Review: Those two little letters GU are always enough to get us excited. They are of course an alias of Glenn Underground, the masterful Chicago house producer, musician and DJ who still has a much lower profile than his talents deserve. Here he adds a Mix Mashup to Bobpstar's 'Mayday/Captured Restless Soul Mixes' and the result is a bubbly, mellifluous deep house cut with warm and liquid synths, chopped-up vocal fragments and a gooey sense of romance. It is another crucial offering from the Windy City mainstay, even if it is a one-sided 12".
Review: No prizes for guessing the motivation behind this new EP, 5 Years Of B2 Recordings. It is a tidy and tasteful celebration of half a decade of top quality deep house from a range of key players. This one opens with Frenchman Brawther getting dubbed out and deep as ever with some nice lounge chords and blissed-out pads. Bengoa's 'Neftina Dub' has a subtle US garage shuffle to it that harks back to the 90s and Lex & Locke then bring rich paint chords and withering synth motifs to 'Atenas Blues' before Zaq's 'Make A Wish' shuts down with some cosmic rays of positivity. A fantastic EP so here's to the next five years.
Zarate-Fix & DJ Sotofett - "Dub State Looped" (8:15)
DJ Sotofett - "My Spirit Is Looped" (0:28)
Ronny Nyheim - "EXP" (DJ Sotofett Lockmix) (2:03)
DJ Sotofett - "Hats Loop 1" (0:37)
DJ Sotofett - "Stab Loop 1" (0:26)
DJ Sotofett - "Beater Loop 1" (1:08)
L.A.2000 & DJ Sotofett - "1st Wave Fusion" (9:49)
DJ Sotofett - "Preparation Looped" (0:33)
Review: The wonderfully idiosyncratic DJ Sottofett is back with more of his leftfield magic alongside Ronny Nyheim, Zarate_Fix and LA 2000. This outing on WANIA is a special release with alternative mixes and non-album tracks from the upcoming WANIA mk1 double album. 'Dubquartz' opens up with rattling dub techno, 'Dub State Looped' is a slow motion and heavyweight dub with rusty chords and then comes a seizes of loose for adventurous DJ fun such as the scratchy vocal of 'My Spirit Is Looped' and frosted hi-hats of 'Hats Loop 1'. '1st Wave Fusion' is the standout with its cinematic synths and widescreen grooves.
Zopelar - "Move This Way" (feat Antonio Dal Bo) (6:28)
Retromigration - "Fret" (6:15)
Cem Mo - "Rushmore" (5:41)
Monty DJ - "Sat15" (5:25)
Review: To keep it in the family is to imply things stay pure and untainted, but the irony with the Keep It In The Family 12" series is that every record sounds raw and unsheltered. So, although 'Feel' and 'Move This Way' cycle through unperturbed and dreamatic sounds, their finish is rough, suggesting a well-wrought processing chain, the music having seen through many a prodigal battle. Retromigration's 'Fret' and Cem Mo's 'Rushmore' continue the mood of vintage deep raspiness, with one-up arpeggios closing out the final track with special glee.
Review: REPRESS ALERT!: Funkyjaws Music is back to make your body move with the latest instalment in its ongoing edit series, Let's Dance, this time with a sixth sizzling volume. Monsieur Van Pratt's loose and languid 'Besame' opens up with some gorgeous strings and funky guitar licks then Kiko Navarro brings a rich Afro flavour with the shuffling and percussive rhythms of 'Bosinga'. Bogdan Ra's 'Get On The Floor' is a fresh take on a disco classic with irresistible vocal charm and swooning pads. Last of all, Zaffa demands you 'Shake It' and you surely will as he layers up wet claps, sliding hi-hats and lively drums into a big-hearted party starter.
