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Back catalogue: All genres
Juno's full catalogue of All genres
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The Gentlemen (Soundtrack) (limited numbered 180 gram audiophile translucent yellow vinyl LP + 4 booklet)
Cat: MOVATM 276Y. Rel: 06 Jun 25
Soundtracks
Review: The Guy Ritchie-penned film The Gentlemen centres on Mickey Pearson (Matthew McConaughey), an American in London whose luxurious lap founders on the back of a lucrative but prone marijuana empire. As he plans to retire and sell his business, a web of schemes, blackmail, and betrayal unfolds as rivals plot to seize his fortune. British composer Chris Benstead's soundtrack is elusive and sluicing, incorporating Charleston-inciting bass undertows, ticking clocks and finger-clicking inquests, as of a main character's paranoia threatening to make truly manifest.
… Read more in stock $31.65
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Atmospherics (30th Anniversary Edition) (audiophile vinyl 4xLP limited to 200 copies)
Cat: PITP 53V. Rel: 28 Jan 25
Ambient/Drone
Review: James Bernard's 1994 ambient masterpiece Atmospherics is now 30 years old. To mark its anniversary the landmark record has been meticulously remastered and paired with a brand-new, track-by-track reinterpretation by Bernard's longtime friend and collaborator, bvdub. Together, these works span four slabs of wax and offer a profound exploration of ambient soundscapes that honour the original while also presenting some fresh, emotive perspectives. A must-have work for your ambient section.
… Read morePlayed by: Juno Recommends Ambient/Drone, Zakè
in stock $75.35
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Review: Matt Berninger, voice and wordsmith behind The National, returns with his sophomore solo effort Get Sunk: for his sharp enough to cut adamantium and melodies that linger like motion ghosts, Berninger digs deep into the questions of identity: who we once were, what happiness really means, and the search that never ends. The album doesn't spell out autobiography but channels a narrator exploring selfhood amid possibilities and pitfalls, balancing on the edge of joy and despair. Collaborating with Hand Habits on 'Breaking Into Acting', and from the reefing 'Inland Ocean' to the reflective 'Times of Difficulty,' Get Sunk is a true personal snorkel dive, tracing both bound ties and yet unwondered roads.
… Read more! low stock $15.41
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Get Sunk (limited cobalt blue vinyl LP in spot-varnished sleeve (indie exclusive))
Cat: 726856 7. Rel: 29 May 25
Indie/Alternative
Review: This is The National's Matt Berninger's second solo album and treads a sonically similar path to the Cincinnati band, with some forlorn lyrics and gloomy delivery. Berninger is clearly a fan of plumbing the depths of his heart and fortunately has the talent to be considered one of the top merchants of emotion around these days. Of the tracks here, 'Breaking Into Acting' is a beautiful slice of stately Americana and his vocals interlock beautifully with Meg Duffy, aka Hand Habits. For something more energetic try 'Bonnet Of Pins' as it's a pulsating chamber pop cut with thumping rhythms and a tear-jerking yet rabble rousing atmosphere. Live, this one will ultimately go down a treat.
… Read more in stock $33.60
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Review: After five years apart, Italian composer Eraldo Bernochi and Japanese violinist, electronica producer and current Tangerine Dream member Hoshiko Yamana return with a sequel to their much-loved 2020 album Mujo. Described by the pair's label, Denovali, as "a deeply cinematic experience", Sabi cannily combines the slow-burn, trance-inducing synthesizer sequences of Tangerine Dream, the intergalactic electronic expressiveness of ambient techno, the thematic movements of modern classical, Yamana's emotive violin motifs and the spaced-out ambient iciness often associated with Geir Jensson's Biosphere project. It's a genuinely brilliant album all told, with the pair smartly sashaying between hazy melancholia, string-laden creepiness and picturesque aural colour.
… Read more in stock $19.60
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Review: Following the success of Matt Berry's 2021 release, The Blue Elephant, and last year's collaboration with KPM, his eighth studio album, Heard Noises, arrives via Acid Jazz. This album comes in a stunning label-exclusive gatefold edition on a classy sky blue vinyl. The lead single, 'I Gotta Limit', shows Matt's lyrical exchange with Kitty Liv, reflecting a man yearning for another chance with a woman who is losing patience. The song, influenced by Sly Stone, packs a wealth of musical ideas into its three-minute duration, blending Northern Soul with psychedelic elements. In contrast to the eclectic sounds of The Blue Elephant, Heard Noises embraces a looser, Californian psychedelic vibe, infusing the album with space pop influences and haunting melodies. Displaying Matt's remarkable musicianship, he plays nearly every instrument, from guitars to synths, joined by longtime collaborator Craig Blundell and an array of talented guests. This album encapsulates the diverse musical journey that has defined Matt Berry's career as a musician, alongside his roles as comedic actor.
… Read more in stock $30.24
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Review: Bersarin Quartett is the work of Thomas Bucker, who since 2012 has released his flagship ambient project via Denovali. The Munster-based artist employs a grandiose orchestral lilt to the compositions on Systeme, threading considered sound design touches in amongst the sweep and swell of strings that rise from his imaginary quartet of players. It's neo-classical with a plaintive, soundtrack-ready quality, but as ever Bucker weaves tension, dissonance and texture in amongst the foreground melodic content to make for a richly compelling listen.
