Review: Produced and sleeked out at Opal Studios in NYC, back in 1975, Buari's self-titled LP has been a cornerstone of international highlife music since it was first released. The original is now an arduous item to find at a decent price, so we thanks the Be With label for having repackaged an essential Afro LP that is a must have for anyone into anything outside a constant beat drum. "Karam Bani" opens with a forceful helping of funk, percussive to to the max, and this same hypnotic groove formula is present across the entirety of the A-side, making this a sampler's dream come true. On the flip, "Iro Le Pa" is the stand-out tune for us, a rhythm that makes Theo Parrish's Ugly Edits seems kinda tame! Recommended.
Review: Los Caneyes was the first ever solo project from Cuban funk master Juan Pablo Torres and now Future Rootz - in collaboration with Canal Sounds and EGREM - is serving up a first-ever vinyl release of his early singles 'No Estabas No estabas Tu' and 'Oye Ven Y Baila Mi Son' on 7". These two superbly funky Afro-Cuban tracks were recorded in 1973 by this influential musical innovator. The first is a flame-hot and percussion-laden groove that is loose-limbed and sure to get those bones shaking and the second is similar - pure Latin heat for the floor.
Review: Back in 1976, legendary highlife artist Pat Thomas decided to throw his weight behind Ghanian three-piece Marjarita. Thanks to his patronage, they made quite an impact with their debut album (Pat Thomas Introduces Marjita), before striking gold with their killer follow-up, This is Marjita. Since then, the album has become something of a "holy grail" for Afro-funk collectors, with copies changing hands for astonishing sums of money. Happily, Mr Bongo has decided to license and reissue it. The album contains four superb workouts: the hard funk brilliance of "Break Through", the organ-heavy Afrobeat fuzziness of "No Condition is Permanent", the reggae-influenced wonder of "I Walk Alone" and the superior highlife of "We Live in Peace".
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