Back catalogue: All genres

Notes: Cool hybrid mixer/recorder/interface approach from PreSonus. Analogue mixer with multi-channel interface or digital recording to SD card in the unit. Versatile.

Supplier's notes:
With its instantly familiar analogue mixer design, the StudioLive AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analogue front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c's hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analogue EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfils the needs of both modern musicians and content creators.

A full-featured audio interface:

The StudioLive AR8c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the six inputs, plus the main mix, for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks - plus sound effects, loopback audio, and more. Four lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analogue mixer front-end makes connecting your gear to your computer intuitive. With a USB-C compatible connection, your StudioLive AR8c is ready to use as an audio interface for nearly any computer.

The channel that does it all - even Bluetooth connectivity:

The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the 1/8-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favourite recordings.

The all-in-one recording package:

The StudioLive AR8c audio interface and analogue mixer is tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Create multitrack recordings for your podcast or band with one click thanks to PreSonus' Capture live recording software. Capture is designed to make recording easy. Create complete studio productions with our award-winning Studio One Artist DAW to add effects, bumpers, and more. With two professional recording applications included with your StudioLive AR8c, you're ready to record right out of the box whether you're creating a podcast, live streaming your performance, or recording your first EP.

Record whenever and wherever you want:

Whether you're recording a mobile interview for your podcast or you're in the middle of a songwriting session and want to capture your ideas as quickly as they come to you, the StudioLive AR8c's stereo SD recorder has you covered. Insert any SD/SDHC card and you're ready to record your main mix, so you can simplify your recording process whenever you want. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency:

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer's onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too - with or without the dry channels - to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look:

Packed with all the connections and controls needed to mix and record podcasts, live streams, and music productions, the StudioLive AR8c is the ultimate recording solution. The two mono channels and two stereo channels include a musical three-band EQ, plus one of PreSonus' famed XMAX high-gain mic preamps. The USB-C compatible connector ensures your StudioLive AR8c audio interface will be the centre of your studio for years to come. With high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR8c is the perfect recording and mixing solution for the modern musician and content creator.

Notes: Cracking value in this brutalist beauty manufactured by Bristol's Future Sound Systems. Interesting features like wave-shaping VCOs and Sallen-Key filter make it the ideal starting point for a bigger modular setup.

Supplier's Notes:
Malevolent has been designed by Paul Whittington in collaboration with Bristol based synth manufacturer Future Sound Systems who have provided the analogue circuitry, and Ben Supper who developed the control interface:

Paul has a had a long career in developing products for some of the biggest names in the industry and is now using his expertise to build instruments, bringing in talents from friends he's made during his tenure in development.

Future Sound Systems are a renowned Bristol based synthesizer manufacturer, who are responsible for some of most forward-thinking designs on the market, they specialize in modular and semi-modular synthesizers & their design prowess is very apparent in Malevolent.

Despite its diminutive size, Malevolent sounds big, aggressive and is capable of everything from soaring leads, huge bass sounds, percussive phrases, weird sound FX and more.

It's form factor, user interface and price point make it a great option for those taking their first step in the modular domain, but it's unique sound, extensive modulation capabilities and the options for integrating seamlessly with other synthesizers, makes it a great option for experienced user who's looking for something a little different.

Modular Pure Analogue Synthesiser

Pure Analogue signal path designed by Future Sound Systems
Pure VCOs

19 Outputs and 19 Inputs for 3.5mm mono jack cable patching
Normalised signal path for immediate sound Malevolence
Additional rear panel line out
Additional headphone out


2 Voltage Controlled Oscillators
Saw / Triangle / Pulse outputs plus Mix for each oscillator
1V/Oct pitch control input
Shape control / pulse width modulation input
2x Frequency Modulation inputs
Coarse / Fine tune control
Shape mod amount control
FM1 and 2 mod amount controls
Shape control
Selectable waveforms for the mix output
Individual osc level control


LFO (Low Frequency Oscillator)
Triangle / Square wave outputs
Rate control

2x Envelopes
Individual ADSR controls for each envelope
Individual gate inputs
Individual envelope outputs


Multi-mode 2 pole VCF (Voltage Controlled Filter)
Low pass / Band pass / High Pass individual inputs
2x Frequency Modulation inputs with amount controls
Filter cutoff
Filter resonance


Mixer
Noise w/level control
Aux input w/level control


VCA (Voltage Controlled Amplifier) with overdrive control
Compatible with Eurorack standard 1V/Oct gear
Monophonic and patchable allowing individual pitch control of each VCO and gate control of each envelope
USB bus-powered
MIDI In / Out
Headphone out
Line out
Analogue clock in & out


USB-MIDI to 1V/Oct CV & gate conversion
All pitch and gate control is fully analogue
Analogue clock In / Out


Multi-function Joystick control
Left / right for pitch bend
Performable portamento
Performable vibrato
This is in addition to the analogue LFO
Latching hold mode


Arpeggiator
6 arpeggiator types
Up, Down, Up/Down 1, Up/Down 2, Played & Random
Auto clock sync
Detects analogue / MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Selectable sync rates when clock detected
Rate / sync control
Latch
6 Octave range
Analogue / MIDI / USB-MIDI Clock output when arpeggiator is running


Keyboard Control
32 Velocity-sensitive mini-keys
Octave shift +/- 4 octaves
Pitch output
Velocity output
Gate output
Local Off mode for DAW use


Includes:
5 Patch cables

Power Supply (9V 600mA)
USB C lead

Getting Started Guide


Weights and Dimensions:

Product (unboxed):
490 x 250 x 80 mm
2.61 kg

Product (boxed with contents):
690 x 320 x 160 mm
3.70 kg

Notes: Co-developed with Laidback Luke and designed for seamless integration with Algoriddim's djay Pro software, the Mixtour Pro is a compact four-deck controller with built-in audio interface. Great value and super portable.

Supplier's Notes:
The future of DJing

The Reloop Mixtour Pro exceeds expectations in the tiniest of spaces and provides a professional yet portable solution for the club and festival scene. The ultra-compact DJ controller was developed in close collaboration with legendary DJ & producer, Laidback Luke and is specifically designed to use seamlessly with Algoriddim's award-winning Djay Pro software.

Mixing with up to four decks

Despite its small size, the Mixtour Pro is capable of supporting four-deck mixing with its powerful and intuitive controls. Thanks to the illuminated transport section with dedicated coloured LEDs, users are always informed of whether decks 1 and 2 or decks 3 and 4 are currently active. The aluminium browse encoder and designated load buttons allow for efficient library navigation and instant loading of tracks.

Professional design and FX control

The Mixtour Pro's two channel strips with their trusted design are fitted with all the important controls for a modern DJ setup. Each channel features an electroplated bi-polar sound filter (LPF/HPF) with a dedicated LED indicator, in addition to gain and three-band EQ. The convenient FX paddles allow the user to trigger effects in bursts via FX Hold mode or to apply them indefinitely via FX On mode. A large, electroplated dry/wet knob controls the intensity of the effect, while the two dedicated parameter buttons offer complete control over the effect parameters. The lower performance area is fitted with 45mm Ultra Glide crossfader and line faders, for the smoothest operation in the mix.

Made for Djay & Neural Mix

The Reloop Mixtour Pro unlocks Algoriddim's Djay Pro software and incorporates their revolutionary Neural Mix™ technology into the workflow with dedicated controls. This allows DJs to isolate and manipulate individual drums, instruments, and vocals from any tracks in real time, expanding creative mixing capabilities to a whole new level. This feature is toggled easily and intuitively with the press of a button and controlled via the EQ controls of the two channel strips.

