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Back catalogue: Funk Soul & Jazz
Juno's full catalogue of Funk Soul & Jazz
シングル
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Review: Even if it's a point worth making, sometimes it needs to be made several times over before it lodges itself in the brain. Whoever was behind this original cosmic disco cut, it hammers home the principle of not stopping the music with such repetitive intent that we have to wonder whether we truly would want to stop the music had we not been inculcated as such. And though we're unsure of its origin, 'Don't Stop The Music' and its loving rerub from Leeuwarden, Netherlands DJ and producer Pete Blaker hears the artist dare not forsake the Northern English interest in such sounds by leasing his wares again to Newcastle label Hot Biscuit. Backed by a suspensory glaciation on the B, 'Ice Cold' with fellow producer Dionisos, you can be sure yet some other aspect of disco gold has also been reliably preserved here.
… Read morePlayed by: Charlie bucket/ dancing in space
in stock $20.62
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Review: American neo-soul pin-up D'Angelo has released a couple of the smoothest records of the last 30 years. He even made a welcome comeback in the mid 2010s and added some more magic to his cannon. Here Kero Uno remixes a couple of his tunes and ups their funky quotient to make them more suitable to dancefloors. First, he flips 'Spanish Joint' into a key-laced and funky workout with low-slung, hip-swinging grooves sure to seduce next to the zippy synth leads. On the flip is his hot take on 'Feel Like Makin' Love', another bona-fide gem full of heart and soul.
… Read more in stock $22.59
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Review: Bowie is a new label that says it intends to "dig deep into the unreleased sides of pop superstars material from the past." The opening gambit is a strong one that should hook you in for more as it comes in the form of a 7" with two fine funk instrumentals, neither of which have been put out before. 'Golden Years' has lovely live drums and meandering guitar licks for some carefree listening, while 'Fame' has a deep cut groove that rises and falls in dramatic fashion with more neat and tidy riffs adding the detail next to the big licks.
… Read more in stock $12.42
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Review: This newly formed and already brilliant label is back with more previously unreleased instrumentals that bring a different twist and dancefloor edge to classic sounds from the rock and indie world. First up we get a subtle edit of 'Sound and Vision' which has a nice fat and funky bassline bouncing beneath the splashy drums as nice acoustic guitar melodies ring out next to glistening retro-future pads. It's a cosmic trip that oozes soul then things slow down on the flip with 'Young Americans'. This one is a nice go-slow instrumental with funky and expressive horn work taking the lead over the fat-bottomed drums and bass. Essential.
… Read more in stock $12.42
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Review: These two unreleased tracks from Geater Davis deliver raw, hard-hitting Southern soul with his some nice gritty vocals, sharp guitar work and powerful horns all making them perfect for anyone who loves a bit of blues-tinged soul. Geater was born Vernon Davis in East Texas in 1946 and learned guitar from T-Bone Walker before then working as a sideman and breaking through with 'Sweet Woman's Love' in 1970. He charted again in 1972 with' Your Heart Is So Cold' on Seventy 7 Records, and though disco's rise curtailed touring opportunities, he kept performing across the South. Sadly, just as he was preparing for a comeback, he died of heart failure at age 38, but these gems remain.
… Read morePlayed by: Juno Recommends Soul
in stock $22.03
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Review: P-Vine Japan does great work once more here by bringing back into print some hugely sought-after sounds from the blues and r&b world. The first release in their new series revives Larry Davis' 1969 Kent Records single, which was originally written by Sherwood Fleming. The A-side, 'For 5 Long Years' delivers a gritty mid-tempo funk-blues groove while the B-side, 'I've Been Hurt So Many Times' (a classic subject for a blues tune) channels Willie Cobbs' signature sound. These will be familiar to anyone who has danced at a Northern Soul event and cannot be slept on.
… Read morePlayed by: Craig Charles Funk And Soul
in stock $18.93
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in stock $22.59
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Review: The Dells were a legendary soul and doo-wop group defined by Johnny Carter's soaring falsetto and Marvin Junior's rich baritone. After first forming in 1952, their most iconic era came during their time with Chicago's Cadet label from the mid-60s to mid-70s. Their 1966 track 'Run For Cover' became a staple of the Northern Soul scene and remains highly sought-after today, with mint copies fetching over L100. Equally beloved is their 1968 dancer 'Wear It On Our Face' featuring a powerful Charles Stepney arrangement and the group's signature harmonies-both songs showcasing The Dells at the height of their soulful brilliance.
