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Back catalogue: Hip Hop/R&B
Juno's full catalogue of Hip Hop/R&B
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Review: Adedemola is the new self-titled album from Fireboy DML and one that marks a new chapter in his artistic journey. It continues to be shaped by years of self-discovery and more than just music, the record reflects his experiences of love, loss and self-realisation. The album was born from navigating life's struggles including the heartbreak of losing close friends which ultimately guided him to clarity and purpose. Adedemola dives into love in all its forms here from self-love to family love and romance and in doing so urges us to embrace what truly matters. There is great honesty throughout this album as Fireboy DML calls for unity and positivity across a compelling suite of sunny pop tunes.
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Review: FKA twigs delivers Eusexua, her latest and hotly anticipated new album, and the latest to follow 2022's Caprisongs. A strong and determined directional shift away from Caprisongs' cutesy sensibility (we see it as no surprise that her last album was released under Atlantis, while Eusexua comes via home slices on her home turf, Young), Eusexua hears the artist formerly known as twigs take up a futuristic grey, suited, officiated and incorporated style, informed by a roundabout notion of "eusexua", her own coinage: "a feeling of momentary transcendence often evoked by art, music, sex, and unity." Themes of disconnected embodiment run rampant throughout the album, showing no signs of ambivalence where others might flinch in the face of greyness or techno-uniformity. Twigs' vision reclaims abundant but still currently dubious themes of hard work, grist and prosthesis, and as ever resounds in palates of glistening, glossy mecha-r&b, inheriting Bjorkish chameleonics and contrasting said spikiness with no less impassioned tales of her enjoying the underground techno scene in Prague, among other sources of inspiration.
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Review: By K-pop standards, rapper-turned-popstar G Dragon (Real Name Kwon Ji Yong) is something of a veteran. He's been a star in his native South Korea since the tail end of the 2010s, enjoying success for a trio of albums released between 2009 and 2013. Ubermensch, officially his fourth full-length, sees him return to solo action following a period spent working as a songwriter and producer for other artists. It's a typically entertaining, fun and boisterous set that sees him sing (and more occasionally rap) atop tracks that variously mix and match elements of P-funk, EDM, disco, synth-funk and 21st century pop. K-pop fans take note!
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Two Along Their Way
Eulogy
Something To Hide
Drones
I Love You, I'm Trying
Half My Heart
When The Bomb Goes
Enough
Murderer
I Will Be Here When You're Ready To Wake Up (feat Wafia)
Heather
Stuck Here With Me
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Review: Since emerging in the middle of the last decade, Headie One (real name Irving Adjei) has become one of UK Drill's most reliable and namechecked artists. Even so, his releases have been relatively limited of late, with singles and collaborative mixtapes being favoured over full-length excursions. The Last One, his long-awaited follow up to 2020 studio debut Edna, is a predictably confident and distinctive affair, with Adjei delivering his distinctive North London raps over bold and weighty basslines, hybrid drill/grime beats and some genuinely attractive musical flourishes. As you'd expect, the list of collaborators, guests nand producers is quietly impressive, with Kay Teith and Stormzy making their presence felt at key points
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Review: Australian collective Hiatus Kaiyote's trademark sound has long been rotted in jazz-funk, but as fourth album Love Heart Cheat Code proves, there's always been much more to it than that. Produced by Brazilian maestro Mario Caldato Jr - best known for his work with the Beastie Boys, Seu Jorge and Jack Johnson - the album delivers a forward-thinking and undeniably attractive take on future soul variously informed by jazz-funk, broken beat, modern r&b, neo-soul and sun-soaked downtempo grooves. The results are uniformly impressive, with our picks of a very strong bunch including the sparkling and up-lifting 'Everything's Beautiful', the spaced-out Fugees flex of 'Love Heart Cheat Code' and the squally guitars and blue-eyed soul insanity of 'Cinnamon Temple'.
… Read morePlayed by: Juno Recommends Broken Beat Nu Jazz
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The concert For A New South Africa (Durban) (limited CD)
Cat: 198028 19832. Rel: 08 Nov 24
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Cat: HDBCD 067. Rel: 06 Jun 24
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Review: .Three years on from the release of his hugely successful third album, Big Conspiracy, J Hus continues to make all the right moves. Now a genuine superstar of British music, the London MC has aimed even higher on Beautiful & Brutal Yard, enlisting the vocal talents of none other than Drake on 'Who Told You' (a Latin-tinged chunk of r&b slinkiness), as well as an impressive array of fellow MCs and beat-makers across an album that consciously pulls grime in a variety of accessible, radio-friendly directions. Lyrically, there are naturally some hard-hitting moments, but for every reflection on inner-city life and wider social issues there's a dose of loved-up sweetness and weary reflections on relationships. As a result, it's an impressively balanced and impeccably produced collection.
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Review: Glasgow grime producer Konchis engages his Jetsam alter ego for a wavier sonic serenade than we're used to from him. Tapping into his dreamier, more emotional side for an album length narrative, the Scottish scientist switches from tripped out swooning harmonies wrapped casually over Dilla-ish beats ("End Of Stars") to woozy cries over fuzzy synth riffs ("Cathedrals") to soul-jarring deep sea strangeness ("Mermaids"). Otherworldly, cosmic and mischievously off-kilter, Konchis has found the perfect muse in his alter ego right here. One of a kind.
… Read morePlayed by: Juno Recommends Hip Hop/R&B
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Review: Following the more contemporary r&b, neo-soul and psychedelic funk flavours of 2023's Red Moon in Venus, a set in which she sung almost entirely in English, Colombian American artist Kali Uchis has decided to return to her roots on fourth full-length Orquideas. That not only means vocals in Spanish, but also a varied sound palette that draws on a wide variety of Colombian and wider Latin musical styles - think reggaeton, demblow, bolero, salsa, Brazilian MPB and bossa-nova. It's a superb, expansive and evocative set all told, with a fine supporting cast of high-profile guest performers including Karol G, Peso Pluma, El Alfa and JT.
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Review: A decade after making her debut, and some six years on from the release of her widely acclaimed 'Tale Me Apart' album, Kelela is back on Warp with what some critics are saying is her strongest work to date. While her early musical missives twisted R&B in dark new directions, with her sweet and emotion-rich voice front and centre, 'Raven' takes her in a variety of thrilling new directions. The album was recorded in two weeks in Berlin, with the lyrics chronicling a love affair in reverse order (so the pain of breakup is explored on the drowsy ambient pop opener 'Washed Away'). Musically, it's far more diverse than many were expecting, with forays into dreamy breakbeat, jungle, IDM and two-step garage complimenting her usual otherworldly R&B grooves.
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