Drivetrain - "This Is Detroit" (Rolando remix) (6:40)
Zadig - "Maniac Manson" (Rolando remix) (6:33)
Malvito - "Origin" (Rolando remix) (6:51)
Review: Pumping new Syncrophone remixes from producer Rolando, who helps the label celebrate its 60th outing with a fresh crock of remixes of star releases from its back catalogue. Including versions of Derrick Thompson, Zadig and Malvito, this collection brings a powerful Detroit-inspired sound to a cutting-edge modern feel, not getting too bogged down in tradition and yet keeping quite true to the raw and unvarnished finish incipient of the early motorised sound. Best here has to be the B2, which heads in a broken direction, splitting rhythmic hairs with auto-somatic woodblock strikes and deep pads.
Review: Nicolai Toma is back on Subject To Restrictions Discs with some more arresting excellence. 'Phase Binder feat. Zorimira' delivers a blend of organic synth waves and acid textures that showcases Toma's evolution/ The three tracks are built on fine beats ranging from downtempo grooves to acid-infused anthems and pop-tinged house hits. Zorimira enhances the sounds with her unique vocals and lyrics, which though reminiscent of samples, are in fact originals. Adding to the collection, Swedish producer Vesto Comodo offers a remix to enrich the EP with his distinct touch.
Review: Bobby Donny's ACE series is mostly a digital-only affair, though periodically the Dutch label will round up choice gems and stick them out on compilation style vinyl EPs. This is the third of those and contains six stellar cuts. There's much to admire, from the infectious, James Brown-sampling deep house bounce of 'Space Animals' by Bob Bonadis and the Kerri Chandler-esque excellence of Nanky Nimbo's 'Peony', to the hip-swinging intergalactic house retro-futurism of 'Nitro Bass' by ZZ Banks and the rolling New York house warmth of 'Clear Sky' by Wim Waldo. The EP also boasts a typically impressive collaboration between Frits Wentink and Malin Genie, the undeniably classy deep house excellence of 'Tongue Kiss'.
Zarenzeit - "Soo Smooth" (feat Roger Versey) (6:11)
Melchior Sultana - "Nothing Like It Seems" (5:56)
Jan Kincl - "Sugar" (7:06)
Barce - "Stigma" (6:19)
Review: The young but already well-formed Deep Inspiration Show label continues its dedication to quality deep house with a new EP that comes as part of their international artist series. Zarenzeit from Zurich and Roger Versey from Arkansas open with 'So Smooth', a blend of rich keys, soulful loops and dynamic vocals over a sensual bassline. Melchior Sultana hails from sunny Malta and follows with 'Nothing Like It Seems' which features silky chords and a shuffling rhythm ideal for late-night sets. On the B-side, Jan Kincl from Zagreb delivers 'Sugar,' a fusion of house and cinematic disco with organic drums while Spain's Barce closes with 'Stigma,' a melodic union of deep house and techno.
Review: Zarkoff taps into myriad different sources for inspiration here - there are swirling vocals that remind of Bowie, chilly synths from Depeche Mode and lithe beats from the contemporary underground. It's all crafted from melancholic synths as the heavenly voices soar up top and hypnotic drum machine beats lock in the groove. It makes for music that is both suited to more cultured club sets but also home listening sessions. 'Bureau Degradation' is our favourite for the slightly speedier beats and more pained vibes of the synths. A brilliantly original EP, wherever you look.
Review: JS Zeiter returns with another masterclass in dub techno, proving why he has remained a staple in the genre for nearly three decades. The first track, Momentum, delivers the atmospheric, deep dub techno that has long defined Zeiter's sound, with swirling textures and a hypnotic groove that pulls you into its immersive world. On the second side, Exodus takes a more melodic turn, layering emotive synths over a deep techno foundation, creating a track that feels both expansive and introspective. Closing the release is Resolve, a more reserved offering, moody and subtle in its approach. While understated, it serves as a subliminal peak, building tension without overt intensity, showcasing Zeiter's ability to create depth with minimalism. This release is yet another testament to Zeiter's skill in crafting refined, atmospheric techno that remains both timeless and forward-thinking.
