Back catalogue: Library/Archive

Review: Something's Up! is a masterful compilation that features the eclectic brilliance of John Barry's film scores. Curated by Saint Etienne's Bob Stanley, this collection highlights Barry's transition from a British arranger to a pop icon, renowned for defining the sound of the Cold War spy movie era. Focusing on music from 1964 to 1967, this album features Barry's iconic work on James Bond classics like Goldfinger, Thunderball, and You Only Live Twice, cementing his influence on the spy genre. Beyond Bond, Barry's contributions to films such as The Ipcress File and The Quiller Memorandum exemplify his ability to blend tension with sophistication. The collection also includes less-celebrated but notable scores like those for King Rat, The Chase and Seance on a Wet Afternoon, reflecting Barry's diverse range and ability to craft memorable themes beyond the mainstream. Barry's music, characterised by its lush orchestration and emotive power, extended its reach from the silver screen to the vinyl, resonating with listeners even if they hadn't seen the films - and his exceptional talent and enduring legacy in film music is on full display here,

Review: Nothing was as new and exciting as a synthesiser in the 70s and 80s. For forward-thinking adverts in particular, electronic sounds were essential. TV producers and advertisers sought to use music akin to "Tubular Bells," Tomita, and Jean Michel Jarre and so music libraries like De Wolfe, Bruton, Parry, and Chappell quickly adapted. Compiled by Bob Stanley, new album 'Tomorrow's Fashions' features advertising jingles, TV themes, and space exploration tracks with beatless ambience from that very era. Despite being 40-50 years old, the music feels fresh and finds jazz veterans like Brian Bennett and John Cameron embracing synthesizers. This electronica predated new age and ambient music, and also influenced pop, early Human League, and Warp Records as well as being sampled by MF Doom and Kendrick Lamar.

Review: In the 70s and 80s, nothing was as revolutionary as the synthesiser. Electronic sounds became essential for forward-thinking adverts, with TV producers and advertisers seeking music akin to 'Tubular Bells,' Tomita, and Jean Michel Jarre. Music libraries like De Wolfe, Bruton, Parry, and Chappell swiftly adapted. Bob Stanley's new album, 'Tomorrow's Fashions,' compiles advertising jingles, TV themes, and space exploration tracks with ambient beats from that era. Despite being 40-50 years old, the music feels fresh, featuring jazz veterans like Brian Bennett and John Cameron embracing synthesizers. This electronica predated new age and ambient music, influenced pop, early Human League, Warp Records, and has been sampled by MF Doom and Kendrick Lamar.