Back catalogue: Modern Classical

Review: A decade on from its original release, this compilation remains a spellbinding window into the musical mind of one of modern music's most innovative figures. As comfortable behind a grand piano as a homemade synth, Frahm brings his taste for boundary-blurring to this curated journey. Consider this a love letter to his inspirations and a reflection of his multifaceted artistry. The compilation weaves classical greats, jazz legends, ambient pioneers and experimental mavericks into a singular, late-night odyssey. Vladimir Horowitz's crackling rendition of 'The Flight of the Bumblebee' connects Frahm's own virtuosic piano play to the classical canon, while Miles Davis' smoky 'Generique' and 'Concierto de Aranjuez (Adagio)' speak to the atmospheric jazz undercurrents that color much of his work. Nina Simone's aching rendition of 'Who Knows Where the Time Goes' carries the same stripped emotional core that Frahm achieves in his more minimalist moments. Elsewhere, the warmth of Dub Tractor's 'Cirkel' and the ghostly dub of Rhythm & Sound's 'Mango Drive' nod to his love of minimalism beyond genre. Boards of Canada's slow-burning 'In a Beautiful Place Out in the Country' is also featured, showing the esteem Frahm holds these newer tracks in, nestling among legendary musical acts of the past. From Colin Stetson's avant-garde saxophone to Bibio's lush textures, the compilation spans eras and aesthetics with cohesion and care. It's not just a mixtape - it's a tribute, a seriously rich tapestry of influences that shaped a singular voice.

Review: In recent years, traditional instrumentalists have gained many more new fans then in years past. Why music scholars can debate why, we just think it's because of the great composers like Germany's Nils Frahm being found. His latest titled Day, presents six pieces that stride between poignant and melancholy. The placement of microphones to record lend itself to the depth of each piece. Picking up room sounds and even a dog barking in the background, help add to the depth and mood of each program. Nils is effortless on the piano as he gently paints with his fingertips. The beauty in these mostly piano compositions like 'Butter Notes', 'Changes' and 'Hands On' are breathtakingly peaceful, stark and ultimately, very moving. Memory provoking music. When you get a Nils Frahm album, you aren't just buying an album. You are buying peace on earth in the form of music.
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Review: After nearly two years since his acclaimed Music For Animals, Nils Frahm returns with a live recording captured at Paris's Philharmonie. Known for his inventive, expansive performances, Frahm brings new life to his extensive catalogue, weaving through reimagined tracks and debuting the immersive new piece, 'Opera'. This release captures a single night's performance, showcasing Frahm's ability to captivate audiences at iconic venues worldwide. Frahm's seamless blend of composition and spontaneity here underscores why he's one of today's most sought-after artists, offering a rich snapshot of his evolving artistry.