All genres charts

Notes: Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

Notes: ***B-STOCK: Box damaged, slight surface marks, otherwise in perfect working order***


Customized to transport and protect the new AlphaTheta XDJ-AZ DJ-Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles and heavy-duty butterfly latches, it provides you with secure transport and workstation in one. Thanks to the integrated gliding laptop platform and the convenient cable access port, the setup is ready for action in no time at all.

FITS: AlphaTheta XDJ-AZ, Pioneer XDJ-XZ (not included)

Notes: Great value multi-effects pedal based on all of Zoom's extensive experience. Chain up to nine effects including amp emulation and cabinet simulation. A proper all-rounder offering a huge range of tones.

Supplier's Notes:
Jaw dropping effects combined with powerful amp modeling, the G6 is in a class of its own.

The culmination of 30 years of Zoom's engineering know-how, passion for audio and love of guitar. The G6 is brimming with some of the best sounds you'll ever hear.

Your sounds may be complex but building them shouldn't be. With easy-to-use, application driven technology, the G6's 4.3-inch color touchscreen lets you drag, drop and swipe your way to new sounds.

All the best amps in amp history are in here (and a few new ones, too), along with 70 pre-loaded, precisely recorded impulse responses (IR) and room to add more than 100 of your own.

The G6 also delivers the ultimate collection of Zoom's legendary guitar effects and tones, including brand new Distortion and Modulation effects.

The G6 has room for 240 patches, including 100 presets so you can build patches for each song in your repertoire and easily cycle through your setlist. Create patches of up to nine effects.

The four Play Modes on the G6 will change the touchscreen and footswitch layout to give you quick access to the controls you need.

In addition to the internal 45-second looper, you can insert an SD card and record a loop up to 2 hours long. Choose the groove you want from 68 internal rhythm patterns, styles and measures.

Portable, versatile, and packed with tonal possibilities, the G6 can be tucked into a guitar bag or backpack, and off you go.

The G6 has a mono input, stereo outputs with output volume control, a mono fx loop, aux in, control in and headphone out. Using the USB port, the G6 also functions as a 2in/2out audio interface for Mac and PC.

Wirelessly connect the G6 directly to the Handy Guitar Lab app via Bluetooth. Using the optional BTA-1 adaptor, you can browse and upload/download an endless assortment of amps, effects and artists patches as provided on Guitar Lab software. Guitar Lab is also available for both PC and Mac.

What's in the Box:

G6 Multi-Effects Processor
Zoom AD-16 AC adapter
Quick guide
Steinberg Cubase LE Software

Optional Accessories:

FP02M Expression Pedal
BTA-1 Bluetooth Adapter

Specs:

MAXIMUM NUMBER OF SIMULTANEOUS EFFECTS: 7
USER PATCHES: 240
SAMPLING FREQUENCY: 44.1 kHz
A/D CONVERSION:24-bit 128x oversampling
D/A CONVERSION: 24-bit 128x oversampling
SIGNAL PROCESSING: 32-bit
FREQUENCY CHARACTERISTICS: 20 Hz - 20kHz (+0.5 db/-0.5 dB) (10k load)
DISPLAY: 4.3" TFT color LCD (480x272)

Notes: Updated version of the hugely popular MSP3, now with Yamaha's Twisted Flare Port technology for improved low-end response. Small design with big sound thanks to 4-inch woofer and precise dome tweeter.

Supplier's Notes:
MSP3A powered monitor speaker provides faithful sound reproduction in a compact form

The MSP3, a compact reference monitor speaker loved for many years, has been renewed as the MSP3A. This new reference monitor is the first in this series to include our Twisted Flare Port technology and provides an even clearer and tighter low-end while also realizing faithful sound reproduction.

The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10 cm (4") woofer and a 2.2 cm (.87") tweeter, to achieve a clear and natural reference sound.

The cabinet features a refined, simple design and weighs a mere 3.6 kilograms (7.9 pounds), making it easy to reposition and carry to different locations. Just like its predecessor, this monitor has multiple input connectors and controls, and is compatible with a variety of optional brackets, making it useful for a wide range of uses. These include serious audio and music monitoring in settings from small-scale studios to broadcast and post-production suites, as well as monitoring audio from digital musical instruments and ICT devices, and surround sound playback.

Twisted Flare Port technology, which is included in the MSP3A for the first time in this series, is an aerodynamic sound control technology that we at Yamaha have created by leveraging our extensive subwoofer development experience. Using it, we apply aerodynamic sound analysis and flow visualization measurement technologies to pinpoint and control noise generation mechanisms. Noise-generating air flow turbulence at both ends of the port is suppressed by changing how the port widens from input to output and adding a twist to it. Suppressing turbulence reduces bothersome muddiness in the sound and lowers the amount of noise generated at the port ends. This strengthens the connection between the sound and main speaker and delivers clear, tight low frequencies along with pitch and rhythm.

Compared to the air turbulence generated by the "ordinary port" shown in pink on the left, turbulence is reduced and air flows smoothly through the Twisted Flare Port shown in blue on the right.

Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.

General specifications:

Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
Frequency response: (-10dB) 67Hz - 22kHz
Components- LF: 4" (10 cm) Cone, HF: 0.8" (2.2 cm) Dome
Crossover: 4kHz
Output power: 22W
Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
Input sensitivity- LINE 1 : -10 dBu, 10kO (RCA), LINE 2 : +4.0 dBu, 10kO (Combo)
I/O connectors- LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone)
Indicators: Power ON (Green LED)
Power requirements (May vary depending on region): 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
Power consumption: 30W
Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB)
Dimensions: W- 144mm (5-5/8"), H- 236mm (9-1/4"), D- 166mm (6-5/8")
Net weight: 3.6kg (7.9 lbs.)
Accessories: Power cord, Owner's manual
Packaging: Single
Flying and mounting hardware: 2 x M5 (Depth 15)
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: The Jumble Henge is a 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space. Each input has a carefully tuned resonant analog filter and a unique fixed pan value, providing each sound its own space within the mix. There is a Mix control to adjust the depth of the filtering and a clean external stereo input for chaining with another mixer or extra sound source. Jumble Henge is a space efficient solution for creating rich stereo mixes from a number of both mono and stereo sources.

INPUTS
Vertical and horizontal patch position determines a source's spectral and stereo placement in the mix respectively.

Aside from centred inputs, every input sits in its own unique pan position, helping to keep a separation between sounds but building a complete stereo image when combined.

The centre right inputs of the top two rows are normalised to the centre left inputs. - i.e if just a left input is patched it will be effectively panned center.

Towards the highs the panning becomes wider - as the human ear better pinpoints direction at higher frequencies, whereas the lows remain more centred for a tighter, more focused sound.

MIX CONTROL
Mix control for the overall depth of the filters applied to the inputs. Note: a slight volume increase occurs near the centre of the dial.

