Akiko & Masayasu Tzboquchi - "Love Theme From Sparticus" (feat Mbanja Ritchy aka B-Bandj - Clear Day mix) (4:34)
Review: Tom Browne's 1980 single 'Funkin' For Jamaica' has long been something of an anthem - a hybrid funk/boogie classic that remains a staple in sets of hip-hop, disco and soul DJs alike. Given its ubiquity, covering the song is fraught with danger, but remarkably Japanese producer Akiko and guest vocalist Mbanja Richy have successfully put a new spin on it. Their take is subtly tougher and more synth-heavy, with bilingual French/English vocals, nods to Zouk music and a bassline so squelchy it could have been lifted from a P-funk record. Over on the flip, the pair go mellow, deep and laidback on a pleasingly skewed hip-hop soul cover of Terry Callier's legendary vocal interpretation of Alex North's 'Love Theme' from 'Spartacus'. Inspired stuff all told.
Fountain Of Life Joy Choir Under The Direction Of Kevin Yancy - "I'm So Happy" (Marc Davis & Sadar Bahar edit) (6:17)
Rev Charles H Nicks Presents The Baptist Assembly Of Free Spirit Mass Choir - "Optical Illusion" (Marc Davis & Sadar Bahar edit) (7:20)
Review: If you go to the sort of quality dances where you might hear old sound disco then there is a good chance you will have lost your shit to this one at some point the past. It is a disco gospel 12" curated and edited by Chicago pair Sadar Bahar and Marc Davis. First, they up the energy levels on the joyous Fountain Of Life Joy Choir Under The Direction Of Kevin Yancy tune 'I'm So Happy' which is high speed, high spirit and life-affirming goodness. Then they tweak Rev Charles H Nicks Presents The Baptist Assembly Of Free Spirit Mass Choir's 'Optical Illusion' with swirling big band energy and magnificent organ chords.
Review: This limited edition double 7" vinyl offers up Rob Hardt's hit track 'Weekend,' which you might consider to be the ultimate family barbecue anthem, as well as being the title song of the inaugural 45 Weekender Hamburg festival. The single comes with some on-point remixes by renowned DJs and producers like Rob Hardt, DJ Friction, and EFBNMXMIX who work it into different realms but all of them are still suited to summer gatherings, block parties, and smooth DJ sets. It comes pressed on coloured vinyl after originally being released for the festival's opening party on July 12th 2024 when it was handed out to 30 international 45Soulciety DJs who helped quickly make it a classic.
Review: If you like classic r&b and Afrobeat then get your lugs around this where both sounds meet in a perfect fusion on this German-Nigerian collaboration. Featuring modern, warm drums and potent basslines, this release kicks off the Sedsoulciety Recordings Gold Line series aimed at showcasing contemporary styles. 'Tell Me What You Want' is presented here in two versions: the Afro Vibe Mix on the A-side and the Groove Mix on the flip. Both tracks bring plenty of heart and also dance floor heft so get things underway in great style.
Menahan Street Band - "How Did I Get Here?" (2:40)
Review: The superbly classy Daptone label comes on strong with another perfect formed 7" of retro soul. This time, the label's in house crew Menahan Street Band provide their famously authentic grooves, with big horns, rolling licks and drawn out leads on 'How Did I Get Here?' which on the a-side has vocals from LaRose Jackson. Soaring high and filled with rich soul, it's another timeless tune. On the flip is the instrumental. It's a story telling tune with some cosmic synth work and nice old school tambourines for an old/new fusion that gets you movin'.
Review: This Mr Bongo Brazil 45 reissue features two classic tracks from legendary duo Jorge Ben and Miriam Makeba. Side A presents 'Xica Da Silva,' one of Jorge Ben's most iconic songs from his equally legendary Africa Brazil album which has long been a must-have for any discerning head. This magical MPB track with its laid-back funky samba vibe instantly transports you to the blissful shores of Rio de Janeiro as Ben's vocals tell the story of a historic Brazilian icon. On the flip side, Miriam Makeba delivers a captivating, slowed-down rendition of 'Xica da Silva' which is enriched with strutting guitar, off-beat piano, and hypnotic drums while her powerful voice takes centre stage.
