Back catalogue: Rock (All)

Review: Setting the stage for their as-of-yet untitled sophomore full-length, Leeds based indie darlings Yard Act have unveiled their eight-minute opus-like standalone single The Trenchcoat Museum. Channeling a new wave promiscuity and frenetic synth-laden playfulness into their pre-established sound, while tip-toeing a fine line between scathing self-analysis and reliably humourous absurdity, the piece serves as an indicator of their current sonic trajectory, while showcasing an introspective look at their sudden meteoric rise over the past few years. Complete with an accompanying Black Mirror-esque music video directed by James Slater, and a B-side flip remix by the incomparable Arthur Baker, anticipation is rife for where the band are leading their myriad of avid followers. Serving as both an extension of the narrative set in place by last year's exceptional debut LP The Overload, and a bridging point to their next aesthetic era, this new single offers newcomers a welcome chance to play catch up before the mayhem commences all over again.

Review: Neil Young's return to this 1977-recorded "lost" collection of songs feels like a snapshot of an artist in transition, navigating between the raw edges of his 70s output and the more polished direction he would take in the years to come. Recorded between Florida's Triad Studios and Malibu's Indigo, the tracks resonate with a kind of unforced authenticity that's increasingly rare in modern music. You'll know some of these tunes - the majority did turn up in other LP tracklistings eventually - but re-pieced together it's clear there's a quiet confidence here, as if Young, unburdened by the pressures of commercial expectation, was simply allowing the music to flow out. Opening with the delicate 'Sail Away,' Young sets a tone that's both intimate and expansive, a rare combination that permeates the entire set. 'Lost In Space' follows, its understated melancholy giving way to moments of real tenderness, as though Young was channeling something deeply personal without ever letting it feel too heavy. The rolling 'Captain Kennedy' showcases his gift for storytelling, while 'Goin' Back' and 'Human Highway' bring with them echoes of past greatness, weaving themes of reflection and longing with his signature mix of folk and country. By the time 'Pocahontas' rolls around, it's clear that the collection, though rough around the edges, forms a cohesive whole, a snapshot of Young's restless creativity and unflinching approach to songwriting.

Review: We can never get enough of Neil Young's current run of reissues and rarities, and here comes another. This much-bootlegged performance from 1971 was recorded on January 30 at the University of California - it was a solo acoustic performance which puts Young's captivating songwriting and singing front and centre, adorned simply by piano and guitar. At the centre of the show is 'Journey Through The Past' - a haunting ballad which sounds incredible thanks to the diligent remastering job carried out by Young's team, working from the original analogue tapes no less.

Review: Recorded live at the Rainbow Theatre in London on November 5, 1973 as part of Young's tour with the Santa Monica Flyers, this key show in Young's career finally gets pressed to vinyl thanks to Warner. The band - comprised of Young on vocals and guitar, Nils Lofgren (lead and rhythm guitar, piano, accordion, vocals), Ben Keith (pedal steel guitar, vocals), Billy Talbot (bass, vocals) and Ralph Molina (drums, vocals) - performed a series of standout shows following the release of their seminal album Tonight's the Night. Featuring too many classics to count, including 'Helpless', 'Don't Be Denied' and 'Cowgirl In The Sand', this show is regularly celebrated for its "completely spontaneous and high-revved performance".