… Read more in stock $19.60
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Cat: RM 4238CD. Rel: 12 May 25
Ambient/Drone
Review: With a title inspired by the utterances of The Oracle of Delphi, a cult of female priestesses who reportedly "changed the course of civilisation" by inhaling volcanic vapours, it's clear that Lee Burtucci and Olivia Block's first collaborative album is rooted in paganistic visions and experimental mysticism. It's comprised of two lengthy tracks, each accompanied by edited 'excerpts', and combines Burtucci's experimental synth sounds and tape loops with Block's processed vocalisations and hazy field recordings. Dark and suspenseful, with each extended composition delivering a mixture of mind-mangling electronics, creepy ambience and musical elements doused in trippy effects, it sits somewhere between the charred "illbient" of DJ Spooky and the deep space soundscapes of the late Pete Namlook.
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $15.13
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Review: Betty Boo's irreverent blend of pop, rap and dancefloor sass took UK charts by storm in 1990, and her debut album Boomania here returns by way of a deluxe edition digging as deep into that exact era-defining sound as can possibly be dug. Originally launched off the back of her breakout appearance on The Beatmasters' 1989 single 'Hey DJ / I Can't Dance (To That Music You're Playing)', Boo's first full-length reached number four on the UK charts and went platinum. This expander reissue compiles 12 originals and 14 bonus cuts, including multiple versions of the four hit singles, from the King John and Peter Lorimer mixes of 'Where Are You Baby?' to Vince Clarke's Oratonic mix of '24 Hours'.
… Read more in stock $26.88
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Thauma (180 gram vinyl LP + MP3 download code)
Cat: MARIONETTE 026. Rel: 30 Apr 25
Experimental/Electronic
Review: The debut album by Big Hands (aka Andrea Ottomani), is a deeply immersive and dream-born odyssey that blurs the boundaries between electronic and acoustic sound. Conceived during a stormy Mediterranean voyage and built from field recordings, tuned percussion and collaborations with a tight circle of musicians, Thauma is an emotional and textural triumph that takes in Palestinian artist Bint Mbareh’s haunting vocals and Buster Woodruff-Bryant’s serpentine sax lines. Each moment brings real spiritual depth while merging modular synths with bells, balafon and bamboo drums to evoke a mythic, place-bound nostalgia that is organic and otherworldly.
… Read more in stock $26.88
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Review: This calls LP from The Big Three Trio is a lively showcase of pre-rock & roll rhythm and blues, swinging boogie-woogie and rich vocal harmonies. Led by Willie Dixon whose bass playing and songwriting would later shape Chicago blues, the trio delivers plenty of direct energy and storytelling charm. Not least with the title track, a playful take on a classic folk tale that highlights their wit and musicianship. With vibrant piano work and smooth guitar licks, the tight vocal arrangements are allowed to soar and help to capture the spirit of 1940s r&b. A great trip back in time.
… Read more in stock $18.77
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Review: This is one of a couple of The Big Three Trio albums that are being reissued right now. The threesome in question was a pioneering blues group led by Willie Dixon whose influence shaped Chicago blues in the early years. I Feel Like Steppin' Out captures the trio's smooth harmonies and neat rhythms as well as being united by Dixon's signature bass playing. Blending jump blues, boogie-woogie and early r&b, this one has a lively, feel-good energy and tracks like the title cut are a fine example of the trio's polished yet raw sound which laid the foundation for modern blues and rock. Their sophisticated style and rich vocal harmonies paired with top songwriting would stand them apart today as much as they did back in the 50s.
… Read more in stock $12.61
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The Albatross (Anniversary Edition) (Record Store Day RSD 2025) (limited translucent silver & black vinyl 2xLP in die-cut sleeve)
Cat: ANT 800563. Rel: 08 May 25
Indie/Alternative
Review: Canadian rock outfit Big Wreck celebrates this year's Record Store Day with the first-ever vinyl release of their acclaimed Albatross album. This deluxe anniversary edition includes a bonus track, 'Fade Away', as well as alternate versions by Eric Ratz and Ian Thornley, plus a live recording from Suhr Guitar Factory. The original album came back in 2012 and saw Albatross earn chart-topping success and critical praise for its soaring guitar work and powerful vocals. They make just as much of a mark now, more than a decade on and with the addition of the new cuts, this reissue brings all new depth to the record.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $49.29
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Cat: ANT 800562. Rel: 23 Apr 25
Indie/Alternative
Review: In honour of Record Store Day 2025, Canadian-American alt-rockers Big Wreck have decided to reissue one of their most popular albums, 2012's The Albatross. Available in limited numbers (only 1,000 of this CD version was pressed), it not only includes the freshly remastered original album in full, but also three alternate versions, rare bonus cut 'Fade Away', and a raucous live recording of title track 'Albatross'. The original album remains a timeless alt-rock classic where raw guitar riffs, bluesy solos and Ian Thurnley's distinctive lead vocals wrap around thickset bass and punchy drums. For proof, check standouts 'Wolves', 'Glass Room' and the rowdy 'The Rest of the World'.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $16.79
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BILAL / VARIOUS
Live At Glasshaus (repress) (gatefold 180 gram vinyl 2xLP in tip on sleeve)
Cat: LGHP 00021. Rel: 13 Jun 25
Hip Hop/R&B
Review: Recorded live at Brooklyn's Glasshaus in front of just 100 guests, Live at Glasshaus captures a one-night-only performance from Philadelphia-born vocalist Bilal, reinterpreting material drawn from a two-decade discography. Backed by an ensemble comprising his long-time creative circle, the set revisits early breakthroughs like 1st Born Second, cult favourite 'Love For Sale' (still never officially released), and later highlights from Airtight's Revenge and his collaborations on Common's Like Water for Chocolate and Resurrection. At 78 minutes, the session moves between stripped-down soul and expansive jazz-schooled improvisation, with appearances from Questlove and Common woven in. 'Soul Sista', 'All Matter' and 'Funky For You' get fresh treatment, while interludes lend a loose, intimate feel. First pressing gone; second underway with global shipping across 15 territories.
