シンセ・モジュール

Notes: PERC features 256 percussion sounds with tight attacks and a bright harmonic spectrum. This collection is specifically focused on shorter percussive samples and includes material such as multi-layer drum & percussion hits, chopped & processed loops, synthesized FM strikes, mallet and bell tones, sampled drum machines, various toms and hand drums, obscure noise boxes, sampled old-school game chips and much more. PERC makes full use of ONE's snappy character.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.

Notes: WAYOUT8 is a patchbay module for Eurorack systems used to group your DAW inputs and outputs, or manage signals going from one case to another. Wayout8 is grounded, meaning that even if nothing is plugged into the inputs your outputs are still grounded and will not pick up noise. The module is made so it can be mounted two ways, with outputs on the left or right, whichever is the most ergonomic placement in your case. All eight channels are passive so they do not modify your signals and can be used for audio and CV Gate. No power is required.

Notes: WAYOUT8 is a patchbay module for Eurorack systems used to group your DAW inputs and outputs, or manage signals going from one case to another. Wayout8 is grounded, meaning that even if nothing is plugged into the inputs your outputs are still grounded and will not pick up noise. The module is made so it can be mounted two ways, with outputs on the left or right, whichever is the most ergonomic placement in your case. All eight channels are passive so they do not modify your signals and can be used for audio and CV Gate. No power is required.

Size: 6HP
Depth: 10mm
No Power Required

Notes: Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.

Notes: The uTONE is a bass-treble tone control, that is a quite useful tool to shape the overall spectrum of individual signal paths.

Please note: These micro modules need a carrier, like the uBASE module. They cannot be mounted directly into an AE case.

Notes: The u4LOGIC is identical to the full-size LOGIC module, but shrunk to 1/3 micro format.

Please note: These micro modules need a carrier, like the uBASE module. They cannot be mounted directly into an AE case.

Notes: Identical to the OR2x4 module in full size, but shrunk to 1/3 size. It contains two logical OR functions with four inputs each; with a switch they can be linked to an 8-input mode. Useful for "summing" gate / trigger signals from different sources.

Please note: These micro modules need a carrier, like the uBASE module. They cannot be mounted directly into an AE case.

Notes: The FADRMIX JACKOUT is an extension for the FADRMIX6 with two 1/4" (6.5mm) jack sockets for master left/right output and 4 stereo minijack sockets for the FX send and returns.

The module is connected via a small internal connection cable to the right of the FADRMIX6.

Notes: This simple passive mixer is suitable for mixing both audio and control voltage sources. Three channel inputs mix down to one output.

It is not suitable for additive voltage applications. All the jacks are switched to ground to minimize external interference when not patched. This can lead to unwanted attenuation of the output signal unless you plug a dummy cable into the unused channel(s) or, even easier, you can turn the channel's pot completely CCW.

Specifications:
Width: 2HP
Power consumption: none
Module screws included

Notes: Take your patch down a notch with the Line Output 1U tile. Line Output is a modular level to line level adjustment module, with knob control over your output level to get it just right. Turning your modular system into an open-ended audio pathway has never been easier.

Tech Specs:
Width: 8HP
Depth: 38mm
Front Panel: Intellijel format, Pulp Logic replacement panels available here.

Notes: The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit).

It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.

The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.

Notes: Simple Envelope Follower in 1U format.

Insert an audio signal and extract a corresponding CV from it.

Additionally you get a gate output. Try using it with any type of signal!

Dimensions: 8 HP, 23 mm deep, module is a 1U tile

Current Draw: 56 mA +12V, 2 mA -12V

Notes: Skippy Exp is a tiny module in 2HP that adds "Play/Stop" and "Reset" functions to Skippy, either via a button or a CV input. It cannot operate independently; you absolutely need Skippy to use it.

For those who don't need the live adjustments offered by Skippy Live (or have run out of space!), Skippy EXP still provides two essential functions for dynamic performance.

This module cannot operate alongside Skippy Live, which already has these two functions. It can be placed either to the right or left of Skippy. The connector to link it to Skippy is included. This module does not need to be connected to power.

Technical Specifications
2 HP

Depth: 20 mm

Power consumption:
+12 V 10 mA
-12 V 0 mA
+5 V 0 mA

Supplied with cable and Knurlies.

Notes: USB socket for charging/powering peripheral devices.

This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.

It connects to the bus via supplied two-pin cable.

*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.

