the stable's most admired cuts of all time. So, we get Dennis Ferrer's iconic remix of Blaze and Barbara Tucker's gospel-powered soulful house anthem, 'Most Precious Love', the 'King Street Mix' of Jovonn's legendary deep, bumpin' tribute to New Jersey's Club Zanzibar, 'Back To Zanzibar', Mood II Swing's hot and heavy 'moody club mix' of their own Carole Sylvan collaboration 'Closer' and the all-time deep house classic that is the Wamdue Black extended rework of 'Cascades of Colour' by Ananda Project. Simply essential!
Review: New label Taf Kif kicks off with this classy VA package from some cool cats who know how to lay down a slick groove or two. First up on this distinctly 80s-styled package is Axel Boman, who brings some of his signature sparkling melodies to a synth-pop indebted jam entitled 'Oasis'. Meanwhile Velmondo follows up with something a little more trippy and adventurous on 'Echo Welt', before MLiR inaugurates the B-side with the sultry tones of 'It's Baby Time'. Lusille completes the set with the hazy Afro house deviations of 'Une Longue Route', riding a swung groove that offers something different from the everyday cookie cutter house we know so well.
Review: Needs' commendable charity drive continues to bring forth the goods, both in terms of good causes and world class club music. Rallying round in support of World Mental Health Day 2020, Shanti Celeste kicks the record off in style with the rapid fire, deep-diving workout 'Fantasma'. OCB keeps the pressure up with the psychotropic techno of 'RS3', while Michelle works up some delightfully freaky synths on playful jacker 'Aesthetic'. Bobby's 'Free Your Mind' is a 90s-tinged, full fat techno production indebted to Detroit, Peder Mannerfelt keeps things stripped and raw on 'Our Levels' and Yu Su weaves a beautiful tapestry of interweaving rhythms on 'Brittney'. Adam Pits' trippy techno sounds resplendent on 'Wind Tunnel' and DJ Sports completes the set with the inventive, dembow slanted funk of 'Needs Dub'.
Centric House - "Alright Alright" (Micky More & Andy Tee remix) (6:20)
Micky More & Andy Tee, Don Carlos - "The Music Of Your Mind" (feat Taka Boom) (7:36)
Review: Groove Culture taps into an effortlessly timeless house sound with this new remix 12". It sees the in house production team step up on the B-side to remix Micky More & Andy Tee, Don Carlos, Taka Boom's 'The Music Of Your Mind' and the result is a super smooth, soulful roller with passionate vocals and disco sprinkled percussion. Ahead of that, Centric House's 'Alright Alright" (Micky More & Andy Tee remix) is a piano-laced and joyous house bumper with elastic bass and hands in the air energy.
Santonio Echols - "Piano In The Light" (Emanuell Echols mix)
Brian Kage - "This Saturday Night"
Ryan Sadorus - "Down Below"
Review: Upstairs Asylum is kicking off the year in some style with a couple of killer new EPs. This one is the first in what is presumably a new series to showcase the talents of the Motor City. Mike Clark & Marcus Harris get things underway with 'Hey' which has a subtly uplifting feel thanks to the bright, sustained chords and cuddly drums. Santonio Echols's 'Piano In The Light' (DJ Emanuell Echols mix) is laidback, playful deep house with magical chord work and Brian Kage brings his classy depths to the smooth grooves of 'This Saturday Night.' Ryan Sadorus brings things to a close with the smoky 'Down Below.'
Review: The third vinyl release of the year from Blur Records sees three distinguished producers - ColorJaxx, T.Markakis and Manuel Kane - sharing duties, each delivering a track each but with the distinctive, music-centred 'deep house fusion' flavour of the Blur label very much at their heart. ColorJaxx's 'I Know You' kicks off proceedings in upbeat mood, goaded along by a skippy garage beat, some beautiful piano work and arresting male vocals. 'Ain't Like That' by T.Markakis rolls slower and deeper, clouds of warm synth giving it a reassuring, dub feel, while Manuel Kane's 'Funk' boasts a cheery, end-of-evening sparkle with its hypnotic vocal samples and gentle sirens. Quality without pretention whichever way you turn.