EXTERNAL INPUT
An additional clean stereo input pair for chaining with another mixer or additional source. Right input normalised to left input to accomodate mono sources.

OUTPUTS
Stereo mix output, the sum of all 16 inputs.

Jumble Henge was designed in collaboration with Worng Electronics and is based on the 'SoundStage'.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 8HP

Depth: 38mm

Notes: Multi-function eight-channel LFO, joystick, movement recorder and drone oscillator that packs in lots more functionality than you might expect. A real modulation powerhouse in a compact format.

Supplier's Notes:
Erica Synths Black Joystick2 is 8 channel multi functional CV and sound source - joystick, movement recorder, distinct LFO and drone/noise oscillator. It provides great interaction with the modular system and allows to develop unconventional modulation patterns instantly.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: The Buchla & Tiptop Audio 245T Sequential Voltage Source Model is a powerful and flexible voltage generator that authentically recreates the original Buchla 245, now in Eurorack format. Comprised of four rows of five steps, the 245T offers a wide range of sequencing abilities for your modular synth. With three available options for accessing the steps of the 245T, you can seamlessly integrate into almost any modular system to unlock the creative potential of the Sequential Voltage Source.

A wealth of connectivity, CV and parameter control options gives you complete control over your sequences. The 245T Sequential Voltage Source includes CV and manual control over the pulse length to ensure you are matching your material as well as a slew of output options to connect to other modules in your system. Both Pulse and Ref outputs allow you to take control over your sequencing, with Pulse outputting a trigger at each step and then controlled via the Pulse Length parameter and Ref offering a short envelope on the currently selected step.

Dimensions: 30 HP

Notes: Great value subwoofer designed to suit the bass requirements of modern music. Updated for 2022, the SUB8's bass response extends down to 35 Hz. Presented here in sleek matte black finish (also available in white).

Supplier's Notes:
Updated in 2022, this Sub8 gives you the speed and accuracy that only a sealed subwoofer can deliver. An 8" woofer driven by a 300W amp responds quickly to transients and keeps distortion to a minimum. Its compact size provides full-range sound without sacrificing floor space and a crossover filter and phase control allow for easy integration into any audio system. Sub8 provides worry-free longevity with its rigid MDF construction, solid rubber feet, metal grill, and durable vinyl finish. With matching aesthetics, sub8 is the perfect companion to any Kanto speaker or wherever else tight bass in a tight space is needed.

Experience the full impact of every song and soundtrack.

Sealed enclosure

Sealed subwoofers react to changes in audio more quickly than vented designs. Every bass note is reproduced accurately with little distortion allowing you to hear pure audio and not the subwoofers' influence on the sound.

Compact Design

At roughly 11" in each direction, sub8 fits under desks or in the smallest of apartments where traditional home theater subwoofers may dominate the space.

Drivers

8" Paper Cone Woofer

Audio

Class D Amplifier
300W Peak Power (150 Watts Total RMS)
Frequency Response: 35 Hz - 175 Hz

Inputs

RCA L/R Line Level

What's in the box

Power Cord
RCA Cable
Manual

Weights & measurements

Dimensions:
11" x 11" x 11.9" (28 x 28 x 30.3 cm)
Net Weight: 18.3 lb (8.3 kg)

Notes: Black version of Audio-Technica's entry-level DJ turntable, updated to feature an improved direct-drive motor. Built-in phono preamp and USB audio interface make it easy to connect to any mixer, powered speakers or computer.

Supplier's Notes:
AT-LP120XUSB Direct-Drive Fully Manual Turntable

This update of the AT-LP120-USB turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier. The fully manual turntable plays 33-1/3, 45, and 78 RPM records and is equipped with a USB output that allows direct connection to your computer. Just download the free Mac- and PC-compatible Audacity recording software (or software of your choice) and start converting your records to digital audio files.

But in addition to the USB output, the turntable also comes with a detachable dual RCA output cable and is equipped with a built-in selectable phono preamp so you can connect directly to your home stereo, whether it has a dedicated phono input or not. The turntable features an S-shaped tonearm with adjustable tracking force and an AT-HS6 universal 1/2"-mount headshell with an AT-VM95E Dual Magnet phono cartridge.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the versatile, high-performance AT-VM95E cartridge, which comes with a 0.3 x 0.7 mil elliptical stylus, but is also compatible with any VM95 Series replacement stylus, offering a wide choice of options for every budget and application. Additional features include a die-cast aluminium platter with felt mat; a start/stop button; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8% or +/-16% adjustment ranges; a stroboscopic platter with speed indicator; a removable plug-type stylus target light; external power supply; and a removable hinged dust cover.

Analogue or USB Connection

Next-Generation Analogue/USB Turntable

An update of the critically acclaimed AT-LP120-USB, this turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier.

Plays 33-1/3 RPM, 45 RPM and 78 RPM Records

USB and Analogue Output

Built-in Switchable Phono Pre-Amplifier

AT-VM95E Dual Magnet Phono Cartridge

Taking Your Vinyl to the Next Level

High-Fidelity Home Audio

Whether using with your home stereo system or your computer, the AT-LP120XUSB's professional controls give you the power to shape your high-fidelity listening experience.

Cartridge Assembly Line Circa 1962

Half a Century of Stunning Analogue Sound

Audio Technica was started in Tokyo in 1962, designing and manufacturing high-performance phono cartridges. That half-century's worth of analogue expertise goes into every turntable produced, ensuring you get the best listening experience from your vinyl.

Specifications

Turntable

Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum
Starting Torque: >1.0 kgf.cm
Braking System: Electronic brake
Wow and Flutter: <0.2% (WTD) @ 3 kHz (JIS)
Signal-to-Noise Ratio: >50 dB
Output Level: Pre-amp "PHONO": 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 240 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
USB Function: A/D, D/A - 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface: USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
Power Supply Requirements: 100 to 240 V, 50/60 Hz, 1.5A Max.
Dimensions: 452.0 mm (17.80") W x 352.0 mm (13.86") D x 141.6 mm (5.57") H
Weight: 8 kg (17.6 lbs.), without dust cover
Accessories Included: AT-VM95E phono cartridge; AT-HS6 headshell; 1.9 m (6.2') USB cable; dual RCA (male) to dual RCA (male) cable with ground wire; counterweight; felt mat; dust cover; 45 RPM adapter; plug-type stylus target light

Notes: Updated version of Audio-Technica's excellent entry-level DJ turntable, featuring an improved direct-drive motor. Built-in phono preamp and USB audio interface make it easy to connect to any amplifier, powered speakers or computer.

Supplier's Notes:
AT-LP120XUSB Direct-Drive Fully Manual Turntable

This update of the AT-LP120-USB turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier. The fully manual turntable plays 33-1/3, 45, and 78 RPM records and is equipped with a USB output that allows direct connection to your computer. Just download the free Mac- and PC-compatible Audacity recording software (or software of your choice) and start converting your records to digital audio files.