Notes: Originally designed for the Metropolix 1.4 MIDI update, the USB Extender extends the USB Micro connector on the back of a module, bringing it to the front panel for easy connection to your USB Host.

The 3U panel, includes a dual passive mult, which is great for splitting output signals to other modules. You can swap the panel with a Phillips-head screwdriver. The 1U panel does not have mults.

Also included is a 60CM Right-Angle Micro USB to Micro USB cable for routing the connection beneath the modules.

This module comes with a custom USB cable that connects on the back of the module to the Metropolix. The product comes with both 3U and 1U faceplates so you have the option to use it in either space.

Width: 2HP 1U / 2HP 3U
Depth: 40mm (with cable connected on rear)
Power: Passive

Notes: Switched mults come to Intellijel's space-saving 1U format, offering six jacks and two busses, routing signals between the two or muting them using three-position switches.

Supplier's Notes:
The Mult 1U takes one audio or CV signal input, and (mult)iplies to up to four outputs. Because the Mult is passive, it requires no power to operate. Multiply anything by four, twice.

A signal multiplier accepts an input signal and routes it to multiple outputs simultaneously. For example, you might want a sequencer's GATE to trigger two different envelopes - one to control volume and one to control filter frequency. In order to accomplish this, you need a signal multiplier.

In addition, each Switched Mult 1U features a pair of 3-pin Link connectors on the rear panel. These let you connect other 3-pin Link devices, such as an XY I/O 1U module, or even additional Switched Mult 1U modules (handy for distributing mults across the width of your case).

Width: 14HP
Depth: 18mm
Power: n/a (passive)

Notes: 1/4" TRS Jack Panel For Stereo Line In 1U Module

If you don't own an Intellijel case with built-in compatible 14" jacks, then you need to purchase a Stereo Line In Jacks 1U module, which connects via ribbon cable to the Stereo Line In 1U module to provide 14" TRS input jacks for interfacing with other studio or stage gear.

Width: 8HP
Depth: 39mm

Notes: Dual 4-way passive mult (one audio or cv signal in with multiple unbuffered outputs)

On the back of the pcb is a pair of solder points marked as "link". You can connect these (with a solder blob or small jumper wire) to turn the mult into a single 8 channel Mult instead of 2 x 4 channel.

Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing

Notes: This module allows you to interface your Eurorack modular system to the pro balanced line level world (+4 dBu). You can send audio out to rack mount/desktop FX units, patch to external line-level instruments like synths and drum machines, interface to a DAW, and much more.

Features:

1 x Eurorack modular level signals to Balanced TRS 1/4? output path
Uses a high quality THATCorp balanced line driver IC
Output path steps a nominal Eurorack level (10 Vpp) down to +4 dBu with up to +6 dB gain.

Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.

Notes: The Man-Machine Interface, or MMI, is a passive touch and pressure sensitive controller which allows the user to direct CV and audio signals at will. The MMI consists of three input/output jacks, and five body contact surfaces in glorious gold.

The zig-zag body contacts correspond to the input/output jacks, with the top zig-zag connecting to the top jack, the middle zig-zag connecting to the middle jack, and the lower zig-zag connecting to the lower jack. The spiral patterns in between the zig-zags are comprised of the two adjacent jacks, so the upper spiral is comprised of the upper and middle jack, while the lower spiral is comprised of the middle and lower jack.

In order to operate the MMI, the user can touch any two points with their fingers, patch cables, a piece of fruit or vegetable, or any other conductive substance or object, in order to complete the connection. The degree of contact made with the MMI, and the resistance of the object completing the circuit, will determine the output that is sent along the circuit. For instance, if a user were to patch a VCO into the top jack, and patch the MMI into a filter in the middle jack, the VCO will be sent to the filter when the topmost zig-zag and lower zig-zag are connected by two fingers, for instance.

But how about the spirals? The spirals offer a way to make a connection with one finger. Using the example from before, the connection will instantly complete when the user touches the upper spiral pattern. Using this principle, it becomes possible to use the MMI in unusual and interesting ways, such as a rudimentary keyboard, a drum controller, a switch and any other number of weird and exciting purposes.

It is also possible to combine several MMI - using two different MMI, it is possible to reach across one zig-zag to another zig-zag, in order to make a different connection, or to place a particularly long vegetable across all the contacts just to see what will happen. The MMI is an unusual patching system for the experimental musician, and lends itself well to all manner of experimentation and weird instruments.