… Read morePlayed by: Craig Charles Funk And Soul, Juno Recommends Soul
in stock $15.81
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Review: Lorenzo Dewberry manages to fuse the house music poles of Chicago and Detroit on this mind-expanding and cosmic new house EP for Excursions. He is a relative newcomer with credits on labels like Ten Lovers Music and is already in a class of his own, given how musically and lush these tunes are. 'You're Enough (feat Janet Coco)' is a down-by-the-sea-at-sunset gem with Balearic chords and far-sighted reverie, 'Open Skies' is just as much of a sonic daydream with a gentle groove and then an Anthony Nicholson remix layers in some nice nimble jazz keys and pixelated leads. 'Free Your Mind' is a downbeat, jazzy lullaby to close.
… Read more in stock $19.50
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Review: The emerging Disco label sure does love disco - specifically a sound infused with funk, soul and in the case of the opera, lovestruck vocals that melt thereat. They come with a nice languid bassline and some sophisticated strings while 'Song' has a super cool and breezy groove and vocal that is airy, light, and uplifting in quietly devastating fashion. 'Fear' is more of a party starter with glossy vocals and strident claps and drums then 'Do You' shuts down with more jazzy flute motifs and a lo-fi rhythm with vocals that speak of late night love and lust.
… Read more in stock $16.11
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Review: Following his standout 'Just A Flute Thing' single last time out, DJ Scientist returns with 'The Baku Files', a limited release that's an immediate crate-digger's dream. Side-A delivers a hypnotic, jazzy boom-bap instrumental built from rare Soviet-era Azeri jazz samples layered with gritty vocal chops from vintage rap records. It's a brilliant cross-cultural collage that feels at once nostalgic and fresh. Flip to side-B for 'To See You,' a slick, DJ-friendly rework of a Murat Kashlaev composition originally reissued on Spasibo Records and packed with head-nodding grooves, old-school flavour and new-school execution.
… Read morePlayed by: Juno Recommends Hip Hop/R&B
! low stock $16.66
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Review: Dusty Donuts return with another heavyweight 7" of hip-hop gold, this time journeying from Queensbridge to Staten Island. Side A delivers a bouncy, chopped-up rework featuring a Lost Girl once heard on a legendary QB mixtape and it is guaranteed to ignite any dancefloor. Flipping over, the vibe shifts to Shaolin with a raw and soulful reinterpretation of a classic that pays tasteful homage to Staten Island's finest. With tight edits and a deep love for golden-era hip-hop, this release hits hard on both sides and is another great example of the craftsmanship, nostalgia and party-starting energy the Dusty Donuts crew always deals in.
… Read morePlayed by: Marc Hype
in stock $20.32
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Cat: BC 004. Rel: 27 May 25
in stock $15.54
アルバム
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The Great Summit (limited 180 gram vinyl LP)
Cat: 843656 3186332. Rel: 02 Jun 25
Review: Louis Armstrong and Duke Ellington are unquestionably two jazz titans and they finally teamed up for a rare studio session that's pure magic. Though they'd known each other since the mid-1920s and often shared stages, official recordings together were few and far between. This album breaks that drought with Armstrong lending his unmistakable touch to Ellington's iconic compositions. Duke joins in on piano, while Louis is backed by his All Stars minus regular pianist Billy Kyle. The result is a meeting of swing royalty, full of charisma, chemistry and classic tunes reimagined by two of jazz's most legendary voices. It's as good as you'd hope.
… Read more in stock $16.93
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in stock $30.49
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Open (gatefold 180 gram vinyl 2xLP)
Cat: HEISTLP 03. Rel: 03 Jun 25
Review: Amsterdam-based duo Maarten Smeets and Lars Dales - Dam Swindle - offer us their album, Open, prying ajar our otic tract with 14 quixotic tracks. After years of introspection, Open marks a rupture, as the pair break from their preeminent deep house for an even-deeper-down embrace of the lower tempi, with them now incorporating synthwave, hip-house, and ambient elements. A first taster comes with the smoothly lavished 'Girl' with Faye Meana, while 'Bloom' with Joep Beving develops the theme of self-analysis through well-shovelled deep house chords. Still reining in some four-to-the-floor precepts, Dam Swindle have nonetheless presented their most heartfelt and least harried detour to date.