But in addition to the USB output, the turntable also comes with a detachable dual RCA output cable and is equipped with a built-in selectable phono preamp so you can connect directly to your home stereo, whether it has a dedicated phono input or not. The turntable features an S-shaped tonearm with adjustable tracking force and an AT-HS6 universal 1/2"-mount headshell with an AT-VM95E Dual Magnet phono cartridge.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the versatile, high-performance AT-VM95E cartridge, which comes with a 0.3 x 0.7 mil elliptical stylus, but is also compatible with any VM95 Series replacement stylus, offering a wide choice of options for every budget and application. Additional features include a die-cast aluminium platter with felt mat; a start/stop button; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8% or +/-16% adjustment ranges; a stroboscopic platter with speed indicator; a removable plug-type stylus target light; external power supply; and a removable hinged dust cover.

Analogue or USB Connection

Next-Generation Analogue/USB Turntable

An update of the critically acclaimed AT-LP120-USB, this turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier.

Plays 33-1/3 RPM, 45 RPM and 78 RPM Records

USB and Analogue Output

Built-in Switchable Phono Pre-Amplifier

AT-VM95E Dual Magnet Phono Cartridge

Taking Your Vinyl to the Next Level

High-Fidelity Home Audio

Whether using with your home stereo system or your computer, the AT-LP120XUSB's professional controls give you the power to shape your high-fidelity listening experience.

Cartridge Assembly Line Circa 1962

Half a Century of Stunning Analogue Sound

Audio Technica was started in Tokyo in 1962, designing and manufacturing high-performance phono cartridges. That half-century's worth of analogue expertise goes into every turntable produced, ensuring you get the best listening experience from your vinyl.

Specifications

Turntable

Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum
Starting Torque: >1.0 kgf.cm
Braking System: Electronic brake
Wow and Flutter: <0.2% (WTD) @ 3 kHz (JIS)
Signal-to-Noise Ratio: >50 dB
Output Level: Pre-amp "PHONO": 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 240 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
USB Function: A/D, D/A - 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface: USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
Power Supply Requirements: 100 to 240 V, 50/60 Hz, 1.5A Max.
Dimensions: 452.0 mm (17.80") W x 352.0 mm (13.86") D x 141.6 mm (5.57") H
Weight: 8 kg (17.6 lbs.), without dust cover
Accessories Included: AT-VM95E phono cartridge; AT-HS6 headshell; 1.9 m (6.2') USB cable; dual RCA (male) to dual RCA (male) cable with ground wire; counterweight; felt mat; dust cover; 45 RPM adapter; plug-type stylus target light

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X is 64HP with 2.16" (55mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick, or a barrel cable to daisy-chain to a Pod or Row Power that's already powered.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod64X typically will house up to six modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP of Eurorack modular space
Extra room for deep modules
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:

64HP Pod, black anodized aluminum
Built-in power supply with six Eurorack power headers
Extra deep (2.16"/55mm) fits virtually every Eurorack module
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:

Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.67A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.5 kg = 17 oz

Notes: MG-30 is the flagship modelling effect processor in the NuX range. Dual high speed processing offers accurate modelling of 30 different amplifier options, including bias tweaking for an extra dimension of response adjustment, all using the proprietary NuX TSAC-HD algorithm. Impulse response programming presents a choice of 8 guitar cabinets, 8 bass cabinets, 8 microphones in 3 different axis positions and even 3 acoustic guitar emulation profiles. Once the main guitar tone is programmed, there are 8 effects blocks which can be assigned to different positions in the signal chain, including WAH, CMP, GATE, EFX, EQ, MOD, DLY & RVB. An expression pedal covers wah and swell effects amongst other possibilities. Each has modes and/or parameters which can be adjusted and saved within the patch as needed. Real-time editing uses rotary encoders and switches, making for a natural and organic process and all prameters and graphics are displayed on a vibrant 4" colour display. Add to this a fully functioning USB audio interface, phrase looper, PC/Mac editor/librarian/updater, aux input, effects loop, drum machine and NMP-2 footswitch control and the MG-30 covers practically all bases. This unit provides all the processing power and audio quality that could be asked from any professional guitar processor at a fraction of the price of its component features.

Specifications:

Power supply: 9Vdc, 400mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
Outputs: 2 x 6.3mm jack (L/mono + R) to amp or mixer
Sends: returns: 6.3mm jack send (1k ohm) & return (220k ohm)
Headphone output: 3.5mm stereo jack
USB port: USB type-C for audio interface, PC/Mac editing & updating
Remote control connection: EXP1 TRS 6.3mm jack
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (i1dB)
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 110dB
Dimensions: 313 x 166 x 54mm
Weight: 1.5kg

The box for this item contains :

MG-30 multi-effects modeler pedal
1 x 9Vdc power adaptor (UK)
1 x NMP-2 dual footswitch (173.352UK)
1 x patch cable
1 x USB cable

Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

Notes: ***B-STOCK: Box opened, product in perfect working order***


The music-making essentials

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Your DAW, upgraded

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Your keys to creativity
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Enjoy plug-and-play connectivity and ready-mapped controls with your DAW of choice. KeyLab Essential doesn't just feature familiar MCU & HUI compatibility; it also has custom scripts for major DAWs for next-level integration.

Customize your workflow

KeyLab Essential easily adapts to your creative needs; recall your favourite 'liked' presets from Analog Lab, navigate your custom-made playlists, activate custom User programs for your own control assignments, and more.

At one with Analog Lab

Turn Analog Lab into a hardware synth and get hands-on with your sound thanks to KeyLab Essential's seamlessly mapped controls. Adjust sound parameters, tweak FX, and browse presets without ever needing to touch your computer.

Main Features

Premium Keybed quality:

61-note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls:

1 clickable encoder, 9 rotary encoders, 9 x 30mm faders, 8 transport switches, 4 command switches, 1 modulation wheel & bend wheel, 8 touch & pressure-sensitive pads

Display control:
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls

Smart features:
Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration:
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services:
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center, MIDI 5-pin DIN output for, connection to external instruments, gear, Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows:
Win 10+ (64bit), 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost), 3GB free hard disk space, OpenGL 2.0 compatible GPU, ARM processors not supported on Windows

Apple
Mac OS 11+, 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU, 3GB free hard disk space, OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box
Box content
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 61 keys
Size : 35 x 9.45 x 2.76 inches (890 x 240 x 70mm)
Weight : 6.8 lbs. (3.08 Kg)

Notes: Pretzel Logic is a 4 bit to 16 step addressable analogue sequencer which outputs gates. Each of it's 16 steps can be addressed in any order for ultimate creative flexibility. It pairs nicely with Polygraf, High Towers and Akropoli; together they make a powerful combination.

