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Notes: The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io

Notes: Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Well, KMA Machines have a surprise for you right here!

Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear!

Over the years, different muff drives had different levels of gain, so KMA Machines derived three major distinctive gain structures all based on what was thought to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll see this in action.

Tonal shaping was one of the true weak points of classic muff pedals, and this has been remedied with the Chief Distruptor. KMA Machines opened the gates to more modern tonal flexibility through the active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while the parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation.

You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix. The Top Boost has been tweaked, but if you feel like it's either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot.

The gain control has been carefully balanced to achieve total control of even the slightest harmonic nuances. So, whether you're looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more you compress your sound, the more your instrument will lose definition. To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected.

Last but not least, KMA Machines have implemented stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it's time to follow the CHIEF DISRUPTOR!

Notes: Designed to play nicely with guitars and synths alike, this OTA-based mono phase shifter excels at warm, characterful modulation. Three Eurorack-compatible patch points add creative options.

Supplier's Notes:
Lethargy derives from the greek word for forgetfulness, "Lethe". It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything.

Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility.

100 mm wide
140 mm high
90 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs:
IN/OUT : TS Unbalanced 6.4mm jack
Manual / Rate / LFO Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 90mA

Notes: In the age of digital recording people often reminisce about the golden days of analog tape and the warmth of those spinning tape reels. Many people have spent a lot of money trying to re-create those classic tape like qualities in pieces of hardware.

Dan Snazelle of SNAZZY FX missed something else about tape - the sound that would come out of the stereo on those days when the tape got stuck in the machine, dying a slow and melodic death. He also missed the magic of playing a favorite recording through an old cassette boom-box that had so much warble it was hard to tell what song he was listening to. So Dan decided to design a device that, when pushed to its limits, would sound like the tape was spinning out of control. But he also wanted to make sure the box could take that sound and make it more musical, and, at times, more subtle too.

THE WOW AND FLUTTER can bring you into this warbly world and far, far, beyond.

You might be thinking, what am I going to do with a busted tape machine? Well, that's where things really get interesting - because this box can be used in many, many ways. Depending how hard you hit the Threshold and Warp controls, you can dial the malfunction back to where it creates subtle vibrato, or with shorter delays you can achieve pleasing chorus or pseudo flange-like effects. Turn the Warp up a bit more and you can get far-out pitch shifting, rubber band delays, and plastic portamentos. Turn the Warp up to max and what you'll hear is just plain insanity.

THE WOW AND FLUTTER is an incredibly versatile device. It is certain to add an extremely unique texture to your playing or your productions. Run stems or mixes through it to add an out-of-this-world quality. Thicken up synth parts in an instant or use it on vocals to add mystery. With your guitar you will be amazed at how many different colors can be achieved with just this one box.

Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g

Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy 'doom and gloom' distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be.

Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA's now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before.

Main Features:

High-Gain Metal Distortion pedal
Modern take of the classic and now sought-after original Boss HM2 MIJ
Wide range of metal-distortion tones from chainsaw, to plain evil and gritty
Highly configurable 4-band active EQ
3 distinct types of EQ frequency controls to tailor your tone now accessible on the front
Compact enclosure with top-mounted jacks will fit into any setup
True Bypass, with silent relay-based soft switching

Specifications:

Product Type:
High-Gain Distortion with Active 4-Band EQ

Bypass Type:
True Bypass

Power Supply Requirements:
9 V DC - Centre (-) negative 2.1mm

Current Draw (max):
>60 mA

Product Dimensions / Weight:
H: 60 mm / 2.36 inch
W: 74 mm / 2.91 inch
D: 128 mm / 5.04 inch
Weight: 350 g / 12.35 ounces

Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it's absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

EQ Section
Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from.
These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

EQ Style
For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic 'chainsaw' High-Mids character.
However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds!
With all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings. So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >60mA current draw)

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: The R7 X2 Reverb combines MOOER's best digital effects algorithms from the A7 Ambiance and R7 Reverb pedals and combines 14 different types of high-quality stereo reverb in to one ultimate pedal. Parameter knobs include High Cut, Low Cut, and Mix for adjusting the EQ and Decay and Pre-Delay knobs for adjusting the intensity of each effect. Unique features of the R7 X2 include the Infinite and Trail-on functions to customize how each effect fades out.