… Read more in stock $60.22
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Review: A striking departure from the classic piano-bass-drums format, this 1962 session brings together a rare quintet configuration, weaving trumpet and guitar into the fabric of post-bop elegance all based around New Jersey-born pianist Evans. The interplay is both literal and musical between the musicians. With trumpet lines that alternate between burnished lyricism and bursts of fire and guitar passages that glide with subtle precision, the ensemble creates a sound that is both spacious and tightly knit. The repertoire leans into standards, yet each tune is rendered with a fresh rhythmic spark and harmonic sophistication. 'I'll Never Smile Again' shimmers with wistful melancholy, while 'When You Wish Upon a Star' is recast with a gentle yet cerebral charm. Fans of more intimate trio settings might initially find the added instrumentation unfamiliar, but there's an undeniable allure in the expanded sonic palette. The drummer drives the group with crisp energy while the bassist anchors with subtle authority and the collective chemistry elevates the session beyond typical quintet fare. This is a bold, beautiful detour in the legacy of modern jazz and one that rewards the listener. A reissue worth revisiting, or discovering anew.
… Read morePlayed by: Juno Recommends Jazz
in stock $42.02
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Review: The New Jersey-born pianist returns to the studio here for the first time since the sudden loss of bassist Scott LaFaro, whose death in 1961 marked a devastating rupture for one of jazz's most intuitive trios. Now joined by Chuck Israels on bass, Evans leads with a newfound clarityiless conversational, more contemplative. Recorded in 1962, this was the group's first step into a quieter but no less daring phase. 'Re: Person I Knew' (an anagram of producer Orrin Keepnews) sets the tone: ghostly, elliptical, and harmonically dense. 'I Fall in Love Too Easily' and 'Polka Dots and Moonbeams' drift by in breathy half-light, while 'Very Early', a waltz penned by Evans, closes the set with delicate finality. In the absence of LaFaro's dancing counterlines, Evans doesn't fill the space, but lets it speak. The result is a study in restraint: American post-bop pared down to its emotional core. Not a debut, nor a reinvention, this is a quiet reckoning and a beautifully unresolved response to loss.
… Read more in stock $42.02
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Review: Miami-born contemporary guitarist Bill Orcutt is known for his infatuating blend of blues, punk, trance and noise. With the release of Four Guitars Live on CD, he could've easily convinced us of this being a rare and long-forgotten artefact, of a proto-drone artist from the Deltaic 1960s. In reality, this was first incarnated in 2022 under the recorded name Music For Four Guitars, and Orcutt's establishing brand of doom-blues-trance-minimalism could invite artistic comparisons as far-fetched as Steve Reich or Rachika Nayar. But his sound is more nostalgic, seeming to predict emo and pysch both "before" and after the fact of the genre's establishment. Fittingly Reichean, Orcutt forms one part of a quartet here, performing the record in its entirety live at Le Guess Who? festival in Utrecht, 2023.
… Read more in stock $18.49
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The Glass Curtain (limited transparent yellow vinyl LP)
Cat: FLT 110LPC1. Rel: 24 Apr 25
Ambient/Drone
Review: Billow Observatory returns to the fully ambient realms of their 2012 debut with a deeply introspective, percussion-free release that drifts through spectral soundscapes. Created by Jason Kolb and Jonas Munk, the duo's transatlantic collaboration has matured across four full-length albums marked by precision and emotional depth. Here, abandoning traditional structure, the album instead looks to harness the power of chance and randomness with shimmering guitar textures that crackle and dissolve like dust in water. It evokes a world slightly out of sync that is brooding, haunting and beautifully immersive while underlining their place as masters of refined, atmospheric ambient music.
… Read more in stock $24.38
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Review: Billy Idol, one of the most iconic figures in British rock history, has returned with his first full-length album in over a decade. Known for his punk roots as a member of Generation X and subsequent MTV-era persona, Idol has constantly evolved, blending his early rebellious spirit with a more reflective, mature approach to life and music. This latest release captures that transformation, offering a blend of punk rock energy and introspective storytelling. Idol's partnership with longtime guitarist Steve Stevens continues to define his sound, while collaborations with rock legends Joan Jett, Avril Lavigne and Alison Mosshart further solidify his place at the forefront of rock's new generation. Having emerged from the early days of British punk, Idol's legacy spans decades, and this new record marks both a personal reflection and a return to form.