It features 4 address inputs, 1, 2, 4 and 8, each of which has an associated input socket as well as a 3 position state switch which allows each address input to be held high, respond to input signals, or held low. Each input has two status LEDs. The red LED displays the signal present at the input socket, while the green LED displays the status of the address input. The combination of signals present at the input sockets, together with the positions of the state switches allows Pretzel Logic to have 16 different output states, numbered from 0 through to 15. The output state of Pretzel Logic can be ascertained by observing which of the 4 address inputs are high. So, for example:

- If no green status LEDs are on, Pretzel Logic is in output state 0

- If green status LED 4 is on, Pretzel Logic is in output state 4

- If green status LEDs 1, 2 and 4 are on, Pretzel Logic is in output state 7

- If green status LEDs 2 and 8 are on, Pretzel Logic is in output state 10

The input sockets may be addressed by various external modules, for example:

- FC Pocket Calculator, FC High Towers, or similar clock dividers with multiple outputs from other manufacturers.

- FC Polygraf or similar grid editors from other manufacturers.

- FC Little Melody, Akropoli or similar.

As Polygraf is capable of storing many user patterns which themselves are selectable by CV, multiple chained patterns are possible. Furthermore, we accept that users will discover their own unique combinations of FC and third party modules to address Pretzel Logic, always bearing in mind that at any time the status of any of the 4 input sockets may be overridden by the 4 state switches. Pretzel Logic may be latched manually via the Latch toggle switch, or externally via the Latch input. When Pretzel Logic is latched, the last output state to go high is held until Pretzel Logic is unlatched.

Notes: ***B-STOCK: Box opened, product in perfect working order***


This is the powered version that includes the case as described here, a Strom+ module, a Strom power supply (AC/DC adapter) and a Strom busboard with connector cable. You only need to plug modules into the case and you’re ready to go!

One case fits 84HP of modules with a depth of 70mm.

The cases can be used with an incredible amount of flexibility to swap in an out full rows and create larger setups using the Case Connectors and Case Standoffs.

The side cheeks are made of high-quality Finnish plywood and are coated with a durable transparent melamine film. The black surface is hardwearing and crack resistant as well as easy to clean.

All cases are shipped with a set of 4 rubber feet and 50 x M3 screws.

Notes: The AudioFuse X8 IN is an essential tool for recording producers and sound engineers who are looking for additional high-quality analogue inputs. By extending digital connectivity, AudioFuse X8 IN provides more channels for instruments and outboard gear. It enhances studio flexibility and scalability while preserving audio quality, accommodating the demands of modern music production and sound design. More specifically, an 8 Analog-to-ADAT input expander enables you to extend your synth and instrument array and have all your gear connected at once and ready to record in your DAW.

Efficient expansion

AudioFuse X8 IN provides 8 additional analogue line inputs, enhancing the connectivity of your existing audio setup without the unnecessary cost and clutter of a fully-featured audio interface.

Professional audio quality

AudioFuse X8 IN supports 8 channels of premium analogue-to-ADAT conversion up to 96 kHz and utilizes the best components available, ensuring your recordings maintain the highest fidelity.

Versatile installation

Designed as half-sized rack units, X8 IN comes with removable rack ears for flexible installation. This allows them to be used as desktop units or mounted in a standard rack setup, accommodating up to two units side by side for expanded setups.

Ease of use

Front-panel controls offer direct access to channel management, making setup and adjustments straightforward. Colourful VU meters provide clear visual feedback for monitoring levels.

Notes: Everything you need, nothing you don't.

The PreSonus AudioBox 96k Complete Bundle is your one stop shop for self-made audio creators seeking studio-quality sound. Featuring the high fidelity AudioBox 96 USB 2x2 / 24 bit / 96 kHz Audio Interface, pro recording software access with 6 months of Studio One+, a pair of powerful Eris 3.5 Studio Monitors packed with low-end punch, a pair of HD7 ergonomic high-definition headphones, and an M7 MKII professional cardioid condenser microphone, the PreSonus AudioBox 96 USB Complete Bundle gives you everything you need to create like a pro.

PreSonus AudioBox 96k USB Audio Interface

2x2, 24-bit / 96 kHz USB-C Audio Interface
Two combination mic/instrument inputs with high-quality mic preamplifiers
Low-noise, high-headroom design with +35 dBu of adjustable gain and switchable +48V phantom power for professional XLR condenser mics
1/4-inch stereo headphone output
Two balanced TRS 1/4-inch main outputs for studio monitors or other speakers

Pro DAW Recording Software Access Included

6 months of Studio One+ with access to Studio One Pro DAW recording software, add-ons, and more.

PreSonus Eris 3.5 Studio Monitors

5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 1/4-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo 1/8-inch TRS to 1/8-inch TRS cable

PreSonus M7 MKII Microphone

Versatile cardioid condenser microphone with mic stand adapter and windscreen.
Exceptional clarity throughout its frequency-response range, with a warm top end
Cardioid polar pattern
Mic stand adapter, 10' XLR cable, and mic pouch included
1-inch (25 mm) back electret condenser capsule
Rugged construction

PreSonus HD7 Professional Monitoring Headphones

Ergonomic high-definition headphones.
High resolution drivers
Precision-tuned acoustic chamber
Extended bass response
Comfortable and long-lasting ear pads
Lightweight

Notes: The next generation of Ableton Live controller from Akai, the APC64 is designed for seamless integration with the software, or as a standalone step sequencer and controller. The 64 velocity sensitive pads handle playing, recording, clip launching, sequencing and much more, while eight assignable touch strips offer extensive hands-on control.

Supplier's notes:

APC64; Next generation Ableton live controller.

Touch the future

Leap into a new world of musical possibility in the studio, on stage, and anywhere creativity leads you with the powerful APC64.

Ableton live controller; with sequencer and touchstrips

The new Akai Professional APC64 is a powerful next-generation Ableton Live controller for studio and live performance.

It features 64 RGB velocity-sensitive pads with poly aftertouch, and 8 fully assignable Touch Strips for instant hands-on control of devices, pitch, modulation, and much more. APC64 also works as a standalone 32-step 8-track Step Sequencer and controller with 3 MIDI ports and 8 CV/Gate outputs to take full control of synths, drum machines, or modular rack devices.

In-depth control of Ableton Live

Enter the matrix

APC64 features a vibrant 8x8 pad matrix of 64 velocity-sensitive RGB pads with poly aftertouch for playing chords, synth leads, Ableton Live's Drum Racks and of course launching Clips in Session View.

Touch the future

Add a whole new level of expression and control to your music production and live performances with 8 fully assignable Touch Strips with RGB LED indicators. Get control of Ableton Live's devices - including Auto Filter, Delay, Reverb, Impulse, Simpler and more - right at your fingertips. Adjust macros, mixer volume, pan, and effects sends as well as writing automation.