Review: Bedford-based trio Zenana never made much of an impact when they were first active in the 1980s but have become the toast of the world's media following the rediscovery of their excellent, Italo and Hi-NRG-influenced 1986 synth-pop single, 'Witches', by crate diggers a couple of years back. Here that fine track, originally produced in terraced house in Cornwall by the brother of bandmember Anita Tedder, gets the reissue treatment on Rush Hour's RSS series - thanks, in no small part, to a new (but authentically 80s sounding) extended remix from long-established Bristol DJ/production duo Bedmo Disco. Their flipside 'Spell of Love' version strips back and stretches out the track, taking cues from NYC proto-house, Martin Rushent dubs and mid-80s Shep Pettibone remixes. It's the 12" dance mix the song never had first time round.
Review: Zendid takes the reins of this Romanian label's talents and shows plenty of studio guile and versatility. There's a nice breezy quality to opener 'Fradpause' thanks to the way the pads swirl around so expansively while the nice mid-tempo drums move onwards. 'Panama Panthers' then ups the ante a little more pressure in the drums but still a nice heady feel to the roomy pads. Last but not least, 'Nature Peinture' takes on a menacing edge with the snippets of vocals that pan about the mix amongst eerie pads and groaning sound effects. Splendid, or should we say Zendid, stuff.
Review: It's the label heads themselves, Zenker Brothers, who step up for Ilan Tape's 65th EP. As ever they lead from the front with four fierce cuts of inventive, fresh and rhythmic techno that is masterfully arranged and hugely complex but never at the expense of dance floor clout. The opener 'Two Paths' is a physical and prickly blend of tightly programmed kicks and scraping percussion with howling synth winds. 'Power Supply' then rides on a funky drum line with aqueous pads, 'Workhorse' is a big room banger with panel-beaten lops and synths riding over the top and 'Hold On' shuts down with surges of warm, futuristic chords and glitchy filters.
Review: Greg Wilson returns to Running Back, celebrating 40 years since the release of the classic and highly influential Street Sounds UK Electro compilation. The groundbreaking track 'Real Time,' which opened the 1984 album, finally gets a 12" release here. Featuring a Greg Wilson edit, a Gerd Janson bonus beats edit and two 2024 reworks, this limited edition showcases Wilson's continued influence in the electronic music scene, alongside collaborations with his son, Che Wilson, including remixes for Gabriels and Confidence Man.
Zero Days - "Neurotypical" (feat Casey Hardison) (6:04)
Zero Dayz - "War On Drugs" (feat Casey Hardison) (5:12)
Acerbic - "Acid On My Mind" (6:21)
Acerbic - "The Acid Saga" (5:58)
Review: Eddie Santini and Matthieu-F are have poured years of dedication into Resilient Recordings. Now their second addition to the catalogue appears as a split side shared between Zero Days and Acerbic, two newcomers to the scene, but freshly cut and spruced by their patrons nonetheless. 'War On Drugs' with Casey Hardison hears an expansive likening of the USA's war on drugs to a "war on mental states", suggesting an illiberal attitude which sows a repressive, anti-revelrous hell. Hardcore techno reaches its apotheosis on 'Neurotypical Consciousness', meanwhile, whose stuttering sixteenths and mega-compressed mix brings a decisive ploughing forth.
Review: The unstoppable tide of posthuman electro continues with the crazed output of London's Warehouse Manifesto, whom (or, should we say, which) offers a singular remix EP curveball by label newcomer Zeta Reticula and friends; Reticula is already a heavyweight on this topical present-future scene. With six direct, subcutaneous, isotopic injections of the same alkaline sonic formula by the artist, 'Binary Pair', we hear 0s and 1s filter themselves into our bloodstreams and brains, overriding any possibility of probabilism, compatibility or free will. Nay, sheer metallic, plastoskeletal objectivity whiles away enough on the OG tune, while even sturdier and more menacing highlights take form especially in Code Rising and DVS's remixes.
