Back catalogue: Techno (すべて)

Review: The Spanish producer returns to Kompakt's and its iconic Speicher series with the 134th edition. Delivering two distinct and different tracks highlight the artists versatility in electronic music. Known for his full-length release on the label in 2021, Raxon continues to impress, contributing to the legacy of a series that has defined techno for over 25 years under Wolfgang Voigt's visionary guidance. Side -1 'Acid Call' is a quirky, minimalist delight, its driving, heavy beat underpinning a dynamic bassline that twists and turns with crisp, intricate production. The track's playful, acid-tinged elements keep it engaging without sacrificing its grooveia perfect fit for both peak-time sets and deeper exploration. On Side-2, 'Don't Cry Pluto' ventures into cinematic territory with melodic, analogue textures. Ethereal layers and fairytale-like tones combine with a powerful undercurrent, creating a dynamic contrast between weight and whimsy. Speicher 134 reaffirms Kompakt's status as a techno tastemaker and Raxon's role as an innovative, always engaging artist.

Review: Ron & Roland was a mid-90s collaboration between Matt Hodgson (7th Voyage) and Laurant Webb (Housey Doingz) and at their peak they made some untouchable records that perfectly straddled the house and techno divide. This new reissue on Pariter is one of them and it features a trio of cuts laced with visceral acid energy. 'Nassaur Bassed Party' kicks off with crispy drums and snares that cut through the rich bass. 'Acidless Party' gets wilder with extra 303 energy and 'Track Ball Treck' balances dynamic drive with sonic detail for a dubby, elastic groove that was initially recorded at Swag Studios Croydon in 1996 and, with these other cuts, was initially released on Surreal. It's been a cult favourite ever since and still sounds magnificent.