Review: Detroit legend Marcellus Pittman, a member of the iconic Three Chairs collective, teams up with renowned producer James Curd for the AtNosphere EP, marking his debut on Shall Not Fade. This 10" brings all the classic Detroit deep house elements togetherilush synths, smooth vocals, and rolling drum patternsicrafting a track that feels timeless. Curd, known for his work on the GTA soundtracks and various films, adds his production expertise to this collaboration, making the EP a must-have for fans of both Detroit house and masterful production. Two heavyweights on one record, delivering deep house at its finest.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Dave & Omar - "Starlight" (Grant Nelson extended mix) (6:16)
Chocolate Fudge Band - "Everything" (DJ Fudge extended mix) (6:57)
Dave & Maurissa - "Look At The Stars" (Dave's Starshine club mix) (7:48)
Opolopo - "Looking For You" (Peter's extended Organ) (6:02)
Review: Soul meets speed garage on this new V/A EP from Z Records, blurring the lines between the genres in just the way we like it. The opening track - Grant Nelson's mix of 'Starlight' by Dave & Omar - is a euphoric, piano-laced uplifter which both sonically and lyrically urges us to reach for the sky. That's followed by the DJ Fudge production 'Everything' by Chocolate Fudge Band, featuring lots of live instrumentation and a Curtis Mayfield style vocal, while over on the flip, 'Looking For You' proves to be a deep and bouncy cut filled with soulful Motown vocal chops and an organ workout worthy of any Sunday service, over a beautifully wonky house framework.
Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.
Review: Stefano De Santis kicks off Ten Lovers' new 'Best Of Various' release with 'Murk'; as the name suggests, this is indeed a dark workout from Rome's finest. The tone is set thereout for a thoroughly varied V/A, blending every curious hallmark from jazzdance, G-funk, Chicago house and progressive. The opener is a muted but no less expansive start, establishing the broken, one-beat-eliding, live-drummy mood that is then heard throughout. Batavia Collective's 'Rearview' thematically harks after an unconscious joy, considering what can only be implied, not stated, by way of a gorgeous, what sounds to be largely live, modal synth squeezer on which the slowdown is the real highlight. Future Jazz Ensemble's 'Over The Rainbow' is by far the most challenging, blurring any woulda-been established lines popularly splitting 'live' and 'electronic' with a reverb-drenched generative fill workout, while closer 'Outer Heaven' from Takahiro Fuchigami, hailing from Fukuoka, rounds things off on a note of Hancockian jive.
Mo'Funk - "Bring Together" (feat Roland Clark) (5:37)
Review: Robsoul Recordings has continue on the rich tradition of superb France deep hose for many years after the first wave of artists and labels came and went. This third edition of its Classic Sampler series is another joyous one that opens up with the jazzy loops and soul-drenched house grooves of Demuir's 'From Paris To Strasbourg'. Vincent Caira's 'Back Again' is more solid and raw but no less heartfelt then Mo'Funk & Roland Clark cut lose with an unabashed piano sound on 'Bring Together' that will get hands in the air. Three timeless tracks that really tap into the original spirit of house music.
DIM KELLY & Maya Safar - "Like When We Love" (7:29)
DIM KELLY - "Rising Child" (6:25)
Review: Dim Kelly has previously proven to be one All Day I Dream's most reliable contributors, unleashing a series of EPs full to bursting with emotive, soaring and subtly tech-tinged progressive house treats. He has a trademark sound of sorts - think sweeping strings, life-affirming melodies and sumptuously dreamy chords - and it can be heard loud and clear on his latest three-tracker. Check first Mondigo collaboration 'Homily', where eyes-closed male vocals and melancholic piano motifs rise above immersive chords and suspenseful tech-house beats, before admiring the more uplifting and colourful dancefloor bliss of the Maya Safar-voiced 'Like When We Love'. To round off another immaculate EP, Kelly reaches for twinkling pianos, luscious orchestration and more metronomic beats ('Rising Child').
Dimitri From Paris & DJ Rocca - "Days Of A Better Paradise" (5:57)
Saucy Lady - "Passport To My Love" (5:52)
Misiu - "Love Me Do" (5:59)
Clive From Accounts - "It's Not That I Don't Care" (5:16)
Review: JKriv & Co. at Razor N Tape serve up possibly their biggest release yet, if this one is anything to go by. The first edition in the label's brand spanking new Family Affair series features the pairing of legends Dimitri From Paris & DJ Rocca on 'Days Of A Better Paradise' kicking off the A side, before Saucy Lady's late night boogie-down biz on 'Passport To My Love'. Flip over and you're treated to a seriously lo-slung cosmic disco dub on Misiu's 'Love Me Do' and finally Clive From Accounts tells it straight up on the acid jazz joint 'It's Not That I Don't Care'.