Carlton Jumel Smith - "I Can't Love You Anymore" (4:35)
Cold Diamond & Mink - "I Can't Love You Anymore" (instrumental) (4:34)
Review: Since making his debut back in the early 1990s, Carlton Jumel Smith has periodically popped up on a variety of soulful house and modern soul releases. Here the little-known vocalist takes a different approach, re-casting himself as a throaty, James Brown influenced '70s soul singer. He's at his heartfelt, full-throttle best on "Can't Love You Any More", a deliciously heavy and authentic chunk of Southern-fried deep soul complete with additional falsetto parts from fellow singer Pratt. The key to the track's success is the fantastic backing provided by Cold Diamond & Mink. Proof is provided on the flip via the band's effortlessly good instrumental take.
Review: Paul Mac Innes is a real modern soul boy with a Motown twist. His latest single 'Falling By The Wayside' was written at some point before the pandemic hit and has been produced by Mattias Axelsson who also loves Motown. The original was shelved during lockdowns but then the pair decided to pull it out again during a post-Covid live show. It went down a storm and so it was time to finish it properly. They head to a studio in Gothenburg with some talented musicians and perfected the lovely tune that is now presented here on a tidy 7".
Review: This new 7" from Jimmy Mack is a delightful piece of sunny soul. The Wisconsin man's a€iPop Goes The Weasela€™ was originally released in 1983 and has become an incredibly hard to find tune, and expensive when you do. The original sets off on an airy groove, with gentle flute leads, trilling chords and the effortless vocal melting your heart. On the flip side is an edit from a friend of the label, Bristol's Admin, who is one of the hottest edit talents in the game right now. His version is cleaned up a little but is sympathetic to the original with plenty of feel good grooves.
Review: Mako & Mr Bristow return with Stank Soul Edits Vol. 7, delivering two soul-infused sister-funk tracks. 'One Sweet Bomb' enhances the original's arrangement with added bass and drum elements, aligning it with the golden age of soul. On the flip side, 'Why Do You Bass Me Up?' transforms an uptempo funk pieceioriginally lacking a basslineiinto a dancefloor-ready banger, thanks to contributions from former Big Boss Man bassist, The Hawk.
This duo really know how to revitalise classic sounds for contemporary audiences.
Review: Sofia Manari and Inokasira Rangers are not strangers to working together on their own unique covers of some classic sounds, all reworked into fresh dub grooves. This time they turn their focus to 'First Love, which is a lush listen with Manari's soothing and sultry vocal delivery. On the flip is another laid-back dub sound with a constant rhythmic pulse, natty chords and more clean and soulful vocals from Manari making this a sweet little 7" from Japan's finest, Parktone.
When I Feel Like You Love Me (instrumental) (2:58)
Review: Epsilon Record Co. has done great work here by getting a new one out of Mantis who is back after 40 years with a brand new and super soulful single. It is one rooted in the classic though, with nice lo-fi and not overproduced drum work, glorious chords and a feel good vocal. 'When I Feel Like You Love Me' is utterly uplifting and cheery and is sure to melt all hearts who hear it. An instrumental is offered up on the flip but do the right thing and plenty the full and magical vocal version.
Review: A charmingly ethereal platinum gem of synthy disco-soul, Mantis' 'Love Was Born For Me' is a formerly unissued slice of genius dance music from the lesser-spotted New Hampshire, US fivesome. Allen Atkins, Baxter Fullerton, Alvin Harrison, Vernon Stewart, Rocky Whitaker, Paul Ungar all came together as fresh graduates of Dartmouth College back in 1976, and decided to take a shot at stardom while they were young, as the trope goes. Never quite finding favour with the "free" hand of the music market - of course, most of the best talents tend to be smothered by it, not lifted up - it's only now that they're seeing more recognition than ever before, thanks to the reissuing work of our friends over at Epsilon. Now we hear the beautifully songwritten 'Love Was Born For Me', citing the feeling of jubilance and renewed confidence in love, not to mention the wowowow-ing lo-fi slow jam, 'Do We Have A Love', which shows off the incredible vocal melisma of Allen Atkins.