Each pedal features a single designated save slot for each effect where users can save their settings after being tweaked to perfection. A BYPASS footswitch is included for easy toggling. Simultaneously pressing the TAP and BYPASS switches turns on Preset Rolling Mode to switch between saved presets easily

14 different reverbs

Classic: Room, Hall, Church, Cave, Plate, Spring, Studio

Modern Ambient: Mod, Reverse, Wrap, Shake, Crush, Shimmer, Dream

Notes: The first pedal to get the X2 treatment is the D7 X2 Delay Pedal. With the 14 high-quality delay effects, this pedal features more than double the effects of its skinnier brother, the D7 Delay, while also adding stereo inputs and outputs. The array of delay effects in the D7 X2 have a wide range from classic analog and tape delays to more modern and experimental delays such as "Low-Bit", "Galaxy", and "PingPong". Adjustable parameters are different based on each effect and can be customized with the Tweak 1 and Tweak 2 knobs. Additional parameters can be adjusted by using the MIX, TIME, and FEEDBACK knobs. Timing of each delay can be adjusted with the TIME knob or by using the TAP TEMPO footswitch for quick adjustments on the fly.

Notes: The legendary Memory Man legacy continues with this compact take on the Deluxe model. Classic bucket brigade delay sounds with new modulation controls including rate and depth.

Supplier's Notes:
No one does analogue delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.

The Nano Deluxe Memory Man delivers EHX's signature analog delay, chorus and vibrato plus some updates we've added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold standard for analog delay and modulation. Now it's available in an ultra-compact package!

Specifications:

Circuit: Analog
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2021

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: Queequeg 2

Sub Generator

Reawaken The Depths Below

KMA Machines released the original Queequeg in 2016. The pedal was our take on how simple and effective an analogue monophonic suboctave device could be.

Time doesn't stand still and so with Queequeg 2, KMA's aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. Queequeg 2's super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

"Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. Queequeg 2- look deep down and believe."

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg 2's specialties. The pedal's super quick tracking benefits from KMA's custom all-analogue circuit design, giving you very organic and smooth suboctave tones.

Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you're sure to find your mighty vessel of tone.

Beware - don't let your lows be dragged under! Queequeg 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analogue and thundering sub-sonic beast!

Notes: Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night. Capturing the nuances and touch sensitivity of an amplifier, El Hombre can go from mild to wild with the turn of the gain knob showing its versatility with each guitar plugged into it. From added harmonics to chewy sag El Hombre has it all. The El Hombre is simple in format but complex in its abilities. The tone section is highly effective allowing you to alter the drive style simply by adjusting the "Bite" control. When you bring the bite control up (Clockwise) it becomes more aggressive, turn it down (counterclockwise) making it smoother and more reminiscent of Dumble tones.

Notes: Fuzzly Bear 2 - Unleash the Beast, again

"Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar distortedly echoes through the woodland. It's here! It's time to face the Fuzzly Bear!"

In 2013, KMA Machines' first ever production pedal was inspired by an old, obscure and highly underrated fuzz box from the 1970s - the Jordan Bosstone. The original Bosstone wasn't even a pedal, it was a device you plugged directly into your guitar, which brought a host of problems. Hence, KMA Machines greatly refined the circuit for the original Fuzzly Bear, to get the essence of that old-school sound, but giving it some modern twists by sorting out the low end and adding a Bias control, to help players explore lots of new tonal capabilities of this long-forgotten box of dirty tricks.

With Fuzzly Bear 2, KMA Machines put this now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics.

Back in the day, the main reason why the Jordan Boss Tone did not conquer the world of effects was actually due to its massive lack of bass. However, its core fuzz sounds could be truly heavenly with tones ranging from a purring overdrive, to downright vile and aggressive fuzz assaults. But when you awoke it, dug in and found 'that' tone, boy was it good and not at all harsh and gritty, like so many other fuzz designs at the time could be.

When designing and modifying the circuit, all the fuzzy goodness was kepy, but KMA Machines brought back the essential low end and gave some more tonal control, all to make this new take take fit more modern styles without compromising the core sound and simplicity.

The GAIN knob delivers a whole range of different fuzz shapes. Back it off to get a dirty chunky overdriven tone, turn it up to give the FUZZLY BEAR 2 a thick and thicker coat of fur. Set the gain fully clockwise and magic will happen! The pedal's smooth, warm and cosy decay turns into a starved and gated fuzz sound that almost gives a ghost octave, pseudo trumpety kinda vibe - perfect for classic tunes of yesteryear.

