Will Saul & Kommon - "Two For One" (original mix) (5:23)
Will Saul & Kommon - "Two For One" (Appleblim remix) (6:29)
Review: As a follow-up to Will Saul's exclusive-packed - and generally well received - DJ Kicks set, !K7 has decided to reissue two of the most celebrated tracks, with fresh new remixes. On the A-side you'll find Jabru and Joel Culpepper's "Church" - a decidedly organic, soulful chunk of deep house/UK garage fusion - with accompanying Zed Bias rub. The UKG veteran gives it a bouncy, bassy two-step makeover, wisely retaining Culpepper's brilliant vocals. Flip for Will Saul and Komon's spacey "Two For One", where dreamy flourishes rub shoulders with throbbing electronics and delicate house beats. The remix is provided by Appleblim, who adds a new layer of percussive toughness - in a bruk-meets-two-step style - whilst retaining the warmth of the original.
Review: Fresh from the success of their "Water, Sky, Sun, Wood" album on Mule Musiq - a fine "hour-long meditation" born out of a four-hour improvisation - Wareika return to the dancefloor via a suitably hypnotic double-pack on Sleep Is Commercial. In its original form, the epic "Shamania" offers a near perfect balance between trippy, Villalobos style slipped minimal techno grooves and fluid - if distant sounding - piano movements. Fittingly, Villalobos provides two epic reworks alongside occasional collaborator Melchior Spirit: the first is glitchy, rubbery and undeniably mind-altering, while the second wraps weirdo electronics and mangled voices around a bolder, arguably heavier groove. For those looking for a "bigger", more compressed sound, the rolling tech-house flex of the Dunkle Dummies No Stop Mix is the one to check.
Review: The rise of the titans right here! (pardon the pun). Two of the biggest hi-tech soul merchants from the United Kingdom team up here on Spanish imprint Suara, for some epic and futurist dancefloor drama on "Rise". Strict rhythms accompany layer upon layer of warm emotive pads and soaring synth leads - as you'd expect from the duo. Their further homage to Detroit (via Glasgow and London) continues on second original offering "Variable Slope" which brings the funk with its bleepy bassline and killer groove for a life affirming dancefloor journey. There's a couple of killer remixes too. French sonic wizardry from the one and only Voiski: who delivers a scorching rendition, plus a lovely neon-lit classic house perspective from the controversial Marquis Hawkes. If that was not enough, a sombre, deep electro re-take on the aforementioned "Rise" by Leipzig's Lake People caters to a more downbeat moment.
Review: Baby Ford and Dazmos take the limelight on this first release on Nice 1. We Are Syd's original "Gently" is a mellow downtempo roller featuring choice vocals from Shea Seger, but it's the remixes here that get pride of place. Ford and Dazmos lock into an understated drum machine funk draped in hazy pads on the A side "Backroom Mix", while on the flip they push the club elements to the forefront. Riding the rhythm section with intent while still retaining the smoky spirit of the original, the pairing come up with an impeccable "Frontroom" club cut that should nestle comfortably into the bags of all deep digging house heads.
Review: This time the Mojuba sublabel brings us the second part of the 'Detroit' series by the label owner Don Williams himself. This one-sided
record features two fine examples of music inspired by the city of D. The first one is a pumping, peak-time cut to hit the dancefloors with
and might become an essential tool for the ambitious DJ. The second track convinces in its very own character, providing a feeling that
many will recognize from the early years of techno, when this music was connected to the listener in a more deep and emotional way.