Review: So what happens when a European post-punk outfit meets an American 'ambient country ensemble'? The answer: A Nanocluster. In fact, three. This being the third. Immersion first met SUSS in September 2021, and the results were mesmerising. Three years on and the impact was no less staggering. Originally landing in September 2024, part tres takes us into the kind of musical places we're used to finding Spiritualized or Mogwai, and even then the references are misleading. For as many times as Nanocluster Vol. 3 sucks us into a thick soup of ambient and atmosphere, inviting us to get lost in opiate cloud formations, it also asks us to jump on board a stream train of rolling and driving rhythms, juggernauts gathering depth and complexity as they forge ahead. A stunning collection of highly evocative and incredible musical instrumentals.
Review: Kaoru Inoue's latest EP continues the journey of his acclaimed long player Dedicated to the Island, which was recently released for Record Store Day 2024. This six-track sequel features a series of self-reworked tracks from the LP, a first-time vinyl release and previously unreleased material as well as a remix by Argentina's SidiRum, who is a leading tastemaker in the tribal and slower house scenes. True to its title, the EP emphasises enhanced rhythmic elements and delivers a blend of organic, left-field electronic sounds. Inoue's talent for crafting atmospheric, innovative sounds will only improve with this superb 12".
Review: Few producers in the Nigerian capital, if any, sound like Ibukun Sunday. Marrying West African tones with Western ambient sensibilities and form, on Harmony Balance the juxtaposition between the two is perfectly measured. Not just a nice album title, then. Partly based on the ideas of Swami and Hare Krishna founder A.C. Bhaktivedanta, and particularly his work Bhagavad-Gita (English: As It Is), which focuses on the duality of human nature and existence, according to the notes we have this plays out as a tension between arrogance, envy, and the pursuit of power versus self control, humanity and devotion to others. Less conceptually, the album is just really, really nice, a soothing embrace that sounds mournful, hopeful, optimistic, and reflective all at once.
Review: "In 1987, a Japan-only Laserdisc was published by intermission. It showcased one our of works created by renowned German environmental artist NILS-UDO with specially commissioned music by Japanese Kankyo-Ongaku group Interior... Soon after, the world vanished." As a label, WRWTFWW Records have done a stellar job at setting the scene and establishing the perfect atmosphere for Sculpture of Time: Apocalypse. Released on vinyl for the very first time since it was made, almost 40 years ago, it's a lush, tranquil, and reflective slice of earthly ambient that sounds as though someone has just walked out of the jungle and picked up a synthesiser. You can almost reach out and touch the blue and green spaces the soundtrack evokes. Transportive in the truest sense.
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