Fuzzly Bear 2 SKIN/MEAT control adjusts the bias of the circuit. Think of it as the claws of the beast. You can dial in a sharp drive tone that only brazes the skin, a thick and meaty wall of fuzzy fur that can rip right through the intruder's flesh and anything in between.

Don't confuse this pedal with a cute brown bear cub - this is the Fuzzly Bear 2 and it will maul your face off!

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

Notes: Atlas Compressor

The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors like the now-discontinued Diamond Optical Compressor to high-end rack units such as the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware.

A History Lesson in Compression

The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the excellent (but discontinued) Diamond Compressor. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, we're taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit... the Atlas has it all and does it well.

Optical Rack

The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars.

Studio 76
The Studio 76 compressor is based on the 1176 studio rack compressors of the late 60s and early 70s. This solid state FET compressor is known for its full body and super-fast attack. All of the attack times in 1176 compressors clock in at less than a millisecond. Studio 76 is a great compressor for fast and aggressive country pickin' (think Johnny Hiland), slap bass, slide guitar and much more.

Cubic Zirconia

The Cubic Zirconia was inspired by opto compressors that use an LED in place of the LA2A's electro luminescent panel. This technology is usually what you find inside effects pedals. Using an LED as an optical compressor's light source creates faster attack and release times, which generate artifacts that tend to make the compression sound a bit dirtier. This is a great sound for playing tight and funky riffs on the guitar.

Studio snap

A very aggressive and modern sounding compressor. It's based on hard-knee, VCA feed forward type compressor. It uses two compressors in parallel to handle both RMS level controls ("Root Mean Square" compression means that the compressor will react according to the "average loudness") AND the peaks. The combination of these two compression approaches gives STUDIO SNAP its character.

Dual band

The Atlas has two independent compressors that can be routed in a number of different ways. They can run in Series Mode (one running into another). They can also run in Parallel Mode and be mixed together with a Crossfade control. The Dual Band compressor runs in Band Split Mode, which is a version of parallel routing where one compressor controls only the higher frequencies (everything above 333Hz) and the other controls the lower frequencies (everything below 333Hz). With the Dual Band Compressor the high frequencies release faster than the lower frequencies, so as you sustain a chord the low frequencies remain compressed while the second compressor releases the high frequencies. The result is a beautiful blooming effect that accentuates high harmonics. This is a great compressor for slow ringing chords or lead lines with long sustained notes.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: Next-level version of KMA's excellent Tyler frequency splitter pedal. Variable 12dB/oct high- and low-pass filters, isolated effect loop sends, wet/dry mix control and relay-based soft switching.

Supplier's Notes:
Expanding on the already rich feature-set of KMA Machines' popular Tyler pedal, the upgraded Tyler Deluxe is the ultimate Swiss Army Knife for creative musicians to use on their pedalboards, live or in the studio. Ideal for Bass, Guitar or any other amplified instrument, it offers a host of new features and functions and is perfect for developing new sounds with an existing collection of pedals or splitting signals into multiple amplifiers/differing signal chains. All of this helping to lead musicians' creativity down new inspiring parallel paths.

Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature's most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is Tyler Deluxe - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.

KMA Machines' Tyler (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players' boards around the world, helping them refine and define their tone. However never to stand still, the team at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from users.

The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let's dive into everything that makes this pedal Deluxe.

Since the original Tyler was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe ! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancellation.

The next new must-have feature is there to ensure the transparency of your setup; the good old CLEAN blend has been added

So far so good, but the deluxe delights don't stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, another claimed feature has been added. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off Tyler Deluxe again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler Deluxe will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.

If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

Notes: Inspired by the first digital delay rack units introduced at the beginning of the "digital audio revolution" in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards.

TI:ME is not your typical sterile and ultra clean digital delay. With separate analogue and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone. An all analogue signal path featuring a high quality opamp is used for the best reproduction of your dry signal. Two digital recording devices, along with carefully tuned filtering, placed in parallel with the dry path give you the most ambient delay unit you have ever heard. Think of a Model 113 rack unit; the repeats are really musical, reminiscent of worn tape echoes.

Each TI:ME unit is hand lacquered in copper colour and one of a kind!