… Read more in stock $33.60
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Review: For those familiar with manchester sax player Birchall's previous forays into dub, this album offers a deep dive into the analogue 70s Jamaican dubbing techniques that have defined the genre, paying homage to the trailblazers like King Tubby and Errol Thompson. The source material is heavily percussive, resulting in a collection of dynamic, dubby drum workouts that seamlessly blend live drumming in the Count Ossie style with drum machines that recall Lee Perry's experimental approach. A highly anticipated dub companion to Nat Birchall's acclaimed Dimension of the Drums LP, this continues in a similar spirit of the previous. Drawing inspiration from classic dub albums like Keith Hudson's Pick A Dub and Winston Edwards' King Tubby Meets The Upsetter at the Grass Roots of Dub, Birchall reimagines the tracks with roots dub precision, incorporating fresh horn lines and hand drums to enhance the album's authentic, organic vibe. The LP includes two distinct mixes of a new rhythm track that wasn't part of the original album, adding an extra layer of excitement for listeners. Birchall once again handles all aspects of the albumiplaying instruments, recording, mixing and masteringiensuring a deeply personal touch in every track. All in total, eight tracks of instrumental dub bliss that transport you back to the golden era of reggae's most inventive sound.
… Read morePlayed by: Jane Fitz
in stock $35.58
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Review: The nearly mythical Buckingham Nicks from 1973, featuring Stevie Nicks and Lindsey Buckingham, has gained significant acclaim despite its original obscurity. With no CD or streaming availability, its tracks are typically found only through rare vinyl copies or dubious online rips. Enter Andrew Bird and Madison Cunningham, whose collaborative project, Cunningham Bird, breathes new life into this largely forgotten album. Produced by Mike Viola, this reinterpretation strips away the original's heavy production, showcasing Bird's exquisite violin and Cunningham's smooth vocals. Their shared harmonies replace the tension that characterised the Buckingham-Nicks dynamic, transforming songs like 'Long Distance Winner' into poignant laments. Notably, 'Lola (My Love)' is reimagined as a heartfelt ballad akin to Dolly Parton's 'Jolene', adding depth to the material. Bird and Cunningham's interpretations not only honour the original but also enhance it, proving the songs' flexibility and enduring appeal. Their unique sound and vibrant acoustic instrumentation, offer a fresh perspective for a new generation, making Cunningham Bird a compelling and accessible homage to a classic.
… Read more in stock $30.82
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Review: The Birthday Massacre, hailing from Canada, command a bracing gothic blend of 80s electronica and aggressive guitar work. Formed in 2000 as Imagica, the band is led by vocalist Chibi and guitarists Rainbow and Michael Falcore. They debuted in London, Ontario, before moving to Toronto and rebranding, with the 2002 self-released Nothing and Nowhere inducting us into their horror-comedic sonic aesthetic, drawing on macabre cabaret and Grande-Guignol rock. Though little light but fan speculation has been shed on their new album Pathways, this purple detour has sparked rumours of a fresh direction and stylistic tangent for the band, coming helmed up by the pre-released streamer single 'Sleep Tonight', lighting up oneiric stadia worldwide with their mega-metal shreds and huge electronica arrangements.
… Read morePlayed by: Juno Recommends Leftfield
in stock $29.69
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A Guide To Hellthier Lifestyle (180 gram vinyl 2xLP + poster)
Cat: AGTHL. Rel: 04 Feb 25
Experimental/Electronic
Review: Ever-interested in pushing boundaries through sound and ideas, Bjarki returns to the full-length release schedule with another captivating adventure down electronic roads less travelled. More IDM than techno, tracks like 'Puppet Parade' perhaps hit the nail most squarely in terms of descriptions here - warm pads and metronomic accents in the foreground, strange, treacle-y alien noises in the background. Weird and always wonderful, one of the most impressive achievements here is the deft ability to create soundscapes that simultaneously welcome us with open arms and defy expectation and norms. Whether it's the 170 snares and lush tranquility of 'Healing From Memory', or the strangely rousing but thoroughly off-planet 'Void Visitor' to close.
… Read more in stock $40.32
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Forever Howlong (gatefold translucent blue vinyl 2xLP + booklet (indie exclusive))
Cat: ZEN 314E. Rel: 03 Apr 25
Indie/Alternative
Review: BC, NR are now onto their third album. The Ninja Tune-signees gained attention for not posing as if they're in a band, but looking like an ordinary group of students, or twentysomethings house-sharing. Their bold look, where they're smiling in the press pics, as opposed to donning a moody pout, has thankfully been backed up with some terrific music. Their debut, For The First Time, earned them favourable comparisons to post-rock trailblazers Slint and their second album Ants From Up There is the Gen-z equivalent of Arcade Fire's Funeral, thanks to its grandiose anthemics. Famously, singer and lyricist Isaac Wood left the band on the even of the release of their second album, which sparked outcry and paranoia from their ever-growing army of fans about what that might mean for their future. But the band have kept at it and the remaining six members have chosen to share frontperson duties, thus relieving the added pressure that comes with being a designated frontperson. This third album - and first post Isaac Wood - is proving to be a striking new chapter, with the lead single, 'Besties', an immediately likeable way of introducing it to the world. Georgia Ellery, also of Jockstrap, takes lead vocals here and offers an unforgettable off-kilter indie pop cut reminiscent of Aldous Harding. Zutons-y sax stabs scattered in make for a beautiful touch and leave us feeling that this is the album that's going to send BC, NR onto a stratospheric level, where they're spoken about in the same breath as Radiohead as one of Britain's finest bands.
