Back catalogue: Rock (All)

Review: Harvestman, the experimental project led by Steve Von Till, has released Triptych Part Two on Neurot Recordings. Following in the footsteps of Triptych Part One, which debuted this spring under the auspices of the Pink Moon, this installment is timed to coincide with the Buck Moon. Triptych is more than just an album series; it's a profound exploration spanning three lunar phases, each release synchronised with celestial events. Part Two introduces 'Damascus,' a composition marked by sinuous synth textures and percussive depths. Von Till describes its genesis as an experimental foray into loop-based composition, enriched by collaborative insights and months of refinement. Drawing inspiration from ancient landscapes and mystical lore, Triptych weaves together sonic tapestries that resonate with primordial energies. It's a testament to Von Till's visionary approach, bridging ancestral echoes with modern experimentation, captured in ethereal artwork by Henry Hablak. Triptych Part Two promises to enrich the listener's journey through its compelling and textured soundscapes.

Review: Steve Von Till concludes his ambitious Harvestman Triptych series with a deep exploration into folklore, ancient landscapes, and sonic experimentation on Triptych. Woven from two decades of home recordings, this final installment channels primal energies and lost traditions through a psychedelic, multi-layered soundscape. Von Till's psych-folk core is joined by elements of drone, sludge, and electronic noise, with notable guest contributions from The Bug, Wayne Adams (Petbrick), Douglas Leal (Deafkids), and others. Tracks like 'Herne's Oak' pulse with seismic bass, while 'Clouds Are Relatives' and 'Cumha Uisdean' resonate with haunting melodies. The album's dense layers evoke forgotten times, blending myth and music into a hypnotic reverie. Hablak's glyph-style artwork, continuing from Parts One and Two, complements the sonic journey with its mysterious, ancient symbolism. Triptych serves as a fitting, visionary conclusion to Von Till's projectian immersive, mind-bending journey through a soundscape rooted in the echoes of ancient civilizations. A truly remarkable end to a unique trilogy.