Review: The Dirty Blends label is really on fire of late. It deals in stripped-back and raw analogue grooves that throw it back to the warehouse heydays and early Chicago house sounds. Zodiac steps up first with a low-slung killer that is sparse but atmospheric with sleazy vocals unfurling up top only adding to the rawness. On the flip there are more frenzied and techno-leaning sounds of The Jak's 'Itz In Ur Head.' It's a brain-frying cut with squealing synth textures and caustic melodies all bring a scuzzy vibe.
Review: Zoo Brazil follows up the digital release of 'Stand Alone' with a fresh new wax edition on Housewax. Bringing together spitting snares, illiquid FM basses and shimmyingly panned plucks, 'Faceless' moves like a cyclical upward ascent to heaven, yet the movement is still towards a set of pearly gates that we can never quite reach. Then comes the spiritually dragged disco-drive of 'It's You', which assures us of our importance as we gaze into a future soothsaying font, the track's asynchronous voice calling out to us from without. Finally, 'The Night' brings an ultra-clip-distorted experiment to our ears, in true curveball fashion, an unusual bucking of the trends of the minimal techno world.
Review: Returning some 25 years after its original release on the beloved IDM label deFocus, these three refreshed takes on the skittering melodic gem of the genre are something to behold. The original 'Arrest' shines with jittery beats and intricate melodic patterns, embodying and example of the best of early 2000s. Nuron's remix keeps the track's kinetic energy but envelops it in lush textures, creating a perfect balance of rhythmic complexity and ambient depth. Voyance's remix pivots toward organic instrumentation, introducing drum sounds that ground the track while maintaining its melodic evolution, a satisfying balance between the original and a fresh, dynamic new feel. Mike Golding's ambient techno rework is a standout, blending his vintage touch with the original's core elements, a sublime, paradisiacal soundscape that recalls great memories of this golden era of challenging new melodic music. A project that succeeds on so many levels, artistically and creatively.
Blue Collar (DJ Spinna Galactic Soul remix) (6:52)
Review: Zy The Way hails from Taiwan and are a jazz ensemble that interlaces their dynamic sounds with ancient Chinese poetry compiled by Confucius. They also bring in more contemporary compositions which results in an utterly original sound and great gateway to some of the world's oldest literary works. They recently finished a debut full-length album and now the single 'Blue Collar' from it comes on limited edition vinyl. The track tells the ancient tale of young scholars in love with a powerful narrative and moving melodies. The one and only DJ Spinna steps up on the flip to offer his own classy deep-house remix.
Review: Zy The Way hail from Taiwan and are recognised as pioneers of the jazz scene in Asia. Their signature style is to infuse their work with ancient Chinese poetry and their first outing 'A Different Destiny,' reimagined 3,000-year-old poems curated by Confucius and earned them plenty of plaudits. Now, they unveil two EPs as a prelude to their upcoming album. Collaborating with renowned remixers who operate at the jazz-electronic crossroads, they present 'Ten Acres' with a remarkable remix by Mark de Clive Lowe. Maintaining jazz's essence while igniting the dancefloor, this EP bridges East and West, past and present and shows Zy The Way as a transformative musical force who are pushing boundaries.
Elvira Voca - "Drugo Vrijeme (The Second Time)" (3:46)
Opatijski Suveniri - "Vamos A La Playa" (3:28)
Roman Butina - "I'm Gonna Get Your Love" (3:52)
Review: This limited gatefold edition compilation, curated by Leri Ahel & Zeljko Luketic, brings together 18 rare disco tracks from Yugoslavian artists, pressed on 2 x vinyl. Featuring the likes of KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, and more, the collection is sourced from original master tapes, ensuring pristine audio quality. Disco, a Trojan horse in Yugoslavia's pop music scene, thrived for an unexpectedly long time. Influenced by American and European disco acts like Boney M and Amanda Lear, Yugoslav producers and record companies like Jugoton and PGP RTB embraced the genre's vibrant energy. The scene fostered a unique blend of genre hybrids, electronic experimentation, and bold themes, with artists creating memorable and innovative disco music. This compilation captures the spirit of that era, shows both chart-toppers like Zdravko Colic and experimental gems. It highlights the creativity and freedom that disco provided, allowing musicians to push boundaries and deliver unforgettable tunes.