… Read more in stock $36.14
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Forever Howlong (gatefold 2xLP + booklet + MP3 download code)
Cat: ZEN 314. Rel: 03 Apr 25
Indie/Alternative
Review: James Ford is one of the most important unsung heroes of contemporary pop and rock. As a studio producer, he's helped craft and hone incredible work from Fontaines DC, Arctic Monkeys, Depeche Mode, Blur and more. As an artist in his own right, he's perhaps more incredible. So, his impact on the latest and long-awaited new addition to Black Country New Road's catalogue should not be underestimated. Nor should the result of splitting the songwriting and vocal duties between members Tyler Hyde, Georgia Ellery and May Kershaw. "It's definitely very different" said one of the trio about how this compares to preceding long form outings. We'd say it's definitely very different to most music you'll hear this week. It's folk, soft rock, experimental garage something, and none of the above, with tracks that almost seem at odds with themselves, chopping and changing, evolving and progressing, until you hear them as a whole.
… Read more in stock $34.73
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Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
… Read more in stock $12.61
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The Southern Harmony & Musical Companion (Super Deluxe Edition) (B-STOCK) (limited 4xLP box set + hymn book + lithographs)
Cat: 583497 8 (B-STOCK). Rel: 01 Jan 90
Rock
B-STOCK: Box damaged, product in perfect working order
Sting Me (LP1: The Southern Harmony & musical Companion)
Remedy
Thorn In My Prickle
Bad Luck Blue Eyes Goodbye
Sometimes Salvation
Hotel Illness
Black Moon Creeping
No Speak No Slave
My Morning Song
Time Will Tell
99 Pounds (LP2: More Harmony: unreleased outtakes & B-sides)
Miserable
Rainy Day Women #12&35
Boomer's Story
Darling Of The Underground Press
Sting Me (Slow)
Bad Luck Blue Eyes Goodbye
Sometimes Salvation
Black Moon Creeping
No Speak No Slave (LP3: Southern Harmony live Houston, TX, Febuary 6, 1993)
Sting Me
My Morning Song
Jam
Thorn In My Pride
Bad Luck Blue Eyes Goodbye
Black Me Creeping
Hotel Illness
Sometimes Salvation
Remedy
Review: ***B-STOCK: Box damaged, product in perfect working order***
American blues-slanted rock band the Black Crowes put out their second album The Southern Harmony and Musical Companion back in May 1992. It was the first time Marc Ford had featured on lead guitar in place of Jeff Cease who was sacked the year before. It also marked the first time Eddie Harsch joined on keys and set a record at the time for being the first album to feature four rock number ones, and the album itself also climbed to the top spot in the Billboard 200 album chart. Its mix of blues and Southern styles often sees the album being included in lists of the best rock albums of all time.
… Read moreAmerican blues-slanted rock band the Black Crowes put out their second album The Southern Harmony and Musical Companion back in May 1992. It was the first time Marc Ford had featured on lead guitar in place of Jeff Cease who was sacked the year before. It also marked the first time Eddie Harsch joined on keys and set a record at the time for being the first album to feature four rock number ones, and the album itself also climbed to the top spot in the Billboard 200 album chart. Its mix of blues and Southern styles often sees the album being included in lists of the best rock albums of all time.
in stock $212.87
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Review: Experimental electronic triad The Black Dog see their 2009 CD album remastered and reissued, a missive from a time when the band were particularly concerned with the encroachment of surveillance capital and Orwellian practices carried out by institutions, governments and corporations. Tackling the cynical ironies of weaponised phraseologies such as "for your own safety", and their use by firms whom almost certainly do not have our best interests at heart, the mood of this techno tucker is indeed certainly, if not paranoid, vexed. Emblematic of this are humanity reductions such as 'You're Only SQL', on which gurgly basses churn, and 'CCTV Nation', which bridges Dispatches-style documentary melodies and jittery acid house.
… Read morePlayed by: Juno Recommends Techno
in stock $37.82
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Review: An attention-evader even for the most ardent dub reggae fan, Black Jade's Contempo remains a mystery decades after its release. In the act of reissuing the LP, Solid Roots still only partly lift the veil: first set to tape between 1975 and 1976, the album was recorded by a still shadowy cadre of Notting Hill residents, who are said to have freely distributed it during Carnival. Their continued anonymity may form part of a decided effort to mythologise, though it almost certainly also reflects a niche facet of deeper-shades dub. Authenticity abounds: we hear preemptions of the hiss-floored undulations of Chain Reaction in this record as much as we do the busy instrumental imbroglios of Horace Andy, with the manly bass-charges of 'Virulence' polarising the sensitive subby coos of 'Love, Love, Love'.
… Read morePlayed by: Piers Harrison
in stock $21.57
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Review: Black Loops directs a welters' worth of experience into Always Moving, his debut full-length for Freerange. Far beyond club tools, this is a sensitive elusion of watery neo soul instrumentation and distant broken beat jazz, and we're not surprised in this breath to learn of Black Loops' own background as a drummer. Nor is it any wonder either that such auteur's disco house regals such as Harvey Sutherland, Byron The Aquarius and Berlin vocalist Marlena Dae all appear on the record, through 'CDMX' to the ever so eerie, Erie-downstream deep house of 'Detroit Love Letter'. 'Electrical And LSD' takes after such influences as Metro Area's disco house shimmer, while tracks like 'Pleasure Ride' and 'Good Bye Berlin' further locks down the abiding nighttime tension - that least comparable part of his sound.