Review: The Samosa label returns with Part 2 of the Re-Funk Head project, once again showcasing top-tier disco grooves. Opening up is Dirty Elements & Drunk Drivers feat. E.M.E with 'Disco Ball,' a sassy, high-energy track featuring a standout brass ensemble, while track 2, 'Ain't No Doubt About It' by Moplen, entices with disco beats, bongo rhythms, and a masterful bassline. Jazzyfunk's 'Sexy Thing' continues the disco theme with soaring strings and a punchy bassline, perfect for any dance floor moment. Closing the EP is DeGama's 'Feel The Groove,' a powerful tune blending house vibes with blues-inspired guitar and sultry saxophone. Re-Funk Head Part 2 is essential for serious funk fans.
Review: Inhale Exhale bring six full new circular round-trip breaths to the fold, focusing on heartwarming and soulful summer deep house tunes. Intended mostly for outdoor disco BBQs, 'INEX 017' packs a fruitful punch. Opening proceedings on the A come 'Make It Right', 'Understand U' and 'Tears Of The M1', a power-of-three intro tracking a vibeful descension from crystalline waters, synth organs and high string samples down to the chillest of vinyl-crackly, primal mini tech moods. Then there's the unmissable mirror image on the B, podding 'Everytime', 'Clyde' and 'Keep The Stabs', the last of which is an especially delicious, refractive groove.
Review: Considered "the absolute Don of Italo piano house", Don Carlos is up next on esteemed NYC label Razor N Tape with an EP of rare vintage house from the archives - 30 years old in fact. For the uninitiated, Don (Carlo Troya) and S-Tone (Stefano Tirone) released two records on Italian imprint Calypso in the early '90s under the alias Montego Bay. Features the emotive, late-night garage of 'Music All Night' (Deep In Milano mix) followed by the low-slung dancefloor heater 'Keep Dancing The Boogie' on the A-side. The flip offers the life-affirming vocal cuts 'Waited So Long' and 'Gotta Keep Dancing' respectively which perfectly capture the zeitgeist of house music's golden era in the early '90s.
Dr Packer & Elektrik Disko - "My Lovin'" (extended mix) (6:04)
Dr Packer & Elektrik Disko - "My Lovin'" (Elektrik Disko extended mix) (5:14)
Mattei & Omich & Re Tide - "Give Me Your Love" (feat Katy Alex - extended mix) (5:27)
Re Tide & Lukas Setto - "Me & You" (Dr Packer remix) (7:07)
Review: Next up on the Fool's Paradise vinyl sampler is a four-tracker of glitzy and emphatic proportions. Vol. 3 opens with Dr. Packer and Elektrik Disko's 'My Lovin', which vexes us of our infidelities in the promise of being lent "all our love tonight", a vocal motif that swirls endlessly around its discoic mix. Mattei and Omich follow up with exactly the same theme, though it would seem that the former promise has been foreclosed upon, since the central vox is now asking the listener to "just give me your love", with an added dash of urgency to boot, and not the other way round. The B-side, not purely coincidentally, we think, dominated by the producer known as Re-tide, moves much more profligately, abandoning much of the A-side's glamour for the more immediate appetites that drive, but do not temper, disco's soul.
Dennis Ferrer - "How Do I Let Go" (feat TK Brooks)
Rain: A Lil Louis Painting - "Give It Up" (Masters At Work club mix)
Mood II Swing - "Sunlight In My Eyes"
Kimara Lovelace - "Misery" (Lil Louis club mix)
Review: Now under new ownership (international dance music powerhouse Armada Music, fact fans), long-serving New York house imprint King Street Sounds is doing a good job in showcasing gems from its vast archives. This second label sampler contains four more genuine must-have cuts. First up, there's a chance to admire the deep, soulful house wonder that is Dennis Ferrer's 2008 hook-up with honeyed vocalist K.T. Brooks, 'How Do I Let Go'. It's followed by Masters at Work's deliciously loose, disco-influenced deep house revision of 'Give It Up' by Lil' Louis' Rain project (first released in 2000), Mood II Swing's DIY Soundsystem favourite 'Sunlight In My Eyes' (easily one of the greatest deep house jams of all time) and Lil' Louis's swinging garage-house rub of Kimra Lovelace's 'Misery'.