Crossfader Fusion™

The Mixtour Pro is also the first DJ controller to support Algoriddim Djay Pro's revolutionary Crossfader Fusion feature. DJs are now able to select from a range of creative transition styles that are automatically applied when mixing from one song to another, delivering a perfect mix every single time with the simple slide of the crossfader.

Flexible performance pad section

Eight performance pads with RGB lighting provide users with more creative options with a wide range of modes including Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip and Neural Mix™. Furthermore, all eight pads can be assigned to control one channel in single pad mode, or four pads can be assigned to a channel each via split pad mode.

Full control: the transport section

The Mixtour Pro's sophisticated transport section enables a smooth and efficient workflow. It features four rubberized buttons for each channel to control Play / Pause, Cue, and Sync respectively, while the signature "Laidback Loop" button independently offers instant looping (In/Out/Exit) with a single control. This transport section also offers secondary layer functions to control Auto Loop, Key Match, Pitch Bend, and Key Shift. The transport buttons also illuminate in 2 different colours representing decks 1 and 2 or decks 3 and 4, respectively, keeping the DJ clearly informed when performing.

USB-C design for multi-platform & device support

The Reloop Mixtour Pro provides impressive compatibility options when pairing it with a device and platform. A smartphone, tablet or computer can all be conveniently bus-powered thanks to the modern USB-C architecture. The unit also houses a second USB-C PD port, capable of up to 85W to efficiently daisy-chain a power supply, allowing the device and controller to be powered simultaneously. Algoriddim's Djay Pro is available for iOS, iPadOS, macOS, Windows, and Android for even more cross-platform versatility.

Stream it!

In addition to performing with locally stored music, the Reloop Mixtour Pro together with Algoriddim Djay offers access to millions of tracks on demand via major streaming servicesj such as Tidal, SoundCloud Go+, Beatport Streaming, and Beatsource Streaming. These different sources can all be mixed together and even combined in the same playlists within Djay Pro.

Powerful audio quality

As the name suggests, the Reloop Mixtour Pro also delivers in regards to professional audio. The integrated 4x Out USB interface with high-quality D/A converters from Cirrus Logic enables first-class 24-bit sound with low latency. Direct connection is provided via gold-plated RCA outputs and a 3.5mm headphone jack.

Internet connection and a Apple Music, Tidal Premium or HiFi or SoundCloud Go+ subscription required. Tidal Premium or HiFi and SoundCloud Go+ subscriptions include access to Beatport Streaming and Beatsource Streaming.

The app's functionality may vary depending on the platform used. Only Pro functions that can be operated with the controller are activated without a subscription.

Technical data

Inputs: USB (type C) DC IN port (max. PD 85 W)
Outputs: Master RCA (unbalanced), headphones 3.5 mm stereo jack, USB (type C) data port
Dimensions: 129(W) x 310(D) x 51(H) mm
Weight: 956 g
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl. USB-C to USB-C cable, RCA cable and instruction manual

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: ***B-STOCK: Box opened, product in perfect working order***


*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: White version of Rode's user-friendly, all-in-one production studio. Aimed at podcasters and content creators, the RodeCaster Duo makes it easy to achieve great results.

*** Software update October 2024 ***

Introducing a massive update for the RODECaster Pro II and RODECaster Duo - virtual devices have landed!

This new feature allows users to treat their software as if it were a microphone connected to their RODECaster. This means they can assign each app to a fader and individually apply effects and processing, create custom routing and record them individually.

This update is currently available in beta, with a full public release coming soon. To access virtual devices whilst in beta, users will need to join the RODECaster Beta Program.

Supplier's Notes:
The RODECaster Duo is the ultimate compact audio solution for podcasters and content creators. Combining revolutionary features with superior sound quality, endless customisability and unmatched ease of use, the RODECaster Duo is all you will ever need to record incredible audio for your content.

Everything You Need to Sound Spectacular:

The RODECaster Duo is the world's most powerful all-in-one audio production solution. Condensing a complete professional broadcast studio into a compact and intuitive console, it gives you everything you need to sound spectacular, whether you're podcasting, streaming or creating any kind of content. Loaded with cutting-edge next-gen features and supercharged by a high-performance quad-core audio engine, this is all you need to produce exceptional content.

Incredible Audio, Incredibly Easy:

The RODECaster Duo is incredibly simple to navigate with its large high-definition touchscreen, tactile rotary encoder and broadcast-quality faders giving you hands-on control over every aspect of your sound. Get your project set up in seconds, and with professionally tailored presets and the intuitive VoxLab processing editor, you can dial in your perfect sound with the tap of button or twist of a knob. It's never been easier to create amazing content.

Specifications

Acoustic, video & electrical

Frequency Range
Mic Inputs: 20Hz - 20kHz

Monitor Outputs: 20Hz - 20kHz

Microphone Input Impedance: 4KO
Instrument Input Impedance: 1MO
Preamplifier Gain Range: 0 - 76dB
Equivalent Noise: -131.5dBV (A-weighted)
Line Output Maximum Level:4dBu
Headphone Output Power: 250mW
Power Requirements: USB-C PD (9V, 3A)
Analogue Audio Input Connectivity: 2 x combo jack (mic, instrument, line), 1 x 3.5 TRRS headset jack (I/O)

USB Interface 1: 1 x 2-in/14-out multichannel device, 1 x 2-in/2-out with mix-minus
USB Interface 2: 1 x 2-in/2-out with mix-minus
Bit Depth: 32 Bit (USB1), 24 Bit (USB2)

Sample Rate: 48kHz
Recording Storage: microSDHC, microSDXC, USB-C removable drive (exFAT - minimum 100MB/s)
Data Transfer: USB 3.0 SD card reader 130MB/s
Network Connectivity: WiFi 802.11g/n/ac 2.4GHz and 5GHz, Ethernet 100/100
Internal Storage (GB): 4GB (SMART pads)
OS Requirements: macOS 10.15 or later, Windows 10 Version 1803 or later, Windows 11

Mechanical

Weight (grams): 1131

Dimensions (millimetres)
Length: 235
Width: 225
Height: 76

Notes: Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: Shik's 32-knob MIDI controller offers customisable, rock solid performance. Set up macros, program knobs to control your key parameters and develop your own hands-on performance interface.

Supplier's Notes:
A Versatile Macro MIDI Controller

Simplify Your Workflow, Manage Multiple Parameters with a Single Knob

Juggling complex controls can disrupt your creativity. The N32B Slim, with 32 programmable knobs and up to 4 macros per knob, makes managing multiple instruments seamless and intuitive.

Customize each macro to send MIDI messages, define ranges, invert directions, assign channels, and select output ports - offering unmatched flexibility for your setup.

Versatile MIDI Message Support

The N32B Slim is built to handle a wide range of MIDI messages, offering precision and adaptability for any musical setup. Supported message types include:

Control Change
Program Change
RPN
NRPN
Aftertouch
High-Resolution MIDI
System Exclusive (SysEx)

MIDI Thru & Outputs

The N32B Slim offers MIDI Thru functionality and flexible output options, including MIDI-USB, TRS, or both simultaneously. Each macro can be individually configured to send messages to a specific output, giving you precise control and seamless integration with any setup.

High-Resolution Mode

With 4095 steps, the N32B Slim delivers exceptional precision compared to the standard 127 steps of most controllers. Fine-tune your sound with unparalleled detail for truly expressive adjustments.

Compact and Portable

The N32B Slim measures just 20.8 cm x 13.5 cm (8.19" x 5.31") with a sleek 1.9 cm (0.74") enclosure. Lightweight and travel-friendly, it fits effortlessly into your bag, making it an ideal companion for studio and on-the-go production.