… Read morePlayed by: Charlie bucket/ dancing in space
in stock $24.85
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in stock $18.07
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Black Beauty: Miles Davis At Fillmore West (B-STOCK) (limited numbered gatefold 180 gram audiophile vinyl 2xLP + booklet)
Cat: MFSL 2568 (B-STOCK). Rel: 01 Jan 90
B-STOCK: Slight surface mark on the record sleeve
Review: ***B-STOCK: Slight surface mark on the record sleeve***
April 10, 1970. Miles Davis, fresh from his Jack Johnson sessions and with a new face in the band, soprano saxophonist Steve Grossman, take the stage at San Francisco's Fillmore West and set about sparking a revolution in jazz by fusing it with rock and funk elements. Captured on Black Beauty: Miles Davis at Fillmore West, this performance is one for the agesifull of explosive improvisation, raw energy and a palpable sense of transformation. The album, finally reissued on vinyl after years of being locked away in Japan, is a time capsule of a moment in jazz history where tradition was discarded and a new frontier was being built. With his usual crewiGrossman, Chick Corea on keys, Dave Holland on bass, Jack DeJohnette on drums, and Airto Moreira on percussioniDavis steered the ship into turbulent, unpredictable waters. It's all about the groove, the shifts in rhythm, and the untamed trumpet blasts that echo through the room like firecrackers. Tracks like 'Miles Runs the Voodoo Down' - from the milestone Bitches Brew album, which had come out a mere month before - and 'It's About That Time' tear apart the old jazz playbook, plunging deep into rock territory while still holding on to the open-ended freedom of improvisation. This is the raw, unfiltered jazz that would come to define the electric period of Davis' caree - a live-wire snapshot of a jazz legend finding new possibilities in real-time.
… Read moreApril 10, 1970. Miles Davis, fresh from his Jack Johnson sessions and with a new face in the band, soprano saxophonist Steve Grossman, take the stage at San Francisco's Fillmore West and set about sparking a revolution in jazz by fusing it with rock and funk elements. Captured on Black Beauty: Miles Davis at Fillmore West, this performance is one for the agesifull of explosive improvisation, raw energy and a palpable sense of transformation. The album, finally reissued on vinyl after years of being locked away in Japan, is a time capsule of a moment in jazz history where tradition was discarded and a new frontier was being built. With his usual crewiGrossman, Chick Corea on keys, Dave Holland on bass, Jack DeJohnette on drums, and Airto Moreira on percussioniDavis steered the ship into turbulent, unpredictable waters. It's all about the groove, the shifts in rhythm, and the untamed trumpet blasts that echo through the room like firecrackers. Tracks like 'Miles Runs the Voodoo Down' - from the milestone Bitches Brew album, which had come out a mere month before - and 'It's About That Time' tear apart the old jazz playbook, plunging deep into rock territory while still holding on to the open-ended freedom of improvisation. This is the raw, unfiltered jazz that would come to define the electric period of Davis' caree - a live-wire snapshot of a jazz legend finding new possibilities in real-time.
in stock $79.08
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Bitches Brew (UltraDisc One Step Pressing) (limited numbered 180 gram audiophile vinyl 2xLP)
Cat: MFSL33UD1S 039. Rel: 21 May 25
in stock $189.80
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The Musings Of Miles (Original Jazz Classics Series) (B-STOCK) (180 gram vinyl LP with obi-strip)
Cat: CR 00854 (B-STOCK). Rel: 01 Jan 90
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
This early gem - in fact, it was the maestro's first ever 12" record - shows a masterful command of space and melody, spotlighting a warm, muted trumpet tone alongside a pared-down ensemble. Without a saxophone, the spotlight remains squarely on the lead, providing ample room for expansive solos and lyrical interpretations. Anchored by a stellar rhythm section featuring a buoyant bassist, impeccable pianist and dynamic drummer, the performances exude a relaxed yet precise energy. Highlights include a fresh, distinctive take on the Dizzy Gillespie classic 'A Night in Tunisia', where the group reimagines the piece with effortless ingenuity. Original compositions add further depth, with a witty riposte to a well-known standard and a contemplative piece that lingers in the listener's mind. A transitional moment for one of the all time greats, hinting at the greatness to come all the way back in 1955.