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-TIME delay pedal. This boutique pedal features 16 all-new delay effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-TIME pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-TIME leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional infinite-feedback effects. All combined, X-TIME delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-TIME, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Industry-leading integration

AmpliTube X-TIME includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-TIME pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-TIME there's no need for any other gear when it comes to recording guitar. The X-TIME features an USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-TIME pedal and your computer
Full MIDI implementation to map control

From soundcheck to final encore

When it's time to play out, AmpliTube X-TIME holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-TIME will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-VIBE modulation pedal. This boutique pedal features 16 all-new modulation effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-VIBE pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-VIBE leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional hyper-modulation effects. All combined, X-VIBE delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-VIBE, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Ultra-low noise, 24-bit/192kHz converters for class-leading sound quality
5 Hz-24 kHz frequency response to capture the full scope of your guitar's sound
112 dB dynamic range provides whisper-quiet operation at any gain setting
Selectable true or soft bypass for maximum control

Industry-leading integration

AmpliTube X-VIBE includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-VIBE pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-VIBE there's no need for any other gear when it comes to recording guitar. The X-VIBE has a USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-VIBE pedal and your computer
Full MIDI implementation to map control of AmpliTube and/or any compatible DAW

From soundcheck to final encore

When it's time to play out, AmpliTube X-VIBE holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-VIBE will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: The ultimate metal tone? An evolution of the brand's excellent Wurm distortion with the addition of an ultra-fast VCA-based noise gate, ideal for HM-2-inspired chainsaw tones. Heavy.

Supplier's Notes:
Fusing together the powerful evolution of KMA's highly regarded Wurm Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, Guardian of the Wurm is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.

Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >150 mA max. current draw)

Notes: Sunn O))) and EarthQuaker Devices are pleased to bring you the Life Pedal Volume III. The Life Pedal V3 circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi Switch Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labour of love.

Life Pedal V3 is a distortion with a blendable analogue octave up and a booster combined in one compact package. The "Amplitude" side is faithfully modelled after the classic "White Face" distortion unit, using modern, reliable components to last a lifetime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch.

As with version 2, Life Pedal V3 offers two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier.

The last position is the stock double silicon diode configuration which provides that classic tone you know and love. The Octave in Life Pedal is an all-discrete, analogue full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction.

Because this is an analogue octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analogue octave will sound clanging and chaotic.

Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms Life Pedal from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!

The "Magnitude" section of Life Pedal is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little colour to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.

The signal path goes Octave>Distortion>Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster.

Notes: The #1 EQ pedal returns - better than ever

Empress Effects have brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.

Everything people loved about the original ParaEq was kept, and more fidelity and control have been added.

More Control

Whether you're trying to cut through a mix or fix a feedback issue, you need precision! The ParaEq MKII offers the most control of any pedal EQ on the market.

More Sweetness

Effortlessly sweeten your tone with beautiful sounding, super smooth Baxandall filters for broad high and low frequency shelving adjustments on the Deluxe.

More Power

The ParaEq MKII pedals operates internally at 27V, providing clean headroom without unwanted clipping.

More Purity

This pedal is able to offer the most control without degradation to the tone due to minimal circuit topology00-the opposite of graphic EQs.

Why Choose Parametric EQ over Graphic EQ?
Parametric VS Graphic EQ Graph
Graphic equalizers provide a convenient visual sense of the EQ curve. However, there is a tradeoff in transparency and precision.

The graph here shows the ParaEq MKII Deluxe (cyan) and a 7-band graphic EQ pedal (magenta) both providing a +4dB boost at around 2 kHz. As can be seen, the ParaEq is much more precise in the changes it can make, whereas the graphic EQ affects nearly the entire frequency spectrum. Furthermore, at around 10kHz the ParaEq is providing unity gain, whereas the graphic EQ is attenuating the signal by nearly 6dB. This makes the ParaEq a more transparent circuit than the graphic EQ.

This combination of transparency and precision is why recording studio control rooms are dominated by parametric equalizers, and why they're a great choice for creative and corrective EQ on your pedalboard.

Which ParaEq Do You Need?

The original ParaEq has been loved and trusted by musicians on a variety of instruments for over a decade. Both the ParaEq MKII and the ParaEq MKII Deluxe feature a low-noise, transparent signal path that is extremely versatile.

