Teenage Mutant Ninja Turtles Theme (feat Mike Patton) (0:59)
The Wrecking Crew (1:13)
Jaw-Breaking News! (1:58)
Big Apple, 3 Pm (2:10)
Mutants Over Broadway! (feat Anton Corazza) (2:20)
Rumble In The Zoo (2:10)
Inner Peace (1:18)
Turtle Throwdown (0:52)
King Of The Spill (2:29)
Mall Meltdown (1:52)
Roof Running Reptiles! (2:16)
Panic In The Sky! (feat Jonny Atma) (2:06)
Crisis At Coney Island! (2:18)
The Side Hustle (1:14)
Rush Hour Power (1:18)
A Few Screws Loose (2:08)
Dinosaur Stampede! (2:20)
It Won't Fly! (1:49)
Technodrome Redux (2:03)
Clash Of The Outcasts (1:54)
Partners In Slime (0:59)
Cypher Cats (1:10)
The Lost Archenemies (1:57)
Outworld Strangeoids (2:33)
We Ain't Came To Lose (feat Raekwon The Chef & Ghostface Killah) (2:22)
Wrath Of The Lady (1:48)
A Dish Best Served Cold (1:28)
It's A Pizza Party! (feat Mega Ran) (2:28)
Review: High-kicking, nunchaking, pizza-eating, wise-cracking green dudes incoming. The barnstorming success of Teenage Mutant Ninja Turtles: Shredder's Revenge isn't hard to surmise. The original cartoon itself is a joyous, goofy, good time slice of late 80s / early 90s pop culture, and the modern video game knew exactly how to capture that energy and port it into a highly addictive beat 'em up. The soundtrack is pitched bang on for the occasion as well, running the gamut from electro and funk to jazz, all rendered with that classic chip tune finish. But that's not all - the team also invited a dizzying cast of guests to lend their voices to this project, from Raekwon and Ghostface Killah to Mike Patton and more. To put it another way, it's totally far out.
Review: Tomislav Simovic was among the most significant musical masters to emerge in post-World War II Yugoslavia. The Croatian artist was a member of several jazz bands over the years, is considered a pioneer of southern European electronic music, a highly respected musical theorist, commentator, and all-round visionary. During his lifetime, he would score 300 films, many of which are lost to the sands of time, and those that did survived, or were recreated by new artists, are considered examples of soundtrack as art. Few answer that call better than this previously unreleased collection of 18 short animated films from the Zagreb school, which positioned itself as an artistic institution concerned with presenting philosophical world views and changing the course of animated history. Simovic's work, even without the visuals, conveys this brilliantly, with a mixture of whimsy, comedy, contemporary songwriting, and grand arrangements.
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