Visual feedback and control

APC64 includes a smart colour LED screen with a fast push encoder for real-time visual feedback of your parameters. Move around Ableton Live's devices and mixing environments while keeping track of each parameter on the screen. APC64 also features dedicated transport control with Play, Stop, and Record for capturing your ideas along with 8 Track Mute and Solo buttons for mixing and live performance.

Standalone step sequencing

APC64 features an internal 32-step 8-track Step Sequencer enabling completely DAW-less control of your favourite synths. With 8 CV/Gate outputs and 3 1/8" MIDI ports, you can connect, sequence, and capture your favourite modular racks, keyboards, classic drum machines, and more. Add continuous control and expression using the 8 Touch Strips for a whole new level of performance. Apply additional creative dimensions to MIDI notes using the Probability, Velocity, and Mutate functions for further experimentation.

Powerful production and performance

APC64 facilitates a seamless workflow within Ableton Live; from triggering samples and loops in Ableton Live's Drum Rack, all the way to writing expressive melodies using the Notes, Scale, and Chord modes. Use the onboard Step Sequencer to generate inventive melodic patterns that can be instantly transferred to Ableton Live using the Send To Clip function. Apply swing and quantize to your beats or use APC64 to arm and record vocal tracks directly in Ableton Live sessions.

Ableton drum rack/simpler control

APC64 features a dedicated Drum Mode allowing you to play and record beats, loops, and slices using an Ableton Live Drum Rack or Simpler device. Capture additional inspiration using the 8 Touch Strips to control Ableton Live's FX racks during beat making and performance.

Included software bundle

Ableton Live Lite 11

APC64 Includes Ableton 11 Lite for all your software music production needs in one package to produce, perform, arrange, record, edit, mix and master your music. Live Lite includes sounds, instruments, and sequencing, recording, and arranging capabilities.

Air music instruments/plugins

APC64 Includes a collection of professional plug-in instruments and effects so you can start producing out of the box. Included are the following plugins: TubeSynth, Electric, Ether, Halfspeed, Vocal Tuner, Flavor, and the Sonivox Essential Keyboard Collection.

Custom editor software

Create your own custom layouts with the included desktop software editor for Mac/PC to personalize and store pre-sets for quick recall in standalone.

Key specs

Display
Graphical full colour LCD
Connections: USB-C, 8x 1/8" (3.5 mm) CV/Gate, 2x 1/8" (3.5 mm) MIDI Output, 1x 1/8" (3.5 mm) MIDI Input
Dimensions (width x depth x height): 10.7" x 14.6" x 1.4" 272 x 371 x 34.5 mm
Weight: 3.5 lb/1.6 kg

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: What does this do?

This is a sound generator module with 3 oscillators + noise generator. This module is a complete mini synthesizer that can easily produce snare drum sounds. A 'trigger' signal is patched in order to hit the snare drum. The bottom row contains an internal mixer where you mix in 2 shell generator oscillators, one thud oscillator, and a noise generator.

The Trigger input is level sensitive. Lower voltages will result in quiet snare sounds. You can use this to simulate accent.

The Filter on the 'Impact' signal path was carefully designed just for snare drum tone control. It sounds very nice. It will not self oscillate, but the Q control can go very high in frequency. It has a 12db High pass Filter and a 12db Band Pass Filter. There is CV control for the cutoff and CV control for the internal VCA.

An auxilary audio input has been added to the filter. You can mix external sounds.

The tone of this module is very hollow. It simulates wood like snare sounds.

What this module can not do:
-FM modulation of the internal vco's
-track 1V per octave
-increase the decay legnth of the vco's. 808 like.

This module will always remain in snare land. You can not make it sound like a lead synth. This is a good thing. No menu diving, and the snare is always ready.

History of the design:

The Asteroid Snare drum started out on bread board as a TR 606 snare drum. That design only contains one oscillator, a transistor based noise generator, and a 'clipper' brute vca. It is a nice efficient old design, but it is too simple and boring. I decided to add (2) of the original oscillators, and replaced the noise generator with a digital based noise generator to make sure all production units were alike. The snare drum still was missing fullness, so I designed an addition oscillator called 'thud'. The poor vca from the original design was removing all the additional harmonics, so that was replaced by a OTA based vca, and I added tonal controls to the IMPACT signal, and the THUD signal path.

A 12db analogue filter was recently added in the singal path of the Impact circuit. Audio input was also added, with a static internal HPF on this input. The Aux input will sound metal like by default.

All of this amounts to about 200+ smt parts. Far exceeding the original design.

Dimensions
16 HP
32 mm deep

Current Draw
48 mA +12V
45 mA -12V

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Review: The Black Sabbath Hand Of Doom box set provides the ultimate collection for fans who opt to live in a world where the group never had any other vocalist apart from Ozzy Osbourne. Providing picture disc represses of all eight LPs released during the original frontman's tenure from 1970 to 1978 (2013's reunion album 13 is not included), the collection boasts the self-titled 1970 debut, the same-year follow up Paranoid, as well as the iconic slew of Master Of Reality (1971), Vol 4 (1972), Sabbath Bloody Sabbath (1973), Sabotage (1975), Technical Ecstasy (1976) and Never Say Die! (1978). Limited to 3000 copies (which isn't a large amount when considering how vital Sabbath's early material still is to this day) and complete with a large coloured poster, fan service rarely gets as ideal or essential as Hand Of Doom.

Notes: 48-ohm version of the DT700 Pro X, part of Beyer's iconic DT series of studio headphones. Closed back design for mixing and monitoring, with a revealing, analytical sound.

Supplier's Notes:
Your studio headphones

DT 700 Pro X

Trusted sound meets performance and flexibility

In launching the closed-back DT 700 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO X series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the developed three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices

Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to Beyerdynamic's high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO. As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 350 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: Welcome to the Rosci soundscape. Rosci is a digital VCO that generates random waveforms to create unique, rich, and full sounds. You are able to control how complex the sound is-add harmonics and have a completely unique shape generate using the generate button/trigger. BUT, it can also be tuned to output basic waveforms (sine, square, sawtooth) if you so desire.

Tunable parameters breakdown:

COMPLEXITY: Essentially a generation of unique timbre.
ROUNDNESS: Set the basic shape of your waveform. Go from from sharp to soft sound, similar to filtering.
HARMONICS: Add up to 6 harmonies to your sound. The choir's here.
FORMANTS: Accentuate certain overtones in your sound (like a voice singing "ooo", "ahh", "eee").
DETUNE: Add a classic 'detune' with a changing phase wave for extra wide sound.

How does it work?

It is a pipeline of algorithms, which generates and modifies a waveform starting from top to bottom. Rosci works on a principle of key points: the generate button generates key point location and amplitudes to be passed down the pipeline.

