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Back catalogue: Minimal/Tech House
Juno's full catalogue of Minimal/Tech House
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Review: Workshop is one of those labels that has always operated at the fringes of genre. Deep house and techno are the loose starting points in many cases, but artists never fail to veer off into the shadowy nether worlds that surround those basic forms. Kolorit does that here with two intriguing cuts all with the same name. The first has lumpy scattered drums, scraping sounds, ticking hi-hats and freaky noise samples all peppering them. The second has haunting chords sequences over a ticking sound that is coated in hiss and crackle. It's late night and mysterious. The third has clattering percussion and shimmering synths that rise and fall and build in tension and intensity.
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DBS Volume 1 (red vinyl 12" limited to 300 copies)
Cat: MOSAICDBS 01. Rel: 03 Jul 23
Review: Dub techno don Steve O'Sullivan's Mosaic label is back with a new dubs series and vol 1 kicks things off with a real doozy on lovely red wax. The boss himself offers up a Bluetrain special edition dub of Hidden Sequence's 'Synapse' which is all icy lines and liquid rhythms which make you think of some frozen lake on a misty morning. Sub Basics (Temple of Sound, Lion Charge Records) opens up with a fresh dub laden track with rippling chords, tons of echo and rolling drums on 'Quarters.' Both are timeless dub outings, as you would expect from this label.
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Review: LILA mainstay Ayaavaaki and ambient veteran Purl speak different languages but used a translator to convey ideas to one another as they made this record. And they very much foment their own unique musical language on Ancient Skies, an album that blends ambient, drone and space music into richly layered soundscapes that are constantly on the move. Each piece is meticulously crafted and suspense you up amongst the clouds, hazing on at the smeared pads and swirling solar winds that prop you up. It's a record that would work as well in the depths of winter as a bright spring day such is the cathartic effect of the sounds. Beautiful, thought-provoking and innovative, this is as good an ambient record as we have heard all year.
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Review: Tom Middleton and Mark Pritchard created a landmark of ambient music when they released 76:14 back in the 90s. Their Global Communication project was never just about ambient though, and it also coursed through deep house and more besides. In the spirit of progress, Middleton has returned to thinking about the project from a contemporary perspective, stepping forth as GCOM with the epic scope of E2 XO. From stirring orchestral suites to high octane DSP, it's an expansive listening experience that shows Middleton pushing himself into new terrain in the studio. Whether you tie it back to the prior material or not, it's a towering piece of work from an elder statesman of UK electronica.
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