Reel It In (feat feat Madaline - Fingers remix) (5:53)
Between Us (feat Madaline - instrumental dub) (6:40)
Reel It In (feat Madaline - Summer Acid Burn) (5:49)
Review: 40 years have now passed since Larry Heard made his first record. Heard is, of course, without peers when it comes to deep house - he pretty much drew up the blueprint after all - though he does occasionally invite other producers to bask in his reflected glow. That's the case here, as he and Memphis-based Michael Kuntzman (an artist who has previously released music on Heard's Alleviated imprint) deliver a notable collaborative 12". Guest performer Maddaline whispers, sings and vocalises her way through the dreamy, richly electronic and sonically pristine 'Between Us', which is accompanied by a typically gorgeous 'Instrumental Dub'. There are two versions of 'Reel It In' - also featuring Maddaline - too: the deep tech-house shuffle of Heard's'Fingers Mix' and the back-to-Chicago-87 flex of Kuntzman's 'Summer Acid Burn' take.
Review: Be Strong Be Free debuts a new series here, Mellow Magic Worldwide, which will offer up a series of DJ weapons that have been produced by "worldwide studio buds." The first one opens with some superb tackle from Gold Suite whose brilliant 'Crush' is a slow-burning 80s jam and emotive rollercoaster that has made a real impact during road testing experiments. On the flipside is the mysterious Mancunian Visions Of Eden who debuts on vinyl with a lush deep house jam 'When It Has Past that has a subtle Balearic charm. Lastly comes Murrin who heads up the Puca Sounds label and co-runs Berlin party Fandango. His 'Maybe Tonight' is a late-night cosmic delight.
Review: Belgian DJ and producer Gratts have joined forces with London-based vocalist Mr. Beale to follow up on to success of their well-received 'Sun Circles' release last year. Here, on the sublime 'Submerge Me', they are in fine form once more with a brooding sound that features the uniquely mesmerising mantras of Beale and plenty of raw, compelling and percussive grooves that full lock you in and get you going. Versatile Records' own Gilb'r then steps up on the flip and manages to take things even deeper with some fine liquid dub excursions to complete a top 7"
Review: Big Love's popular compilation-style A Touch Of Love series returns for a sixth instalment, with boss man Seamus Haji once again showcasing a quartet of tried-and-tested treats. Fittingly, he kicks things off with 'Serious', a kind of hbrid heavy garage-house/disco house affair featuring organ solos aplenty and vocals from Chicago legend Mike Dunn, before Moon Boots joins the dots between sweet 80s soul and nu-disco on the synth-powered vocal number 'In My Life'. Heavy, French Touch-inspired disco-house vibes are provided by DJ Fudge ('Escapade'), before Dutch rising star Danou P - with a little help from pal Jamie 3:26 on vocals - delivers the organ rich deep house/garage-house fusion of 'Fly'.
Makez - "Train To Saturn" (feat Dwayne Franklin & NPO303) (6:41)
Basic Soul Unit - "Souljourn" (7:23)
Hubie Davsion - "Entno" (4:23)
Review: On Demuja's label Blueprint comes an milestone six-track EP made up of breezy, ultraviolet house tunes, celebrating the imprint's tenth anniversary in the form of a bite-sized sampler referencing a wider compliation LP. With both familiar and fresh faces in tow, we're gripped by the selection on offer: Hall's synthetic glam-funk jam opens proceedings with whistly synths, while Makez' 'Train To Saturn' accelerates towards ever-faster ends, and Basic Soul Unit's 'Souljourn' takes the B's cake with knocky, tactile *perpetuum mobile*.
Review: Foliage has some respectable heritage in the realm of upfront house music for deep-digging heads, having released work from the likes of Mood II Swing, Mark de Clive Lowe, Jimpster and Jesus Gonsev. This new sampler brings together four immaculate joints which reach from a recent Atjazz reworking of Halo's 'Glory' to Moon Rocket's powerful Afro house throw down 'Reciprocity', Jimpster's immersive remix of Funkky to the Fka Mash 'Re-glitch' of N'Dinga Gaba's 'Summer Breeze'. It's all bursting with soul and perfectly tooled for the floor, so slip one in your bag and you'll have four gems just waiting to give your party a proper lift.