Mariah & The Machine - "All I Want For Xmas Is A Dog"
Run Winston - "Wonderful Christmas In Hollis"
Review: Get ready for the ultimate holiday mash-up here as this fun 7" brings together two festive anthems that will light up your turntables, and the party. First, Mariah and her Machine deliver a cheeky twist on 'All I Want for Christmas is a Dog' by reminding us that owning a canine is a lifelong commitment. On the flip side, Winston puts a fresh spin on Run-D.M.C.'s 'Christmas in Hollis' by giving it a vibrant Queens New York makeover. With ill reindeers and Jam Master Sleigh, this record is sure to deck the halls and add some serious holiday cheer to your collection.
Review: The MARK IV's single 'If You Can't Tell Me Something' is a soulful masterpiece encapsulating the essence of the 1970s r&b era. Released during a time of great musical innovation in this genre, it weaves a rich tapestry of smooth vocals and funky instrumentation with infectious rhythms and heartfelt lyrics. It's a nostalgic, heartwarming sound to listen back to as the harmonies and tight arrangements keep you locked in. A truly timeless gem, 'If You Can't Tell Me Something' not only captures the spirit of its era but also resonates with contemporary audiences which is the very definition of a classic, if you ask us.
Review: James Mason's 'Rhythm of Life' - one of the long overlooked but now celebrated musician's most popular cuts - has never appeared on a seven-inch single before, in part because its' six-minute length made it more suitable for 12" singles and LPs (it first appeared as the title track of Mason's 1977 debut album). Dynamite Cuts have decided to address this by preparing their own (fully licensed) seven-inch edit, which successfully chops down the high-octane, spiritually inspired jazz-funk gem without losing any of its energy or soul. This time round it comes backed by another classic cut from the Rhythm of Life LP, the more laidback, spacey synth solo-sporting jazz-funk warmth of 'Good Thing'.
Review: Australian DJ and producer Dave Mathmos serves up an obscure edits entree, sampling/reworking a whopping seven disco cuts from the late 1970s and early 1980s, but adding just enough modern flair to essentially make them his own. A well-rounded, sticky quality is heard on this septagonal crock of heaters, with the downtempo slink-funk of 'Late At Night' and the equally sumptuous, string-backed plod of 'Wonderful Feeling' remaining our highlights.
Review: A lot of us have to thank Expansions for switching us on to Matlock in the first place, thanks to them unearthing him for their Soulchasers collection way back in the early 90s. Here they return to two of Glenn's finest, silkiest soul diamonds. Written for the romantics, produced for the dancefloor right at the very end of the classic 70s sound, "You Got The Best Of Me" has an upbeat Barry White feel to its delivery and sentiment while "I Can't Forget About You" has a lighter touch and flightier flow. The former previous super-rare on 45, the latter never press to 45 before... Both supreme and timeless.
Review: Stix Records is the sub-label of superb French outlet Favorite Recordings, and it is reserved for heavy dub cuts. This one finds label regular Mato reworking a classic reggae roller first written by Kool & The Gang. His gorgeous version is perfect for hot summer nights with its languid Fender Rhodes leads and sun kissed beats. It's loved up and perfectly, frankly. On the flip is a reggae rework of Bill Withers', who is sadly no long with us, 'Use Me,' repackaged with a playful harmonica lead and more grinding chords over the gently tumbling beats.
Review: Cover songs can sometimes be difficult to tackle for an artist and even more so if it's a completely different genre. However, lending a fresh reggae twist to Toto's classic hit makes for a a great example of a successful one here. On side one, the English version of 'Georgy Porgy' features a laid-back, smooth reggae rhythm, with the iconic guitar hook reimagined as a reggae riff, giving the song a relaxed while still infectious vibe. Ethel Lindsey's soothing vocals blend seamlessly with the rhythm section, making this rendition feel both familiar and unique. On side two, the French version offers a delightful variation, with Ethel Lindsey's vocals taking on a slightly different tone, fitting the language while adding an extra layer of charm. The reggae influences remain strong and the song's laidback vibe is preserved on both versions.
Review: Stix Records, a sub-label of Favorite Recordings, presents the second release from its new Mellow Reggae Series project. Launched earlier this year by Mato & Ethel Lindsey, with a stunning cover of the famous 'What You Won't Do For Love' by Bobby Caldwell, the series continues with the same duo, now taking over 'Baby Come Back', the underground AOR/Blue-Eyed-Soul classic from The Player. Like he always does, Mato delivers an outstanding version, delighting us with his matchless skills for dub production. Already matching on Bobby Caldwell's rendition, Ethel Lindsey ensures yet again the perfect vocals over Mato's production.