… Read morePlayed by: Jemaho
in stock $38.37
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Review: Prolific Italian maestro Black Loops returns to Freerange with Always Moving, a debut album steeped in high-grade dance heritage. Drawing on over a decade of production, he moves beyond club tools to something more personal and musical, with guest appearances from Harvey Sutherland, Byron the Aquarius and Marlena Dae. Rooted in funk, soul and 90s grooves, these are rich, warm tracks with fully authentic swing i with much of the percussion played live by the artist himself. The result is fluid and human, from the broken beats of 'CDMX' to the shimmering chords of 'Detroit Love Letter'. Marlena Dae adds her touch to several standouts, including the disco-leaning 'Electrical' and hazy deep house of 'Pleasure Ride'. Even at its most downtempo, like the closing 'Good Bye Berlin', the album stays focused and melodic. A confident and expressive full-length that shows how far Black Loops has come while hinting at where he might head next.
… Read more in stock $33.60
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Review: Black Market Karma return with the second chapter in their two-part Fuzz Club album series. Written, recorded, and produced by Stanley Belton, it's the imperfections and unplanned happenings that are the real joy of this ode to 1960s and 1970s psychedelic rock & roll will modern beats. A striking follow up to Wobble, it's fuzzy, crackly, angular and strikingly human considering it's fundamentally electronic. "Mellowmaker was made immediately after Wobble, I kinda see them as two sides of each other", Belton has been quoted as saying. "With these two albums I've attempted to crystallise how it feels to be stuck between a feeling of amnesia of the soul and the earthly experience of piloting a meat suit... I'm still chasing that longing intangible 'Hiraeth' feeling. The sense of wanting to find our way home to a place that maybe doesn't exist."
… Read more in stock $24.38
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Review: This essential metal album captures Black Sabbath at their most raw back in their formative years. It features their now-legendary April 1970 session for DJ John Peel and some visceral performances from Germany's Beat-Club in May of the same year. With early live renditions of era-defining tracks like 'War Pigs,' 'Iron Man' and 'Paranoid,' these tunes offer a gritty and unique glimpse into the band's rise as pioneers of heavy metal. With Tony Iommi's sludgy riffs, Ozzy Osbourne's haunting vocals and a rhythm section that redefined heaviness, it's easy to see how Black Sabbath's genre-defining legacy got its start.
… Read more in stock $28.57
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Paranoid 1970 (limited numbered pink & purple splattered vinyl LP)
Cat: SGVNY 150. Rel: 27 Jan 25
Metal
Review: The year 1970 truly served as the dawn of Black Sabbath with not only the release of their iconic self-titled debut LP but also their even more legendary sophomore follow-up Paranoid also arriving the other end of the calendar. Embarking on a mammoth 121 date tour across Europe and the United States, kicking off in Swansea, Wales in September all the way through to April 1971, the middle point just before Christmas saw the metal pioneers land at L'Olympia, Paris on 20th December 1970 for a grandiose performance made up of some their greatest works and legitimately the most vital metal tracks of all time. From the opening riffage of the quintessential title-track to the resurgent 'Iron Man', the proto-doom stylings of 'N.I.B' and 'Behind The Wall Of Sleep' to the ultimate anti-war anthem 'War Pigs', this setlist reads almost exactly like the first disc of one the band's many greatest hits collections, as it just so happens that this early in their tenure, they'd already penned such a bevvy of classics. Pulled directly from the soundboard, this is Ozzy and co in their absolute prime before ego and mass quantities of narcotics would join as a permanent fifth member.
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Review: During Wellington's cultural renaissance, The Black Seeds emerged as trailblazers and soon hooked in audiences with their energetic live shows and earning a reputation as summer festival favourites. In 2004, they blended funk and soul into their signature roots-reggae style to create this, their second studio album which became not only a Triple Platinum album but also a defining moment in modern New Zealand music history. Featuring three hit singles and including the Quadruple Platinum anthem 'So True,' this record embodies the Kiwi summer spirit and Gareth Moon's accompanying video with the band cruising sunlit locales in a classic Holden wagon only cemented that legacy.
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Review: This new record from Black Swan evokes a desolate post-collapse world that is detailed with haunting choirs, mangled tapes and distant industrial sounds. The album unfolds like a requiem by pulling beauty from the ruins of a collapsed society. With an hour-long narrative, it shifts between rippling hums and plaintive quivers of old cassettes, slowly revealing a heart that beats beneath the crimson haze. Tracks like 'Overture' and 'Back to Dust' offer cinematic grandeur and mournful exploration, while 'Pseudotruth' and 'New Gods' introduce eerie uncertainty. In the end, the album serves as a haunting meditation on loss, memory and the fragility of civilisation.
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Love Dub (Collectors Edition) (limited cherry red vinyl LP with obi-strip)
Cat: CULF 7837711. Rel: 13 May 25
Roots/Lovers Rock
Review: Originally released in 1990, Love Dub is a landmark in the dub landscape that reimagined the group's iconic material through a deeper sonic lens. With the legendary Prince Jammy at the controls, the album strips the majority of the vocals and amplifies the essence of the Black Uhuru sound-throbbing basslines, hypnotic rhythms and masterful use of echo, delay and reverb. Each track unfolds into a spacious, atmospheric journey that pushes the boundaries of reggae into more experimental terrain. Love Dub is more than a reinterpretation-it's a testament to Black Uhuru's legacy and Prince Jammy's visionary touch.