Review: The third and final EP from the ten year anniversary series by French label D3 Elements is another one that offers a wide range of excellent grooves. To kick off, Jason Hogans takes us into woozy late night territory with muffled leads and lazy breaks, then Zopelar heads for the cosmos on his radiant synth laced house offering 'Resolution.' Malik Hendricks keeps it low key and slow with his intimate basement sounds on 'Green Mango' then Meftah rebuilds on a dusty Theo Parrish tip with 'Maha Shatki.' Damar Davis offers pure cosmic deep house lushness on closer 'Kiss In The Dark.'
Zopelar - "Move This Way" (feat Antonio Dal Bo) (6:28)
Retromigration - "Fret" (6:15)
Cem Mo - "Rushmore" (5:41)
Monty DJ - "Sat15" (5:25)
Review: To keep it in the family is to imply things stay pure and untainted, but the irony with the Keep It In The Family 12" series is that every record sounds raw and unsheltered. So, although 'Feel' and 'Move This Way' cycle through unperturbed and dreamatic sounds, their finish is rough, suggesting a well-wrought processing chain, the music having seen through many a prodigal battle. Retromigration's 'Fret' and Cem Mo's 'Rushmore' continue the mood of vintage deep raspiness, with one-up arpeggios closing out the final track with special glee.
Review: Freerange's City To City series returns with its second edition, this time spotlighting Lisbon. Known for its stunning views, beautiful beaches and vibrant nightlife, perhaps one of the city's best-known hotspots is the iconic Lux Fragile, which has shaped the city's sound since the late 90s. Longtime resident DJs from Lisbon are now gaining global traction; to butterfly-net the essence of the coastal metropolis, this new mix LP hears six original tracks from local talents, chief among whom are Megatronic, progressor and ambassador for the city, and Yen Sung & Photonz, two names closely tied to the circuit's deeper-underground corners.A
A Reference To E2-E4 By Manuel Gottsching (Mad Professor Qantas Crazy remix) (11:52)
Review: 'E2-E4' is of course a legendary bit of music written by a legendary composer. Here, Alex Kassian serves up his own extension version of it and takes us on a 12-minute electronic trip that will be perfect for the more adventurous DJs and dancers out there - not least in Ibiza this summer. Next to the escapist original is a flipside remix from the one and Mad Professor. He heads out on his own with plenty of mind-melting effects, dubby undercurrents and mesmeric leads that encourage minds to wander. A real pearler for the hotter months and beyond.
Mark Knight & James Hurr - "You Take Me Higher" (6:12)
Friend Within - "Chain" (5:43)
Martin Ikin & Winnie Ama - "Control It" (4:51)
Flashmob & Raumakustik - "Club Talk" (5:45)
Review: Toolroom's 'sampler' series, which rounds up previously digital-only releases and sticks them out on action-packed 12" EPs, reaches its sixteenth instalment. Given the format, you'll be unsurprised to discover that there's plenty of bona-fide peak-time heat on show, starting with Mark Knight and James Hurr's excitable, filter-heavy, string-laden disco-house bomb 'You Take Me Higher'. Friend Within offers a scintillating blend of heavy acid bass, glassy-eyed female vocal samples, weighty beats and subtle disco samples on the superb 'Chain', while Martin Ikin and Winnie Ama opt for even heavier drums, warped bass, creepy electronics and dead-eyed spoken word vocals on the sweat-soaked 'Control It'. To round things off, we're treated to the tech-tinged funky house bounce of Flashmob and Raumakustik's percussion -rich 'Club Talk'.
Review: Selected Pieces from Berg Audio is a fantastic EP that features four standout tracks, each offering a distinct flavor of deep house, perfect for the dancefloor. On Side-1, Kolter kicks things off with 'What A Day,' a track that embodies deep house with its soulful build, warm atmosphere, and uplifting vibes. The clever use of a vocal sample adds an extra layer of emotion, making it an instant crowd-pleaser. Traumer follows with 'Don't Stahp,' a classy, more techy cut that still maintains deep house roots. The dubby chords inject extra depth, turning it into a smooth, dancefloor groover. Side-2 opens with Mihai Popoviciu's 'Waitin,' which features rich, soulful chords that envelop the listener, creating a laid-back yet engaging vibe. Moor closes the EP with 'Kashif,' an uptempo track that stands out with its energetic keys and undeniable party feel. Selected Pieces is a versatile EP that offers something for every deep house enthusiast.
