Back catalogue: All genres

Review: While he's not put out many re-edits of late, Luke Una has serious scalpel-job pedigree. Back in the 2000s, he and then DJ partner Justin Crawford released a series of largely disco-focused edit EPs on the hush-hush Electrik Souls series. Here he returns to the format with the first in a series of reworks focused on his popular, dusty-fingered E Soul Cultura project. He begins by teasing out and lightly toughening up a killer Caribbean cut from the 1990s, Ella Andall's 'My Spirit Is Music' - an insanely rare and hard to find number that the Sheffield-born DJ has naturally tweaked sensitively. Elsewhere, he emphasises the 'proto-house dub' feel of Slick Mission's early UK house number 'Time's Up', before going even dubbed-out and more percussive on Manu Dibango's lesser-known cover of Latin disco classic 'Jingo'.

Review: Jakarta's Uwalmassa refine their singular language once again, deepening their reconstruction of Indonesian musical heritage with four stark, ritualistic pieces. 'Untitled 11' spirals through halting, dust-coated percussion loops, its groove collapsing in and out of time like a broken ceremony. 'Untitled 12' stretches further into abstraction, its dry, rattling timbres evoking brittle reeds and scorched earth. On the flip, 'Untitled 13' locks into a hypnotic, gamelan-inflected rhythm that sounds hand-played but digitally deconstructed, while 'Untitled 14' closes with detuned melodies and a low-slung bassline that suggests ancient dance music refracted through modernist minimalism. Each track seems built to evoke memory without nostalgiaideeply rooted yet future-facing. Their approach continues to resist both club functionality and ethnographic cliche, landing instead in a realm entirely of their own.

Review: Chikara Ueda's Flying Easy from 1980 is an essential exploration of jazz fusion, combining intricate melodies with infectious grooves. The opening track, 'Flying Easy,' sets the tone with a laid-back, yet dynamic rhythm, led by Ueda's electric piano and synthesiser work. The ensemble, featuring renowned musicians like Harvey Mason on drums, delivers precise and energetic performances throughout. Tracks like 'Cloudy' and 'Jojo' showcase the group's ability to weave complex rhythms with soulful melodies, while 'Do Like You Do In New York' adds an engaging funk groove. This release captures a vibrant era of jazz fusion and remains a standout for its smooth and innovative approach to genre-blending.

Review: Uhlmann Johnson Wilkes is the debut album from Gregory Uhlmann, Josh Johnson and Sam Wilkes, a collective of three versatile improvisers, arrangers and producers whose work spans jazz, rock and experimental. Across 11 instrumental tracks, they explore a jazz-informed take on progressive electro-acoustic chamber music that brings beauty, melody and rhythm to the fore. The record was conceived during live shows and a home session in Los Angeles and features Uhlmann's mournful fingerpicked guitar, Wilkes' bass chording and Johnson's effect-laden saxophone. Their arrangement-minded improvisation results in some nicely otherworldly textures as they push their instruments to create a spacious, lyrical sound.

Review: In classic jazz style, this collaborative three-way debut album brings together three musicians at the top of their game: SML members Gregory Uhlman (guitar and effects) and Josh Johnson (saxophone and effects), and sometime Louis Cole, Sam Gendel and Chaka Khan collaborator Sam Wilkes (bass and effects). Musically, what the trio offers is undeniably unique, with International Anthem describing the album as "a jazz-informed take on progressive electro-acoustic chamber music". Certainly, there's much to enjoy, from the tracked bass, guitar and sax loops and subtle changes of 'Mavis' and the dreamlike ambient jazz of 'Arpy', to the bubbling cosmic jazz of 'Frica' and a stunning, off-kilter instrumental cover of Magical Mystery Tour-era Beatles number 'The Fool On The Hill'.