… Read morePlayed by: Juno Recommends Reggae
in stock $29.97
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Positive & Positive Dub (remastered) (gatefold 180 gram vinyl 2xLP)
Cat: DIGLP 016. Rel: 09 Jan 25
Roots/Lovers Rock
Review: Legendary reggae group Black Uhuru's double album Positive & Positive Dub blends their iconic roots reggae sound with modern dub influences. Originally released separately in 1987, the albums are now reunited as a double vinyl gatefold featuring their original covers. Produced by Grammy-winner Horace Campbell, Positive includes ten powerful cuts while Positive Dub offers up eight mesmerising versions that were recorded at renowned studios like Tuff Gong and mixed at Lion & Fox in Washington. With over 40 years of reggae excellence and a Grammy-winning legacy, Black Uhuru continue to captivate.
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Review: The Blackbyrds, Washington Direct-Current pioneers of jazz-funk from the early 70s, overloaded the jazz circuit with City Life, a hair-frying album renowned for its flowing, fulminous rhythms. Core tracks 'Happy Music' and 'Rock Creek Park' set the stage for a long sampling legacy: the latter was famously sampled by both De La Soul and Nas, on 'Bitties In The BK Lounge' and 'Fried Chicken' respectively. This reissue, cut from the original tapes (AAA) by Kevin Gray and pressed on 180-gram vinyl at RTI, reupholsters the Blackbyrds' debut worm-catching funk pecks for the world's ears to witness once more.
… Read morePlayed by: Craig Charles Funk And Soul
in stock $40.32
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Don Blackman (limited numbered 180 gram audiophile red vinyl LP)
Cat: MOVLP 3639R. Rel: 20 May 25
Funk
Review: Don Blackman's 1982 self-titled debut is an underrated jazz-funk gem that fuses soul, funk and jazz-fusion into a sophisticated groove-laden journey that was produced by Dave Grusin and Larry Rosen for GRP Records. The album showcases Blackman's keyboard wizardry and soulful vocals across standout tracks like 'Heart's Desire' and 'Holding You Loving You.' With playful cuts like 'Yabba Dabba Doo,' it balances polish with joyful experimentation and though not a commercial hit, its influence has quietly grown and ir has been sampled by hip-hop greats and revered by collectors alike. This reissue reaffirms its status as a cult classic and a crucial slice of 80s funk.
… Read morePlayed by: Pete Haigh
in stock $32.48
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Don Blackman (gatefold 180 gram vinyl LP + booklet with obi-strip)
Cat: VMP 2226LP. Rel: 23 Jan 25
Funk
Review: Don Blackman's self-titled debut, released in 1982, is a jazz-funk masterpiece that has long been overlooked despite its significance in the genre. While it may not feature the familiar production of P-Funk luminaries like George Clinton, its essence resonates deeply within the Venn diagram of funk, soul and jazz-fusion, placing Blackman at the center of a unique musical nexus. Produced by Dave Grusin and Larry Rosen for GRP Records, the album stands alongside other funk classics like Fuzzy Haskins's A Whole Nother Thang and Bernie Worrell's Blacktronic Science. Tracks like 'Hearts Desire', with its captivating slap bass groove and 'Holding You, Loving You', showcasing romantic lyrics and harmonies, exemplify Blackman's artistry. His blend of aggressive jazz-funk is not only infectious but also reveals a distinctive sound that deserves recognition. This reissue of Blackman's album serves as a timely reminder of its place among the top funk records.
… Read more in stock $36.14
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Mr Scrapper's Blues (Bluesville Acoustic Sound Series) (180 gram vinyl LP with obi-strip)
Cat: CRF 1699241. Rel: 21 May 25
Blues
Review: Scrapper Blackwell's final recordings, laid down in Indianapolis in 1961, marked the return of a blues guitarist and singer who had been silent since the mid-30s. Mr. Scrapper's Blues was released posthumously in 1962, just after Blackwell was shot and killed - a stark coda to a career shaped by both brilliance and misfortune. First out on Prestige's Bluesville sublabel, this stark, unclipped LP finds Blackwell alone at the mic, handling guitar, piano and vocals himself. The South Carolina-born, Indiana-raised musician earned early fame through his trailblazing partnership with Leroy Carr in the late 1920s and 30s, before vanishing from music entirely following Carr's death. This 180-gram reissue from Craft revives that late-career spark via an all-analogue mastering by Matthew Lutthan.
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Review: Ruben Blades is a singer but also a former Minister of Tourism of Panama, actor, activist and composer. He is a master of Latin jazz and for this album On Fotografias he reunites with the exceptional Roberto Delgado to continue a partnership that has defined his recent work. The Grammy and Latin Grammy-winning ensemble masterfully navigates an array of styles and bring fresh energy to eight of Blades' compositions. Their virtuosity shines through rich arrangements which are a colourful and sunny mix of salsa, jazz, and tropical rhythms with seamless precision. Blades' storytelling remains as compelling as ever as his lyrics are infused with nostalgia, social commentary and poetic depth.