Review: Label affiliates Mytron and Zongamin make a combined return to the ever-on-point Canadian stable Multi Kulti, delivering an extended selection of typically off-kilter, genre-bending sonic mastery. In what appears to be a match made in the leftfield heavens, the duo join forces to explore dance-ish music's outer reaches, blending tribal motifs with 8-bit sampling and all manner of wonkiness. From the blissful bells of Conjunction With Reality to the bass-heavy throb of GHX, there is unsurprisingly plenty to savour here. Opening cut '08932168' blends enchanting lead melodies with rolling polyrhythms and dubbed-out effects before the equatorial percussion of 'Calliope Omniglot' makes way for the wiggy atmospherics of the collection's title track. Highly recommended.
Marc Ertel & Wayne Robert Thomas - "Coronation Ring" (11:56)
Review: This new one from our favourite US ambient outlet takes the form of a selection of long-form compositions from artists who are close to the label. As such it's a perfect reflection of its signature sound - deeply immersive soundscapes, slowly shifting synths and meditative moods made with a mix of hardware tools, guitars, pedals and even baritone vocals. It's named after a Norwegian term for warmth and intimacy, which certainly plays out from the evolving loops of 'A Whisper' to the textured melancholy of 'Canaan' and the reverberant drift of 'Coronation Ring'.
Review: zake has written a new album to get 2025 underway in his usual prolific fashion, and it comes as both a triple CD set with the same tracks in different versions, but also as this special vinyl release with five different pieces from his Caelum series, limited to just 200 copies. As you would expect from this most masterful ambient leader, this is another immersive work that blends shifting synthscapes with melancholic chord work, beautiful keys with more lingering feelings of sadness. Another triumph if you ask us.
Review: This is a reimagined edition of Zach Frizzell aka zake's 2023 album B and expands on its monochrome, drone-driven soundscapes. It complements a series of chiaroscuro art prints and evokes a grayscale melancholy rich in texture and depth as the music conjures images of a weathered dock at dawn with fog and dense landscapes closing in on the horizon. New pieces like 'Betrayal' and reworked tracks like 'Burnt' reveal zake's signature restrained, simmering power and overall the vibes here range from the haunting 'Blight' to the reflective 'Barren'' which emphasise zake's open-ended, evolving approach to ambient music.
Review: Here comes yet another vital album of enthralling ambient from the super prolific Past Inside The Present label head zake aka Zach Frizzell. This is a numbered audiophile vinyl version (including a download code limited to 150 copies) of Veta, which is a world of smoky half-tones that mix up modern ambient classical with analogue production. The artist himself describes the work as "exercise in knowing when to draw back the mix" which speaks to its perfectly reduced sound - a blend of the organic and the synthetic that is masterfully layered and laden with heavy emotions.
Review: zake's latest album, Dolere, unfolds meticulously over 70 minutes and invites you deep into his signature blend of detailed, harmonic drone. Inspired by the suspended weight of unchangeable emotions, the first movement drifts on melancholy waves all enveloped in analogue hiss and tape samples that echo a wandering mind's ceaseless pondering. The title track shifts mood with darkly-tinged drones and subtle field recordings that progress deliberately like shadows in a forest. Both pieces offer refuge from life's relentless pace and resonate like sonic Rorschach Tests or meditative soundscapes. Positioned alongside ambient greats like Thomas Koner, this is another essential album in a long line of them from this ambient titan.