Review: For the first time, Piero Umiliani's entire Liuto label production is collected together in a remarkable 19-CD box set. This set includes 18 albums (with the final album being a double CD), each housed in a replica of its original sleeve. Accompanied by a 72-page booklet featuring rare photos, essays by Maurizio Corbella and Niccolo Galliano, and a detailed discography, this release is fully endorsed by the Umiliani family. Umiliani's contributions were pivotal in shaping the Italian sound in jazz, film, and library music. His ability to merge creativity with production and publishing made him a true modern musician who was integral to Italy's rich musical heritage, as this collection proves beyond doubt.

Review: The Complete Sound Work Shop Heritage box set is an extraordinary tribute to Piero Umiliani's prolific career, gathering his entire output on the Sound Work Shop label into an unparalleled 17-CD collection. Housed in faithful reproductions of the original album covers, this set is complemented by a 72-page booklet featuring rare photographs, insightful essays by Maurizio Corbella and Niccolo Galliano, and a comprehensive discography and tracklist. For the first time, Umiliani's extensive contributions to Italian jazz, film scores, and library music are showcased in one collection. His work at the Sound Work Shop studio, which he opened in 1968, played a crucial role in shaping the sound of Italian popular music. The studio was a hub of creativity where Umiliani explored a vast array of genres, from funk and psychedelic rock to avant-garde and electronic music. This collection reveals Umiliani's genius not just as a composer, but as a producer and visionary who controlled every aspect of his music's creation and distribution. The box set is a comprehensive portrait of a modern musician whose influence on Italian music during the 1970s remains indelible, making this collection essential for historical reasons.

Review: Four Flies thrillingly reissues Piero Umiliani's soundtrack to the 1969?giallo thrille Orgasmo (curiously retitled Paranoia in English speaking countries), the firstof three erotically charged? ilms directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Following the first ever release of this OST in 2020, this follow-up version hears Four Flies top up the release with a fuller restoration, after some serious detective work in the composer's archives revealed a post-hoc salvaging of the original tapes, where they where first thought to be lost or unusable. Bringing Umiliani's score back to life for all to enjoy, Orgasmo perfectly captures the stylish and sleazy vibe of Lenzi's film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and?French beauty?Colette Descombes).

Review: Uncut Gems by Underground Canopy is a compelling fusion of modern jazz, hip-hop grooves, and urban sophistication, marking a significant release from the Paris-based band. This mixtape, originally released in 2022 and now available physically worldwide, highlights their year-long studio sessions. Each track is a testament to their experimental ethos with a blend of raw energy and spontaneous creativity. The album's strength lies in its authenticity and the collective spirit of the band members, evident in the richly textured compositions that evoke the spirit of artists like Bad Bad Not Good and Butcher Brown. Davor Gromilovic's artwork enhances the experience, visually complementing the project's heartfelt and innovative approach. For listeners attuned to the intersection of jazz and hip-hop, Uncut Gems is a refreshing exploration of musical boundaries, delivering moments that feel both familiar and boldly original. Not many albums have quite the mix of contemporary jazz and infused hip-hop that this release does.

Review: Unionen is a new quartet of top-tier Norwegian and Swedish jazz musicians, namely Stale Storlokken, Per "Texas" Johansson, Petter Eldh and Gard Nilssen. Their name references the 1814-1905 union between Sweden and Norway and their sound is truly unique in the way it combines misty introspection and energetic rock-infused jazz. This album then is a deeply original musical experience with tracks like 'Stahlbad' and '6983' dull of emotional nuance. Eight originals overall blend classic and rare instruments, creating a unified, emotive sound. Early live shows have been praised, confirming their status as a standout jazz ensemble.

Review: With their name, London's four-piece jazz group Unknown To Known seem to prophesy their own rise to prominence, one that is especially more likely to unfold in a continual way now that they've released their next LP Lightship. As with their prior EP 'River Crossing', Lightship was also made on a lightship, which happened to double up as a recording studio. Staying true to their craft so far, this iteration of the project was once again born of a session. The record meanders through neo-folk, international and cinematic music , and jazz, moving from the erratic but calming bamboo flutes of 'Wide Waters' to the matte steel-string slides and gourds of 'Good Morning Moon', ending on the fervent flute and cymbal devotional 'Lightship'.