… Read more in stock $40.90
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Review: Art Blakey and the Jazz Messengers' unforgettable 1958 concert at Club Saint Germain in Paris is finally available in full, spread across three LPs in red, white and blue, paying homage to France. This set brings together Lee Morgan's searing trumpet, Benny Golson's soulful sax, Bobby Timmons on piano and Jymie Merritt's steady bass, with Parisian local Kenny Clarke joining on drums for 'A Night in Tunisia.' The energy is electric and it's easy to hear why this performance took home the 1959 Grand Prix du Disqueiit's jazz history in action.
… Read more in stock $49.29
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Review: This 1981 jazz masterpiece showcases a remarkable ensemble performance, capturing the essence of both tradition and innovation. The album features a young, vibrant lineup, with standout contributions from trumpet, saxophone and piano, each player bringing a unique voice to the compositions. The interplay between the musicians is seamless, with the rhythm section providing a dynamic and supportive foundation, while the horns soar with bold, searing solos. The compositions are varied, with mid to up-tempo tracks that never feel repetitive, driven by intricate arrangements and vibrant melodies. The drumming is particularly exceptional, with complex rhythms that weave in offbeat syncopations and ghost notes, adding an extra layer of excitement to every track. The cohesion of the ensemble is palpable, as each player seems in tune with one another, creating a sense of unity that elevates the music. The solos are both lyrical and energetic, with moments of searching intensity that reflect the band's deep understanding of jazz language. While it's an updated take on the modern jazz sound, the album maintains the urgency and spontaneity of the genre's golden age.
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Review: Recorded during the same intense August 1960 sessions that produced another iconic album, this release showcases the brilliance of a hard-bop quintet, combining fiery improvisation with introspective ballads. The album opens with a standard tune that became a regular feature in the group's live sets, setting the stage for a collection of original compositions. Lee Morgan's 'Johnny Blue' stands out with its infectious blues line, while Wayne Shorter's compositionsiparticularly 'Sleeping Dancer Sleep On'ireveal his growing mastery of melody and complex chord changes. The track is a highlight, with lush, gospel-funky piano and a slow, stunning waltz rhythm. Shorter's 'Noise in the Attic' is a powerful drum showcase, allowing for blistering solos from the horns but placing special emphasis on the piano work. 'Giants', another Shorter composition, closes the album with a hard-bop anthem that keeps the energy high and steady throughout. While Blakey typically dominates with his high-energy drumming, here he takes a more restrained role, allowing the melodies to breathe. The synergy of the quintet is palpable, with Bobby Timmons' percussive piano providing a dynamic counterpoint to the horn lines.
… Read more in stock $29.42
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Review: Mike Mitchell is an American drummer from Dallas, Texas, who records as Blaque Dynamite. He plays across jazz, hip-hop and fusion and has worked with greats old and new like Erykah Badu, Herbie Hancock and Kamasi Washington. As a solo artist, he has dropped two albums in the last two years, and Stop Calling Me from 2023 is one that now makes it way to vinyl. It is a wild ride between intense jazz workouts that recall Sun Ra, smoky deep house that taps into Detroit and downbeat explorations like 'I'm Not Trippin'' that are densely layered, textural and infused with a new kind of soul.
… Read more in stock $48.74
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Godspeed (B-STOCK) (gatefold 2xLP + insert)
Cat: 5054197 441950 (B-STOCK). Rel: 01 Jan 90
Deep House
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
The Blessed Madonna riffs on an immensely successful DJ career so far with the announcement of her debut album, Godspeed. So far, the public is only privy to the bonus single 'Happier', featuring singer Clementine Douglas, a pristine bubblegum dance number turbid with the bittersweet taint of melancholy on the part of the latter singer, and a driven, victorious feel in the production by theThe Blessed Madonna, personally known as Marea Stamper, herself. We can happily disclose, however, that the rest of the record is just as infectious and technical in equal parts, with earworming bass movements backed by stark breakbeat breakdowns and nostalgic moods, all cementing the moving story of Stamper's comeup on the international scene.
… Read moreThe Blessed Madonna riffs on an immensely successful DJ career so far with the announcement of her debut album, Godspeed. So far, the public is only privy to the bonus single 'Happier', featuring singer Clementine Douglas, a pristine bubblegum dance number turbid with the bittersweet taint of melancholy on the part of the latter singer, and a driven, victorious feel in the production by theThe Blessed Madonna, personally known as Marea Stamper, herself. We can happily disclose, however, that the rest of the record is just as infectious and technical in equal parts, with earworming bass movements backed by stark breakbeat breakdowns and nostalgic moods, all cementing the moving story of Stamper's comeup on the international scene.
in stock $33.05
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Review: Canadian jazz pianist and composer Paul Bley dropped this solo album in 197 on ECM, a year after he originally recorded it on September 11, 1972. It remains a landmark in ECM's solo piano legacy following Chick Corea's Piano Improvisations and Keith Jarrett's Facing You for the way it weaves a deeply expressive narrative and includes compositions by Carla Bley and Annette Peacock as well as Bley's own innovative reinterpretations of jazz standards. Tracks like 'Harlem' and 'Started' deconstruct familiar melodies into dreamlike abstractions and offer a new approach to free balladry. As biographer Greg Buium notes, the album remains "an imperishable gem."
… Read more in stock $36.69
