Review: Quebec City-based singer/songwriter Margaux Suave and collaborator/producer Louis-Etienne Santais earned plenty of praise for their first album as Ghostly Kisses, 2022's Heaven, Wait. It framed the project as a new iteration of dream-pop, with the pair drawing inspiration from melancholic synth-pop, downtempo, hazy indie-pop and lo-fi soul. Sophomore set Darkroom continues in this vein while subtly expanding the pair's sonic horizons. Throughout, they shuffle attractively between string-laden trip-hop ('There Is No More Space'), dreamy two-step pop ('Golden Eyes'), slow-motion, Balearic-tinged synth-pop ('Lonesome Hero'), twinkling deep house-pop ('Calm Down') and orchestrated ambient pop ('Silver Screen').
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