Kurd Maverick Vs Adeva - "In & Out My Life" (5:56)
Friend Within - "Monkey Bars" (6:06)
RETNA Vs Mark Knight - "What I Need" (6:18)
GW Harrison - "Feels Good" (4:28)
Review: Mark Knight's Toolroom has managed to go from one of many solid house labels into holding a position at the top table of the global scene. This sampler maybe hints at why - big, accessible tunes, well-produced and undeniably effective on the global club circuit. Kurd Maverick relies on a massive Adeva sample to make sure 'In & Out My Life' succeeds, then Friend Within goes for a hefty, raw main-room vibe with a 90s tint on 'Monkey Bars.' Retna on the flip also offers some dusty, warehouse-ready tackle and GW Harrison explores a deeper groove.
Review: Based in Reykjavik, Iceland, since 2012 and established by by Jonbjorn Finnbogason & Viktor Birgisson, Lagaffe Tales celebrates a decade in the game with this terrific various artists compilation. Label staple Felix Leifur serves up the slo-mo balearic bliss of 'Cohen Social Club', Moff & Tarkin get some emotive sunset breaks in effect on the mood music of 'Pure Fury' while Jonbjorn - on point as always - contributes the glassy-eyed electro cut 'We're Not Alone' and finally Viktor Birgiss delivers the deep and dubby afterhours cut 'Ad Handan'.
Review: According to the hype sheet we have to hand, the "Home Turf EP" is House of Disco's first multi-artist extravaganza for two years. There's plenty to get the juices flowing throughout, from the bounding bounciness of LPM's rap-sampling disco-house cut "Get With It", to the impeccably warm and sun-kissed jazz-house vibes of Purple Ice's "Adeus". In between you'll find the rolling, synth-heavy warmth of Mix & Fairbanks' deliciously loved-up "Shergar's Revenge" and "Me, You, Us" by Shee, a chunky sample-house number full of swirling strings, looped guitar riffs, hazy chords and righteous spoken word samples.
Mind Floating (Special Character Peaky Renip) (5:58)
Mind Floating (7:16)
Review: This EP's four tracks explore a range of styles within the house genre, from driving grooves to more ambient-tinged. The A-side opens with 'Mind Floating' (Ruffy Pagan Renip), a hypnotic track with a deep bassline, psychedelic synths and a driving beat, followed by 'Chcem Strongly' (Ruffy Surf N' Turf), a more relaxed and ethereal track with cosmic ambient techno and early trance influences. The B-side features two remixes of 'Mind Floating'. The Special Character Peaky Renip remix is a chord-heavy take on the original, while the original 2010 Secret version is a more electro-oriented interpretation. Carnedd Dafydd is a strong release from Luv Jam and Maria Slovakova, showcasing their versatility and skill as producers. The heavy balance of psychedelic and chill out is premier.
Review: Almost two years have passed since M-High made his debut via the wonderfully warming, melodic and timeless-sounding 'Blue Trip EP' on DJ Steaw's House Puff imprint. It's perhaps fitting that his return to action comes via Rutilance Recordings, a label Steaw co-runs with friend-in-music Guunter. The Utrecht-based producer starts solidly with '12 OC Riddim', a dubby chunk of bass-heavy deep house goodness that boasts serious sub weight and pleasingly skippy drums, before opting for a much more spacey-sounding, tech-tinged sound on the similarly bass-heavy 'Leaving Time'. 'Lost In Translation' is a chunkier slab of deep house/dub house fusion full of echoing electronic drum hits and dreamy pads, while Paolo Rocco's remix of '12 OC Riddim' is an intricately programmed, Motor City-influenced chunk of sci-fi deep house excellence.
Review: The sign of a truly great artist is that you can put on one of their records from some 15 years ago, as well as one out next week, and not tell which is which. Mr Pittman is one of those - a Detroit flag bearer with a raw, otherworldly take on house and techno that always sounds futuristic. 'The Midwest Advocates Part One' first dropped back in 2007 and is being repressed now and is just as good as ever with ramshackle and dusty grooves, wonky synths and eerie textures all getting you into a trance and keeping you there. Both cuts on this are standouts in his impressive discography.
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