Back catalogue: Progressive Rock

Review: Former Porcupine Tree founder member Steven Wilson has packed a lot into his career since the early 1990s - not least being a leading light of the post-progressive movement - but until last year he had never written or recorded a Christmas song. He was challenged to do that by a friend and, with a little help from collaborator Randy McStine, conjured up 'December Skies' - a suitably nostalgic, dreamy, progressive rock-tinged affair that touches on some of the usual Christmas single tropes while steadfastly refusing to revert to cliches. It has a pleasingly timeless feel, sounding like a largely cheese-free echo of the mid 1970s. On this limited-edition 'deluxe' CD single, you get both vocal and instrumental versions and a trio of Christmas cards based on the song's animated video.

Review: Yessonata sees Rick Wakeman delving into his Yes past, crafting a stunning solo piano suite that intertwines over 30 musical fragments from his time with the legendary prog-rock band. Adapted from a full band and choir arrangement performed at the London Palladium, this CD offers a masterclass in Wakeman's intricate piano playing. Familiar Yes themes, such as those from Awaken, Close to the Edge and Roundabout, flow seamlessly with lesser-known pieces like The Meeting. Wakeman's ability to weave these complex themes into a cohesive piece shines throughout. He effortlessly transitions from iconic intros like Long Distance Runaround to deeper cuts, making the listener's experience both nostalgic and exploratory. Particularly striking are the repeated appearances of Awaken and Close to the Edge, which serve as the backbone of the suite. The second half of Yessonata features the King Arthur Piano Suite, drawing on Wakeman's 1975 album The Myths and Legends of King Arthur and the Knights of the Round Table. The piece showcases Wakeman's delicate touch and rich emotional depth, elevating these themes to new heights. Recorded on a Steinway Model D, Yessonata exemplifies Wakeman's signature style: a joyous, flowing journey through his greatest works.

Review: Bristol trio Waldo's Gift unleash their debut album, a blistering and maximalist guitar record brimmign with improvisational prowess, their music a thrilling blend of prog-metal, math-rock and the more intense ends of electronic music. Tracks like 'Candifloss' and 'Malcolm's Law' showcase the band's technical skills and their ability to create complex and captivating soundscapes, while 'The Galli' and 'This One is Improvised' offer a glimpse into their free-flowing, improvisational approach. Recorded live with no overdubs, the album captures the band at their most raw and unfiltered, pushing the boundaries of their instruments and their own musical limits.

Review: English musician Steven Wilson, known primarily as the founding member of the band Porcupine Tree, shares the mint vinyl gatefold edition of his latest album: a literal musical overview of the prog rock genre which made him famous. Composed of just two wildly ambitious 20-minute suites, 'Objects Outlive Us' and 'The Overview', Wilson's distinctively guitar-led, lurchy solos and gargantuan progressive highs aim to evoke the so-called "overview effect", whereby astronauts seeing the Earth from space undergo a transformative cognitive shift, experiencing an overwhelming appreciation of beauty and an increased sense of connection to other people. Through such themes of magnitude and cosmic expanse, Wilson takes a valiant arm to the bridge here, facing the universe's cold indifference as an avenue to radical empathy.

Review: Live performance from English singer and guitarist Steven Wilson recorded at the Royal Albert Hall in March 2018. The performance includes tracks such as 'Nowhere Now', 'Refuge' and 'Sleep Together'.

Region Code: Region B