… Read moreThis early gem - in fact, it was the maestro's first ever 12" record - shows a masterful command of space and melody, spotlighting a warm, muted trumpet tone alongside a pared-down ensemble. Without a saxophone, the spotlight remains squarely on the lead, providing ample room for expansive solos and lyrical interpretations. Anchored by a stellar rhythm section featuring a buoyant bassist, impeccable pianist and dynamic drummer, the performances exude a relaxed yet precise energy. Highlights include a fresh, distinctive take on the Dizzy Gillespie classic 'A Night in Tunisia', where the group reimagines the piece with effortless ingenuity. Original compositions add further depth, with a witty riposte to a well-known standard and a contemplative piece that lingers in the listener's mind. A transitional moment for one of the all time greats, hinting at the greatness to come all the way back in 1955.
in stock $37.85
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Review: Best known for his involvement in the Braen's Machine project alongside fellow film scorers Piero Umiliani and Alessandro Alessandroni - not to mention his work under the name Awake and Gisteri - maverick producer Rino De Filippi took a darker, introspective turn on the 1972 Flower Recs bloomer Condizione Umani. Jazz-pincered vignettes are heard piercing the fragile complexities of the mind, across a record whose shapeshifting veneer crosses streams of tension and revelation with an arachnid sleight of foot. With 'Crivellamento' standing out as a key marrying point of ritualistic percussion and avant-garde looseness, we're left spasmodic. Reissued again on standard and purple vinyl as part of the Sounds From The Screen series, we've an historic contribution on our ears from the Italian studio maestro.
… Read more in stock $22.59
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Condizione Umana (purple vinyl LP limited to 200 copies)
Cat: SFTS 07LPP. Rel: 16 May 25
in stock $25.71
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Review: Dexter Gordon's Lullaby For A Monster returns on 180g audiophile vinyl, spotlighting the legendary saxophonist in a rare, stripped-down trio setting. Recorded in June 1976 with Danish rhythm greats Niels-Henning Orsted Pedersen (bass) and Alex Riel (drums), the album represents Gordon at his most uninhibited, free from the piano's harmonic framework. His solo on 'On Green Dolphin Street' is often described as one of his most liberated, and with fresh liner notes by C. Andrew Hovan to rack up an already clamorous crock of acclaim by international critics, this reissue offers renewed appreciation for a lesser-known but electrifying entry in Gordon's discography.
… Read more in stock $33.88
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in stock $19.77
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in stock $18.07
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Dom Salvador (limited 180 gram audiophile silver vinyl LP)
Cat: MOVLP 3686S. Rel: 03 Jun 25
Review: Dom Salvador's 1969 album is pure Brazilian jazz magic. This piano maestro effortlessly fuses samba, bossa nova and hard bop into one smooth and moving groove. Tracks like 'Samba do Malandrinho' and 'Tio Macro' show off his slick chops and inventive style as he mixes tight rhythms with wild improvisation. It's a vivid trip to somewhere Brazilian heat meets American jazz cool. Fresh, funky and full of soul, Dom Salvador isn't just playing music here, he's rewriting the rules of jazz fusion, which is why this record is a classic of its genre and a vital reissue.
… Read more in stock $30.79
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Som Sangue E Raca (limited numbered 180 gram audiophile blue vinyl LP)
Cat: MOVLP 3687B. Rel: 05 Jun 25
in stock $30.79
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Paper Can't Wrap Fire (orange vinyl LP (indie exclusive))
Cat: MRBLP 322O. Rel: 16 May 25
Review: Paper Can't Wrap Fire is the third album from Melbourne/Naarm multi-instrumentalist Don Glori, and it is a rich mix of jazz, soul, funk and R&B, but also marks a bold evolution in the artist's own songwriting. The title is based on a Chinese proverb about truth and underpins reflective tracks like the soulful 'Brown Eyes,' satirical 'Disaster,' and introspective 'Flicker' Recorded in Naarm with friends and past bandmates, these sparkling sounds are brimful of the sort of life-affirming harmonies and dynamic musical interplay that makes you smile broadly, while the heartfelt lyrics make this town mark. Influences from the likes Azymuth, SAULT, and Jordan Rakei are all clear, but Don Glori crafts his own take on those sounds that speaks to both emotion and intellect.
