Back catalogue: Pop

Review: Acclaimed synthpop trio A-Ha are teasing their latest album, not to mention independent film, 'True North', in what might just be the band's most crowning career achievement thus far. Their first project since 2015's 'Cash In Steel', it's high time they reined in on their success to do some good; the album and project is a relentless paean for the frozen magnetic north, and its ecological importance in connecting us to the environment.

Review: Already the winner of a Brit Award (Adele was voted the 'Critics Choice' - the most exciting new British artist expected to 'make it big' in 2008),
'19' is Adele's debut album. Citing influences as diverse as Etta James, Jill Scott, Bjork, Dusty Springfield, Billy Bragg, Billie Holiday, Jeff Buckley,
The Cure and Peggy Lee, Adele also recently completed her first solo UK tour, having toured previously with the likes of Jack Penate, Jamie T,
Raul Midon, Amos Lee and Devendra Banhart. '19' contains both her debut track 'Hometown Glory' and her smash single 'Chasing Pavements'.
Blues tinged and melancholic, Adele describes 'Chasing Pavements' as 'It's me being hopeful for a relationship that's very much over. The sort
of relationship you hate when you're in it, but miss when you're not'. A hymn to lost love and regret, 'Chasing Pavements' follows Adele's first
limited edition single 'Hometown Glory', which introduced her to the world to much critical acclaim, with NME calling it 'totally, absolutely beautiful',
Q Magazine calling her 'The voice of next year' and The Sunday Times saying 'A Star Is Born'

Review: Already the winner of a Brit Award (Adele was voted the 'Critics Choice' - the most exciting new British artist expected to 'make it big' in 2008),
'19' is Adele's debut album. Citing influences as diverse as Etta James, Jill Scott, Bjork, Dusty Springfield, Billy Bragg, Billie Holiday, Jeff Buckley,
The Cure and Peggy Lee, Adele also recently completed her first solo UK tour, having toured previously with the likes of Jack Penate, Jamie T,
Raul Midon, Amos Lee and Devendra Banhart. '19' contains both her debut track 'Hometown Glory' and her smash single 'Chasing Pavements'.
Blues tinged and melancholic, Adele describes 'Chasing Pavements' as 'It's me being hopeful for a relationship that's very much over. The sort
of relationship you hate when you're in it, but miss when you're not'. A hymn to lost love and regret, 'Chasing Pavements' follows Adele's first
limited edition single 'Hometown Glory', which introduced her to the world to much critical acclaim, with NME calling it 'totally, absolutely beautiful',
Q Magazine calling her 'The voice of next year' and The Sunday Times saying 'A Star Is Born'

Review: Fans of Marc Almost rejoice! Tenement Symphony, the Soft Cell singer's seventh solo album, returns via an impressive box set containing little less than six discs of music. The original 1991 album, a thrilling fusion of synth-pop, strings, piano house motifs and muscular dance grooves produced by the great Trevor Horn, sits on disc one alongside B-sides and seven-inch mixes, with disc two collecting extended versions and further B-sides. The remaining four discs showcase the songs contained on the album in various stages of development, with demos and work-in-progress versions aplenty, alongside live recordings and a swathe of previously released - and a smattering of never-released - club-focused remixes. Throw in a DVD of videos and BBC appearances, and you've got a genuinely brilliant box set.

Review: German trio Alphaville saw huge success with their 1984 debut album Forever Young. Two years later they set out to repeat the trick with Afternoons in Utopia. They somewhat succeed, too, as the long player reached the Top 20 in five different countries around Europe and spend the big hits 'Dance With Me,' 'Universal Daddy' and 'Jerusalem'. Now, for the first time ever, the record is repressed under the supervision of founding members Marian Gold and Bernhard Lloyd. The deluxe edition includes new photographs and sleeve notes as well as all the big musical moments.

Review: Right, OK, where do we start on this one? There is no point in trying to come up with some pseudo-academic wordsmithery about the cultural contribution that Swedish pop band Aqua made to the musical world. But nor can we slay these sounds either, though, because for a short while they were everywhere and lapped up by everyone. The charm of the Euro-dace was in its nativity, its silliness, its innocence, but also the deceptive simplicity of the MIDI beats and catchy vocal choruses. Hard to believe this one is 25 years old but it is, and it is now available on wax once more.

Review: Australian rapper Iggy Azalea's third album The End of An Era came on her own label Bad Dreams Records and took inspiration from the end of her 20s. It is a musical time capsule of that decade and features some guest spots from the likes of Bia, Sophia Scott and Ellise, while production was taken care of by frequent collaborator J. White Did It amongst others. The beats throughout are highly addictive with plenty of them ready to make you get up and dance. There are plenty of crossovers between future house and bass music making it one of her most accomplished works to date.