Review: AUX88 Bass Magnetic re-Issue 1993-2018. Back by popular demand, the same unique spirits that brought forth the
sound of Detroit streets and turned it into the futuristic soundscape known as "Techno-Bass", The Original members
have collaborated to re-issue their catalog 25+ years later. Starting with their 1st double pack LP, "Bass Magnetic"
(considered to be a mesh of influences between Miami bass and Detroit techno), AUX88 established themselves in an
effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. After
the release and production of their own documentary ("AUX88-Portrait of an Electronic Band"), the group celebrates its
now classic recordings. Harkening back to its first days on cassette tape to revive a future generation of vinyl
aficionados. AUX88's "Bass Magnetic" = Classic Detroit Electro
Review: Detroit electro's most bass-obsessed twosome, Aux88, recently reissued one of their most significant early releases, the forthright - and brilliant - "Direct Drive EP" from 1995. Thrillingly, they've decided to follow it up with a new issue of another '95 gem, "My AUX Mind", which backs the pair's brilliant, acid bass-propelled original mix (track 2) with fresh revisions from Egyptian Lover and, more impressively, Motor City electro originals Cybotron. The latter's version is superb: a spacey, high octane re-wire that's every bit as alluring as the duo's early 80s classics (think "Clear", "Techno City" etc). Egyptian Lover's main "remix" is slightly more intense with a more Kraftwerkian beat, while his accompanying "Acapella Mix" is a handy DJ tool for those who like vocoder vocals.
Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Review: Detroit duo Aux88 always danced to a different drum than their Motor City peers, developing a ludicrously weighty trademark sound that put massive, mind-mangling analogue bass and gut-punching electro beats at the heart of the action. "Direct Drive", a 1995 release that has long been hard to find (hence this much-needed reissue), is one of the best examples of their distinctive sound. The title track (side A on this edition) is little more than a raw, thrusting bassline, snappy machine beats, spacey pads and occasional Kraftwerk samples, but it's brilliantly floor-friendly and brilliantly executed - Detroit body music for those who like their club cuts sub-heavy. Elsewhere, "Aux Express (DJ K1 Mix)" is a bouncy electro jam and the short "Bytes" tracks are wonky vocal samples for creative DJs.
Review: One of the pleasing by-products of the recent electro revival has been the return of Aux 88, a legendary Detroit quartet whose armour plated, bass heavy take on the style made them one of Michigan's finest musical exports in the 1990s. "Counterparts", their first new album in ten years, is therefore big news. After opening with their warm, funk-fuelled take on Motor City techno - the sci-fi brilliance of "Intel" - the four-piece rushes through a range of killer, club-friendly electro jams in their trademark style (tough drums, funky bass, vocoder vocals). Highlights include the moody "My Electro Visions", the foreboding "Stereolized", the ghetto-tech influenced "Pothole Paradise" and the far-sighted, Cybotron-meets-Kraftwerk style goodness of "Electro In Key of Funk".