… Read more in stock $27.10
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Review: The third album from Melbourne/Naarm multi-instrumentalist Don Glori merges jazz, soul, funk and r&b and marks a confident leap forward in his songwriting journey. Anchored by a Chinese proverb about truth, Paper Can't Wrap Fire explores themes of honesty and introspection across standout tracks like the silky 'Brown Eyes,' the sharp-witted 'Disaster' and the meditative 'Flicker.' It was recorded with close friends and longtime collaborators and radiates warmth, spontaneity and rich musical chemistry. While nodding to influences like Azymuth, SAULT, and Jordan Rakei, Don Glori delivers a sound entirely his own and it is wonderfully intimate.
… Read morePlayed by: Aroop Roy, Juno Recommends Broken Beat Nu Jazz
in stock $22.89
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Quem E Quem (reissue) (180 gram green vinyl LP)
Cat: 333081 LTD. Rel: 06 May 25
Review: Quem E Quem is widely regarded as Joao Donato's finest work and a standout in the canon of Brazilian popular music, aka MPB. Blending American soul and jazz-funk influences with the gentle sway of samba and bossa nova, the album radiates warmth and subtle sophistication and Donato's tender vocals are framed by breezy flute passages, laid-back piano lines and guitar solos reminiscent of Pat Metheny. The result is a beautifully balanced collection of upbeat tracks and introspective moments with each evoking the tranquil pleasure of a sunset in a tropical paradise. Timeless and effortlessly charming, it remains a high point in Donato's enduring career.
… Read morePlayed by: Juno Recommends International
in stock $48.86
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A Bossa Muito Moderna (reissue) (limited LP)
Cat: 843656 3186363. Rel: 02 Jun 25
in stock $18.93
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in stock $38.41
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Blue Bossa In The Bronx: Live From The Blue Morocco (Record Store Day RSD 2025) (limited hand-numbered gatefold 180 gram vinyl 2xLP)
Cat: HLP 9072. Rel: 16 May 25
in stock $94.34
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Dr John's Gumbo (reissue) (limited gatefold 180 gram audiophile vinyl 2xLP)
Cat: 753088 755675. Rel: 19 May 25
Review: Originally released in 1972, Dr John's fifth album is an upfront tribute to his inimitable hometown of New Orleans. A collection of covers, tracks chosen from the almost-endless archives of classic blues, jazz and creole tracks that have come out of the Big Easy over the preceding century or so. It also marked something of a character and stylistic sidestep for the legendary Louisiana player. Building a cult following and rather unique reputation for his eccentric stage performances and often pretty left-of-the-middle songwriting and arrangements, by comparison Dr John's Gumbo plays it much straighter, making this an authentic and respectful tribute to rhythm and blues as it has long been played. That's no criticism - the same masterful musicianship remains very much intact, while the personality still shines through. Simply put, the songs have been done again and again, but this album could only be Dr John.
… Read more in stock $62.42
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Review: Davon Bryant-Mason aka Dreamcastmoe finally makes his vinyl debut on Rhythm Section, years after the label first encountered him and his genre-smudging sound. Though it's the first official release between the artist and the Peckham imprint, their connection runs deep, stretching all the way back to a string of early underground pool hall sets at the now nonexistent Canavan's in South London. Introduced to RS founder Bradley Zero by DMV tastemakers Beautiful Swimmers, Dreamcastmoe's characteristic blend of hip house, lo-fi electronica and an echo of the DC go-go scene stood out to the gregariously locked tastemaker profusely. Now, in a full-circle moment, 'The Lost Tape Vol 3; surfaces as yet another end yield of years' worth of mutual admiration between label and artist, flaunting such affectively zoned bumps as 'At Molly's Request' and 'Flowers' with Nappynappa.
… Read more in stock $22.59
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in stock $37.57
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America Amore Amaro (reissue) (blue vinyl LP limited to 200 copies)
Cat: SFTS 05LPBLUE. Rel: 08 May 25
in stock $25.71
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Cat: 506050 9792733. Rel: 15 May 25
in stock $13.54
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in stock $20.05
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My Life: Preisner's Music (gatefold 2xLP)
Cat: PPLP 006. Rel: 20 May 25
in stock $65.25