Review: zake's latest Dolere (a split release on Joachim Spieth's Affin label and his Past Inside The Present), unfolds over 70 minutes with meticulous patience. As always, the American crafts deeply emotive drone compositions, this time inspired by the profound experience of suspended time amidst sorrow. 'Dolera' evokes melancholic introspection with its analogue warmth and ethereal tape samples offering a sonic canvas for emotional reflection or meditative immersion. In contrast, 'Dolere' progresses with a darker tone, incorporating field recordings and subtle shifts akin to shadows in a forest. This album, like works by ambient luminaries like Thomas Koner, provides a poignant retreat from the relentless march of time.
Review: US ambient maestro zake and vocalist Angela Winter exchanged ideas for a whole year in the course of putting together this, this debut collaboration. It comes as a numbered CD with a download code and is, according to zake, "the perfect orchestration between two individuals at the right moment." We agree as it beautifully navigates a realm between the terrestrial and cosmic with organic drones and ethereal vocals fort and centre. The likes of 'Terminal Sleep' contrasts dynamic drones with introspective moments while 'Advent' offers harmonic pulses and sculpted vocals as Winter's instinctive responses to everyday sounds enrich the album's allure. A perfect soundtrack to quiet introspection, Mid Sky is another gem in a long line of them from this label.
Review: Stay With Me is an album by Past Inside The Present label head zake and T.R. Jordan from back in 2022. Now it has been revisited for a series of remixes by Dotlight and extra synth and field recording additions by zake that have all been pressed up to 180 gram purple vinyl. It is a work of immersive ambient beauty, with slowly shifting soundscapes defined by the most subtle of synth wisps, but each conveys a great feeling. Dutch guitarist Dotlights brings gentle beats to the likes of 'Infinite Sound' that add downtempo depths and late night romance to the already soothing original sounds.
Review: Certain Path is a serene, piano-driven album by collaborators zake (aka label head Zach Frizzell), From Overseas which is Kevin Sery and City of Dawn aka Damien Duque. This reflective collection of seven pieces invites deep contemplation with tender piano motifs and subtle drones creating a meditative atmosphere. Opening with 'Where Time Slows Down,' the album blends delicate melodies with layered guitar textures. Inspired by Frizzell's wife, the title track offers heartfelt emotion, while 'Avec l'aide de Vincent' honours a close mentor. Throughout, the artists employ nocturnal recording sessions, field recordings and analogue treatments to craft an introspective, evocative listening experience.
Review: Past Inside The Present label head and ambient powerhouse zake and Tyresta follow up their recent and well-received The Worlds We Leave Behind with Jade, a companion album that expands on previous themes in three long-form tracks. It's a deep blending of pregnant drones and delicate details that is typically organic and analogue. 'Jade No. 1' layers analogue textures that make for a comforting, melancholic embrace, while 'Jade No. 2' features more fractured melodies and natural sounds that bring a sense of peace and calm. The third cut, 'Waiting For the Light,' is a lofty one with soft synths and orchestral gravitas that with the other two pieces make for a contemplative and reflective listen.
Review: Spain's Zanja Records is a new label dedicated to the promotion of Cuban music and culture. Its inaugural EP The Zanja All Stars: Cuban Jam Session Vol 1 features singers El Indio, Maria Victoria, El Nene, and Ondy, under the musical direction of Julito Padron. All are top Cuban talents who perform "Descargas, Montunos, Instrumental Jazz, and Son" with authenticity and great charm. These percussive, shuffling grooves are alive with wandering basslines and expressive vocals that take you to the heart of the country in an instant. Big horns and jazzy keys, orchestral grandeur and street-wise realness all make them brilliantly irresistible.
Review: The Zawose Queens' debut album Maisha is a captivating blend of traditional Gogo music from Tanzania with modern electronic elements, showcasing the rich cultural heritage of the Zawose family while pushing boundaries. Produced by Oli Barton-Wood and Tom Excell, the album features 11 original tracks that seamlessly fuse ancestral rhythms with contemporary production techniques. Drawing on their deep roots in Gogo music, Leah and Pendo Zawose deliver powerful vocals and masterful instrumentation, accompanied by the percussive rhythms of the muheme drums and the resonant sounds of the illimba thumb piano. Songs like 'Lule Lule' and 'Kusekala Kwa Nyungu' capture the essence of go go tradition, while tracks like 'Fahari Yetu' and 'Sauti Ya Mama' celebrate themes of heritage and maternal love. Maisha is not just an album; it's a statement of empowerment for women artists in East Africa and beyond. The Zawose Queens have boldly stepped into the spotlight, reclaiming their place in the musical landscape and inspiring others to follow suit.