Stylish and Strong

Designed with a sturdy metal frame, the N32B Slim is built to perform and look great in any setup. Its sleek design and durable construction make it a reliable, long-lasting addition to your gear.

Easy Customization

Fine-tuning your workflow is simple with the N32B Slim's intuitive web editor. Configure each macro to send any MIDI message type, define ranges, and adjust parameters with precision - all in just a few clicks.

Specs

Midi Message Types: Control Change, RPN, NRPN, Program Change, Aftertouch, SysEx
Resolution: High resolution - up to 4095 steps
Channels: 16 Global channels. Supports custom channel assignment for each macro
Presets: 10 quick presets, easily managed via our web editor with the ability to import/export unlimited presets.
Macros: Up to 4 macros for each knob
MIDI I/O: IN, OUT, THRU - TRS 3.5mm (1/8"), MIDI USB
Power: 1 x USB Type C
Compatibility: Mac, Windows

Scope of delivery:

N32B Slim MIDI Controller

1 x USB C to USB A cable

1 x TRS to MIDI DIN5 Adapter

Notes: Offering optimum protection for transporting and storing your Flux synthesiser, this case of coated multiplex, with aluminium edge protection and two butterfly locks. Foam padding inside for protection and multiple accessory compartments contained within.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: Sonicware's 'neo-hyperactive' drum machine takes a proudly digital approach to rhythm, offering some fascinating creative takes on synthesis and beat making. Create and perform with generative patterns and randomisation.

Supplier's Notes:
CyDrums | Expressive Drum Synthesiser

4D Drum Sound Evolution
22 Custom-Built Sound Structures
Versatile Effects & Flexible Routing
Powerful 8-Track Beat Making
Endless Creative Possibilities

Included:

- CyDrums unit
- 32GB SD card preloaded with many preset programs
- Power Supply Unit
- Warranty
*Batteries, USB cable and the other connection cables sold separately.

4D Drum Sound Evolution

Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve

22 Custom-Built Sound Structures

22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities

Versatile Effects & Flexible Routing

Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing

Powerful 8-Track Beat Making

Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer

Endless Creative Possibilities

Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop

Wavetable x Velocity & Pressure Modulation = 4D Drum Sounds That React, Transform, and Evolve

CyDrums offers 64 original wavetables, each comprising up to 256 single-cycle waveforms. With full control over start/end positions, playback directions with modes, speed, and curves, the sonic possibilities go far beyond imagination.

22 Sound Structures Tailored to Each Instrument for Endless Sonic Possibilities

CyDrums features 22 sound structures specifically tailored to each instrument, combining dual Wavetables, Noise, and Pulse sources to deliver sounds that range from classic drum machine tones to deep, innovative sonic exploration.
No need to start from scratch

CyDrums offers 520 ready-to-use preset sound patches, covering classic drum machine tones, synth bass, and FX.

Find them quickly with the tag search feature.

Two Insert Effects, Reverb, and Master Effects with Flexible Routing for Versatile Sound Processing

CyDrums delivers five versatile effect routing modes, allowing you to assign any track to specific effects via BUS Routing.

Non-Stop, Intuitive Beat Making Powered by an 8-Track Drum Sequencer

CyDrums boasts a powerful 8-track, 128-step sequencer based on the acclaimed workflow of the Lofi-12 XT. Unlock the freedom to experiment with odd time signatures and evolving polyrhythms.

Store up to 128 patterns per project, enabling you to create complex song arrangements or seamlessly switch patterns during live performances.

Generative Patterns with Randomization and Probability, Plus Numerous Performance Features incl. VariSpeed and Snip Loop

CyDrums empowers your creativity with powerful generative pattern tools.

Randomization lets you craft unique variations per track or control all parts in real time, while Probability allows you to set trigger chances from 25% to 100% for tracks or individual notes-sparking endless possibilities and new musical discoveries.

Seamless Integration with Your Setup

TRS analogue output, digital output via USB, MIDI in/out, and AudioSync for effortless DAW and hardware compatibility.

Compact, Battery-powered, and Built-in Speaker

CyDrums is designed for inspiration anywhere-from your living room to the outdoors.

- A single project contains:
128 patterns (incl. 32 preset patterns)
16 songs
Up to 256 projects can be stored.
- 1,024 sound patches (incl. 520 preset sounds)
- 256 effect patches
- 128 drum kits
- Polyphony: 1 voice per track + USB & External stereo audio
- Realtime non-quantize recording (with MicroTiming edit)
- Directly enter notes for each step when playback is on or off
- Duplicate to extend a sequence
- Copy and paste function for various parameters between tracks
- Parameter Lock function to record parameter settings for each step
- Drum roll with the D-pad
- Play chromatic/scales in Pad mode
- Enter longer notes (Tied notes)
- Diverse Mute features?
- Pattern BPM / Global BPM can be set
- Switching between half-speed and double-speed BPM
- Metronome and pre-count function

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls

Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (Omni-directional, 94dBSPL)

Built-in Speaker: Mono x1 (1.5W 4O)

Audio Inputs
INPUT L/Guitar (Switchable 10k and 1M impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R/Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port
micro USB Type-B
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately

MIDI ports
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole
1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply
DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories

32GB SDHC card preloaded with many preset programs
Power Supply Unit
Warranty
*USB cable and the other connection cables sold separately

Notes: Black version of this vintage-inspired 12-bit sampler from Sonicware. Inspired by 80s sampling workstations, and including over 2,500 samples to get you started, the Lofi-12 is a creative powerhouse.

Supplier's Notes:
Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

Notes: *** Version 1.3 features enhancesd drum tracks. ***

Portable hand-held sampler with serious power, originally launched on Kickstarter and now in production. One-touch sampling via a range of inputs, internal sequencer, built-in effects and resampling.

Supplier's Notes:
Easy Sampling

You can easily sample any sounds with the built-in microphone, your microphone or electric guitar connected to the input, or even a USB-connected smartphone or PC/Mac.

You can even sample applying an insert effect. For example, your electric guitar can be added to Distortion or your vocal to Compressor.

Sampled sounds can be quickly assigned to pads with auto-slicing, and can also be edited manually in detail by viewing the waveform display.

Sampled sounds can also be easily matched to the tempo and key of your song.

You can also resample a sequenced phrase of sampled sounds including applied effects.

Flexible Song-making

Each song project has 16 sequential parts called "Scenes". Each Scene has 10 sequencer tracks which can behave in different ways, as described below:

- Loop Track: Sequencer for a looping sample
- Shots Track: Sequencer for a single one-shot sample
- Drum Track: Step sequencer for drums
- Instrument Track: Piano roll type sequencer for musical instruments
- MIDI Track: Piano roll type sequencer for external MIDI equipment

Three additional Global Audio Tracks are available for longer recordings like vocals and external instruments. These tracks can record multiple takes which can be spliced into a final perfect version. Traditional "punch-in" style recording is also supported.

Easily structure a full song by sequencing scenes and setting how many times they repeat before moving to the next scene. You can set the order of scenes via a copy function.

A song can be mixed down through a mastering effect, and be exported to a single audio file or individual audio files (stem files) for each track.

Effortless Music Streaming

You can stream your music in perfect quality with a single USB cable, without any driver installation or troublesome menu settings.

You can livestream your voice and performance in real time while playing along with your song. And they can be controlled with crossfading and mixing with effects.

Massive Sample Libraries

More than 500 high-quality sample sounds are available (for download), so you can start creating a songs right away, even if it's your first time.

Samples you record are stored to the SD card. In Crad Reader mode you can download your recordings, or import new samples from your PC/Mac.

