Back catalogue: Techno (すべて)

Review: This new collection offers up a quartet of tracks that are all tailored for slightly different moments on the dance floor. On side A, Dani Casarano kicks off with deep, hypnotic grooves that make for an immersive atmosphere before transitioning to punchy, bass-driven energy with other cuts. Side B introduces a new alter ego from Felian and Bruno Schmidt and the pair explore a robotic, looping groove with incidental breaks and nostalgic synths in the euphoric third track. Closing the release in style, Omar Akrhif & Lucretio present a minimalist masterpiece that is aimed at heady after-hours sessions.

Review: Exxtra Beats Records backs up its commitment to pushing things on with a new four-tracker of minimal and tech cuts. Edo Ecker's 'Extraluxxo' has warped synth lines that encourage introspection while the snappy beats make you move physically. Leff's 'Future Problems' has hazy and positive arpeggios that toot away over sustained chords and move at a nice inviting pace. Little Sea offers the snappy drums and gurgling acid lines of 'How I Wanna Feel' while Andrea Bertoli & DJ Bogdan's 'Extremely On Line' is a snappy and upbeat cosmic tech cut with wonky lines adding the charm.

Review: Fidelio and Luca Piermattei hook up here to explore worlds where acid, techno and electro all happily coexist. Fidelio's A-side offers three cuts that fuse 90s acid rawness with baroque drama that results in a unique mix of classical organ melodies and razor-sharp basslines. Punchy kicks and sizzling hi-hats drive the energy as you're happily lost on a neon-lit techno odyssey. On the flip, Piermattei's 'Gas' features a fluid bassline and glitching robotic vocals that are eerie yet inviting and 'Third Rec' (with Tascam 122) rounds out the release with pulse-driven electro and intricate percussion, perfect for late-night explorations.

Review: Yay Recordings closes out another solid 12 months with a various artists' EP that showcases right where the label is at. Heavy Mental kicks off with 'Dabro', a colourful and loopy house jaunt for sunny days. Twowi's 'Metaverse' takes off to the cosmos on lithe electro rhythms with ice-cold beats and widescreen pads. Parchi Pubblici & Lucretio's 'Aladdin Sane' brings some wonky deep tech vibes with of-balance drums and muffled spoken words and Rinaldo Makaj closes down with a fresh party sound perfect for cosy floors. There's plenty of variety here, which makes this a great addition to your bag.

Review: Luschn and Roman Khropko seamlessly blend their styles on 'Rozchyn', a bouncing, elastic groove that pulsates with energy, its hypnotic rhythms and infectious melodies drawing the listener into a world of sonic intrigue. 'High Hopes' takes a different approach, its smooth, tech-infused textures creating a hypnotic atmosphere, like a journey through a neon-lit cityscape at night. On the flipside, Luschn's 'Never Defeat Me' emerges as an anthem for the resilient, its driving rhythm and soaring melodies inspiring perseverance and determination.

Review: Belgian-based producer Ilario Liburni brings some great sophistication to this new blend of techno, acid and bass. 'Tivoli' has a polished aesthetic - an air of serenity exudes from the bouncy drums and sleek synth pules that bring to mind the crisp Alpine air of the European Alps. 'Agree' is another smooth but not overcooked sound with more sonar-like synth pulses, dusty hi-hat adding a counterpoint and rubbery drums propelling things on. 'Wonderful Transmission' has a grubbier acid line and wonky leads while 'Haunted' is dubby, fulsome house with techno futurism and daubs of molten melody.

Review: First released in 2001 on the German label Phono Elements, this classic dreamatic house rendition from Christian Linder leaves us just a stone's throw away from the sea. Just two tracks - whisking, psyching, yearnsome sonic washes - yarn a careful narrative thread of beatifics and intellect, marking out a sexy sixth outing in the equally impressive discography of the Dusseldorf producer. A-sider 'Ultramagnetic' polarises things as much, through piezoelectrically pressurised yet still hair-let-down trance arps and faint vocal cries. 'Dirtyification' adds grit to the cauldron, carefully and tastefully interspersing low gated vocal grunts and synth design reminiscent of waka-wah guitar, to produce a psychic mixed message.

Review: A potent ongoing collaboration between two techno heads lands on a legendary label, delivering four cuts that span the spectrum of classic and contemporary dancefloor energy. Side-A kicks off with 'ClickClickClick', a tech house burner that lives up to its name as it is bouncy and rhythmically addictive. Its catchy loop play gives way to deeper, murkier textures midway through, maintaining its infectious swing while offering DJs a perfect mid-set curveball. Following it is 'Gearbox', a slick, electro-informed groover with a low-slung, funky bassline. It's high-energy yet controlled, laced with head-nodding bounce and shimmering detail that make it ideal for peak-time dancefloor action. On Side-B, 'Destination 909' is pure nostalgia with a modern polish, bringing in 90s techno grit, trancey atmospherics and a post-rave euphoria that's all tight kicks and laser-focused execution. The production is clean and sharp, but there's an intentional vintage flavor that pays tribute to the roots. Closing things out is 'Reach Out', a hypnotic, dub-leaning track infused with a raw vocal loop preaching unity and rave authenticity. It's spacious, meditative and subtly anthemic. The kind of track that creeps up on you in the best way. All in all, a cohesive, floor-ready EP.

