Review: The Drifted Flow label made an early move in 2015 with a release from Tommy Vicari Jnr, but now returns with an entirely different premise - an eight-track double pack of fresh, invigorating minimal house jams from lesser-known and adventurous producers. Henry Hyde gets the collection off to a strong start with the wobbly funk of "Perchin," all dirty bass wobble and loose swinging rhythms. Elsewhere Martinez flirts with the crooked thump of electro, Alicia Hush wriggles through an abstraction of garage and Bilal channels a little of the Boogizm magic you might expect from S-Max or Fym. Overall, it's a release loaded with personality and flair for minimal spinners wanting some spicier ingredients for their mix.
Lebawski - "Clouds Of Thyme" (Kled Baken remix) (6:33)
Barbosa - "Quinoa" (Ray mono remix) (6:44)
Review: Ghent's Muzi Cartel crew step into the label game with this assured four tracker from promising emergent talents. Viktor Udvari is up first with "For Our Love", a fired up but delicately executed techno jam with plenty of harmonic balance to make for the most satisfying trip skywards. Mrsch takes things deeper and groovier on "Pas Cu Pas", leaning heavy on the bass and leaving a little more space in the mix for maximum meditation. Kled Baken's remix of Lebawski gets into a minimal house roll with spaced out licks of vocal and hazy pads, and Ray Mono nudges Barbosa's "Quinoa" into murky depths for a proper underground roller.
Review: We're very happy to see a renewed interest in Underground Resistance sub-label Happy Records: which is sure known for its fair share of house classics. Quite fitting then that the chief retrovert Gerd Janson over at Running Back saw it fit to issue some remixes of the classic "Sunshine" by Unit 2 aka Raphael Merriweathers Jr. and Niko Marks. KiNK's remix on the A side is a nice modern revision of the track which retains those uplifting trademark pianos but adds some of his thunderous trademark 909 drum machine workouts beneath. On the flip, lo-slung disco pranksters Tiger & Woods do a remix which cuts up and stutters those said pianos (and the vocals) to interesting effect plus adding some nice boompty swagger into it.
Review: Trustworthy techno outpost Chronicle are the kind of label you can still get behind when they drop an unnamed artist. Whoever's behind Cycle De Motifs, the bar remains reassuringly high for those wanting fresh firepower in the serious techno game. "GPS" is a fist-shaking piledriver, but it's not without its cerebral nuances between the surging low end. Who needs a kick when you can have a relentless sub to carry you through the night? "C-Signature" darts out into equally intriguing territory with a creeping, insectoid array of sound design working around a minimal beat. "Gateway To Infinity" piles the eerie, looping figures on and continues spiraling outwards, and "Nepthys" plies an old-skool drum machine jack in the finest Plastikman tradition.
Review: This is a cheeky single-sided affair that contains a gently tooled-up, rolling and rearranged version of a Marlena Shaw-sampling jazz-house classic that is rightly considered something of a dancefloor classic. The edit itself is undoubtedly rather good, subtly adding a little more bottom-end grunt whilst making a little more of the original's snaking sax parts, much-loved vocal sample and groovy jazz percussion. You can decide or not whether the re-edit was needed; certainly, the mystery re-editor has done a rather tidy job on the rework.
Review: On his first EP of 2019, Santiago Uribe continues to mix and match house, techno, electro and tech-house sounds in thrillingly entertaining new ways. It's consistently tricky to pin down exactly what the Uruguayan producer is up to, though the results are uniformly impressively. Check, for example, the lo-fi alien electro-funk of "Viste Cuando Todo", the cheeky South American take on UK bleep techno that is opener "Montevideo Electric Sound" and the tipsy, bleep-fired acid house chug of "El De Los Vidrios". "Buseca Sin Vino Tinto", a bounding, bass-heavy jog through tech-tinged peak-time house madness, is also rather good.
Review: To date Ion Dumitrescu's Utopus project has only appeared on compilations, but now it scores the space in which to roam free across a whole EP that shines a light on this most promising of Romanian talents. P-Balans is the perfect place to house such wares, carrying the country's minimal love affair into intriguing new creative realms that deal in broken beat, electro and more outwardly experimental fare. "Southology" is a particularly fractured jam peppered with playful synths and tumbling drums, while "The Vision" takes on a shamanic techno stance. If you're craving propulsive tracks loaded with personality then hit up Utopus and you won't be disappointed.