With three fully parametric bands, you can simultaneously achieve broad tonal shaping and precise fine-tuning to sculpt your perfect sound.

The ParaEQ MKII Deluxe will appeal to players who:

Need high-pass and low-pass filters for precision work at the frequency extremes
Want the glorious sound of Bandaxall filters for sparkling high end or extra weight in the low end
Want to be prepared for any EQ situation

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 22Hz - 25kHz
Total Harmonic Distortion: < 0.05%
Noise: > 107dB
Headroom: +30dBu
Input Voltage: 9VDC Centre-Negative
Required Current: 300mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 3.5"
Width: 4.5"
Weight: 1lb

Notes: The #1 EQ pedal returns - better than ever

Empress Effects brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.

Everything people loved about the original ParaEq was kept, and more fidelity and control have been added.

More Control

Whether you're trying to cut through a mix or fix a feedback issue, you need precision! The ParaEq MKII offers the most control of any pedal EQ on the market.

More Sweetness

Effortlessly sweeten your tone with beautiful sounding, super smooth Baxandall filters for broad high and low frequency shelving adjustments on the Deluxe.

More Power

The ParaEq MKII pedals operates internally at 27V, providing clean headroom without unwanted clipping.

More Purity

This pedal is able to offer the most control without degradation to the tone due to minimal circuit topology00-the opposite of graphic EQs.

Why Choose Parametric EQ over Graphic EQ?
Parametric VS Graphic EQ Graph
Graphic equalizers provide a convenient visual sense of the EQ curve. However, there is a tradeoff in transparency and precision.

The graph here shows the ParaEq MKII Deluxe (cyan) and a 7-band graphic EQ pedal (magenta) both providing a +4dB boost at around 2 kHz. As can be seen, the ParaEq is much more precise in the changes it can make, whereas the graphic EQ affects nearly the entire frequency spectrum. Furthermore, at around 10kHz the ParaEq is providing unity gain, whereas the graphic EQ is attenuating the signal by nearly 6dB. This makes the ParaEq a more transparent circuit than the graphic EQ.

This combination of transparency and precision is why recording studio control rooms are dominated by parametric equalizers, and why they're a great choice for creative and corrective EQ on your pedalboard.

Which ParaEq Do You Need?

The original ParaEq has been loved and trusted by musicians on a variety of instruments for over a decade. Both the ParaEq MKII and the ParaEq MKII Deluxe feature a low-noise, transparent signal path that is extremely versatile.

With three fully parametric bands, you can simultaneously achieve broad tonal shaping and precise fine-tuning to sculpt your perfect sound.

The ParaEQ MKII Deluxe will appeal to players who:

Need high-pass and low-pass filters for precision work at the frequency extremes
Want the glorious sound of Bandaxall filters for sparkling high end or extra weight in the low end
Want to be prepared for any EQ situation

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 22Hz - 25kHz
Total Harmonic Distortion: < 0.05%
Noise: > 107dB
Headroom: +30dBu
Input Voltage: 9VDC Centre-Negative
Required Current: 300mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 3.5"
Width: 4.5"
Weight: 1lb

Notes: Dusky drama

Gloamer is an all-analogue, polyphonic amplitude synthesizer that alters the attack and decay time of any sound source without sacrificing the fidelity of the original tone. Its attack function provides a pick-triggered volume swell: a cinematic "slow gear" effect that is smooth and controllable with variable timing from extremely fast to very slow. The volume swell cycle can be reset at any moment by muting, allowing players to craft bowed string-like lines and chords with ease. Gloamer also features a powerful optical compressor that can add subtle punch or extreme sustain, helping to maintain a smooth volume swell effect even with very long attack times. A Volume knob controls loudness at the peak of the attack cycle, while a master Blend control allows players to layer an uncompressed clean sound in with the volume swell effect. Additionally, when activated, the Decay function causes notes to fade out once the attack cycle is complete. When the decay cycle is completed, an auto-reset function causes the attack to begin again immediately, as long as there is audio input. This allows you to create a wide range of undulating, asymmetrical tremolos at slower settings as well as pulsating stutter effects when using faster attack and decay times.