36 types of internal DSP effects can be used as the insert, send, and master effects.

Versatile Connectivity

The SmplTrek can connect to a wide range of audio sources such as, dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/MACs or smartphones.

The SmplTrek can output audio via two analog outputs, or digitally via USB for live streaming and direct DAW recording.

It can also synchronize its tempo with other devices using MIDI or audio sync.

Maximum Polyphony:
35 voices
+ LOOP track + SHOT track + DRUM track + INST track: 30 voices
+ GLOBAL audio track: 3 voices (3 mono tracks)
+ USB audio track: 1 voice
+ External source: 1 voice
(DRUM track and INST track have a maximum of 8 voices each track. MIDI track can also output up to 8 notes each track.)

Sampling/Recording:
48kHz-16bit linear
Sampling Time: Maximum sampling time (size) for a single sample is approximately 180 minutes in stereo (2 GB).
Recordable Data: Depend on SD card *SD card sold separately
Data Format: WAV
Resampling, auto-slicing, time-stretching, pitch-changing functions
*SmplITrek requires an SD card for sampling. Supported SD cards are SDHC cards up to 32 GB. (SDXC cards are not supported.)

Sequencer:
Each song project has 16 scenes
1 scene contains 10 sequencer tracks and 3 additional audio tracks
Track Type
Loop Track: Sequencer for a looping sample (Max 10 tracks/project)
Shots Track: Sequencer for a single one-shot sample (Max 10 tracks/project)
Drum Track: Step sequencer for drums (Max 1 track/project)
Instrument Track: Piano roll style sequencer for musical instruments (Max 3 tracks/project)
MIDI Track: Piano roll style sequencer for external MIDI equipment. (Max
10 tracks/project)
Max. number of bars: 128 bars in Scene
Note Length: 1/1~1/32
Various copy functions
Transpose function
Real-time and non-real-time recording
Metronome, pre-count function

Effects: 36 types (Insert, Send, Master Effects)
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x 1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 4 O)

Connectors:

INPUT L / Guitar (Switchable 10kQ and 1MQ impedance) / Dynamic Mic
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
[MIC Gain] LOW: 0dB, NORMAL: +10dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port (micro USB Type-B)
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
AUDIO SYNC IN jack (mono 3.5mm mini jack type)
AUDIO SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot
DC IN connector

Power Supply:
DC12V output AC adapter (500mA, Inner Diameter: 2.1mm, Outer Diameter: 5.5mm, Polarity: Centre +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories:
AC Adaptor
Warranty
*SD card, USB cable and the other connection cables sold separately

Size and weight

Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Notes: The Power of Simplicity.

The SL Keyboards are nothing less than the reinvention of the high-end keyboard controller.

True innovation.

More than 30 years' experience in exclusive keybeds meets an all-new, powerful, operating system. Perfect for you to control your hardware and virtual instruments. All provided in a powerful new refreshing way. Working together with musicians we have created a user interface which is perfect for quick navigation and setup, but also gives you excellent in-depth control. The SL is ready to be at the very heart of your system.

A Great Keyboard for a Grand Touch.

The SL88 Grand uses the best-graded hammer action keybed with Ivory Touch and wooden keys, to give you the natural feel of a well balanced grand piano. Each of the keys provides 3 contacts for superior performance. The results of this combination are simply amazing. From the slightest pianissimo up to the strongest fortissimo, the keys translate every nuance of your performance in an inspiring and truly superb way.

The lightness of the authentic touch.

The SL88 and 73 Studio adopts the latest hammer action keybed technology from FATAR giving the best piano touch feeling. TP/100LR is remarkably lighter than any other. Each of the keys provides 3 contacts for superior performance. With the respect of the full weighted touch of the real piano action, the new design guarantees a very fluent and authentic feel. The results of this combination are simply amazing.

Form follows perfomance.

With its compact profile, the SL is an extremely portable professional controller. Thanks to a perfect integration with the keyboard, it weighs less than 14 Kg for the 88 Studio version and less than 12 Kg for the 73 version. Even with its high-end graded hammer action/wooden keyboard, the SL88 Grand weighs less than 21 Kg. The SL is studio and stage ready with a rugged full metal casing. Sculptured endcaps made of a highly resistant synthetic material help to shield the premium keybed perfectly and provide a safe grip when handling and transporting.

Total access with total ease.

Located in the centre of the instrument is a razor-sharp TFT colour display. In combination with the high quality six-way controller knob, you can navigate through all SL functions fast and with ease. Functions such as switching through the four zones are achieved by moving the controller, and then by clicking and turning the same knob again, you can select and adjust the desired parameter. Simple, intuitive and fast! Additionally, the three pushbuttons to the right of the control knob bring you back to the top-level from any location in the system with just one push.

Real-time control.

The SL offers three X/Y stick controllers, not just for performance but also for direct control and manipulation of any desired sound parameter. Stick one is spring-loaded for both X/Y directions. The typical use for this stick is pitch and modulation control. Stick 2 is spring-loaded in X direction only. Stick 3 is free in X and Y directions, ideal for panning, cross fading and parameter control. All sticks feature an elegant, aluminium control shaft which feels perfectly balanced and expressive between your fingertips.

Magnetic rail system.

With the innovative Magnetic Rail System at the rear of the SL, you can easily adapt a note stand or an extension plate to hold your written notes, music, laptop or tablet. It works as brilliantly easy as it looks. Just click the brackets into the backrail to match the position you need for your accessory items.

Package content
SL73 Studio
Studiologic PS100 switch pedal
Power adapter

Keyboard
73 Keys, TP/100LR Premium Hammer Action Triple switch detection system
Aftertouch
Touch:
Soft, Medium, Hard, Fixed (programmable)
6 Editable user velocity curves (with SL Editor)

Features:
250 Programs
12 Programs Groups
4 Programmable Zones
2 MIDI Ports separately assignable

Controls / UI:
3 Programmable sticks
Rotating encoder with navigation controls
3 Function buttons
Display
Colour graphic LCD - TFT
320 x 240

Connections:
Pedals: 2 switch, 1 continuous, 1 universal
MIDI: In, Out1, Out2
USB: USB to Host, MIDI, USB Powered

Power supply:
DC IN: 9V
Adapter
Input: 100-240V / Output: 9V-1A

Size & weight

Width: 104 cm / 41"
Depth: 31 cm / 12,2"
Height: 12,5 cm / 4,9"
Weight: 11,5 Kg / 25,3 lbs

Package content
SL73 Studio
Studiologic PS100 switch pedal
Power adapter

Compatible accessories:
Softcase SIZE B, SIZE C
Magnetic Music Stand TYPE A
Magnetic Computer Plate TYPE A

Pedals:
PS/100, PS/150, PS/250
VFP1/10, VFP1/15, VFP1/25
VFP2/10, VFP2/15
SLP3-D
VP/25, VP/27
FP/50

Notes: The Power of Simplicity.

The SL Keyboards are nothing less than the reinvention of the high-end keyboard controller.

True innovation.

More than 30 years' experience in exclusive keybeds meets an all-new, powerful, operating system. Perfect for you to control your hardware and virtual instruments. All provided in a powerful new refreshing way. Working together with musicians we have created a user interface which is perfect for quick navigation and setup, but also gives you excellent in-depth control. The SL is ready to be at the very heart of your system.

A Great Keyboard for a Grand Touch.

The SL88 Grand uses the best-graded hammer action keybed with Ivory Touch and wooden keys, to give you the natural feel of a well-balanced grand piano. Each of the keys provides 3 contacts for superior performance. The results of this combination are simply amazing. From the slightest pianissimo up to the strongest fortissimo, the keys translate every nuance of your performance in an inspiring and truly superb way.

