Back catalogue: Techno (すべて)

Review: Let's get a few things clear before we start. This Heinrich Dressel is not the same German archeologist Heinrich Dressel who studied under the great Theodor Mommsen in Berlin during the late-mid 1800s. He is, however, the Rome-born electronic producer who takes a massive lead from the funky, glittering, but subtly chilling horror movie scores of the 1970s and 1980s, crafting highly detailed but lo-fi feeling tracks that are packed with pastiche but never parody.

Promenade is his latest effort, and instantly captures (or creates) the atmosphere this producer is best-known for. At a time when this end of synth wave has experienced a huge resurgence thanks to successive movie soundtracks that took a lead from the aforementioned era, not to mention TV series like Stranger Things, this couldn't be more appropriate, and what makes it so essential is that authenticity in audible - feeling like it belongs, rather than simply riding a bandwagon.

Review: Here's a welcome link-up between stalwarts of the electro scene, as Lunar Disko welcomes Spanish artist Annie Hall for what is sadly the Irish label's final release. It's a strong note to go out on, continuing to platform the freshest ideas within the much-mined electro magnetic field. Hall's sonic vocabulary continues to set her apart from the rest of the pack as she elicits particularly nuanced patterns and interplay between the component parts of her tracks. Hats off to Lunar Disko for always pushing quality and to Hall who continues to dazzle with every release she puts out.