Knob-by-knob

Volume: Sets the master output volume of the effect when engaged.
Compression: Determines the balance of clean and compressed signal.
Blend: Determines the balance of clean signal and effect.
Attack: Determines the duration of time it takes for a note to swell in from silent to full volume.
Decay: Determines the duration of time it takes for a note to fade out from full volume to silence.
Sensitivity: Determines how much input signal is needed to reset the attack and decay cycle.
Ready (LED): Signals when the pedal is armed and ready to begin the attack and/or decay cycle.

A hi-fi attack and decay master
Gloamer was designed to allow players to change the nature of their attack and decay while maintaining pristine, hi-fidelity audio. Easily swell blooming single note lines or full, lush chords and become the string section you've always wanted to hire but can't afford.

Model name: Gloamer
SKU: ATS
Function: Volume Swell with Compressor
Category 1: Modulation
Category 2: Compression

Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 470K
Output impedance: 150 ohms

Body:

Length (in): 3.5
Width (in): 4.75
Height (in): 2.5
Weight (lbs): 1

Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1

Notes: The Moon Op Amp Fuzz is a supermassive destroyer, spinning galaxies of gain. Tidal wave bass response gives you tones heavy as gravity itself.

The filter control offers an expanded range of usable tones and the filter switch gives you three distinct EQ phases: Scooped Mids 'classic', Flat EQ, or Full Range.

Feed the Moon Op Amp Fuzz with your favourite drive pedals and unlock worlds of complex tones.

The Moon's massive sound is achieved with a quad op amp delivering four stages of gain and fuzz. This circuit has its roots in Keeley's popular Dark Side pedal. In that design the tone and gain of the pedal were both tailored to be a vintage sounding fuzz for lead work. Keeley wanted to go 180 degrees in the other direction with this pedal's tone, the purpose being to achieve infinite sounding dreamy deep fuzz.

This is a punishingly heavy op amp fuzz designed to extend your guitar or bass frequencies as low as possible. This also means that your lead tones are as harmonically as rich as possible. So thick is the fuzz that your notes will rise and peak into brilliant feedback.

Keeley's most lunar sounding pedal: Moon Op Amp Fuzz.

Notes: The Aether is a modulating delay pedal.

The initial vision for the design of The Aether came shortly after the release of the Wardenclyffe Deluxe. The intention was to take design the philosophies and incorporate tonal characteristics that made the Wardenclyffe so special, but this time as a delay pedal.

At the heart of The Aether is a PT2399, tap tempo delay. It has the standard Echo, Feedback, and Time controls you would expect on any delay, but what makes it special is the Color, Saturation, and Degrade Controls. The Color toggle completely changes the character of the Aether and has two voices: Warm Analog and Bright Tape. The Saturation knob is a gain adjustment that overdrives the delay chip. The Degrade toggle adds lofi textures and artifacts to the delay line. The Degrade toggle removes a very vital section of the delay circuitry that keeps the delay stable with longer delay times. As you increase the delay time, the artifacts become more present and lofi.

The Aether uses a simple, but versatile modulation LFO core inspired by the Wardenclyffe, but with more features. The LFO cores sets it apart from other modulated delays out there. The speed of the modulation core can be set 3 different ways: Rate knob, tap tempo tact switch, and Sync toggle. When the Sync toggle is set to its middle position, the LFO can run at whatever speed you want. When the Sync toggle is in the up position it is synced to the delay time. When the Sync toggle is in the down position, it is synced to delay time, but in half-time for slower evolving moduation. The Shift knob determines the depth of the modulation; this has plenty of range in case you want to get really obscene. The Stray toggle changes the LFO from a typical Sine wave to a Slewed Random waveform. Creative exploration of the modulation section of The Aether is strongly encouraged. The way the delay rate and LFO rate interact with each other can yield very creative results.

Notes: Room #40

Marshall Mojo in a Box

Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Over the years, Tsakalis have had many different types of Marshall amps on their workbench, some for repairs and others for customisation. Being huge fans of the sound of these classic amplifiers, Tsakalis decided to try and capture its mojo - the true essence of the soul of this sound - and carefully place it in a little box. Thus the Room #40 was born!

Using JFET technology, Tsakalis tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Tsakalis emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP & JCM800).

Finally, the Presence control was incorporated to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Product Height (cm): 5.600
Product Width (cm): 7.300
Product Depth (cm): 12.300
Product Weight (kg) 0.314

Box Height (cm): 6.500
Box Width (cm): 0.300
Box Depth (cm): 14.800
Boxed Weight (kg): 0.385

Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445

Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448

Notes: From the creative brains of Old Blood Noise Endeavors, the BL-44 Reverse is a pedal that contends with the existential construct of "time", as it actively seeks to push you to live your sonic life in reverse.