Review: Udacha family band Zdehvedo Gob is a collective of musicians who all hail from various cities around the world. It consists of Udacha label head Alexey Kalik as well as drummer Roman Shestaev and Gamayun associates Anton Dvoenko and Stas Mitrofanov and they all got together in the studio in Moscow in summer 2023 and the results are now presented on this new album. Employing an organic music approach to instrumentation combined with subtle electronics, the group go wild for various combinations of off-kilter percussion, organ, chant and birdsong in full ceremonial swing, they trace a path through the various branches of 20th century minimalism, pan-global folk-ism's and the harmonious collective consciousness that My Life In A Bush Of Ghosts encapsulated. It's a gorgeous mix of world, jazz, spiritual percussive, experimental music that rides on nice loose and vibrant rhythms with a great mix of synthetic and organic sounds all offering plenty for the mind as well as the body to get excited about.
Review: When It Falls is a timely but classic album from Zero 7, whose music by the point of 2001 had been firmly planted chiefly among the go-to repertoire for chillout music, before the chillout room itself was ousted from the average club. Sporting such popular singles as 'Home' and 'Warm Sounds', the record also features now-stellar artists Sia Furler and Sophie Barker, pre-empting their latter-day fame with an emphasis on talent alone. The overall sound is slinky and cadenced, daring to incorporate uniques from bossa nova and lounge in what would have otherwise been an incongruous soundworld of breakbeat, trip-hop and electro; this is achieved through as much acoustic instrumentation and as many tactile recordings as possible.
Review: Dune: Part Two has been met by rave reviews form both critics and cinema goers and there is no doubt that yet another epic soundtrack from Hans Zimmer has helped contribute to that acclaim. His work is another masterpiece that perfectly complements the epic saga's grandeur. Building upon the thematic motifs established in the first installment, Zimmer's score transports listeners to the vast, mystical world of Arrakis. With its sweeping orchestral arrangements and haunting electronic textures, the music evokes a sense of awe and intrigue and Zimmer's mastery of cinematic storytelling shines through every note as he captures the emotional depth and complexity of Frank Herbert's universe. From the thunderous percussion of battle sequences to the haunting melodies of desert landscapes, this is a sci-fi soundtrack essential.
Review: Synth-pop duo Marina Zispin aka Bianca Scout and Martyn Reid lead you on a trip into nocturnal spaces with this new album Now You See Me (Now You Don't). It is a place where time and memory come together into shadowy worlds of mechanical groves, airy melodies and retro-future imagery. N 'Piece Of Mind' the ghost of bands like Jy Division lurk in the stark drums and melancholic guitar lines, while 'Penthouse Samba' taps into dark disco chug and 'Venus Opulence' is a more minimal, sky and experimental concoction that will freak you out if you listen to it one with the lights out.
Review: Freaky, playful synthwork from Sao Paolo's Zopelar on the ever-reliable Tartelet imprint. Over eight immensely juiced, irreverent meditations on synth funk, boogie, deep house, Italo disco and acid, Zope showcases a mastery of foregrounding unconventional musical forces, cheeky and envelope-pushing analogue synth programming and genre-mangling at its very best. Highlights include the heart-in-mouth sway of 'Distraction', which at times sounds like a lovechild of Marcellus Pittman and Genesis-era Larry Heard, the eerie, questing squelch of seductive B-side opener 'Safe In The Dark' and the queasy, euphoric alarmism of lost freestyle hit 'Free Your Spirit (Ritmo II). Very addictive.
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