The lightness of the authentic touch.

The SL88 and 73 Studio adopts the latest hammer action keybed technology from FATAR giving the best piano touch feeling. TP/100LR is remarkably lighter than any other. Each of the keys provides 3 contacts for superior performance. With the respect of the full weighted touch of the real piano action, the new design guarantees a very fluent and authentic feel. The results of this combination are simply amazing.

Form follows performance.

With its compact profile, the SL is an extremely portable professional controller. Thanks to a perfect integration with the keyboard, it weighs less than 14 Kg for the 88 Studio version and less than 12 Kg for the 73 version. Even with its high-end graded hammer action/wooden keyboard, the SL88 Grand weighs less than 21 Kg. The SL is studio and stage ready with a rugged full metal casing. Sculptured endcaps made of a highly resistant synthetic material help to shield the premium keybed perfectly and provide a safe grip when handling and transporting.

Total access with total ease.

Located in the centre of the instrument is a razor-sharp TFT colour display. In combination with the high quality six-way controller knob, you can navigate through all SL functions fast and with ease. Functions such as switching through the four zones are achieved by moving the controller, and then by clicking and turning the same knob again, you can select and adjust the desired parameter. Simple, intuitive and fast! Additionally, the three pushbuttons to the right of the control knob bring you back to the top-level from any location in the system with just one push.

Real-time control.

The SL offers three X/Y stick controllers, not just for performance but also for direct control and manipulation of any desired sound parameter. Stick one is spring-loaded for both X/Y directions. The typical use for this stick is pitch and modulation control. Stick 2 is spring-loaded in X direction only. Stick 3 is free in X and Y directions, ideal for panning, cross fading and parameter control. All sticks feature an elegant, aluminium control shaft which feels perfectly balanced and expressive between your fingertips.

Magnetic rail system.

With the innovative Magnetic Rail System at the rear of the SL, you can easily adapt a note stand or an extension plate to hold your written notes, music, laptop or tablet. It works as brilliantly easy as it looks. Just click the brackets into the backrail to match the position you need for your accessory items.

Package content
SL88 Studio
Studiologic PS100 switch pedal
Power adapter

Keyboard
88 Keys, TP/40WOOD Graded Hammer Action, Ivory Feel
Triple switch detection system
Aftertouch
Touch:
Soft, Medium, Hard, Fixed (programmable)
6 Editable user velocity curves (with SL Editor)

Features:
250 Programs
12 Programs Groups
4 Programmable Zones
2 MIDI Ports separately assignable

Controls / UI:
3 Programmable sticks
Rotating encoder with navigation controls
3 Function buttons
Display
Colour graphic LCD - TFT
320 x 240

Connections:
Pedals: 2 switch, 1 continuous, 1 universal
MIDI: In, Out1, Out2
USB: USB to Host, MIDI, USB Powered

Power supply:
DC IN: 9V
Adapter
Input: 100-240V / Output: 9V-1A

Size & weight

Width: 126 cm / 49,6"
Depth: 31 cm / 12,2"
Height: 12,5 cm / 4,9"
Weight: 13,7 Kg / 30,2 lbs

Package content
SL88 Studio
Studiologic PS100 switch pedal
Power adapter

Compatible accessories:
Softcase SIZE B, SIZE C
Magnetic Music Stand TYPE A
Magnetic Computer Plate TYPE A

Pedals:
PS/100, PS/150, PS/250
VFP1/10, VFP1/15, VFP1/25
VFP2/10, VFP2/15
SLP3-D
VP/25, VP/27
FP/50

Notes: Process and generate synth sounds with the unique Magnetar distortion synth, based around distortion and fuzz circuits in series. Adjustable feedback and LFO modulation give super distinctive tones.

Supplier's Notes:
Magnetar is a dual distortion synthesizer featuring distortion, fuzz (connected in series), equalization/feedback, delay, and LFO. However, the capabilities of this synth go far beyond a simple sound processor. It can generate incredible sounds without any input, simply by tweaking the controls to create unpredictable sounds, perfect for drone, ambient, noise, and more. You can see it in action in the video. It's highly recommended to read the manual carefully, as the synth is very sensitive to input level changes. The level pots not only control the levels but also produce unique textures and intriguing sound variations.

Signal Chain: IN + DISTORTION + FUZZ + DELAY + OUT EQ + FB LFO MAGNETAR

Controls:

Distortion Module: (From left to right and top to bottom) In
Input level to the distortion Dist 1
Distortion level Hue
Distortion tone (the associated switch changes the tone) Tone
Equalisation In
Input jack Mod
LFO frequency (modulates GIG) Level
LFO level (modulates GIG) Takes DC 28V Feedback
From the distortion module Out - Output NXPTD
Feedback delay D/W
Delay effect level On/Off switch BP
Unit bypass

Fuzz Module: Level
Input level (linked to the distortion input) Gain
Gain Dist 2
Fuzz distortion level Fog
Changes the fuzz tone

Notes: The VSYSTEM-1 is a complete synth in a case of exactly the size of the Korg Volca synths. It contains the following AE modules:

2OSC/d (dual oscillator)
The 2OSC/d module contains two 1V/octave hybrid oscillators.
Each of them has:
one frequency knob plus a range switch +2 octaves
CV input (1V / octave)
PWM input
SYNC input
Sawtooth / Square / Sub-octave output

The pulse width knob controls either the pulse width of the first oscillator (with the second one having a fixed pulse width), or via a switch the second oscillator is also controlled by the pulse width knob. Both oscillators can be pulse width-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output waveform itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to gets a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!

WASP FILTER
This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.

MODULATORS (containing LFO, envelope, random voltage, VCA)
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized) and a VCA

4ATTMIX
A versatile mixer / quadattenuator.
4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.
Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.
An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.

SEQ8 (8-step sequencer)
The SEQ8 is an 8-step sequencer for controlling oscillator pitch and triggering envelopes.
Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ8 has 4 knobs for presetting different CV's (= notes); each of the 8 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.
Additionally, to the selected CV presets, the "raw" value of the step knobs is also accessible at an extra output.

DELAY
This module is a standard mono delay with the usual parameters
delay time
feedback
dry/wet mix.
It sounds not as clean and polished as a usual digital delay, but has quite a character on its own. High feedback settings allow endless and distorting loops.
(For the techies: It is based on the well-known PT2399 chip.)

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like!

Notes: The VSYSTEM-3 is a complete synth in a case of exactly the size of the Korg Volca synths. t contains the following AE modules:

DRUMKIT (lofi digital drum module):

DRUMKIT 010 consists of 11 8-bit drum sound samples; 6 of them can be triggered in parallel in any combination by the trigger inputs. With a BANK selector knob, different combinations of the 11 samples can be selected. The PITCH knob affects the pitch of all instruments together, and with the REVERSE button the sounds are played backwards - quite a nice effect to be added here and there.
Don't expect high quality from this module - it's by design a nasty, lo-fi drum sound source, but definitely with its own character. Works great together with the analog KICK module.

KICK (analog kick drum):

It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.
With the pitch decay switch the pitch follows the amplitude, giving a bit different character.
And a trigger button is available to check the sound without an external trigger signal.