Review: Two standout tracks from Priori's This But More get a stripped, emotional rework from Loidis, which is of course the introspective alias of Brian Leeds aka Huerco S. and Pendant who is known for his minimal, textured approach. Here, Loidis stretches the originals into hypnotic, slow-burning explorations. The rhythms remain intact but feel deeper, warmer, like echoes from a distant rave. It's dancefloor music in slow motion: eyes closed, head lost in the groove. These extended versions don't just remix, they reimagine while blurring lines between ambient and club, motion and stillness. It's a compelling fusion of restraint and rhythm, perfect for late nights and deep-listening sessions alike.

Review: ***B-STOCK: Record slightly warped***


For several years Luciano was one of the kings of the underground. The Swiss-Chilean rode the crest of the minimal wave and had his own distinctive Latin edge that marked him out in a class of one. Now he is back to DJing - often with his equally heralded brethren Ricardo Villalobos - as well as producing. Rawax has the latest goods from the man in the form of this suitably epic two-track EP. 'Assanti Sana' is all subtly shifting grooves and stringy percussive lines with some textured, expressionistic synth lines. 'In Xs' is deeper, and warmer, with ever-evolving rhythms and lots of stringy lines all woven together in an intricate fashion.

Review: As you can tell from the title of this ongoing series, System Error likes to serve up only 100% party bombs. The third volume lives up to that once more with Parchi Pubblici kicking off with the acid-laced bumps of 'Perfect Vacuum2Disco' complete with zippy synths and snappy percussion. Lanzieri's 'Twisted Tango' hits just as hard with an electro-techno fusion that rides on psychedelic synth loops with jacked-up drums. Raku's 'Valle Dei Templi' has a more pared-back sound with a menacing and rubbery low end and creeping synths that keep you on edge. Phill Prince's 'Indigo' shuts down with something tripped out and retro with 90s techno vibes colouring the drums.

Review: Belgian label Music Man Records continues its deep dive into local club history with a standout 12" drawn from a wider retrospective on Destelbergen's legendary Boccaccio club. This release centres on the early house and techno that defined its Sundays-an alternative narrative to the better-known New Beat story. The A-side opens with Steve Poindexter's 'Computer Madness', all skeletal drum patterns and jacking minimalism, before UK crew Age Of Chance explode with 'Time's Up (Timeless)', a proto-rave anthem remixed into cut-and-paste chaos. On the flip, LFO's self-titled 'Leeds Warehouse Mix' drops like a techno blueprint-bleep-heavy, bold, and unmistakably northern. Closing the set is Alice D In Wonderland's 'Time Problem (Techno Speed Work)', a hyper, squiggly take on acid techno that feels like a high-speed trip through late-80s futurism. With selections curated by Olivier Pieters and Stefaan Vandenberghe, this 12" captures the rawness, friction, and thrill of a scene that still resonates across Europe's underground.

Review: With Pattern Gardening, London-after-Leeds imprint Wisdom Teeth yank out an extra gnasher we didn't know we had. As has always been the case, label heads Facta and K-Lone could be said to have curated and curetted a new compilation from the joint dentist's chair, exacting a 22-track root canal with periodontal precision, nearly doubling the size of their V/A ambit since 2024's Club Moss. But on this selective six-track sampler for wax, we've only a further sanding down of a much larger minimal, micro and tech house selection; here's gummy textures and maxillary moods by Polygonia, rRoxymore, Lurka, Sub Basics, and newcomer Jichael Mackson. Clarity and sound design are top priorities, as is the ideal of whitened teeth flashed by the poolside. Snappy, Rhodesy, watery.

Review: Belgian label Music Man Records has assembled Boccaccio Life 1987-1993, a 40-track compilation honouring the legendary Destelbergen club that helped shape Europe's electronic underground. Far more than just the birthplace of New Beat, Boccaccio championed raw, futuristic house and techno long before the genres went mainstream. Curated by resident DJ Olivier Pieters and regular Stefaan Vandenberghe, the collection features classy cuts that are also being served up on a series of VA EPs. This one hits hard with jams from QX-1, Fred Brown, Mr. Fingers and Laurent X all going dark, deep and moody.

Review: The debut album from Ukrainian collective Noneside unites musicians and visual artists under the inspiring words of poet Taras Shevchenko, who said 'Make love, o dark-browed ones.' Framed by a painting from contemporary artist Iryna Maksymova, the music explores the trance and tech house that is destined to bring souls together on the dancefloor this summer and beyond. Shjva opens with fresh and mashed bass and sleek trance pads that are subtle but effective. Lostlojic layer sup deep, bubbly techno drums and bass with an angelic vocal tone and Saturated Color's 'Trancia' is a speedy, scuffed-up tech groove for late-night cruising. Peshka and Yevhenii Loi offer two more future-facing trance-techno fusions packed with feels.

Review: Damian Lazarus's fifth studio album is another left-of-centre exploration of house and tech, often with a spiritual twist and hints of voodoo magic. It is heavy on collaborations and finds the Crosstown Rebels boss hooking up with the likes of Hem Cooke for the spine-tingling downtempo opener 'Searchin' while 'R U Dreaming? (feat Mathew Jonson)' is a more deep and bubbly late-night tech sound. 'La Hija De Juan Simon (feat Mestiza)' is laden with percussion and warped bass, and 'Sunrise Generation (feat Fink)' is a deft and progressive melodic roller that is sure to be huge this summer and beyond.