Tunable parameters:

Beginning with complexity, you set the number of key points (even numbers only to create a waveform). Lowest complexity sets two points, and highest complexity sets up to 20 points. The number of key points will vary with each waveform generated. From there, the roundness sets the type of interpolation of the key points, from square to sine. Adjusting the harmonics creates copies of the waveform and adds them to the original waveform at double, triple, ... up to 6x the base frequency. Formants maintains the frequency of the wave, but squishes it so there is 'empty space' in between (this is also called pulsar synthesis). Finally, detune copies the waveform and 'detunes it' by increasing the frequency ever so slightly. And there you have it: a unique Rosci soundscape :)

Technical specs:

Module Size: 3U X 6HP X 25 mm Deep.
Current Draw: 160mA@ 12V, 20mA@ -12V.

What's in the box:

1x Rosci module
1x User Manual
1x Power cable
2x Mounting screws

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DJM-V10 Black also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DJM-V10 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 7,90 kg / 17.38 lbs
Outer Dimensions (W x H x D): 57.1 x 49.0 x 22.0 cm | 22.5 x 19.3 x 8.6 inch
Inner Dimensions (W x H x D): 53.3 x 44.0 x 14.0 cm | 20.9 x 17.3 x 5.5 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover

Fits: 1 x Pioneer Controller DJM-V10

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 15,80 kg / 34.76 lbs
Outer Dimensions (W x H x D): 84.4 x 51.5 x 24.3 cm | 33.2 x 20.3 x 9.5 inch
Inner Dimensions (W x H x D): 73.8 x 36.2 x 5.5 cm | 29.1 x 14.3 x 2.2 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:

Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits

Pioneer DDJ-REV5 controller

Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Notes: Tangrams

Push (or Pulse) the Envelope

Snappy, classically analogue envelopes with visually intuitive controls. Add a powerful, cv controllable cyclical gate generator, integrated VCA, and trigger buttons -then double it-now you've got Tangrams.

Tangrams, like the Dual ADSR before it, is a dual analogue core-envelope inspired by the Roland SH-101 / System 100m design with several enhancements. Taking further inspiration from trapezoidal function generators like the one on the EMS Synthi, Intellijel have added a voltage-controlled pulser circuit to link the triggering of two envelopes - allowing for delayed one-shots, cycling organic envelopes, and more. In addition, Intellijel added two VCAs for level control of each envelope, or alternatively, direct injection of the signal you'd like to envelope - freeing up your other VCAs.

The Pulser

The Pulser can be thought of as a way to set both a gate ON time (T1) and an OFF time (T2). In this way, you could configure a cycling ADSR that has a gate time that is different from the interval between gates. Alternatively, you can create a sequence where ADSR2 is triggered by a delayed amount of time after ADSR1 is triggered (either cyclically or in a single shot sequence). The panel switches for routing or disabling the pulse sources allow for even more complex combinations of control beyond these examples. This special combination of functions can yield a plethora of interesting and organic envelope and gate patterns to be created; cyclical and single shot.

ADSR + VCA Features

Dual Analogue ADSR envelopes with digital gate Pulser for trapezoid shapes
Pulser stages P1 and P2 can be selectively routed to trigger each ADSR via panel switches
Three timing ranges: (FAST: ~5 seconds, MED: ~35sec, SLOW: ~1min A/D times)
Retrig input (allows re-triggering of the envelope if source gate held high)
VCA input can be used to dynamically control the respective ADSR output level (bipolar) or to process signals to be modulated in amplitude by the ADSR.
Manual GATE buttons for each envelope

Pulser Features

A pulse is made of individually controllable T1 and T2 stage lengths
CV control over T1 and T2 time
Pulser can be one-shot (SINGLE) or repeating (CYCLE)
PULSE output has a switch to select P1 or P2 as the source.
Pulser stages P1 and P2 can be selectively routed to trigger each ADSR via panel switches
START trigger input for starting/restarting the Pulser sequence
Manual GATE button to trigger the Pulser sequence

Size: 14HP
Depth: 35mm
Power: 66mA @ +12V 49mA @ -12V

Notes: Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it's everything you've ever wanted and needed out of a reverb.

The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb's longest setting is the Hall (H) reverb's shortest setting, the Hall reverb's longest setting is the Plate's (P) shortest setting, and the Plate's longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever.

Ledges can go from an '80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you'll hear clearly by adjusting your gain.

In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 80 mA
Input Impedance: 1M O
Output Impedance: 100 O
TRS expression pedal wiring:
Tip: Wiper
Ring: +3.3V
Sleeve: Ground

Flexi-Switchr Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Ledges is buffered bypass with tails. Power is required to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. It is always recommend you use pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Review: Analogue Productions' UHQR release of the Bill Evans Trio's Sunday at the Village Vanguard is a pinnacle in high-quality vinyl. Limited to 5,000 copies, this 200-gram 45 RPM 2LP set, mastered by Kevin Gray at Cohearent Audio from the original analogue tapes, offers an unparalleled listening experience. The set includes an eight-page booklet with liner notes by jazz critic Bob Blumenthal, enhancing its collectible value. Regarded as one of the greatest live jazz recordings, the album captures the remarkable June 25, 1961, performance of Bill Evans, Scott LaFaro, and Paul Motian at the Village Vanguard. The trio's exceptional musicianship and improvisational prowess are evident throughout, with seamless interplay and innovative approaches to jazz standards and original compositions. The UHQR Clarity Vinyl pressing at Quality Record Pressings ensures the purest sound quality, with improved dynamics, detail, and tonal accuracy. Standout tracks like 'Gloria's Step' and 'Alice in Wonderland' showcase Evans' delicate touch, LaFaro's inventive bass lines, and the trio's extraordinary chemistry. This release not only celebrates exceptional music but also offers an intimate, high-fidelity listening experience.

Notes: For those about to rock... Crazy Tube Circuits have created the Heatseeker!

The sound of a classic wireless system meets three iconic amps that helped shape the history of rock. From its inception/invention, in the mid-70s, this wireless system has been the secret recipe to major rock guitar rigs. The magic ingredient lies to its analogue preamp/ tone enhancer circuit that expands the dynamic response and harmonics of any signal that goes through it. By producing a modern recreation of this hidden gem, there is enough percussive attack to spice up your tone.

Utilizing an all-analogue JFET circuit, running on 27 volts via an internal voltage boost, Crazy Tube have captured the tone and feel of three British tube amplifiers synonymous with the sound of rock and roll with excellent clean-to-mean dynamic response. The "WoS" (Wall of Sound) circuit opens up the soundstage by increasing output and adding thundering lows and dense high mids. The effect is similar to "adding" a wall of amp heads and full stacks to your rig!

A passive effects loop gives you the option to connect your beloved pedals between the two sections, building your ideal rig.

Follows the successful concept of Crazy Tube's "Unobtanium", "Hi Power", and "Crossfire": All-analogue dual pedal designed to recreate a legendary pedal and amp combination.

Inspired by the tones of the gear setup used by Angus Young.

Right side: re-creation of the preamp/tone enhancer circuit of the Schaffer Vega Diversity System.