SAMPLYR (sample player with micro-SD card, various loop modes, almost unlimited sample length):

The samples are simple 8-bit mono WAV files. Features of the module are:
CV control for pitch with 1V/octave
Gate input
NO (practical) LENGTH LIMIT for the sample playback, because the module plays the samples directly from the memory card
Sample is displayed on the included OLED display
For each sample, following playback parameters can be edited: Sample start/end, loop start/end, loop crossfade, transpose/tune, all this settings are visible in the display and are saved per sample
Different loop modes can be selected: Oneshot, Reverse, Loop forward/reverse/alternating, loop hold (loop remains playing when gate goes to off)
Editing of the different parameters is accomplished with an endless encoder and a small menu
CV control for playback start, loop start, loop length, reverting playback, sample selection
Six buttons can be used for quick switching between six samples of the current folder
Additionally to the audio output, the SAMPLYR provides trigger outputs for loop start point, loop end point, playback end; by this, certain other operations can be triggered at these specific points, e.g. synchronizing to the loop points.
...and all this in a 1-unit AE module!

The sample files are organized as simple folders on the micro SD card named "A"..."Z" and per folder files named "0....wav, 1....wav, ..."

Included with the module is a micro-SD card with some demo samples; and each buyer will receive an update for the factory samples, made by the sound designer "empty vessel" exclusively for the SAMPLYR module (provided as download later in 2024).

The SAMPLYR module is of course not a hi-fi, high quality sampler module due to its 8-bit design. It has the flavour of the early samplers like EMU II, Fairlight CMI IIx, Ensoniq Mirage... The typical, recommended sample rate is 16000 Hz. these samples can be pitched up by approx. 1 1/2 octaves max.

Beyond the 8-bit resolution, the samples can be also encoded as uLaw and aLaw; in this case, the resolution is true 10 bits. For converting your existing samples, the open-source audio editor "Audacity" is great for the conversion and editing process.

Note: The SAMPLYR module is a sample player only; it doesn't offer recording of audio.

MIXER 4-4 (4-channel mixer):

This module consists of:
An audio mixer with 4 inputs and their level knobs
Additional 4 separate inputs that are mixed at full level (especially for mixing CV signals) and a separate output

HEARTBEAT (precise clock source, with BPM setting, and tempo-tapping):

HEARTBEAT is a master clock source for AE modular, with some additional features. The module offers:
Precise BPM setting with an encoder in the range of 30-300 BPM in steps of 0.1 BPM
A graphical display for the tempo and additional info and menu
A big tap button for setting the tempo by tapping it
An illuminated start/stop button
Six independent clock outputs; each of them can be configured by a menu to a time signature between 1/1 to 1/32th plus dotted and triplets.
Inputs for clock, reset and two CV and trigger inputs that can be assigned to different functions
The clock source can be either internal or an external clock (at 1/96th rate which corresponds to MIDI real time

TRIQ164 (4-channel, 16-step trigger sequencer, with repeat/ratched per step):

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like.

Notes: More affordable than the flagship X8 but still offering exceptional sound quality, the X6 is a handheld recorder for every purpose, with built-in mics or XLR inputs, 96-kHz/32-bit resolution and smartphone-style touchscreen control.

Supplier's Notes:
Advanced recording technology, yet simple to use!

Capturing high-resolution audio is easy with the Portacapture X6. The intuitive app-like operation on its large colour touchscreen makes it easy to record or sweeten up your audio in post-processing. Record using the two built-in microphones or plug in your own mics to its two XLR inputs. The recording quality on the Portacapture X6 will be your secret advantage. Its 96-kHz/32-bit floating-point recording technology means that you can capture audio softer or louder than ideal, assuring that you will never miss that moment.

Six different recording apps to choose from

Manual: This is the main app for multi-track recording of up to six audio sources and a stereo mix (2-mix).
Voice: This recording app is ideal for capturing interviews, dictation and meetings.
Podcast: Use this for podcast creation with up to four people.
Music: Choose this app for capturing instrumental and vocal performances.
Field: Ideal for recording nature sounds outdoors.
ASMR: The screen visual effect changes in response to the input sound.

App-like operation
Quickly access your settings and adjustments on the Portacapture X6's large (2.4-inch) colour touchscreen. With the easy-to-navigate interface and helpful tools, you are just a few taps from the perfect setting for your needs. Use the Launcher to select from podcast, music, interviews, field recording and real 6-track recording. Start fast, start right and get exactly what you need.

Audio for video production

When shooting a video, you want to be able to focus on your video production and not worry about your audio. The Portacapture X6 was built with video production in mind. The workflow, presets and user settings save you countless steps. The X6 has your back with its 96 kHz/32-bit float recording technology. Not only does this mean you will have the highest quality audio, but you will have a dynamic range that allows you to overcome those less-than-ideal realities that can often occur on a shoot.

The X6 even gives you a timecode sync option* via Bluetooth (with optional AK-BT1) allowing you to align your audio with your video, even when you have no audio on your camera. Upgrade your audio and reduce your worries with your own Portacapture X6.

Record your way

The Portacapture X6 is ready to record with a few quick taps. The internal high-quality stereo microphones can instantly be rotated from A-B to a true X-Y mic pattern to allow for dialogue or spatial music recording. Have your own mics? Use those thanks to the two included XLR inputs which can also handle line level sources.

The mic preamplifiers are Tascam HDDA (High Definition Discrete Architecture) - providing ultra-low noise and clean transparent audio based on more than 50 years of Tascam know-how.

Record six tracks (four individual track plus stereo mix) simultaneously and even use the X6 as your 6-in/2-out USB audio interface to connect to your computer.

Capture every bit

It would be great if every time you need to capture audio, everything is perfect. Not too loud, not too soft. Of course that is not the reality for most of us. Sometimes a voice or sound will be really soft and in other cases it is blasting. Even in these extremes, you are expected to capture the sound and deliver well-finished audio.

The 32-bit floating point recording technology in the Portacapture X6 gives you a much lower floor and higher ceiling for sound material. The result is that your recording can capture everything from the quietest rustle to the loudest spectacle.

Control the recorder from your phone (with optional Bluetooth adapter)

In those cases where you want to put your audio recorder in one place and operate it from another, the X6 has you covered. With the AK-BT1 Bluetooth adapter (sold separately) and the free Portacapture Control app, it's easy to remote control your X6 wirelessly from your smartphone or tablet.

Imagine the possibilities!

Ready-to-publish audio anywhere

With the Portacapture X6, your audio is ready to share. Built-in signal processing, including a compressor, limiter, high-pass filter, EQ and reverb, adds that studio polish.

Whether you need to tame the wind when recording outside or want to add the ambiance of reverb to your vocals, the X6 has you covered. From smoothing out your input to preventing extreme peaks or eliminating plosives in dialogue, you can count on the Portacapture X6.

Specifications

Recorder specifications

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (48-512 GB)
Recording/playback formats: WAV (BWF): 44.1/48/96 kHz, 16/24 bit or 32 bit float, MP3: 44.1/48kHz, 128/192/256/320 kbit/s
Input channels: 4 (maximum)
Recording tracks: 6 (4 tracks + stereo mix)

Analogue audio inputs

Mic inputs 3-4 (balanced): XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
(phantom power over XLR only)
Input impedance: +/-2.2 kO
Maximum input level: +2 dBu
Minimum input level: -75 dBu
Line inputs 3-4: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
Input impedance: +/-9 kO
Maximum input level: +24 dBu
Minimum input level: -53 dBu
MIC/EXT IN (unbalanced): 3.5-mm mini jack (supports plug-in power)
Input impedance: 10 kO (plug-in power off), 1.8 kO (plug-in power on)
Maximum input level: 0 dBV
Minimum input level: -67 dBV

Analogue audio outputs

Line output (LINE OUT, unbalanced): 3.5-mm stereo mini jack
Output impedance: 200 O
Nominal output level: -14 dBV
Maximum output level: +6 dBV
Headphones output: 3.5-mm stereo mini jack
Maximum output: 45 mW + 45 mW (THD+N: =0.1%, 32 O load)
Built-in speaker: 0.4 W (mono)