The MMI can bleed a tiny bit of signal when using sharp VCO waves like square waves, while other sounds like sine waves will have softer responses. This can easily be corrected with amplification or attenuation as needed.

The MMI takes up 4HP and is skiff friendly, and is also suitable for installing in external boxes as a passive control unit. You can combine any number of MMI to create increasingly complex keyboard-like arrangements, drum pad matrixes or advanced switch systems.

Dimensions
4 HP
14 mm deep

Notes: ***B-STOCK: Box opened, product in perfect working order***


Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions
8 HP

Notes: Touch and Pressure Controller 2HP - Herzlich Man-Machine Interface Micro MMI - passive modular controller for Eurorack systems

The Man-Machine Interface, or MMI, is a passive touch and pressure sensitive controller which allows the user to direct CV and audio signals at will. The MMI consists of three input/output jacks, and five body contact surfaces in glorious gold.

The zig-zag body contacts correspond to the input/output jacks, with the top zig-zag connecting to the top jack, the middle zig-zag connecting to the middle jack, and the lower zig-zag connecting to the lower jack. The spiral patterns in between the zig-zags are comprised of the two adjacent jacks, so the upper spiral is comprised of the upper and middle jack, while the lower spiral is comprised of the middle and lower jack.

In order to operate the MMI, the user can touch any two points with their fingers, patch cables, a piece of fruit or vegetable, or any other conductive substance or object, in order to complete the connection. The degree of contact made with the MMI, and the resistance of the object completing the circuit, will determine the output that is sent along the circuit. For instance, if a user were to patch a VCO into the top jack, and patch the MMI into a filter in the middle jack, the VCO will be sent to the filter when the topmost zig-zag and lower zig-zag are connected by two fingers, for instance.

But how about the spirals? The spirals offer a way to make a connection with one finger. Using the example from before, the connection will instantly complete when the user touches the upper spiral pattern. Using this principle, it becomes possible to use the MMI in unusual and interesting ways, such as a rudimentary keyboard, a drum controller, a switch and any other number of weird and exciting purposes.

It is also possible to combine several MMI - using two different MMI, it is possible to reach across one zig-zag to another zig-zag, in order to make a different connection, or to place a particularly long vegetable across all the contacts just to see what will happen. The MMI is an unusual patching system for the experimental musician, and lends itself well to all manner of experimentation and weird instruments.

The MMI can bleed a tiny bit of signal when using sharp VCO waves like square waves, while other sounds like sine waves will have softer responses. This can easily be corrected with amplification or attenuation as needed.

The Micro MMI takes up 2HP and is skiff friendly, and is also suitable for installing in external boxes as a passive control unit. You can combine any number of MMI to create increasingly complex keyboard-like arrangements, drum pad matrixes or advanced switch systems.

Dimensions
2 HP
10 mm deep

Current Draw
Module does not draw current

Notes: Mix it up with the Micro Mix, a dual passive mixer in 2hp that functions as both a 3-to-1 and a 6-to-1 passive mixer, allowing you to perform acts of minor sorcery in your modular system (or maybe outside with your Volca and Pocket Operator jam?).

Nothing knobs or buttons here to confuse you, plug in either audio, CV, clock or triggers, and get the mixed signal out. The best part? Since it's passive, there's no guarantee what you put in is exactly what you'll get out. Embrace the unpredictable world of passive mixing like they did in the 60s and 70s.

Notes: Get the most signal attenuation in the smallest 3U package possible! The ATT module features three independent IN - Attenuate - OUT circuits in one 2HP module. Works great for attenuating both audio and CV signals. Completely passive, so no current draw on your power supply.

Notes: 2HP narrow version of the A-180 multiples module. It is a passive signal splitter suitable for audio or CVs. Two sets of four jacks are interconnected, by placing a solder bridge you can connect all eight jacks.

Dimensions
2 HP
18 mm deep

Current Draw
Module does not draw current

Notes: Bring your Eurorack modules to life with our groundbreaking 2HP wide Switchable Logic Gate, an essential tool for anyone looking to enrich their modular synthesis with complex rhythmic patterns and sequences. This compact but powerful module offers intuitive operation and innovative features that make it a must-have for creative sound tinkerers.

The module offers a separate inverter stage, which is normalized to the output of the first stage. Not only does this allow you to reverse the original logic operations, but it also gives you the ability to create even more complex and creative waveforms.

An LED is provided for each stage, which indicates the current initial state. This direct visual feedback makes it easy to see and understand the impact of your settings in real-time, which is invaluable, especially during live performances.