What You Won't Do For Love (Mato Mellow Reggae mix) (4:03)
What You Won't Do For Love (Mato dub version) (4:03)
Review: Thomas Blanchot has been casting a spell with his sun-soaked reggae renditions as Mato for a long time now. He's back on his regular stomping ground of Stix with a beautiful version of Roy Ayers' evergreen 'What You Won't Do For Love', with Ethel Lindsey taking on the role as singer to complement Blanchot's sweet and easy riddim. It's a tune primed to greet the warmer weather, staying faithful to the original while giving it a fresh spin. As well as the full vocal version on the A-side, we know full well you're going to love flipping it over for the consummate dub version on the B-side.
You Can't Turn Me Away (Mato Mellow Reggae mix) (3:53)
You Can't Turn Me Away (Mato dub version) (3:54)
Review: Thomas Blanchot aka Mato's love for reggae runs deep. His love for soul music is just as equal. So, what should a producer do who enjoys making original music but also enjoys the art of sampling? Use both! Known for creating reggae/dub versions and then using popular lyrics sung by a guest vocalist over the top of them, giving the original versions a new life and sometimes, a completely different feeling, in some ways working even better than the original. Here, Mato takes the 1981 hit by Sylvia Striplin 'You Can't Turn Me Away' and a super laid back reggae rhythm underneath as a base. And it works so well. Complete with the dub version for the DJs. Sit back and relax to these interesting examples of a stylish way to take mashups to a different higher level.
Review: Johnnie Mae Matthews is hailed as "The Godmother Of Detroit Soul" and for good reason: she left an indelible mark by founding numerous Detroit record labels and nurturing future Motown artists in their formative years including having a profound influence on Berry Gordy, which meant she shaped the soulful landscape of Detroit for decades to come. Finally, her pinnacle, the poignant 'I Have No Choice,' is set for release alongside the equally compelling 'That's When It Hurts' this Record Store Day. After nearly 50 years as a cult classic, it now rightfully claims its place in history having since commanded high prices for original copies which comes complete with comprehensive notes and remastered heavyweight vinyl.
Review: Reggae Dynamite Vol.6 explodes onto the scene with four irresistible tracks that capture the essence of early reggae. Max Iss & The Minions kick things off with the infectious title track, setting the tone for an EP filled with soulful rhythms and vibrant melodies. Donnoya Drake delivers a stellar rendition of the funk-soul classic 'Mr Big Stuff,' while reggae legend Dave Barker lends his smooth vocals to 'Gimme Little Sign,' adding his own twist to the soul nugget. The instrumental track, 'Gimme Little Version,' by Woodfield Rd Allstars, rounds out the EP with its lively organ-led groove. Produced by Neil Anderson, each song is expertly crafted, blending elements of reggae, funk, and soul to create an electrifying listening experience. Whether you're a seasoned reggae enthusiast or new to the genre, Reggae Dynamite Vol.6 is guaranteed to get you moving and grooving from start to finish.
Review: Rachel Maxann is a globetrotting vocal talent from Memphis, whose newfound recognition in the soul scene owes to her many latest tours and live performances, both in the city and around the world. And that's not to mention her deft and cheeky fusions, such as that of Motown and indie rock. Now two originals for Original Gravity surface, hearing her embark on building up a recorded music edifice, after two contributions to the label's split singles series appeared last year. 'Time Flies With You' is a paean to love made in the dance, hearing Maxann jollily note the atemporal feeling of spending time with her favourite person. Relations are soured on the B-side, however, with 'Why Can't You Miss Me Too?' revealing the melismatic potential in Maxann's voice, not to mention a penchant for dramatic, heartbroken storytelling.
Review: Rachel Maxann's 7" single 'All Of This And Nothing' offers a delightful journey back to the swinging 60s. With a sultry voice and passionate singing, Maxann channels the era's essence, accompanied by a backing band featuring a vibrant horn section and captivating organ melodies. The title track oozes with vintage charm and undeniable groove, transporting listeners to a bygone era of soulful music. On the B-side, 'Find Myself Another Man (alternate take)' takes a different turn, embracing early rock 'n roll vibes with a sprinkling of blues influence and soulful flair. Maxann's vocals shine against the backdrop of energetic instrumentals, delivering a rousing performance that keeps the essence of the era alive while adding her own modern twist.
