Techno (すべて) charts

Review: There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.

Review: This new and career spanning album A Beginner's Guide is a 'best of' collection tailored for both new or curious Orbital fans. Whether you discovered the duo after their iconic Glastonbury 2024 performance, during their global tour celebrating the Green & Brown albums, or through a track featured in a film, this collection offers an ideal introduction and recap of what makes them one of the most enduring acts in all of electronic music. It compiles there Hartnoll brothers's biggest hits in their edited forms and album includes utter classics like 'Chime,' 'Belfast,' and 'Halcyon' all of which give a fine a taste of the duo's influential electronic sound, all in one package for the first time ever.

Review: A couple of years back, the revitalised Hooj Choons label released an album of orchestra-sporting covers of classic dance cuts of the 1990s under the HEO: Hooj Ensemble Orchestra tag, then got rave revivalists Borai and Denham Audio to remix their new version of trance classic 'Cafe Del Mar'. Here those mixes - a frankly filthy, bass-propelled 'Rave Booty' mix and a more acid-flecked, grandiose breakdown-sporting 'Pluck Dub' - finally make it onto wax, alongside the Club Glow duo's similarly previously digital-only reworks of Transformer 2's early 90s 'Hooj' classic 'Fruit of Love'. More tactile and loved up, with tactile bass, pleasing pianos and glassy-eyed vocal snippets, the pair's 'Redux' mix is simply sublime, while Borai's solo dub is a deliciously dreamy, rush-inducing affair that sounds like a future rave classic.

Review: UNTZ Anthems is a wild ride through some of dance music's biggest dancefloor moments. There is absolutely no restriction in terms of genres, eras or artists which makes each one a real selection box of sound. This third volume for example takes in the timeless house classic 'Move Your Body' as reworked by Solar, but also the pop dance of Calvin Harris & Ellie Goulding's 'Miracle' and jump up jungle of Sub Focus & Dimension's 'Desire.' CamelPhat & Elderbrook's GRAMMY-nominated 'Cola' brings a touch of house depth while Riva Starr's Paradise Garage club mix of 'Hey Hey' reworks the house anthem into something more strobe-lit and energetic.

Review: Tyree is one of the early house artists from Chicago who played his part in shaping the hip-house sub genre, with its big beast, big vocal samples and plenty of attitude. Here his 'Acid Over' cut is served up on a new 12" from Chicago Vinyl with three different mixes. The first finds self-certified House Gangster DJ Sneak serving up a raw and rolling, loopy and frenzied remix that never quits. 'Acid Over' (Acid Over 23) is brilliantly cut up and manic with acid vocals and thudding house drums. Last of all comes Hugo's Piano Re cut version with its woody 909 drum sounds and mad whistles.

Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: Orbital remain titans of the global electronic scene which is no doubt why their self-titled album from 1991 now gets mastered and reissued for this year's Record Store Day. A pioneering work in electronic music, this landmark debut is a rich world of driving drums, hypnotic melodies, and intricate soundscapes. From the propulsive energy of the seminal 'Chime' to the dreamy ambience of 'Belfast,' each track showcases the duo's mastery of rhythm and texture. Orbital's use of innovative sampling techniques and atmospheric synths creates a distinct sonic universe that still stands them apart and helps make this a timeless classic that has influenced generations of electronic artists ever since.