Left side: 3 distinct Marshall amps-in-a-box: JTM45, 1959 Super Lead, JMP 2203.

Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.

Notes: Rode's wireless mic system gets updated and improved. Designed with 32-bit float recording and automatic gain setting, the Wireless Go takes the hard work out of setting levels, giving great results every time.

RODE offers a 5-year warranty on this product.

This warranty will function just like any other RODE product warranty and the claim process remains unchanged - as long as the customer purchased an eligible product from an authorised dealer and can present proof of purchase, they can make a warranty claim within 5 years of the date of purchase.

The Wireless GO is a powerful compact wireless microphone system ideal for a wide range of content creation applications. It offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory.

RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture. It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on
the receiver for headphone monitoring or audio input

Notes: Great value dual function generator here. Create envelopes, slew signals, shape modulation and generate LFOs. All with built-in VCAs for each channel. A proper multi-function utility module.

Supplier's Notes:
Delta-V is a fully analogue dual-channel function generator, featuring a dedicated VCA and LFO cycle switch for each channel. It packs a great deal of functionality in only 10HP, and will surely find use in almost every patch.

Generate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.

If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.

Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.

Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.

The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.

The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.

Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.

The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.

The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.

There are many ways to utilise Delta-V.

Challenge yourself to explore new, unconventional territories!

Width: 10HP
Depth: 27MM
Power +12V, 70 MA
Power -12V, 70 MA
Power 5V, 0 MA

Notes: Rhythmi is a Eurorack drum sequencer that allows you to dial in your groove, and explore it by evolving the pattern and modulating the energy. It allows for rhythmic inspiration and creativity without the burden of step programming. The evolve parameter enables smooth transitions between related rhythms through the use of branches. New branches can be generated at the push of a button, loading up a whole new branch of related rhythms to explore. The Evolve parameter is the heart of Rhythmi, its inspiration, and defining feature. Allowing rhythms to shift, transform, and melt into one another.

The Clock Section provides internal or external clocking with division or multiplication. The Customize Section shapes individual drum elements through density and syncopation. The Global Section introduces macro-level control over the rhythm via the Energy, Evolve, Length and Swing parameters, dynamically shaping fills and variations. Rhythmi has a jumper cable connector on the back to pair up seamlessly with Beatsi, the drum voice it was designed alongside with.

Technical specs:

- Module Size: 3U X 14HP X 25 mm Deep.
- Current Draw: 120mA (170mA peak)@ 12V, 10mA@ -12V.

What's in the box:

1x Rhythmi module
1x User Manual
1x Power cable
4x Mounting screws

Notes: Beatsi is Omni-Tone's love letter to modular drums! Inspired by classic modular drum synthesis which uses the fundamental building blocks, Beatsi's timbres were created using the same methods, only digitally. Beatsi is not a sample player or a physical modeller, and it's meant to be that way.

Beatsi's interface allows for control over individual piece Timbre, Pitch, Decay, and Level. The timbres are organized into 3 kits: an orange (acoustic) kit, a blue (low-fi) kit, and a green (alien) kit. Within these kits the timbres blend smoothly into one another allowing for seamless modulation. Beatsi has two CV modulation inputs which are assignable to any and all parameters with individual attenuversion. Beatsi may be small, but it packs a serious punch.

Technical specs:

- Module Size: 3U X 8HP X 25 mm Deep.
- Current Draw: 160mA (180mA peak)@ 12V, 10mA@ -12V.

What's in the box:

1x Beatsi module
1x User Manual
1x Power cable
1x Jumper cable
4x Mounting screws

Review: U2's How To Dismantle An Atomic Bomb gets a lavish 20th-anniversary treatment with this limited edition 8xLP super deluxe boxset. The collection revisits the Grammy-winning album and is newly remastered. The original album, featuring massive hits like Vertigo and City of Blinding Lights, is now paired with a fascinating companion piece titled How To Re-Assemble An Atomic Bomb. This piece was a second album that was recorded at the same time as the main album with exclusive remixes by collaborators such as Hot Chip and Trent Reznor adding fresh perspectives on familiar tracks, while live enthusiasts can rejoice with the inclusion of the full Vertigo 2005: Live From Chicago performanceinow available on vinyl for the first time. The package's extras elevate this release into collector's territory. A stunning photography book by Anton Corbijn, complete with handwritten notes, captures the visual essence of the band, while special edition prints provide a tactile, artistic flourish.

Notes: UDG have further fined-tuned already a great design concept of our flight case into one especially for the most discerning creative performers. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for AlphaTheta DDJ-GRV6 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case AlphaTheta DDJ-GRV6 is designed to keep your AlphaTheta DDJ-GRV6 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Colour: Black
Weight: 6.65 kg / 14.66 lb
Outer Dimensions (W x H x D): 82.0 x 54.0 x 20.0 cm | 32.3 x 21.2 x 7.8 inch
Material: Aluminium

Protection

Pick & pluck foam with two separate layers
Corrosion resistant aluminium profiles with strong rounded corners
Fully lined with high density foam protective padding
Fully lined interior egg-crate foam on lid
Two side strong butterfly lock
Solid metal hinges
Rubber feet at the bottom for support in standing position
Several additional rivets for improved solidity

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable front access panel

Fits: AlphaTheta DDJ-GRV6

Notes: Capture your creativity with the Quantum ES 4 - the recording interface for self-made musicians and audio creators.

The Culmination Of 30 Years Of Innovation

The ES 4 features four newly redesigned high-definition MAXHD mic preamps with +75 dB of gain - making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers.

An Auto Gain button sets the perfect gain level for your microphones and instruments, while an illuminated push encoder provides flexible control over gain level and output volume. And bright and responsive LED metering provides easy visual feedback for your inputs and outputs, making it great for self-produced recording.

High Performance Signal Flow

This custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you sound your best throughout the entire signal chain.

All-New MAX-HD Mic Preamps

The Quantum ES 4 features four newly designed mic preamps with +75 dB of gain. The high-definition MAX-HD preamps are transparent, low-noise, and digitally controlled analogue, making them ideally suited to today's most popular microphones.

Co-Developed With Fender

Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers - industry experts who designed them specifically for guitar and bass.

Professional Recording Software Included

Leap into 6 months of Studio One+ with access to Studio One Professional Edition, add-ons, and more.