Control inputs/outputs

USB port: USB Type-C connector
Format: USB 2.0 High Speed mass storage class
Bluetooth device connector: For Bluetooth adapter (AK-BT1) only

Audio performance

Equivalent input noise (EIN, mic inputs 3-4) =-125 dBu
Frequency response (inputs 3-4 to PCM data): Fs 48 kHz: 20 Hz - 20 kHz, +0/-0.3 dB (JEITA), Fs 96 kHz: 20 Hz - 40 kHz, +0/-0.7 dB (JEITA)

Dynamic range (20 kHz SPCL LPF, A-weighted, Field app)
Inputs 3-4 to PCM data: -112 dB (48/96 kHz)

S/N ratio (20 kHz SPCL LPF, A-weighted)
Inputs 3-4 : 112 dB (48/96 kHz)
MIC/EXT IN: 103 dB (48 kHz), 105 dB (96 kHz)
Total harmonic distortion ratio (THD+N, 1 kHz sine wave, -5 dBFS at input, GAIN at minimum, 20 kHz SPCL LPF)
Inputs 3-4 (LINE IN) to PCM data: 0.008 %
Inputs 3-4 (MIC IN) to PCM data: 0.006 %

Power supply and other specifications

Power supply: 4 AA batteries (alkaline, Ni-MH or lithium-ion)
USB bus power from a computer
AC adapter (TASCAM PS-P520U, sold separately)
Power consumption 7.5 W (maximum)
Display: 2.4-inch full-colour LCD touchscreen
Dimensions (W × H × D): 75 mm × 174 mm × 37 mm (excluding protrusions)
Weight: 365 g (with batteries) / 265 g (without batteries)
Operating temperature range: 0-40 -C

Notes: The first release from Teenage Engineering's EP Series. Sample, program, sequence and produce in one compact, retro box. Bundled here with the extremely limited edition EP-133 KO II vinyl volume one.

Supplier's Notes:
Get ready for round 2

Meet the next evolution of the world's most sold sampler. based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. introducing a workflow that lets you go from idea to track faster than ever. it's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. unrivaled by anything in its class, this is the sampler you've always wanted at the incredible price of just $299

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. the commit button helps you freeze a point in time and move on, adding a verse or a break. it all happens in real time while playing.

One-two punch

vintage style keys with a modern touch, combining tactility with pressure sensitivity.

EP-133 K.O. II vinyl

A 10" record full of sounds for your creative soul to digest. side a contains a mix to make you laugh or love. side b provides you with one-shots and other sounds ready for manipulation. a record to fit every musical preference imaginable. (Two-sided 10" vinyl, weight: 170 g | 6 oz, 45 rpm)

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: deton8 is a hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.

Handle-assembled to order in France.

deton8 includes the following kits (but you will be able to upload your own samples):

DETON8 default (big beats, break)
AMY SISTER (jungle break)
HIP08 (for all your 808 hiphop needs)
TEK09 (Rave on)
MINTY POPS (Classic beats)
INDUSTRIAL (exclusive kit by our dear friend NKDM)
14 additional kits, thanks to Electronisounds!

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.

Notes: Perennial favourite nearfield monitor with a look inspired by the classic NS-10s. Punchy sound with the clarity and accuracy needed for production and mixdowns. Great value.

Supplier's notes:
The Yamaha HS8 is the new flagship model of Yamaha's HS series of active studio monitors, taking its cues from the ever popular and much demanded NS-10.

The Yamaha HS8 Active Studio Monitor features biamplified full range 2 way speakers rated at 75W and 45W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as the home project studio. The HS range of monitors has been designed in the same tradition of the legendary NS10M monitors.

Yamaha HS8 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology right across the HS range, which also helps to deliver a clean and precise signal. The HS8 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: 12-channel version of the MG mixer series packs a lot of functionality into a small footprint. Class A pre-amps, three-band EQ and neat, ergonomic design. Great value.

For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps): This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp: The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch: With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

Notes: *** App Update- August 2024 ***

Yamaha Music is proud to announce the release of SEQTRAK App v1.0.2, a significant upgrade now available on Web and App stores worldwide. This update marks a substantial improvement in the app's functionality, speed, and overall user experience.

Transformative Enhancements in v1.0.2:

1. Revolutionized Data Syncing: Users will experience dramatically faster load times thanks to intelligent cached data usage, making workflow smoother and more efficient than ever before.
2. Advanced Sorting Capabilities: The newly implemented Packs list sorting feature empowers users with enhanced organization tools, streamlining project management and creative processes.
3. Mac User Experience Boost: Mac users will enjoy improved accessibility with the addition of [ctrl + click] functionality for context menus, aligning with platform-specific user expectations.

Critical Issues Resolved:

This update doesn't just add features; it also significantly improves stability and reliability:

- Eliminated Visualizer scene loading issues, ensuring seamless visual performances
- Perfected Visualizer Reflection parameter value retention for consistent visual outputs
- Resolved UI display inconsistencies related to parameter-lock deletion, enhancing user interface reliability
- Optimized Sampler track Destination value changes for precise audio routing
- Rectified parameter-locked effects saving for Synth tracks, preserving complex sound designs

The culmination of these improvements results in a noticeably more robust, responsive, and user-friendly SEQTRAK App. Whether you're a professional musician, a live performer, or an enthusiastic hobbyist, v1.0.2 offers a substantially improved platform for your creative endeavours.

Users can immediately access this groundbreaking update through their respective App stores or via the Web platform.


Yamaha's all-in-one portable production tool offers an exciting new take on music making. Synth and sampler engines combine with a built-in sequencer, allowing you to create tracks from scratch.

Supplier's Notes:
Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: *** Update- August 2024 ***

Yamaha Music is proud to announce the release of SEQTRAK App v1.0.2, a significant upgrade now available on Web and App stores worldwide. This update marks a substantial improvement in the app's functionality, speed, and overall user experience.

Transformative Enhancements in v1.0.2:

1. Revolutionized Data Syncing: Users will experience dramatically faster load times thanks to intelligent cached data usage, making workflow smoother and more efficient than ever before.
2. Advanced Sorting Capabilities: The newly implemented Packs list sorting feature empowers users with enhanced organization tools, streamlining project management and creative processes.
3. Mac User Experience Boost: Mac users will enjoy improved accessibility with the addition of [ctrl + click] functionality for context menus, aligning with platform-specific user expectations.

Critical Issues Resolved:

This update doesn't just add features; it also significantly improves stability and reliability:

- Eliminated Visualizer scene loading issues, ensuring seamless visual performances
- Perfected Visualizer Reflection parameter value retention for consistent visual outputs
- Resolved UI display inconsistencies related to parameter-lock deletion, enhancing user interface reliability
- Optimized Sampler track Destination value changes for precise audio routing
- Rectified parameter-locked effects saving for Synth tracks, preserving complex sound designs

The culmination of these improvements results in a noticeably more robust, responsive, and user-friendly SEQTRAK App. Whether you're a professional musician, a live performer, or an enthusiastic hobbyist, v1.0.2 offers a substantially improved platform for your creative endeavours.

Users can immediately access this groundbreaking update through their respective App stores or via the Web platform.


Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Incredible value all-rounder from Zoom, the L-6 combines recording, mixing and performance features, with 10 studio-quality audio tracks, effects, MIDI and real-time sampling.

Supplier's Notes:
Small Just Got Very Big

The LiveTrak L6 is Zomo's most compact and portable digital mixer / recorder. With 10-tracks of studio quality audio, effects, MIDI, and sound pads, it's perfect for bands, synth players, live streaming, and more.