Review: The Mayberry Movement's 'I Can See Him Loving You' is a Northern Soul masterpiece that was supposed to be released in 1974 but ultimately never was. Why, no know can work out, because it is such a lovely tune it would have been a real classic. This take on Ray Dahrouge's original song is drenched in heart-aching soul with uplifting grooves helping to ease the pain. It has a grand and steamy finale, too and is backed with a lively B-side balad to swell the heart. A real doozy that finally sees the light of day.
Eh Eh (Nothing Else I Can Say) (Lovers Reggae mix) (3:44)
Review: Singer and actress SSW Mayu is mostly known for her roles in musicals and TV dramas, and delivers a fresh take on classic songs from the past. Her latest release is a 7" single on Jet Set Japan and comes from a compilation album by Cafe Music. It does a fine job of showcasing her versatile talent and her soulful voice and refined interpretation really shine as Mayu brings new life to timeless tracks while blending a hint of nostalgia with her unique signature style. This release highlights her ability to cross genres and create a soothing yet captivating musical experience, making it a standout addition to the Cafe Music compilation.
Review: Super Disco Edits close down their special series of releases from the brother and sister duo of Eryk and Antoinette McClinton with another four-track pearler. The pair recorded with venerated Detroit legends Mike Theodore and Dennis Coffey in around 1979 and they came at a time when they were trying to break the big time. They had already released on Honey Records and here bring plenty of funky influxes to their big disco beats. All four have some fine breakdowns and the final tune, with its 2 step beats, is a real standout.
Review: For those of a certain age, Gwen McRae's "All This Love That I'm Givin" will always evoke memories of Cassius' French Touch classic "Feeling For You", which sampled it heavily. It remains a killer record in its' own right, though, as this timely reissue proves. Originally released in 1979, it sees McRae at her powerful best, delivering a potent message to an errant lover over a killer, low-slung disco-funk groove. It's one of the tracks that should really be in any discerning funk, soul or disco DJ's collection. Flip for original B-side "Maybe I'll Find Somebody New", a breezier chunk of laidback soul with a slightly Southern lilt. It's good, but pales into insignificance compared to the brilliant 'A' side.
Review: Legendary Miami songstress Gwen McCrae had plenty of huge hits in her arsenal, from '90% Of Me Is You' to 'It's Worth The Hurt.' Her biggest tune by far is the enduring classic and sure fire dance floor heater 'Keep The Fire Burning.' The strident disco funk beats, the soaring vocal and the impossible warmth and soul of it all never fail to make a mark. Here it is backed with the more slow and deep cut funk of 'Funky Sensation,' which gets those hips swinging and hands clapping.
Review: This hugely in demand modern soul masterpiece gets a special 40th anniversary reissue thanks to the Selector Series label. Originally released on New Jersey's Debbie Records in 1981, the label has dug into the archives to find a boogie-tactic reworking on a classic standard from The Carpenters. Often seen listed for over L400 on second hand markets, it is a serious collector's piece. It's been reissued as part of various albums over the years but never on a slick 45rpm like this. It comes with original artwork and will have any dance floors in a spin.
Review: Soul Direction have taken two tracks from his the legendary soul man Tommy Mc Gee's first two 45s and put them together on one limited new 7". Fact fans will appreciate knowing that 'To Make You Happy" was originally titled 'Just to Make You happy' and now gets a rerelease that will surely give some light back to the music as well as the man. These two superb tracks have seemingly been missed by so many collectors over the years, but also have become more elusive in recent times. They feature on the Positive-Negative Album as well as rare 45 releases but to have them together as one here is a no-brainer for soul lovers.
Review: Once more unearthing a rare and classic electro funk piece, Candy McKenzie's 'Remind Me' gets a proper 12" reissue, homing in on her classic cover of the Patrice Rushen original. Chugging, slick and wacky, McKenzie's vocals glisten and flit over a raw electro beat, heralding offbeat and Texan funk guitar, electrics and basses alike. As much is true for the 'Different Style' dub on the flip.
