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Back catalogue: Leftfield
Juno's full catalogue of Leftfield
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Port (orange vinyl 12" + insert + MP3 download code)
Cat: SCR 199T. Rel: 18 Aug 22
Review: Hull and Leeds-based band bdrmm finally follow up their acclaimed debut album Bedroom - which was instantly passed as a modern day shoegaze classic - with a new EP. It features the recent single 'Port' as well as fresh remixes by the ever more essential Daniel Avery, plus Working Men's Club, A Place To Bury Strangers and others. That single, 'Port,' took the band in a new direction with a darker sound fun of distorted drones and beats, with howls of anguish and manic guitar frenzies. That is carried over into the rest of the EP next to some radical reworks.
… Read more in stock $18.72
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in stock $18.99
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Forever In Boccaccio (12")
Cat: FIB 001. Rel: 09 Apr 24
Review: A repress of Innershades & Betonkust's 2018 new beat sensation 'Forever In Boccaccio!' has long been requested by hardcore record collectors. And now it has become available and has been fully remastered and housed in a new sleeve design, limited to just 300 copies. It was first made, according to the two being it, in January 2017 "under grey Belgian skies," when they had been consuming lots of acid and new beat, which of course shows. The title cut is brilliantly dark and gothic but is backlit by haunting vocal harmonies and underpinned by a menacing bassline. The three other cuts explore similar moods and grooves with great authenticity.
… Read more in stock $19.55
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Review: Smeary, bleary, watery-eyed Deutsche-Balearica from the fresh German talent that is Tom Bolas, dropping the impressive four-track EP 'Disco-Calabra' for Violette Szabo. An Italo-German dialectic is immediately heard on the self-titled lead track, on which Bolas' enlisted singer Flo Dalton gets her oozy voice glued and washed out between the producer's ultra-limited beatsmithing. The trend continues on the supporting new wave track 'Orientalo', the comparatively grinding post-punker 'Delusion', and the EBM chugger 'I Just Wanna Dance'.
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Review: Argentina born producer and DJ Born has been serving up some fresh sonic treats for three or four years now and here makes the natural next step of starting his own label. Desencanto will become a place to hear Sebastian Rosas Bruno's freshest tackle as exemplified by this first 12" which collides techno, new wave, electro and new beat. Text with the tunes says the EP is the first of many that will "deal with the disillusions of today's world: political, social, economic and also those left by old loves." Concept aside, these are innovative and impactful cuts.
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アルバム
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in stock $18.72
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in stock $17.88
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Review: The story goes that, back when he was a core member of Kraftwerk, Karl Bartos helped create the band's own theme for Fritz Lang's often-soundtracked Metropolis. Bartos has an enduring fascination with the more daring artwork of the early 20th Century, and so he took on the challenge of creating a new score for Robert Weine's landmark silent movie The Cabinet Of Dr. Caligari. Using an assortment of synths in his Hamburg studio, Bartos creates a symphonious soundtrack which shows his passion for the subject matter in stark detail. A must-check for fans of Bartos and the wider Kraftwerk phenomenon, as well as fans of Weine's pioneering psychological thriller.
… Read more in stock $17.88
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in stock $17.82
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in stock $16.20
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in stock $17.05
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in stock $17.61
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in stock $18.44
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in stock $15.09
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in stock $18.16
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Fig 1 (LP + MP3 download code limited to 200 copies)
Cat: BRC 01. Rel: 23 Jan 23
Review: Fresh, warm and spontaneous - brainwave research center's eight track debut album is everything that electronic music sometimes forgets to be. Recorded and produced in the back of Smith's synthesizer/electronic repair shop, Specs Sales & Repair, in Greenpoint, Brooklyn, the project is a joint collaboration between NYC-based house/techno producer, Chase Smith (W.T. Records, Apartment, is/Was), & documentary filmmaker, Christa Majoras (School of Visual Arts).
Described as a distillation of influences from experimentalism of Steve Reich, Laurie Spiegel and Black Dice, the 90s ambient techno of The Orb and Pete Namlook/Fax and more motorik flavours like Kraftwerk, Suicide, Manual Gottsching, it's a gentle but lively affair from the Art Of Noise-esque 'ah ah ah ah ah' and bubbling jam 'Bird Brain' to the epic arpeggios v guitar closer 'Day Dreaming'. This is first of four releases that the artist has planned, but there's certainly enough here to get your teeth into for now.
… Read moreDescribed as a distillation of influences from experimentalism of Steve Reich, Laurie Spiegel and Black Dice, the 90s ambient techno of The Orb and Pete Namlook/Fax and more motorik flavours like Kraftwerk, Suicide, Manual Gottsching, it's a gentle but lively affair from the Art Of Noise-esque 'ah ah ah ah ah' and bubbling jam 'Bird Brain' to the epic arpeggios v guitar closer 'Day Dreaming'. This is first of four releases that the artist has planned, but there's certainly enough here to get your teeth into for now.
in stock $15.64
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Blowdry Colossus (LP + MP3 download code in autographed sleeve limited to 100 copies)
Cat: ADD1 0012LPX. Rel: 05 Oct 23
in stock $18.99
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in stock $18.16
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Beyond (LP + insert + MP3 download code)
Cat: DCR 117LP. Rel: 18 Feb 22
in stock $18.99
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Avoiding The Light
Existence
Ode To Hate
Time
Flowers Hold No Meaning
Review: The stylistic moniker of one Marc Dwyer (formerly in collaboration with fellow Sydney scene denizen Rebecca Liston, but now solo), Buzz Kull is an impressively accomplished darkwave and neo-EBM project that's been active since 2010. Returning to the equally esteemed Funeral Party Records, with whom Dwyer has enjoyed a productive relationship for a good while now, New Kind Of Cross delivers yet one more album-length handful of dark, danceable, anti-oppressive, cold-future-ambivalent, hysterical-discursive tracks, manifesting in a uniquely occultic sonic nonagram. Our faves have got to be the climactic 'Existence', on which a pervasive atmosphere of defeatist authoritarian realpolitik abounds - "I've never felt existence outside of this system" - and the title track, which exemplifies Dwyer's preference for beautifully textured, subliminally lo-fi arps and emphatic "eurrghs" abounding in the FX send.
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