Full Featured Mixer

Don't let its size fool you. The L6 is designed with big mixer capabilities; a full channel strip for each track including aux sends, pan, effects, and a 3-band mid-sweepable EQ.

Powerful Multi-Track Recording

The L6 records 10 discrete tracks plus the full stereo mix on microSD cards up to 2TB. Share the live mix, or transfer your stems to your favorite DAW for editing and mixing.

MIDI Connectivity for Synths and Keyboards

Connect, program, and sync the L6 to your outboard gear via the 3.5mm MIDI I/O, or to a computer via USB.

Map parameter controls such as volume, pan, and EQ to outboard gear
Trigger sound pads and scene switching
Tempo sync delay and echo

Features

10-channel ultra-Compact digital mixer
2 XLR/TRS Combo inputs + 4-Stereo inputs
12-track simultaneous recording
MIDI In/Out for mixer control and USB MIDI interface
3 Scene memory for storing mixer and tempo setting
32-bit float multi-track recording to micro SD card
5 Internal Send Effects
2 AUX send outputs
4 Assignable sound pads (sample player)
3-Band EQ with MID freq control for each channel
Headphone output + Master output
Eurorack compatible
12-in / 4-out Audio interface
4 AA battery power operation or USB power

Specs
Input and output channels
Inputs MIC/LINE (mono) 2
LINE (stereo) 4
Outputs
AUX SEND (mono): 2
MASTER (stereo): 1
MONITOR (stereo): 1

Inputs

MIC/LINE:
Connectors: 2 XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance:XLR: 3.8 kO or more, TRS: 39 kO or more
Maximum input level XLR: +4 dBu, TRS: +24 dBu
Phantom power: +48 V, Channel total of 10 mA or less

LINE

Connectors: 8 TS phone jacks (unbalanced)
Input impedance: 10 kO
Maximum input level: +9 dBu

Outputs

AUX SEND
Connectors: 2 TRS phone jacks (impedance balanced)
Maximum output level: +9.5 dBu
Output impedance: 147 O

MASTER
Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +15 dBu
Output impedance: 147 O

MONITOR
Connector: TRS phone jack
Maximum output level: 50 mW + 50 mW (63 O load)
Output impedance: 14.7 O

Buses

MASTER: 1
AUX SEND: 2
SEND EFX: 1

Channel strip

3 BAND EQ:
HIGH: 10 kHz, +/-15 dB, shelving
MID: 100 Hz - 8 kHz, +/-15 dB, peaking
LOW: 100 Hz, +/-15 dB, shelving

Level meters: 6 segments
Send effects: 5 types

Recorder

Maximum simultaneous recording tracks: 12
Maximum simultaneous playback tracks: 2
Recording formats: 48 kHz, 32-bit float, mono/stereo WAV
Recording media: microSDHC memory cards (Class 10 or higher), microSDXC memory cards (Class 10 or higher)

Audio interface

Input and output channels: Input: 12 channels, Output: 4 channels
Sampling frequency: 48 kHz
Bit depth: 32-bit float / 24-bit
Interface: USB 2.0

Card reader: Mass storage class USB 2.0 High Speed
Sampling frequency: 48 kHz
Frequency response: 20 Hz - 20 kHz / -1.0 dB
Equivalent input noise: -120 dBu or less (IHF-A) at 150O input

Power
4 AA batteries - Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17 : DC 5V/1A
USB bus power is supported.

Estimated continuous recording time using batteries
Alkaline batteries: About 3 hours
NiMH batteries (1900 mAh): About 3.5 hours
Lithium batteries: About 7 hours

12-track recording, phantom power off, headphones used (63O load), no MASTER output connections
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption 5 W maximum
Dimensions: 223 mm (W) × 114 mm (D) × 46.5 mm (H)
Weight (main unit only): 526 g
Weight (including batteries): 618 g
Note: 0 dBu = 0.775 Vrms

Review: To mark Anton Bruckner's bicentenary in 2024, Deutsche Grammophon releases a limited and numbered audiophile vinyl edition of Herbert von Karajan's famous recordings of the complete symphony cycle with the Berliner Philharmoniker, on 17 LPs. All recordings have been newly mastered and mixed by Rainer Maillard and Sidney C. Meyer from Emil Berliner Studios: Symphonies Nos. 4-7 (analogue recordings from 1975-1979), based on 8-track material were treated according to the Original Source Series standards. Symphonies Nos. 1, 2 & 3 are digital recordings from 1980 and 1981 and have also been newly mastered and cut by the same team at EBS, optimizing the sound by utilising new bespoke analogue-to-digital-to-analogue conversion technologies and using a tube-based mixing console from 1960. The 17xLP set is housed in a slipcase with O-card, with eight 2xLP gatefolds (Symphonies Nos. 2- 9) and one single sleeve (Symphony No. 1) presented in a sleeve (1 LP), with artwork based on the respective original releases including liner notes and with additional material including recording documentation and photos.

Review: Illuminating the remarkable, and largely otherwise undocumented, creative ferment within and between the British and American scenes of experimental music during the mid to late 1970s, Dialogo's box set - made in full collaboration with all of the composers or their estates - contains the entire ten album output of the label, completely remastered and housed in faithful mini-replicas of their original covers and liner notes, as well as an extensive booklet. Over the last few years, the Italian imprint has showed a remarkable dedication to the history of experimental music via reissues of seminal artefacts from the Cramps catalog, and important albums by Piero Umiliani, Ennio Morricone, Bruno Nicolai, Enrico Rava, and others. This initiative now takes on a towering scale with the first ever box set gathering the entire ten album collection of Brian Eno's Obscure Records, originally issued between 1975 and 1978. A truly groundbreaking body of recordings - many of which have remained out of print and difficult to find for decades - it contains some of the most important, influential, and enduring music to emerge during the second half of the 20th Century, which collectively reconfigured the terms of Minimalism and laid the groundwork for the emerging movement of Ambient music over its short, three year run.

Review: Undeniably one of the most prolific anime soundtracks of all time, Yoko Kanno's band SEATBELTS was formed just to record this 1998 OST for Shinichiro Watanabe's smash success 'Cowboy Bebop'. Following the adventures of the crew of Bebop, a bounty hunter ship that chases criminals and turns them into the Inter Solar System Police for reward, Kanno's zany fusion of rock, blues and jazz oozes cool. The opening track 'Tank!' has been hugely influential, informing innumerable title sequences, from 'Danganronpa' to 'JoJo's Bizarre Adventure'. Focusing, as the Japanese often do, on Americana hallmarks, there is a distinct New York slant in the horns with some Afro-Cuban percussive influences as well, most notably on 'Rush' from the first 'COWBOY BEBOP' album. This boxset serves as a comprehensive rundown of all things SEATBELTS, an 11-vinyl boxset featuring all 7 albums the band have made for the legendary franchise housed in a box with art from the show.

Review: RECOMMENDED
Ennio Morricone's legacy is well known across the world, or at least the world of cinephiles. The legendary film composer is responsible or no less than 400 movie and TV scores (in fact, he's made a few more), with a 100-strong oeuvre of classical compositions to add to that storied back catalogue. Sadly lost last year at the age of 91- unrelated to coronavirus - much of his work is now rightfully returning to the release schedule.

Of course, none of his output can match the music he created to accompany Spaghetti Westerns - Italian made cowboy movies from directors such as another late-great, Sergio Leone, including The Good, the Bad and the Ugly and A Fistful of Dollars. 134 of the finest arrangements from that part of his life are included on this mammoth collector's item, which proves you don't really need visuals to be transported to the wild frontier towns of yesterday.