Review: Celestial Echo brings us more modern soul magic with the reissue of Glenda McLeod's No Stranger To Love. This track, a beloved crossover between Modern and Northern Soul scenes, has been a collector's favorite, with original copies fetching well over L100. The synth-heavy funk tune caught the attention of Dam-Funk and the Stones Throw crew, boosting its popularity through online mixes. Officially reissued for the first time in 40 years, this record is licenced and remastered to perfection. The vocal version features a smooth electronic sound, high BPM, and classy vocals that captivate from the start. The instrumental version lets the lush synths and groovy rhythm shine. No Stranger To Love is a must-have for funk and soul enthusiasts. This record is hot!
Review: Christine McNabb's UK lovers' 12" soul rarity, 'Love You / Combination', originally self-released in 1981. With backing vocals from Caron Wheeler, Black Slate's rhythm section and the in-house musicians at Eve Studios in Brockley, South London, this is a highly toned waft of steam; McNabb sings in a whistle register, insisting we're her one and only as she launches into a bopping improvisation near the midpoint, as an irresistible funk line chugs below, aplomb. 'Combination' is the name of the minimalised instrumental version: both tracks are standalone greats, and draw their inspirations from Afropop icons like Miriam Makeba, despite there being some crossover and cash-in on the emerging UK lovers' rock market.
Review: Two rare Motown originals from Barbara McNair, the American soul singer, actress and early Chicago favourite. The subject of many a bootleg, 'It Happens Every Time' has retained its place in soul history perhaps thanks to its use of a rather cinematic string breakdown, euphoric as it is predictive of similar motifs in disco. 'You're Gonna Love My Baby', meanwhile, is a more formalistic jaunt, dealing in the subject of continually being beaten down. Two exquisite snapshots of the 60s.
Review: Switzerland's crucial Burning Sole is back with another timeless 7" here featuring Mel Day and Tito Lopez Combo. 'This Little Girl Of Mine' has some red hot and guttural vocals bring the pain in an old school sou style over tight guitars and drum work. It's lo-fi and brilliantly backed by some big horn energy. After that aching lament comes the downtempo and introspective blues-eyed soul of 'Feeling Sad' with its slow grooves and pained vocal expressions. This is another crucial soul 45 from the always on fire Burning Soul and one that improves your collection of wallowing soul gems no end.
Review: As they often like to do Switzerland's Burning Sole label is dropping its latest lovely single in several different coloured vinyl versions. This newest yet timeless 7" features Mel Day and Tito Lopez Combo and arrives on blue vinyl in limited copies. 'This Little Girl Of Mine' is lo-fi and brilliantly backed by some big horn energy with red hot and guttural vocals. After the beautiful pain of that one comes downtempo and introspective blue-eyed soul burner 'Feeling Sad' with its slow grooves and pained vocal expressions. The impact of both of these tunes is brilliantly indelible.
Review: Classic alert! This sure-fire party starter is a timeless gem by Harold Melvin & The Blue Notes originally released in 1973. It features the powerful vocals of Teddy Pendergrass and is a heartfelt expression of regret and longing over a lost love. With its upbeat tempo and lush orchestration it marked a significant shift in soul music as it blended traditional r&b with the emerging disco sound. It's built on an infectious groove with soulful harmonies and emotive lyrics which will always resonate with audiences and that is why it was such a chart-topping hit back in the day that remains a defining moment in the group's career and a timeless anthem of love and loss. It is backed here with the equally catchy 'Wake Up Everybody.'
Review: British label Demon Singles Club reissue two proper classic disco bits by the American soul group Harold Melvin & The Blue Notes: the original 1979 version of 'Prayin'', a gospel-inspired dancefloor anthem that was produced by Harold Melvin and written by John Whitehead and Gene McFadden, and the contemporaneous Blue Album highlight 'Baby I'm Back'. Both are awe-inspiring, rapturous dance fusions in the genre, cementing Melvin and co.'s legacy with a mood of teary-eyed joy.