Auto Gain

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Universal Control App

Quantum works on any mobile or desktop device, so you're ready to record whenever inspiration strikes - whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum ES 4's top panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

Key Features

4 x 4, 24-bit / 192 kHz USB-C Audio Interface
High-performance converters let you hear and capture audio with stunning clarity and fidelity.
Custom low-latency driver provides exceptionally low audio latencies when recording.
All-new, next-generation PreSonus MAX-HD preamp design provides transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance for a wide range of today's most popular microphones for modern recording and broadcast.
Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
Control your Quantum ES right from Studio One and the Universal Control app, in addition to hardware, so you can adjust preamp gain, toggle phantom power, adjust channel settings, and more without looking away from your recording session.
Perfect for dialling in optimal gain staging.
Bright and responsive LED metering lets you keep an eye on your input and output meters, perfect when recording alone.
2 balanced 1/4-inch TRS main outputs plus 2 balanced 1/4-inch TRS line outputs and 2 high-power headphone outputs for flexible monitoring. And built-in speaker switching lets you check your mix on multiple sets of studio monitors.
Loopback audio makes creating monitor and streaming mixes quick and easy.

Technical Specifications

Inputs and Outputs

Microphone Inputs: 4
Guitar Inputs: 2
Line Inputs: 4
Line Outputs (DC coupled): 4
Headphone Outputs: 2
USB-C ports: 1
Aux power ports: 1

AD / DA Conversion
Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth: 24

Analogue I/O

Inputs

Microphone (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max Input: +14 dBu (balanced, minimum gain)
Gain Range: 0 dB to +75 dB
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB, (unity gain, reference 1 kHz)
Dynamic Range: 113 dB (A-weighted, minimum gain)
THD+ N: 0.001% (1 kHz, minimum gain)
EIN: -129 dBu (max gain, 150 Ohms, 22 kHz BW, A-weighted)
Input Impedance: 1600 Ohms

Line In (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max input level: +15 dBu (balanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 114 dB (A-weighted, minimum gain)
THD + N: 0.001% (1 kHz, minimum gain)
Input Impedance: 10K Ohms
Digital Trim: -10 to +10 dB

Instrument In (Ch 1-2)
Connector: Type 2 x 1/4-inch Female
Gain Range: -7 dB to +68 dB
Max input level: +15 dBu (unbalanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted, minimum gain)
THD + N: 0.002% (1 kHz, minimum gain)
Input Impedance: 1M Ohms

Outputs

Main Out (Ch 1 - 2)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Line Out (Ch 3-4)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Headphone Out (1-2)
Connector Type: 2x 1/4-inch Female, TRS Stereo
Max Output Level: 7.5 dBu (50 Ohms)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted) THD + N 0.02% (1 kHz)
Output Impedance: 22 Ohms Trim Range -inf dB to 0 dB

Electrical

Aux Power DC Connector USB-C (USB-C to USB-C cable required, not included)
Aux Power DC Requirements 5VDC, 2.6A

Mechanical

Product Dimensions

Length: 8.4'' (213 mm)
Width: 6.2'' (157 mm)
Height: 1.9'' (48 mm)
Weight: 1.8 lb (0.81 kg)

Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound

The primary analogue VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum

The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control

A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps

The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.

The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.

The overall timbre of the BD9 varies with the DRIVE control from warm, analogue bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator.

A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.

A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.

At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.

The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesiser

Plenty of eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion

A practical analogue trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.

An accent input accepts analogue voltage control (0 to 5V will fully modulate the volume from low to high)

13HP | 30mm deep
+50mA, -50mA

Notes: White version of the iLoud Micro Pro packs a serious punch for its size. Less than 21 cm tall but offering frequency response all the way down to 50 Hz, these might be the ideal monitors for those short on space.

Supplier's Notes:
The iLoud Micro Monitor Pro delivers sound much bigger than its looks suggest. Sold here as a single monitor, also available as a stereo pair with room correction mic. Seriously impressive performance from a tiny package.

Supplier's Notes:

Unparalleled sound quality wherever you want

The original iLoud Micro Monitor revolutionized the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. It became renowned for its exceptional sound quality and portability, making it a popular choice as an audio reference monitor for both pro-studios, home-recording artists, and mobile setups. Now the iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level blending together studio-quality reference audio and a compact form factor, along with a new built-in state-of-the-art speaker correction technology, to deliver unparalleled sound quality wherever you want.

Precise and balanced audio reproduction across the whole frequency spectrum

The Micro Monitor PRO features a bi-amped design with a 3" paper woofer and a 0.75" textile dome tweeter, delivering precise and balanced audio reproduction across the frequency spectrum. This enables you to experience crystal-clear highs, rich midrange, and tight, defined bass that rival larger studio monitors.

Thanks to the new built-in state-of-the-art speaker correction technology, the Micro Monitor PRO provides accurate audio reproduction and a balanced and precise soundstage, regardless of the ambience, ensuring high-quality sound wherever you are.
With XLR and RCA line inputs, the Micro Monitor PRO seamlessly integrates into professional audio environments and consumer systems alike, making it suitable for on-the-go setups as well.

Quick and easy setup and room correction

The flip foot design allows for quick and easy setup of the speaker position to achieve the perfect sweet spot, whether you're in a studio, home office, or on the go. It provides optimal positioning and angling for your listening experience.

The internal power supply eliminates the need for external adapters, streamlining your setup.

With its compact size and lightweight design, the iLoud Micro Monitor Pro is the perfect companion for any environment, delivering unparalleled sound quality wherever you want it.

A full-blown studio at home or on-the-go

The iLoud Micro Monitor PRO comes with various free bonus contents.

Registering your iLoud Micro Monitor PRO unlocks powerful software tools, as well as exclusive discounts on other IK products.

Best in class audio reference for studio, home and on-the-go setups

Type: 2-Way bi-amped, digitally controlled compact studio monitor
LF driver: 3" composite cellulose fiber, custom-made mid-woofer
HF driver: 1" low-distortion silk-dome tweeter
Acoustic design: DSP-tuned bass reflex
Number of amps per speaker: 2
Amplifier type: High-efficiency Class-D
Total power: 50 W RMS
LF power: 30 W RMS
HF power: 20 W RMS
Crossover type: Digital, Linear Phase
Crossover frequency: 2.5 kHz
Frequency response: 50 Hz to 20 kHz i 2dB, 42 Hz to 22 kHz @ -10dB
Phase response: System remains coherent within +/- 30- from 500 Hz to 20 kHz
Sensitivity: -10 dBu signal generates 90 dB SPL @ 1 m
Continuous max SPL: 94 dB
Peak SPL: 107.3 dB
Peak SPL: 109.3 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position

Fully automatic built-in digital calibration, and compatible with X-Monitor control software

LF extension switch: Sets -3 dB point of the frequency response at 50 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -3 dB at 250 Hz and +4 dB at 1.2 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Compatible with X-MONITOR macOS and Windows control software
Total Latency (TOF): 3.00 ms
Totally DSP controlled
1 x XLR balanced input, 1 x RCA unbalanced input, 1 x USB type-C, C8 power socket
Flip foot for quick and comfortable desktop setup
Internal PSU - 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 1 A max
MIC input for ARC from XLR connector

Dimensions

Size: 208 mm/8.18" x 105 mm/4.13" x 153 mm/6.02"
Weight: 1.37 kg/3.02 lb (each)