Back catalogue: Leftfield

Review: Measured Mile, the 7"s label run by Bob Stanley, firms its focus on DJ-friendly 45s that are or were either very rare or previously unavailable in the format. Its run of sharply curated 7"s is replenished with another three-tracker, this time an unusual choice, fencing two classic British sports broadcasting themes, pivoting from midtempo funk to faster breaks. Leading the A are two standouts from Douglas Wood, 'Cranes', known as the punchy, synth-heavy theme from the BDO World Darts Championship - and 'Drag Racer', the atmospheric opener to the BBC's Snooker World Championships coverage, both drawn from the revered Studio G library catalogue. On the flip, John Cameron's 'Sprocket Shuffle' - the lively 1980s ITV Snooker theme - rounds out the package in a flurry of analogue texture and charming nostalgia.

Review: Over three decades of musical exploration and innovation have cemented German guitarist and bandleader JJ Whitefield as a stalwart in the realm of authentic, timeless music. As a founding member of the Poets Of Rhythm in the early 90s, Whitefield pioneered a hard-edged take on 70s street funk, setting the stage for the Deep Funk scene to come. His subsequent ventures under various pseudonyms, including Karl Hector, showcased his versatility and eclectic influences, drawing from Ethiopian Jazz, West African funk, Kraut-rock, and ambient sounds. With his latest album, The Infinity Of Nothingness, Whitefield delves into the astral realms of spiritual jazz, paying homage to influences like Sun Ra and Pharoah Sanders while forging his own path. The album's mature, delicate orchestrations evoke a trance-like atmosphere, with subtle accents of hip-hop, library and avant garde seamlessly integrated. Tracks like the sparse opener 'Nothingness' and the expansive 'Infinity Suite' demonstrate Whitefield's ability to create music that not only honors his influences but also stands the test of time. The Infinity Of Nothingness represents a culmination of Whitefield's lifelong musical journey, showcasing his unwavering dedication to authenticity and innovation.

Review: German guitarist and bandleader JJ Whitefield, known for his authentic, timeless sound, delves into 'spiritual jazz' on his latest album, The Infinity Of Nothingness. With a career spanning over three decades, Whitefield's journey began in the early 90s with Poets Of Rhythm, pioneers of the Deep Funk scene. Since then, he has explored various musical styles, including funk with Karl Hector and Ethiopian Jazz, West African highlife, Kraut-rock, and ambient music under his Rodinia moniker. The Infinity Of Nothingness is a set of mature, meditative orchestrations, drawing inspiration from Sun Ra and Pharoah Sanders without becoming mere tributes. The album weaves subtle elements of hip-hop, library music, and avant-garde into its sound, creating a unified, trance-like feel. From the sparse opener 'Nothingness' to the three-part 'Infinity Suite' - 'Time', 'Space' and 'Energy' - the album reflects Whitefield's exceptional ability to craft music that resonates deeply with its influences while standing the test of time. As with his early work, Whitefield's latest project continues to set a high standard in musical exploration.