Review: Homegrown Syndrome aka Homegrown Funk & the band Memphis put out just one mega rare two sided single that is so hard to find it sells for over 500 quid each and every time anyone finds a copy. The tireless Athens of the North label now does us all a favour with a new reissue of the original which was originally pressed in 1982 as part of a small run. 'Shake & Rock Till the Police Knock' is hip swinging disco funk with withering synth chords, big lead vocals, buttery backing singers and lively drums. It has it all, basically. 'Inside My Love' is a sentimental flip side for the smoochers out there.
Golden Flamingo Orchestra - "The Guardian Angel" (4:43)
Carol Grimes - "Uphill Peace Of Mind" (4:33)
Review: The Messin About crew are back once again to show they have made a fine art of arsing about. This 7" offers up two more rarities that have never before made it to vinyl but very much deserve to have done. First up they offer the lush and soulful US disco of Golden Flamingo Orchestra's 'The Guardian Angel' which will warm through any wintery dancefloor. On the flip they change the vibe entirely with Carol Grimes's 'Uphill Peace Of Mind,' which is indeed a grimy UK funk weapon that packs a seriously rhythmic punch.
Review: After a start in the immensely popular Buffalo Springfield and a two-year stint forming Poco in 1968, he entered into a partnership with a young singer/songwriter called Kenny Loggins. Their career lasted for seven years producing multiple albums together. In 1979 Jimmy Messina released his first album which featured the well-regarded Jazz Fusion and Smooth Jazz tracks 'Do You Want To Dance & 'Love is Here'. Dynamite Cuts collects both of these for an appearance on this 7". For fans of eclectic 70s gems, this little 45 will get some strong play.
Review: MIA's latest single, Crime of Passion, picks up where her last hit left off, delivering another dose of sultry funk with producer Gil Masuda. With deep bass and a groovy vibe, MIA's silky voice weaves a tale of compassion and desire over an up-tempo 80s-tinged boogie beat. The track's infectious energy is sure to get listeners on the dance floor, with lyrics like "Am I your shining diamond, baby, kryptonite?" enticing them further. On the flip side, 'Love Bug' offers a chill roller skating jam with lush Rhodes chords and warm synth tones, perfect for anyone who's ever been in love. Released on Love Touch Records, this single hints at the possibility of a long-awaited debut album from MIA in the near future.
Review: Given that the last time this prime slab of Texan funk appeared on wax was way back in 1969, we'd say this special Record Store Day 2020 reissue is long overdue. A-side 'Iron Leg' is a bona-fide bomb: a fuzzy, low-slung, psychedelic-era instrumental funk smasher rich in hazy Hammond stabs, mazy solos, crunchy breakbeats, rising horn riffs and insanely weighty bass. It comes backed with 'Chocolate', a similarly bass-heavy but slightly jazzier instrumental funk workout that's well worth dancefloor spins. Original copies regularly change hands for three figure sums, so copping this essential reissue will save your bank balance (or leave plenty spare to buy other killer funk records!).
Review: Freestyle take us back to 1984 with this fully licensed 12" repress of a vital bit of intense disco heat from Midnight Energy. The New Jersey outfit really get their machines working overdrive on the A-side as they bring electro-boogie funk vibes to a tune that is something of a cult classic and rather expensive to find in OG form. 'Front Line' is a brilliantly sleazy one with lots packed in and then the flip side tune 'Saving All My Love' comes in two forms and both are full of big vocal hooks and percolating funk drums.
Review: This EP has proved hugely popular over the years and always sells out whenever it gets reissued. This will likely be the case again here with this newly remastered version via Tri Fire. It is a cult boogie and disco blend from Robbie M and The Midnight Express show band that originally hails from Rock Island in Illinois. It includes the hip-swinging and funky 'Danger Zone' (remix) plus a more paired back instrumental version and the original which is chunky, funky, and full of playful horns. All three versions do plenty of good things to dancefloors. Don't sleep!
Review: DC-based label Peoples Potential Unlimited aka PPU is a real favourite for us here. It's got a signature lo-fi funk sound and deals in perfectly ageless sounds with a big heart. Robbie M has been a frequent name in the label's catalogue and is back on this new 7" next to Midnight Express. The latter kicks off with big cosmic disco synths, hip-swinging claps and great vocals. Robbie M's brilliantly boogie-fried 80s electro-funk then appears in the form of 'I Need Good Lovin'' with its seductive vocals and catchy broken beats.
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