Dimensions: 2 HP, 39 mm deep

Current Draw
30 mA +12V
15 mA -12V
0 mA 5V

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

Notes: Expand the capabilities of your Eurorack system with the 2HP Eurorack compatible Single Buffered Multiple. This compact but powerful module is the perfect solution to multiply and distribute your signals without losing quality. It is specially designed for synth lovers who want to optimize their signal chain and shape their soundscapes with precision.

Ultra-compact design

With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.

Seven outputs

Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.

Buffered Outputs

The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.

LED indicator for positive input signals

A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.

Optimal flexibility

Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

Notes: Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

Notes: Tap into the fascinating world of random modulation and creative signal processing with our innovative 2HP Eurorack compatible Dual Sample and Hold module. This compact but powerful tool is a must-have for anyone who wants to enrich their soundscapes with unique, unpredictable textures and sequences. Perfect for experimental musicians, modular synth enthusiasts, and creative sound designers.

Space-saving design

With its narrow 2HP width, the Dual Sample and Hold module fits seamlessly into any Eurorack system without compromising on functionality.

Dual operation

Two independent sample and hold channels give you double the creativity. Use them for stereo effects, parallel modulation sources, or complementary CV sequences to add a new dimension to your sounds.

Standardized inputs

A special feature of this module is the normalization of the "in" and "trigger" inputs of the second channel to the first. This means that the second channel will automatically pick up the signals from the first channel if no separate inputs are connected. This intelligent linkage allows you to create complex, interconnected modulations with just one input signal.

Flexibility of use

Whether you want to create random melodies, rhythmic variations, or dynamic soundscapes, this module gives you the flexibility you need. Experiment with different input signals and triggers to achieve surprising and inspiring results.

Intuitive operation

Despite its sophisticated functionality, the Dual Sample and Hold module is intuitive to use. It is therefore suitable for beginners in the world of modular synthesizers as well as for experienced users who want to expand their sound palette.

Dimensions
2 HP
39 mm deep

Current Draw
15 mA +12V
15 mA -12V
0 mA 5V

Notes: Bring the rhythm of your dreams to life with the 2HP wide Eurorack compatible Clock Divider. This compact but powerful module has been carefully designed to control your rhythmic arrangements with precision and flexibility. Whether you want to create complex rhythmic patterns or just sync your Eurorack modules, our Clock Divider is the perfect solution for any synth lover.

Space-saving design

With its narrow width of only 2HP, this clock divider fits seamlessly into any Eurorack setup without taking up a lot of space.

Versatile partial ratios

Equipped with four outputs for 1:2, 1:4, 1:8 and 1:16 ratios, this module offers you a wide range of rhythmic possibilities. From simple halvings to complex rhythmic structures, you can structure your sounds exactly the way you want them to.

Intuitive visualization

Each of the four outputs, as well as the input clock, are equipped with an LED that gives you immediate visual feedback. This feature makes it easier for you to grasp and adjust the rhythmic structure of your performance or track at a glance.

Reset Input

The handy reset input allows you to reset the divider cycle at any time. This is especially useful for controlling your rhythmic patterns in real-time and ensuring that your setup is always in sync, no matter how complex your arrangements are.

Notes: Expand your modular synth world with the 2HP Eurorack-compatible Dual Buffered Multiple. This versatile and space-saving module is a must-have for those who want to distribute their signals with precision and flexibility. Whether you want to synchronize multiple oscillators, control filters in parallel signal paths, or create complex modulation setups, our Dual Buffered Multiple gives you the reliability and versatility you need.

Compact design

With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.

Normalized Second Input

The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.

Dual operation

Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals either as 2x 1->3 or as 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.

Buffered Outputs

Each output is buffered, which means your signal is amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (such as pitch CV) to multiple targets.

Versatile applications

Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.

Content:

Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips

Notes: The CVADDER-HQ is a precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.

The module offers four CV inputs where three of them are summed, and the CV at the fourth input is subtracted - meaning "transposition downwards".

This module also allows transposing the incoming CV by one or two octaves or a variable offset by buttons.

A separate output provides the voltage of the internal transposition (+1, +2 octaves / free).

If the transposition buttons are not necessary and you prefer to have a dual precision adder, take a look at the 2CVADD-HQ module.

Notes: Trim is a 2 channel passive attenuator. It features two individual channels of attenuation.

Notes: Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.

Notes: Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.