Through a highly intuitive and fun control set, this compact real-time reverse effect allows the user to instantly change the clock speed of the entire sonic system on the fly, letting you achieve sounds ranging anywhere from classic reverse, vivid harmonies to faded lo-fi memories.

BL-44 is a true reverse effect, meaning it will write what you've played to memory, then read that memory from end to start and play it back for you, but with added depth and harmony from the interaction of the Clock slider and Speed knob. It aims for an immediate and tactile experience that encourages the player to keep their thumb on the slider and experiment.

The magic, the extra twist, the je-ne-sais-wow if you like, all comes from the Clock slider. This slider determines the thinking speed of the digital signal processor and sets everything related to time. It determines the sample rate and the overall length of the reverse playback and as you slide it, you feel the pitch slide and resettle. Just like you'd expect, as you play with the forces of time.

In addition, you have a Speed control, which will cause the system to read through its memory in unexpected ways, catching bits multiple times or missing pieces as it tries to read at speeds different from what was written. Plus, you have volume and mix controls and an on/off switch.

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Another banger from Dreadbox's excellent effects series. Stereo echo effects based around multiple hybrid delay stages, giving bags of character for reverb, modulation effects and classic delays.

Supplier's Notes:
Dreadbox Raindrops is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echoes to a different level.

It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echoes, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs.

Specifications

Circuit: Analogue Dry signal / Hybrid Delay / Digital Reverb
Bypass: Buffered OpAmp
Audio: True Stereo IN/OUT
Inputs / Outputs: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 220mA

Notes: Space Bender

Chorus Modulator

LFO in the UFO

The Space Bender chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time.

Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger.

Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the Space Bender serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes.

See you on the other side!

Specifications

Dimensions: 5" x 2.63" x 2.45" (including hardware)
Weight: 9.3 oz.
Power: 9V DC (runs on standard 2.1mm negative center 9V DC adapter).
Current Draw: 65 mA.

Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm

Notes: The J Mascis Ram's Head Big Muff Pi fuzz pedal pays homage to the sonic centre of the alt-rock legend's iconic tone of equal parts thickness and clarity in a special edition white and violet finish.

"That's my sound. The Muff is always on," J says. "All distorted sounds begin with the Muff. That's what I grew up playing so it's kind of amazing to have my own signature one."

Based on the highly coveted 1973 Electro-Harmonix V2 Violet Ram's Head Big Muff, J's signature Big Muff produces the indulgent fuzz and exceptional sustain used as his sonic centre for decades.

The fuzz is sonically more articulate than other Big Muffs with excellent string separation and dynamics, which make it one of the most versatile Big Muffs. The pedal's response feels smooth and aggressive making your leads scream and chords thunder.

Feel the fuzz of a guitar giant: the J Mascis Ram's Head Big Muff Pi fuzz pedal from Electro-Harmonix.

Authentic V2 Violet Ram's Head Big Muff in a nano-sized chassis
Special-edition artist graphics
True bypass
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 2mA
Year Released: 2022

Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter

Notes: Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.

When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a 'nasal' tone, but Nobels worked hard on creating a very 'open' sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained.

Step forward to 2020 with the latest model ODR-1BC.

With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven't altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs.

With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar's volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed.

Notes: The ODR-mini delivers creamy, natural overdrive - Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother - the ODR-1. You'll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the "GitD" - knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.

Electr. stab. power supply 9-18 Volt DC, with min. 100 mA, 2.1 mm plug, center negative, (optional)

Effect-Type: Overdrive
Analogue
Mono/Stereo: Mono In, Mono Out
Control: Drive, Tone, Level
Bypass Modus: True Bypass
9-18 Volt, center negative
Consumption 25 mA
Dimensions (BxLxH / mm): 42 x 93 x 50
Weight: 175 gr
Country of origin: China
Solid metal housing
Low current consumption
inkl. tape

Notes: Pulse is a miniature IR (impulse response) loader pedal, that can apply a specific tonal profile to the input signal. Speaker cabinets typically change the tone of a guitar or bass guitar in a musical way, which is often collected using a microphone for sending to a mixing console for recording or sound reinforcement. Connecting the signal to a mixer before the speaker usually produces a sterile and harsh sound, which is where the Pulse pedal comes in. This pedal can mimic the speaker cabinet and microphone, meaning that the guitar signal can be taken straight from the preamp section and injected into a channel on the mixer. Another use for IR loaders is to mimic the response of an acoustic guitar, making an electric guitar sound more like an acoustic or an electro-acoustic guitar sound more natural. Pulse has modes for guitar cab, bass cab or acoustic guitar with 8 selectable types of each, adjusted by Level and Space controls. A 3.5mm headphone output means that this pedal can also be used for silent practice and an inbuilt audio to USB interface means that it can be used as the front end for a PC or Mac computer recording setup. Pulse is an invaluable guitarists and bass players multi-tool for practice, live and recording duties.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Level, Space, 8-model selector and 3 IR modes switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Pulse IR loader pedal

Notes: Damp is the name given to this miniature digital reverb pedal to describe the immersive sound image provided by its 3 inbuilt reverb models. A choice of Spring, Plate or Hall reverberation types can be selected by the illuminated push button at the top of the pedal. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Three rotary controls adjust Decay, Level and Tone settings as required. Pressing the footswitch activates or deactivates the effect, whilst holding this pedal enables a secondary effect - Shimmer in Plate mode or Freeze in Spring or Hall modes. The Damp pedal is versatile enough to cover a wide range of reverb styles with a minimal footprint on guitarists' pedalboards or for patching into an effects loop for other instruments or even vocals.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Decay, Level, Tone and 3 reverb modes switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Damp digital reverb pedal

Notes: A mini chorus effect pedal with 3 switchable modes for Chorus, Flanger and Pitch Modulation. Chorus thickens the sound by modulating a short delay effect, producing a swirling ethereal tone. The Flanger effect tightens this by shortening to a very fine delay and regenerating it for rotating and tubular jet sounds. Pitch Modulation provides a lighter chorus effect by slightly varying the pitch and mixing back with the dry signal. All 3 are selected by an illuminated push button above the controls. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Controls include Speed, Width and Intensity to adjust each effect as required, Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function to adjust the speed setting. An extremely versatile modulation effect to give space and motion to chords and picked passages alike.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Width, Intensity and Chorus/Flanger/Pitch Mod switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Mini Super Chorus/Flanger/Pitch pedal

Notes: Voodoo Vibe is a mini guitar effect pedal that is recreates the rotating speaker effects produced by the classic uni vibe pedals used by famous guitarists from the 60's to the present day. Controls for Speed, Intensity and Volume give a wide range of adjustment to home in on the perfect vibe effect. An illuminated mini push button above the rotary controls can switch between a classic psychedelic vibe effect or a more chorus-type effect. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function. Perfect for trippy arpeggios and ethereal chord work.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Intensity, Volume and Vibe/Chorus switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Voodoo Vibe pedal

Notes: Distortion and reverb meet in this unique pedal, sporting a joystick to tweak the sound and the option to flip the order of the two effects in the signal chain. Simple, quirky and effective.

Supplier's Notes:
Walrus Audio give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less is more approach, Walrus Audio have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs

The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by
David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes, DSP, DSP + True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: TR-S

Power Tube Reactor

The feel and response of a tube amp, in a pedal. Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.


What is a Nutube?
Developed by Korg; a Nutube - similar to a conventional vacuum tube/valve - has an anode grid filament structure, and operates exactly as a triode vacuum tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes.

Overview

Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.
Alongside amazing tone, one of the hallmarks of the Nu:Tekt series is that they're assembled by you! The TR-S kit doesn't require soldering, and the necessary tools are included - in fact, it's the easiest and fastest unit to assemble in the entire Nu:Tekt series!
Recreate the tube experience

The TR-S features an exclusive patent-pending circuit design, for compression that mimics the sag of a vacuum tube power amp - only possible with Nutube. Achieve this sought-after sound in any setting, even when playing through a transistor amp or recording into a DAW. The TR-S features four knobs on the panel, as well as three trimmer knobs hidden inside the top cover, allowing for even greater control over your sound. Go beyond the guitar and experience what the TR-S can do when you connect other instruments as well!

Easy assembly

Assemble the Nutube-driven TR-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

Specifications

Vacuum tube Nutube.6P1.
Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 5 hours battery life
Consumption 85mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)